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Pendampingan Penyampaian Character Building Untuk Siswa SMP di Masa Pandemi Felik Sad Windu Wisnu Broto; Soetam Rizky Wicaksono; Melany Agustina
Jurnal Ilmiah Pangabdhi Vol 7, No 1: April 2021
Publisher : LPPM Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/pangabdhi.v7i1.9971

Abstract

The pandemic period caused learning to take place online, so the delivery of character building (CB) in accordance with the school's mission, especially at SMPK Santa Maria I became more difficult for teachers. So that the community service team, with the support of the school principal, organized a CB delivery activity which included a mentoring process for teachers to create CB modules and webinar activities for all students which were divided per class 7, 8 and 9. After the activity was completed, an evaluation was carried out by a team of teachers appointed and it was reported that the level of student discipline in online learning had increased, and the motivation to learn and also the level of student motivation also experienced the same. However, the evaluation that is not well documented has become an obstacle in the implementation of the evaluation.
Kajian Korelasi Visual Karakter Desain Ainz Ooal Gown Pada Serial Overlord Dalam Pembentukan Persepsi Audience Bintang Pramudya Putra; Melany Agustina
Jurnal Desain Komunikasi Visual Asia Vol 2 No 2 (2019): Volume 2 Nomor 2 (5)
Publisher : Lembaga Penelitian Pengembangan dan Pengabdian Kepada Masyarakat STMIK Asia Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (225.294 KB) | DOI: 10.32815/jeskovsia.v2i2.318

Abstract

Overlord dirilis pada tahun 2012, dengan rating IMDB sebesar 7.8/10. Karakter utama dalam seri tersebut adalah Ainz Ooal Gown sebagai karakter penguasa terkuat berbentuk skeleton, umumnya skeleton diasosiasikan dengan karakter lemah. Apakah dengan penggunaan bentuk tubuh skeleton mampu membentuk persepsi penonton sebagai tokoh yang berkuasa atau tidak. Metode pembedahan karakter Ainz Ooal Gown mengadaptasi konstruksi manga matrix untuk dapat menjabarkan berbagai unsur yang terdapat didalamnya serta komunikasi yang ingin disampaikan oleh perancangnya kepada audiens. Hasil pada proses analisa karakter desain adalah adanya berbagai objek atau atribut pendukung yang mampu meningkatkan citranya sebagai magic caster terkuat. Tubuh tengkorak yang berasosiasi dengan karakter lemah dapat berubah dengan dukungan atribut pendukung lain. Ainz juga memiliki tubuh besar serta jubah berwarna gelap yang dapat meningkatkan efek intimidasi bagi seluruh musuh yang dihadapinya. Berdasarkan studi kasus yang dilakukan maka dapat disimpulkan bahwa karakter desainer dapat memutar balikkan persepsi penonton dengan menambah atau mengurangi atribut visual. Kata Kunci: Karakter Desain, Overlord, Semiotika Overlord was released in 2012, with an IMDB rating of 7.8 / 10. Ainz Ooal Gown is the the strongest character and also the main character in the story, Ainz displayed with a skeleton body at the series, generally skeletons are associated with weak characters. If the story chose to use the skeleton shape to represent the strongest character in the story, then how to switch audiences’ perception. The analysis shows that Ainz Ooal Gown charater adapted by the manga matrix method, first step is to separate various elements on the character and review each element and describe perception behind the visual element. Final result of this research is each visual element on the characters could build audiences’ perception; character designer has capability to switch audiences’ perception, control audiences’ believe, and separate from common image of character design. Keywords: Design Character, Overlord, Semiotic
PENINGKATAN KREATIVITAS DAN PRODUKTIVITAS KEGIATAN MEMBATIK DI KELURAHAN TLOGOMAS MALANG Melany Agustina; Anitarakhmi Handaratri; Kestrilia Rega Prilianti; Sultan Arif Rahmadianto
JAST : Jurnal Aplikasi Sains dan Teknologi Vol 1, No 2 (2017): JAST
Publisher : Universitas Tribhuwana Tunggadewi Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (381.538 KB) | DOI: 10.33366/jast.v1i2.722

Abstract

Batik is one of Indonesian culture heritage that should be preserved.In almost every Indonesia region has batik. Not only batik Jogja or Solo whose name is s become incredibly global, other areas in Indonesia also has batik. Recently, ‘membatik’ community in Kelurahan Tlogomas do not have pattern and a special color which is feature of Malang city .Therefore, activities devotion to community aims to bring training motives and color batik to enrich batik pattern.With community members not more than 10 peoples, this work is hoped can be seeds entrepreneurship that produces advantage. Devotion to community’ team provide socialization, assistance equipment and materials, and created special account to help introduce and markets batik Tlogomas. This activity is also to keep cultural heritage through the improvement of the creativity and productivity membatik activities. Keywords : batik, tlogomas, pattern, color, malang