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All Journal Jurnal Sosioteknologi International Journal of Humanity Studies (IJHS) Jurnal Socius: Journal of Sociology Research and Education Wimba: Jurnal Komunikasi Visual Jurnal Dimensi Seni Rupa dan Desain
Acep Iwan Saidi
Institut Teknologi Bandung
Arts Humanities Education Engineering Languange, Linguistic, Communication & Media Social Sciences

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MANAGEMENT AND PATTERNS OF CULTURAL INHERITANCE IN INDONESIA Acep Iwan Saidi; Setiawan Sabana; Nia Kurniasih
Jurnal Sosioteknologi Vol. 16 No. 1 (2017)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2017.16.1.5

Abstract

This study titled Management and Patterns of Cultural Inheritance in Indonesia puts Bali as the scope of area of this case study. To be more specific, the object of this study is limited to the phenomena that occur in relation to wood-based handicrafts as one of the activities which are based on creativity deemed most prominent among the Balinese community. The study was conducted using ethnography as a method of data collection, followed by a study based on the perspective of culture. This study has obtained some interesting findings, such as Balinese crafts was originally a creative effort of the community based on the integration of nature, culture, and religion. Unequal inheritance patterns in term of technical skills and insight deepening about the values established by the integration of the three elements of the craft has led the development of Balinese crafts towards the growth of the character of "craft workers", not a craft culture.
GOFFMAN DRAMATURGY OF MOVEMENT CONCEPT IN SETAN JAWA FILM BY GARIN NUGROHO Agustina Kusuma Dewi; Yasraf Amir Piliang; Irfansyah Irfansyah; Acep Iwan Saidi
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2339

Abstract

DramaturgyGoffmanncloselyrelatedtothemodeloftheinteractionbetweenthepersonabyassumingthatamodeofsocialrelationsasastageshow.Thereareself-raised,therearepurposelyhiddenformanagementtocreateacertainimpression.SetanJawaFilmbyGarinNugroho,asanartfilm,theissueofmovementasthemediasaidthefilmthatmarkstheculturalcodeofJavatointeract.Thisstudyaimstoidentifytheperceptionofmotionapplicabletothe'movement'inSetanJawaFilmusingtestquestionnaireresponsesontheperceptionofrespondentsfromdiverseethnic,whichwaslaterconfirmedbythemethodofFocusedGroupDiscussionwithGoffmannDramaturgyanalysisasthebasisofinterpretation.
Multiculturalism in the Design Work of Indonesian Women Designers Senja Aprela Agustin; Acep Iwan Saidi; Irma Damajanti
SOCIUS Vol 10 No 1 (2023): Jurnal Socius: Journal of Sociology Research and Education, Universitas Negeri P
Publisher : Labor Jurusan Sosiologi Fakultas Ilmu Sosial Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/scs.v10i1.495

Abstract

Multiculturalism has become a prominent issue in media communication, serving as both a communication strategy and a form of awareness for creators, particularly in visual communication design media. Most of the previous findings on the study of multiculturalism in the media suggest that different cultural backgrounds must be considered for global brands to reach diverse markets since visual language is not universal. In addition, other studies explore the interpretation of multiculturalism ideas in the media and practice participatory design research to communicate multiculturalism value through visual communication media. Nevertheless, in Indonesia, the interpretation study of multiculturalism in designs, especially those created by women designers, as a manifestation of multiculturalism awareness seems to be underexplored. To narrow the gap, this study uses the visual semiotic theory of Roland Barthes to investigate the multicultural significance represented in visual images in the work of Indonesian women designers by outlining the levels of denotative and connotative meanings which develop into myth. This research reveals that the idea of multiculturalism in the design work of Nita Darsono and Sanchia Hamidjaja can provide other counter-knowledge in representing the diversity amongst the hegemony of a single and standardized body myth, such as white skin, ideal body, and race, in media. This approach better understands the audiences and appreciates cultural diversity. Overall, this study sheds light on the importance of multiculturalism in visual communication design media, particularly in representing diversity and challenging hegemonic norms. It highlights the need for more research in this area, particularly from underrepresented perspectives, such as women designers in Indonesia.
KAJIAN PERSEPSI VISUAL PENGGUNA PETA DIAGRAM RUTE KRL JABODETABEK Dody achmad Nawawi; Acep Iwan Saidi
Wimba : Jurnal Komunikasi Visual Vol. 14 No. 1 (2023): Wimba: Journal of Visual Communication
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/jkvw.2023.14.1.5

Abstract

Jakarta and its surrounding supporting cities are intertwined with the electric train transportationsystem known as the Jabodetabek KRL. In using this rail-based mass transportation facility, currentusers/prospective users are assisted by wayfinding information signs in the form of a diagrammaticmap of the Jabodetabek KRL route. One of the official route maps currently in use is the four-way(north-south, east-west) route simplification map. As a result of the simplification of the visualizationof space and distance, navigation confusion occurs on the map, where the positions of station points /between stations and geographical locations are very inaccurate / far from the actual spatialconditions. This of course will distract the basic ability of the user's spatial cognition. This study triesto explore the problems of visual perception and non-verbal communication between users (assubjects) and currently used KRL information signs (as objects) that occur as a result of the variety andmethod of visualization. Using the method of direct observation of the object under study andcomparing it with the spatial conditions of the official geographic map of Jabodetabek, then proceedwith a confirmation process to users (respondents) regarding the misperceptions that have occurred.The results of this study are expected to provide input to the designer of the Jabodetabek KRL routediagram map to pay attention to the fundamental problems of opportunities for misperceptions thatoccur and to improve the communication presentation in the next publication of the route diagrammap.
ANALISIS SEMIOTIKA VISUAL PADA ILUSTRASI SAMPUL MAJALAH TEMPO EDISI “JERAT KEDUA”: Visual Semiotics Analysis in the Cover Illustration of Tempo Magazine's ‘Jerat Kedua’ Edition Azhar Natsir Ahdiyat; Acep Iwan Saidi; Agus Sachari
Jurnal Dimensi Seni Rupa dan Desain Vol. 20 No. 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v20i1.7868

Abstract

The e-KTP megacorruption case in 2017 that dragged Setya Novanto made it a public conversation, including mass media like Tempo Magazine on its cover. Tempo Magazine uses illustrated images in each of its releases with distinctive characters and styles and often creates controversy. In addition, the illustrations on this cover also have various hidden meanings and codes that need to be interpreted deeply. Therefore, this study aims to explain the structure of the visual signs on the cover illustration of the “Jerat Dua” edition of Tempo Magazine. In addition, this research is also intended to reveal the codes contained in the cover illustration. This study uses a qualitative approach with an interpretive descriptive analysis. The method is visual semiotics with Roland Barthes' semiotics theory, including the structure of visual signs and the Five Codes of Barthes. The researcher concludes that the structure of the “Jerat Dua” edition of Tempo Magazine is composed from denotative signifier which change its meaning to connotative signified. The connotative meaning that appears is based on a convention, the anchoring of meaning, gestures/expressions, the use of metaphor/metonymy rhetoric, and references from reality. The codes that are revealed on the cover of this magazine include hermeneutic, semantic, proairetic, symbolic, and cultural codes. Keywords: illustration, magazine cover, visual semiotic, sign, code
Co-Authors Agus Sachari Agustina Kusuma Dewi Azhar Natsir Ahdiyat Dody achmad Nawawi Irfansyah Irfansyah Irma Damajanti Nia Kurniasih Senja Aprela Agustin Setiawan Sabana Yasraf Amir Piliang