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All Journal SELONDING Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Journal of Urban Society´s Arts Panggung Sorai: Jurnal Pengkajian dan Penciptaan Musik GETER : Jurnal Seni Drama, Tari dan Musik Jurnal Pengabdian Seni Jurnal Kajian Seni
Eli Irawati
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Social Sciences

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Journal : SELONDING

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KESINAMBUNGAN DAN PROSES TRANSMISI KELENTANGAN DALAM KONTEKS RITUAL MASYARAKAT DAYAK BENUAQ DI KALIMANTAN TIMUR Eli Irawati; Wisma Nugraha; Timbul Haryono
SELONDING Vol 11, No 11 (2017): MARET 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (663.562 KB) | DOI: 10.24821/selonding.v11i11.2958

Abstract

Transmission is one of the notable issues due to its role in the continuity of local-traditional musical practices across the globe. This paper aims to explore the transmission of kelentangan music and its link with the continuity of the music.Using ethnographic approach, this study deal with kelentangan not merely as musical sound but as a results of music making and varius activities in the daily life of Benuaq people. This study shows that, firstly, transmission of knowledge and skilss od kelentangan occurred between penu’ung to penu’ung and between penu’ung and its audiences. The second, kelentangan is closely tied with the extra-musical contexts. There has been no specific learning institution in Dayak Benuaq culture to the teaching and learning of the music. The third, the transmission of kelentangan not only generates the regenerations of its musicians, but also of its audiences. Last but not least, transmission has been one of notable elemets of the continuity of music. Transmission however cannot be operating in itself. It instead closely tied to various extra-musical context and activities in the life of Benuaq people, ranging from profane to the sacred one. In other words, it is located in the ecosystem of culture of Benuaq people. The transmission of kelentangan takes place in part due Benuaq peopleare still remain conduct their culture in line with their ancestors life in the past. Thus, to maintain the continuity of kelentangan music means to maintain the ecosystem of culture of Benuaq people.  Keywords: Kelentangan, Transmission, Continuity, Contexts, Ecosystem of Culture
KANA PERANAK DALAM PERAYAAN GAWAI PADI SUKU DAYAK MUALANG DI KALIMANTAN BARAT Alexandrian Mualang Panurian; Eli Irawati; Haryanto Haryanto
SELONDING Vol 19, No 1 (2023): : Maret 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sl.v19i1.8970

Abstract

Kana Peranak merupakan nyayian resitatif Suku Dayak Mualang yang disajikan pada saat Perayaan Gawai Padi. Tulisan ini bertujuan untuk mengetahui fungsi dan kajian tekstual Kana Peranak. Untuk membedah objek ini, maka digunakan metode kualitatif dengan pendekatan Etnomusikologis. Hasil analisis dalam tulisan ini menunjukkan bahwa Kana Peranak memiliki delapan dari sepuluh fungsi musik menurut Allan P. Meriam. Fungsi-fungsi tersebut antara lain Fungsi Hiburan, Fungsi Kenikmatan Estetis, Fungsi Ekspresi Emosional, Fungsi Komunikasi, Fungsi Penyelenggaraan Kesesuaian Dengan Norma-Norma Sosial, Fungsi Penopang Keseninambungan dan Stabilitas Kebudayaan, Fungsi Penopang Integrasi Sosial dan Fungsi Penggambaran Simbolik. Pada kajian tekstual, mengambil sampel Kana Peranak yang berjudul ”Limak Penyawak Sak Lempak Mrawai Awak”, terdapat tiga bagian pada bagian analisis musikal yaitu transkrip notasi, analisis motif nyayian serta analisis makna dan lirik. Adapun elemen pendukung musik meliputi pelaku, tempat, waktu, kostum dan suasana.
Co-Authors Alexandrian Mualang Panurian Endovalentio Ginting Ginting, Endovalentio Haryanto Haryanto Mr. Warsana Ni Kadek Rai Dewi Astini Paramitha Dyah Fitriasari Riana Kapri Shabri Bin Saad Sujud Puji Nur Rahmat Timbul Haryono Wisma Nugraha Wiwik Sushartami Yusuf Rizky N.C