Article Per Year (5 Year)
p-Index From 2019 - 2024
2.352
P-Index
This Author published in this journals
All Journal Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Journal of English Language Teaching SPEKTRUM: Jurnal Pendidikan Luar Sekolah (PLS) English Language and Literature Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Hikari Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni
Nur Rosita
Universitas Negeri Padang
Arts Humanities Education Languange, Linguistic, Communication & Media Other

Published : 20 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 8 Documents
Search
Journal : English Language and Literature

 1 
A Semiotic Analysis of Sarcasm Memes in @sarcasm_only Instagram Account Sayid Arshad Al Hindwan; Nur Rosita
English Language and Literature Vol 11, No 4 (2022)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v11i4.119106

Abstract

This study aims to analyze the signs contained in 10 sarcasm memes on the @sarcasm_only Instagram account. The signs found were analyzed using Charles Sanders Peirce's theory, namely triadic meaning. In sign there are 3 aspects, namely Representamen, Object, and Interpretant. This research used descriptive qualitative method. While the data from this research are sarcasm memes in the form of text and images. This study focused on memes containing sarcasm found on the Instagram account @sarcasm_only that can be attributed to everyone regardless of their gender. In the analysis, 26 signs were found. 12 signs were found in the form of images and 14 signs in the form of text. Further researchers are advised to conduct research on sarcasm memes in the form of videos. Because this study examines sarcasm memes in the form of images, some aspects such as Index are rarely found.
An Analysis of Code-Mixing Used by the Characters in Beni Setiawan’s Hanum & Rangga: Faith & The City 2018 Movie Aulia Rahmasari; Nur Rosita
English Language and Literature Vol 11, No 3 (2022)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v11i3.118573

Abstract

The purpose of this research was to find (1) the types of code-mixing used by the characters in the Hanum and Rangga 2018 Movie (2) determine the social factor reaasons of code-mixing. Data source are obtained from the characters’ utterances. The method used in this study is qualitative. Data was analyzed using the theory by Hoffman (1991) for classifying the types of code-mixing. The result of this study shows that three forms of code-mixing have been discovered from three types of Hoffman theory. The researcher discovered that 56 data belong to intra-sentential of code-mixing, 3 data belongs to intra-lexical of code-mixing, and 1 data belongs to involving a change of pronounciation. Intra sentential of code-mixing is the most dominant. Based on the result, the forms of code-mixing dominantly employed by the character in the movie is intra-sentential of code-mixing, whereas involving a change of pronounciation. Moreover, from the 60 data, the researcher also found 20 data is included as social factor of code-mixing and discovered 5 data were included as participant role factors, 4 data belongs to situational factors, 9 data were included as massage-intrinsic factors, and 2 data belongs to language, attitude, dominance, security factors. The reasons for mixing code by the characters include their different background, bilinguals choose their language based on a variety of elements such as who (participants: their histories and relationship), what (subject, content), and when, where a speech act happens.
Politeness Strategies in Directive Speech Act in The Greatest Showman (2017) Movie Monika Tagugurad; Nur Rosita
English Language and Literature Vol 12, No 1 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i1.119864

Abstract

Language as a means of communication always develops overtime. The value of politeness implied in the language. Furthermore, in interpreting the politeness value of a language, situational context has strong function to be considered. This cannot be separated from the speakers’ ways to express language with the politeness standard so that impact the listener's tendency to interpret the politeness value without seeing the situation affects it. The research purpose is to find out the types of politeness strategies and situational context that affects it in directive speech act in the Greatest Showman movie script. The researcher use qualitative method. The result was the five politeness strategies namely bald on record 42 data (29 %), positive politeness 61 (42 %), negative politeness 34 data (23 %), and bald off record 8 (6 %) where in each of these politeness strategies the component of speech appears as a situational context that influences. Additionally, the result show that the movie illustrates The Greatest showman movie as a motivational contains more positive politeness strategy which relates to the movie background that occurred in 19th century society, it is still valuable to uphold family values and respect for others according to their social class.
Code Switching Used by Judges and Models in Indonesia's Next Top Model in NET TV Hari Kri Surani; Nur Rosita
English Language and Literature Vol 12, No 1 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i1.120348

Abstract

This study aimed to analyze the types, social function, and the construction of speaker’s identity in code switching. This research used mixed (qualitative and quantitative) method by transcribing and analysing the videos to find out the types, social functions, and identity in code switching. The data were utterances uttered by participants in Indonesia’s Next Top Model cycle 2. The result of the study showed there were three types of code switching, intra-sentential switching, inter-sentential switching, and tag switching. The most dominant type was intra-sentential switching with 192 utterances, 41 utterances are inter-sentential switching, and 19 utterances for tag switching. Then five function of code switching found in this research, referential function with 3 utterances, directive function with 15 utterances, expressive function with 37 utterances, phatic function with 13 utterances, and metalinguistic function which most dominant function used by the speaker with 184 utterances. The construction of identity were divided into four categories, classification with 4 occurrences, relational identification with 15 occurrences, physical identification with 8 occurrences, and functionalization with 34 occurrences.
Code-Switching Used by Multilingual Person (Jerome Polin) in Nihonggo Mantappu Youtube Video Indah Pareza; Nur Rosita
English Language and Literature Vol 12, No 1 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i1.119862

