cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Ranang Agung Sugihartono
Contact Email
ranang@isi-ska.ac.id
Phone
-
Journal Mail Official
ranang@isi-ska.ac.id
Editorial Address
-
Location
Kota surakarta,
Jawa tengah
INDONESIA
Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 1, No 2 (2010)" : 8 Documents clear
BEDAH RUMAH: KOMODIFIKASI KEMISKINAN DAN BUDAYA KONSUMSI Anhar Widodo
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2561.606 KB) | DOI: 10.33153/capture.v1i2.481

Abstract

This paper will review the co relation between poverty who becomes the object, the media that is doing commodification, and consumption as the goal of the commodification of the object by the media. Television program Bedah Rumah is very helpful in realizing the government’s program a simple home for the poor. This is not explain that government programs are not fully successful, proven there are still those who can not afford to get their basic rights, particularly employment and decent living.Keyword: Television program, poor, consumption
PERKEMBANGAN MEDIA PENYIARAN TELEVISI : Menjadikan Televisi Sebagai Kebudayaan Masyarakat NRA. Candra DA
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3385.41 KB) | DOI: 10.33153/capture.v1i2.497

Abstract

Television is one of the most widely broadcast media undergo a process of evolution. Today the presence of broadcast media is certainly not out of a myriad of appreciation from many in the community. Man himself was unable to deny that a television media will always be present in front of him. Various impressions broadcast program comes through this medium, different interpretation will emerge from the community as audience. Now, television has become an important need among the millions of people in the world community. This can happen because one characteristic of this form of broadcast media that is intrinsically capable explores some of the information occurs in parts of the world manapan the same time. As part of a development of new audio-visual culture, television becomes the thinking about the main attraction in an impact to thewider community . Positive and negative impacts of television media can only be known if the people themselves are willing and able to follow the development of this medium.Keywords: Broadcasting Media, TV Function, and Society
TIGA PEREMPUAN MEMBACA IKLAN VASELINE MAN VERSI PEMAIN SEPAK BOLA Citra Dewi Utami
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3523.056 KB) | DOI: 10.33153/capture.v1i2.485

Abstract

Television as a cultural phenomenon and agent frame the world through language codes. Commercial advertising plays a major role in the survival of television stations and industrial commodities. Television advertising is positioned as a text. Research in cultural studies frame this media expose about how audiences read the television advertisement. The theory of representation, identity and positioning Stuart Hall audiences are used to assess the reading audience. This study aims to (a) identify about how advertising constructs male identity, (b) identify and analyze the reading of ads by the three female audience, and (c) How is the public position on these readings. The results of this study to inform a few things, (1) ad shows his role in constructing and reconstructing the male identity, (2) the public has a variety of different opinions in reading a text the same, and (3) public autonomous positioning itself as a Dominant Hegemonic, Negotiated or Oppositional Reader.Keywords: reading, representation, male identity, advertising, public female
MENGENAL SEMIOTIKA DESAIN KOMUNIKASI VISUAL Taufik Murtono
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4208.438 KB) | DOI: 10.33153/capture.v1i2.501

Abstract

Whether semiotics can be classified as "science"? As an analytical tool that examines culture, semiotics is not always seen as "science". Most experts in the field of view of semiotics semiotics theory only as a tool to study the sign, namely as a system of living in a culture. However, there is also regarded semiotics as a science because it can show itself as an independent discipline. Already have a methodological tool derived from the theory. It can produce a number of hypotheses. It can be used to predict, and its findings provide the possibility to change the view of the objective world.Keyword: Semiotics, science, visual communications
POLA PENDAMPINGAN , PILIHAN ACARA DAN LAMA MENONTON TELEVISI PADA MURID BERPRESTASI DI KOTA SURAKARTA Donie Fadjar Kurniawan
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3872.308 KB) | DOI: 10.33153/capture.v1i2.487

