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Journal : Jurnal Partisipatoris

VISUAL ELEMENTS AS A CONSTRUCTION MEDIA OF KOREAN CULTURE IMPERIALISM Aditya Dwi Putra Bhakti; Moch. Fuad Nasvian
Jurnal Partisipatoris Vol. 4 No. 1 (2022): March
Publisher : University of Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/jp.v4i1.27937

Abstract

This study aims to find out how visual elements are used as a construction medium for cultural imperialism, especially Korean Culture, through film series production. This study uses a qualitative approach. This study uses the visual element concept of Timothy Samara with Roland Barthes' semiotic analysis method. The object under study is the Korean serial film, Squid Game Season 1 which consists of 9 episodes. The results of this study of the Squid Game series in a structured way maximize the use of elements of form and space, color, symbolic space, typography, and layout as a medium for constructing Korean cultural imperialism. The findings from this study also contribute to the science of visual communication, especially in the use of visual elements in film works.
AFGHANISTAN WOMEN'S SPORTS PORTRAIT: VISUAL RHETORIC ANALYSIS OF PHOTOS BY EBRAHIM NOROOZI Aditya Dwi Putra Bhakti; Ahmad Rizal Dwi Yulianto
Jurnal Partisipatoris Vol. 5 No. 1 (2023): March
Publisher : University of Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/jp.v5i1.28370

Abstract

Sport is a means for women to voice gender equality, but this is difficult to realize in Afghanistan. To be precise, in 2021, since the Taliban returned to power, women have been banned from participating in sports. Ebrahim Noroozi captured this in a series of photos published on the Associated Press' official website. This study aims to discover the message that Noroozi wants to convey in 15 photographs. This study uses a descriptive qualitative method by utilizing visual rhetorical theory by Foss and Hesford and Brueggemann's rhetorical triangle as data analysis techniques. From the analysis that has been carried out, it is found that this collection of photos is a form of criticism of the conservative policies implemented by the Taliban government which deprived Afghan women of the freedom to engage in sports and the freedom to carry out various other activities. The photographer utilizes a series of photographic techniques to create the illusion of audience intimacy with the phenomenon being raised. These photos were produced with the intention of getting public attention and provoking audiences to act and provide support to Afghan women.