Abstract

Language contact is the phenomenon of using two or more languages at the same time and place. The purpose of using two or more languages in communication is to build good communication based on social factors. Language contact caused various linguistic phenomena, such as bilingualism, multilingualism, diglossia, code-switching, code-mixing, and language shift. This research is about code-switching. This research aims to identify the types, reasons, and errors made by Jerome Polin when he did code-switching. The theories used in this research are by Bloom and Gumperz (1972) about types of code-switching, Hoffman (1991) about reasons why people did code-switching, and surface strategy taxonomy by Dulay et al (1982) about types of error. This research was descriptive research with a qualitative approach to solving research problems. The data was taken from the Nihonggo Mantappu youtube video, and in the form of utterances. The results of this research show there are five types of code-switching used by Jerome Polin caused by various reasons. In addition, it was also found that there were errors made even though he had mastered a language.
Word Formation Analysis of English Slang Language on Furious 7 Movie Alvin Delvary; Nur Rosita
English Language and Literature Vol 12, No 3 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i3.122800

Abstract

This study is an analysis of slang words found in the dialogues of the Furious 7 movie. This study aims to determine the types of word formation and the function of the slang words used in the Furious 7 movie. The theory used in this research is Yule (2010) regarding the types of word formation and Allan & Burridge's (2006) about the function of slang. This research is a descriptive research with a qualitative approach to solving research problems. The data used is taken from dialogues between characters in the Furious 7 movie. Researcher found 37 slang words used by the characters in the movie. This study reveals that there are seven types of word formation and seven different functions in the use of slang words The most dominant types of word formation are borrowing and multiple processes with 8 data each, while the most dominant slang function is to initiate relax conversation with 10 data. 
An Analysis of Contextual Meaning in Olivia Rodrigo's Songs Rivo Presti Roma Wijaya; Nur Rosita
English Language and Literature Vol 12, No 3 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i3.121810

Abstract

Contextual meaning is meaning that refers to context, or a sentence that can support the clarity of a meaning. This research was conducted to find the types of contextual meaning and changes in meaning in Olivia Rodridgo's songs entitled "drivers license", "deja vu", "good 4 u", "happier" and "traitor". This research used contextual meaning theory by from Pateda (2010) and semantic change theory by Chaer (2013). The method of this research was descriptive qualitative. The results showed that there were five out of 10 types of contextual meaning in the five songs, which context of person, context of situation, context of whether or not a formal conversation, context of speaker’s mood or listener’s mood and context of object with a total of 27 result, which contain nine words and 18 phrases. Also, three out of five types of meaning changes were found in words and phrases containing contextual meaning, which are widening, totally changed, and dysphemism with a total data of 17 out of 27 data, which contain of nine words and eight phrases. This research found that words or phrases that cannot be interpreted just by looking at the definitions in the dictionary, but also must be understood the context of their use.
Textual Metafunction Analysis in Surah Maryam and The Gospel of Luke: A Comparative Analysis Anabel Dwiana Putri; Nur Rosita
English Language and Literature Vol 12, No 3 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i3.122841

Abstract

This study aims to analyze and compare the Textual Metafunction in Surah Maryam and The Gospel of Luke. The texts were analyzed using Halliday and Matthiesen’s type of Themes theory and Danes’ thematic progression theory. There are three types of themes, namely topical, interpersonal, and textual themes. Also, there are three types of thematic progression, which are simple linear, constant continuous, and derived hyper-theme progression. While the data from this research is in the form of text. This study focused on comparing the theme types and thematic progression found in both texts. In analysis, both of the texts are mostly using an unmarked topical theme which aims to make the information conveyed in the text clear and easily understood by the reader. For the thematic progression, both of the texts also mainly use derived hyper-theme progression which focuses on a single Theme.
Co-Authors Alvin Delvary Amri Isyam Anabel Dwiana Putri Annisa Nur Umatil Iqbal Aulia Rahmasari Bayu Hadi Saputro Cindy Aulia Afrijon Devy Kurnia Alamsyah Dian Safitri Hari Kri Surani Havid Ardi Indah Pareza Monika Tagugurad Nazhira Putri Daffiza Nora Fudhla Piannur Piannur Redha Shafira Rita Arni Rivo Presti Roma Wijaya Sayid Arshad Al Hindwan