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Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA)

KAGANGA
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Published by Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi

ISSN : 2621119X EISSN : 25984934 DOI : https://doi.org/10.31539/kaganga.v6i1.5320

Core Subject : Social,

Social Sciences

Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora memuat artikel hasil penelitian baik penelitian menggunakan pendekatan kuantitatif, kualitatif, dan mixed method yang terkait dengan bidang. Pendidikan Sejarah dan Ilmu Pengetahuan Sosial (IPS) meliputi bidang ilmu dan praktik pendidikan, praktik kurikulum dan pembelajaran, metodologi, pengembangan model serta metode pembelajaran, evaluasi dan teknologi pendidikan serta aspek pendidikan lainnya. Kajian Sejarah meliputi analisis kajian sejarah dalam segala aspek. Kajian Sosial-Humaniora meliputi penelitian keilmuan tentang sosiologi, antropologi, ekonomi, komunikasi, politik, pemerintahan, hukum, gender dan sosial-budaya masyarakat.

Arjuna Subject : -

Articles 9 Documents

Search results for , issue "Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora" : 9 Documents clear

Simbol Dan Makna Tari Langga Buwa Karya Muraji Bereki Nurlia Djafar
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

ABSTRACT The purpose of this study was to analyze the symbols and meanings contained in Muraji Bereki's Langga Buwa dance. This research method is qualitative by examining every symbol in dance that is influenced by the social system with the various cultures that surround it. The results of the research are the symbols and meanings of the Langga Buwa dance that are displayed through movement, dancers and others that have a relationship with concepts, general ideas, patterns and shapes that give rise to symbols involving denotative and connotative meanings. The conclusion of this research is that the analysis of Langga Buwa dance performances reflects gender equality which wants to show the existence of women in fulfilling their rights so that they are equal to men. Gender differences are only in gender, while the attitudes and characteristics of each are something that can be exchanged, so that men and women should receive equal treatment both their rights and obligations in social life. Keywords: Gender, Langga Buwa, Langga/Longgo.

Implementasi Program Desa Wisata Dalam Menunjang Pelestarian Dan Pengembangan Budaya Keris Siti Ngaisah; Bagus Ananda Kurniawan; Chusnul Abadi
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

ABSTRACT This study has objective to analyse the legal regulation as an effort to develop and maintain the art of Kris in Aeng Tong-tong Village, Saronggi, Sumenep. The methodology used is descriptive qualitative by using observation and interview as an analysis tools. The result of this study indicated that Kris as one of the heritages needed to be re-emphasize on its values and roles within society. Thus, there will be no more misunderstanding and misplacing the Kris. The conclusion of this study indicated that the implementation of tourism program which carried out by the Government was done to preserve the culture of Kris and make Sumenep as the city of Kris with huge amount of Kris maker in Indonesia. The implementation of the program was also supported by the legal regulation which regulated based on the order of law or hierarchy of statutory law. Keyword: Public Policy Implementation, Tourism Program, Tourism Regulation

Tari Dedare Nyesek Alwan Hafiz; M Ridwan Markarma; Hary Murcahyanto; Ummi Risti Ayuni Rahman; Sopiroyani Sopiroyani
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

ABSTRACT This research aims to describe the existence of Dedare Nyesek dance to the appreciation of the community in art activities in the Village of East Pringgasela Lombok Timur Regency. The method used in this research is descriptive qualitative. Data collection is done by observation, interview, and documentation. The results showed that the existence of Dedare Nyesek dance in Pringgasela Village is evidenced by the use of Dedare Nyesek dance as an art learning material in schools. Besides, Dedare Nyesek dance is also often performed at major events as government support to preserve this dance. People's appreciation of Dedare Nyesek dance is still lacking. This is due to the lack of Dedare Nyesek dance performance as well as the lack of public understanding of the meaning contained in the dance. The conclusion of the research is to preserve or improve the existence of Dedare Nyesek dance can be done by making Dedare Nyesek dance as a learning material in school. Besides, the manager and the Cultural Office also strive to display in major events held by the Cultural Office of NTB. Keywords: Appreciation, Dance, Dedare Nyesek, Existence