Abstract

The objectives of this study are, first, to understand the pattern of guidance, second, to understand the choice of programme, and third, to understand duration of watching television to outstanding students at Surakarta. The data analysis shows as follows : the students watching television in a various ways; firstly, 56 % usually being together with their parents, no matter father or mother or both, 25 % being together with other family or relatives usually with siblings , and 19 % usually watching television by himself or herself. This kind of variations appear as the affect of pattern of guidance that is parents’ responsibility to be together while watching televsion. Secondly, from the choice programme, students have various of watching television, namely : 59% state that they have only several favorite television programmes. Next, 41% state that they have lots of favorite television programmes. Therefore, there is no statement showing no favorite television programmes. This kind of variation is also shown that 51% choose kids program as their favorite television programe. In queing: there are 13% to music, 12% to news programme, 11% film, 7% to sports, 6 % to comedy. Thirdly, from duration of watching, it is also shown that students watching in various condition namely: 59% like to watch television in unscheduled time, 25% like to watch everyday and 16% like to watch in sparetime (holiday). This kind of results also show that they take 3 until 4 hours daily to watch television during their sparetime (holiday), then 0 until 2 hours daily during their non sparetime (studying time).Key words: pattern of guidance, chocie of programe, duration of watching television, outstanding students.
STRUKTUR NARATIF PADA FILM ANIMASI AVATAR THE LEGEND OF AANG: THE LAST AIRBENDER Ellara Karla
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6737.31 KB) | DOI: 10.33153/capture.v1i2.489

Abstract

An analysis of narrative structure is as a media to understand to story and in the same time to deliver the mesassge and the meaning of the moral, cultural and religious values by the frame of education. In this case of Avatar The legend of Aang : The Last Airbender, narrative structure can provide the natural elements in every characters. The Natural element in which consist of water, ground, fire, air, is the mainly composition of making the characters. This kind of natural unsure is merely similar with daily Javanese living and as the energy representation in Javanese living. Keywords :Narrative structure, natural elements.
FOTOGRAFI PANGGUNG SOLO INTERNATIONAL ETHNIC MUSIC DI KORAN SOLOPOS DAN KOMPAS TEKNIK DAN ESTETIS Andry Prasetyo
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2462.911 KB) | DOI: 10.33153/capture.v1i2.475

Abstract

Stage Photography is one of the branches of science photography, which is devoted to the documentation of art stage. The documenting function is similar to the function of general photography. The branch of state photography more focuses on portraying the scenes on the stage. It becomes something special for both amateur and professional photographers because it requires a high sensitivity, concentration, skills, proficiency and special carefulness. Stage photography is absolutely necessary in the modern mass media, either as a standalone news as well as illustrations to support the news writing. Stage photography with the reality of the value, will help in the mass media to provide more complete information for the audience of readers. The stage photography of Solo International Music Performed which was published in the mass media Solopos and Kompas is the result of the recording of the photographer who has a sense of sensitivity, concentration, skill, finesse and accuracy. The papers published in the mass media can not be detached from the values and aesthetics rules, considering the photos will be witnessed by thousands of the human eye.Keywords: Stage Photography, Technique and Aesthetics.
KONSEP HUNIAN KELAS ATAS DALAM TAYANGAN PROPERTY ADVERTISING AGUNG SEDAYU GROUP DI TELEVISI Fitri Murfianti
Capture : Jurnal Seni Media Rekam Vol 1, No 2 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3616.157 KB) | DOI: 10.33153/capture.v1i2.491

Abstract

The Advertisement of Agung Sedayu Group is a representation the high class property. This will have a strong correlation between symbols and power and authority implicitly or even explicitly. The housing that is shown not only the place of living but also the realization of the concept of ‘one stop living’Keyword: representation, property advertising, one stop living

Page 1 of 1 | Total Record : 8

 1 

Filter by Year

2016 2016


Reset
Filter By Issues
All Issue Vol 14, No 2 (2023) Vol 14, No 1 (2022) Vol 13, No 2 (2022) Vol 13, No 1 (2021) Vol 12, No 2 (2021) Vol 12, No 1 (2020) Vol 11, No 2 (2020) Vol 11, No 1 (2019) Vol 10, No 2 (2019) Vol 10, No 1 (2018) Vol 9, No 2 (2018) Vol 9, No 1 (2017) Vol 8, No 2 (2017) Vol 8, No 1 (2016) Vol 3, No 2 (2012) Vol 7, No 2 (2016) Vol 7, No 1 (2015) Vol 6, No 2 (2015) Vol 6, No 1 (2014) Vol 5, No 1 (2013) Vol 3, No 1 (2011) Vol 2, No 2 (2011) Vol 2, No 1 (2010) Vol 1, No 2 (2010) Vol 1, No 1 (2009) Vol 5, No 2 (2014) More Issue