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Penguasaan Tubuh Perempuan Oleh Budaya Patriarki Dalam Film Yuni Tania Zahirah Salwa; Sulih Indra Dewi; Asfira Rachmad Rinata
Lenvari: Journal of Social Science Vol. 1 No. 1 (2023)
Publisher : Yayasan Lentera Avanya Nagari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61105/jss.v1i1.23

Abstract

Patriarchal culture tends to exclude women, can bring up various social problems that shackle women’s freedom and curb the rights that women should have. This is what causes discrimination against women, especially against women’s bodily autonomy. This social reality is often raised in a media, especially a film. One of the films with the theme of women living in patriarchal shackles is Yuni’s film. The purpose of this study is to determine the mastery of women’s bodies by the patriarchal culture contained in Yuni’s film using the concept of critical discourse analysis by Norman Fairclough. According to Norman, the discourse in this film can be in form of text analysis, discursive practice, and socio-cultural practice. The type of research used is descriptive qualitative with approach Critical Discourse Analysis (CDA) in order to reveal more deeply the mastery of women’s bodies by patriarchal culture in Yuni’s film. The results of this study reveal that there are three forms of mastery over women’s bodies by patriarchal culture in Yuni’s film, namely (1) control over sexuality, (2) control over reproduction, and (3) control over movement space.
DAYA TARIK DESTINASI WISATA ALAM & BUDAYA PADANG FULAN FEHAN KAB. BELU NUSA TENGGARA TIMUR Asfira Rachmad Rinata; Herru Prasetya Widodo; Mariela Gradiana Loe
Jurnal Ilmu Sosial dan Ilmu Politik (JISIP) Vol 13, No 1 (2024)
Publisher : Universitas Tribhuwana Tungga Dewi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jisip.v13i1.2638

Abstract

Abstract: The purpose of this study was to determine the Attraction of Natural Cultural Tourism Destinations in Padang Fulan Fehan. Belu, East Nusa Tenggara by using the concept of destination branding theory by Morgan and Pritchard. The type of research used is descriptive qualitative in order to reveal more deeply the tourist attraction of Padang Fulan Fehan as natural and cultural tourism. The results of the study reveal that to see tourist attractiveness apply five stages of destination branding, namely: (1) market investigation, analysis and strategic recommendations stage by implementing SWOT analysis in the form of strengths, weaknesses, opportunities, and threats (threats) Then, (2) the brand identity development stage only uses the name as the brand identity. Furthermore, (3) the brand launch and introduction stage: communicating the vision through promotion through electronic media, online media, and social media, (4) the brand implementation stage in collaboration with the local community (LMDH) and the government. Meanwhile, (5) monitoring, evaluation, and review stages through social media and monitoring the situation in the field. The attraction of Padang Fulan Fehan in the expanse of savanna meadows and cultural attractions that are displayed at certain moments at traditional eventsKeywords: atractions, branding destination, Padang Fulan Fehan tourism, NTT