Teknik Vokal pada Kesenian Burdah Hary Murcahyanto; Yuspianal Imtihan; Mohzana Mohzana; Nurul Hikmah
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

The purpose of this study was to describe the vocal techniques used in singing Burdah's verse. This research uses descriptive qualitative method. The object of research is focused on vocal technique problems while the research subject is Jama'ah Burdah Al-Istiqlal, East Lombok. The results showed that the Burdah vocal technique had to use special lyrics or Barzanji. Not all of the vowel articulations are pronounced clearly according to the Arabic language. Burdah is sung at a slow tempo with a speed value of 60-63 (Larghetto). The dynamics at the beginning of the rhyme will sound louder and louder after which the same until the end except at the beginning again because the same rhythm is repeated. Frashering said to Burdah that he always welcomed each other so that the chanting would not break. Uses abdominal and upper resonance breathing as it is very influential on high notes. The conclusions of the study were found regarding the use of special rhymes, not all of the articulations were pronounced clearly, slow tempo, moderate dynamics, getting louder and repetitive, unbroken word decapitation, using abdominal breathing and upper resonance. Keyword: Burdah, Religious Art, Vocal Technique

Bentuk Dan Gerak Tari Tradisional Manuk Beberi Muh Ridwan Markarma; Riyana Rizki Yuliatin; Hary Murcahtanto; Ummi Risti Ayuni Rahman; Nur Aetin Mahi Sofiana
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

The purpose of this study was to describe the various forms and movements of the Manuk Beberi dance. This research uses descriptive qualitative methods using theories related to the research topic. The theory used is the theory of symbols which is translated into discursive and presentational symbols. The results showed that the Manuk Beberi dance is a regional dance originating from Lombok, West Nusa Tenggara. The Manuk Beberi dance was created based on the story of Dewi Anjani's pet. This dance is danced by two male dancers with energetic movements that reflect the character of Dewi Anjani's pet chicken. The various movements of the Manuk Beberi dance are classified into discursive symbols and presentational symbols. Movements that are included in the discursive symbol are the movements of the Keber, Notok, Ngaeh and Bekupu. These movements have certain meanings based on the results of mutual agreement in an area. Meanwhile, other Manuk Beberi dance movements are included in the presentational symbol, namely movements that are only complementary and do not have a core meaning. In conclusion, the traditional dance of Manuk Beberi has four forms, namely, the traditional dance form, which is the pet movement of Dewi Anjani. Keywords: Form, Manuk Beberi Dance, Motion

Musik Gamelan Drama Tradisional Amaq Abir Silvia Yolanda As; Hary Murcahyanto; M Ridwan Markarma; Yuspianal Imtihan
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

ABSTRACT This study aims to describe the composition of the traditional Gamelan music drama Amaq Abir in Sanggar Pustaka Budaya Marong Village, Central Lombok. This study used descriptive qualitative method. The results showed that Amaq Abir's Gamelan music has a composition of three types of Gending, namely: First Asmarandane Gending has a tempo between slow and fast with an expressive style with flat or horizontal melody and up to adjust the movements of the players on the stage. Both Oncer Prabu Gending have slow to medium tempo, dynamic a bit hard and a bit soft with a more even melody motion, up and down according to the scene. The three Gending Batelan has a fast tempo, getting louder and louder, the music style is light and fast with a rising melody motion, irregular tone movements. Each Gending has a rhythm that changes according to the situations and conditions of the play in the drama. The conclusion of the research is that the traditional Gamelan music of Amaq Abir has musical elements such as: rhythm, melody, harmony, tempo, dynamics, and style and is played with three types of gending with the Perembak technique and Bekilitan technique. Keywords: Gamelan Amaq Abir, Music Composition, Traditional Music

Teknik Vokal Tembang Sasak Jati Sware Hary Murcahyanto; Yuspianal Imtihan; Baiq Rismarini Nursaly; Wawan Syafriawansyah
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

The purpose of this study was to describe the vocal technique of Tembang Jati Sware in the Bebadosan Terune Art Studio, Lenek Village, East Lombok Regency. This research uses descriptive qualitative method. Primary data is the sound of Tembang Jati Sware Pupuh Dang-Dang, while secondary data comes from informants and texts in the form of oral and written. The results showed that when reciting Tembang Jati Sware using chest breathing. Articulation changes occur when the song is read. In Tembang Jati Sware, there are ten sentence breaks, namely on each comma. The body position when the tone is high is upright, the chest is outstretched, and the shoulders are opened, while when the tone is low the body position is normal. The intonation of the song is free, the vibration occurs every last sentence more than 4 beats to 8 beats. The conclusion of this paper is the vocal technique of the Jati Sware Dang-Dang song in Pepaosan which consists of: breathing, articulation, sentence fragments, singing position, intonation, vibration, and improvisation. Keyword: Tembang, Traditional Songs, Vocal Techniques

Respon Siswa terhadap Penggunaan Media Film Dokumenter Berbasis Situs Sejarah Lokal Ira Miyarni Sustianingsih; Risa Marta Yati
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

The purpose of this study was to determine students' responses to history learning using documentary film media based on local historical sites at SMKN 1 Lubuklinggau. This research method is included in development research using a 4-D research model which has been modified into 3-D including the Definition stage, the Planning stage, and the Development stage. The data collection technique used in this study was to provide a response questionnaire after learning using documentary film media based on local historical sites was completed, with a total of 18 questions. Furthermore, the data collection technique used is in the form of a Likert scale. The results of the study based on the calculation of the results of the response questionnaire that were filled in by the students showed that the average score of student responses was 75.6% in the good category. The conclusion of this study as a whole the students gave positive responses, besides that the documentary film media based on local historical sites was quite liked when it was used in the learning process. Keywords: Development, Documentary Film Media, Local History

Aisyiyah dan Peranannya dalam Meningkatkan Derajat Kaum Perempuan Remiswal Remiswal; Suryadi Fajri; Rahmadina Putri
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

ABSTRACT This study aims to describe the role of Aisyiyah in improving the status of women in Indonesia from 1917-1945. This study uses a library research method using a philosophical approach and a historical approach. The results of this study indicate that Aisyiyah is a Muhammadiyah women's organization which was founded on 27 Rajab 1335 H, coinciding with 19 May 1917 M. The embryo of the establishment of Aisyiyah has been started since the Sapa Tresna association was held in 1914, namely an association of educated girls around the village of Kauman. . Nyai Dahlan's attention to Islamic education is very large. Like Ahmad Dahlan, Nyai Dahlan agreed on a formal term known as "Catur Chess", namely: Education in the family environment; school environment; community environment; and places of worship. The conclusion of Aisyiyah's role in increasing the status of women in Indonesia is that in its development, the Aisyiyah movement from time to time continues to increase its role and expand its work in the context of increasing and advancing the dignity of Indonesian women. Keyword : Aisyiyah, Degrees, Women

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Home Page

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Editorial Address Jl. Gunung Sari RT.03 No. 82, Kelurahan Karya Bakti, Kecamatan Lubuklinggau Timur II, Kota Lubuklinggau Sumatera Selatan, Indonesia

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Contact Name
Yuhardi

Contact Email
yuhardi573@gmail.com

Phone
+6281377987485

Journal Mail Official
ipm2kpekaganga@gmail.com

Editorial Address
Jl. Gunung Sari RT.03 No. 82, Kelurahan Karya Bakti, Kecamatan Lubuklinggau Timur II, Kota Lubuklinggau Sumatera Selatan, Indonesia

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