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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 13, No 2 (2022)" : 7 Documents clear
THE EFFECT OF WILDLIFE ORANGUTAN PHOTOS IN THE WORLD WILDLIFE FUND FOR NATURE ADVERTISEMENT ON STUDENT AWARENESS ON ENDANGERED ANIMAL CONSERVATION Erlina Novianti; Silviana Amanda; Malcheni Sanggrawati
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3688

Abstract

Orangutans are native to Indonesia that must be preserved because they are on the verge of extinction. One of the non-profit organizations, World Wildlife Fund for Nature (WWF) which involves outside parties with orangutans through campaign using photo media. This study aims to determine the effect of photos of wild orangutans in the WWF advertisement on students' awareness of conserving endangered species. This research uses an approach to study orangutan wildlife photos which are used as WWF advertisement media and use questionnaires for data collection. The results of this study indicate that the quality of orangutan wildlife photos that meet the rules of wildlife photography can convey information and messages effectively according to the WWF advertisement. WWF's advertisement photos can have a positive influence on respondents, which in the end can make them aware to participate in conserving the endangered orangutan.
MINANGKABAU MATRILINEAL RELATIONSHIP IN THE LOVE FOR SALE 2 FILM Anita Devi Maharani; Sapto Hudoyo
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3833

Abstract

Love for Sale 2 chronicles the life of a Minangkabau family living overseas. This tribe is highly distinctive due to the embraced and lived matrilineal culture. Accordingly, this study seeks to denote and connote the Minangkabau matrilineal relationship in the Sikumbang family as depicted in the film Love for Sale 2 by combining the descriptive method with Roland Barthes' semiotics in the analysis. The purposive sampling method selects scene samples. The findings of this study indicate that the Sikumbang family maintains the Minangkabau matrilineal relationship, which includes marriage as a communal affair, the importance of obtaining an ideal son-in-law, the'mamak-kemenakan' relationship, the 'bako anak pisang' relationship, and the mother's role in a matrilineal family.
SRIKANDI IN THE DOCUMENTARY FILM: NUSANTARA DOCUMENTARY ASSOCIATION’S REKAM PANDEMI Dara Bunga Rembulan; Rufus Goang Swaradesy
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.4084

Abstract

Gender inequality persists in the documentary film genre. It is assumed that women in the documentary field face so many obstacles that it contributes to the shortage of female documentary filmmakers. This research aims to examine the potentials of female filmmakers in the TVRI's Pandemic Recording program. This study is qualitative descriptive research. The research subjects were female filmmakers who participated in the TVRI's Pandemic Recording program and selected a purposive sampling technique. The data collection techniques relied on structured interviews. The analysis was carried out through data reduction, data presentation, conclusion, and verification. The findings indicate that the selection of female filmmakers in TVRI's Pandemic Recording Omnibus program reflects the achievements and potentials of female filmmakers, including "multitasking," a more feminist perspective, feeling and instinct, and a connection to the subject at hand. 
FILM TOURISM: A CASE STUDY OF SUMEDANG AS SUNDANESE CULTURAL PUSEUR Novian Denny Nugraha; Anggar Erdhina Adi; Sri Mharani Budi Haswati; Dyah Ayu Wiwid Sintowoko
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.4022

Abstract

As a Sundanese Cultural Puseur (center), Sumedang Regency can arguably increase Local Own-Source Revenues (PAD – Pendapatan Asli Daerah) for the Sumedang Municipal Government. Hence, this artistic study aims to offer a positive identity for Sumedang Regency through film tourism. Specifically, this research employs a practical method to produce a film tourism creation titled “Historical Land of Pasundan.” The results indicate that the visual look of the Sumedang film tourism is quite complex and dynamic, demonstrating the regency’s superior potential, culinary offerings, and indigenous Sundanese culture. Sumedang is specifically labeled as the  Sundanese Culture Puseur partly due to its historical significance and to attract a greater number of domestic and international tourists. This film tourism captures many images containing wide shots, close-ups, and camera movements and hence appears to be very dynamic as a part of the tourism and creative industry’s efforts to recover from the Covid-19 effects.
THE BAHU LAWEYAN LEGEND IN PHOTOGRAPHIC WORK Rahdan Hutama Putra; Handriyotopo Handriyotopo
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.4061

Abstract

There is a legend of Bahu Laweyan in Surakarta, which is also found in the 19th-century Serat Witaradya by R.N. Ronggowarsito. Bahu Laweyan is a cursed woman; if she marries, her husband will die mystically soon, and the curse will not be lifted until she has been married seven times. The legend of Bahu Laweyan is a concept of folklore re-actualization to be visualized through a Romanticism-influenced photographic medium. The creative process involves three stages: experimentation, reflection, and formation. The photographic visualization of Bahu Laweyan’s stature or characteristics illustrates a charismatic, charming, extremely elegant, beautiful woman, who has a bright face but also dark shadows and lethal powers. This Romanticism-styled photograph synthesizes folklore values (legend) and modern technology (photography).
CONTENT STILISTICS ON INDONESIAN YOUTUBER VLOG Fajar Aji
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.4088

Abstract

As a video-sharing site, YouTube has evolved into a new platform for audio-visual content creation. This condition enables not only celebrities and corporations (television media) to create content and become YouTubers but also the general public to do so. This article seeks to describe how YouTubers' vlog contents are stylized in Indonesia. As the defining elements, form, and style are transformed into data to identify the resulting stylistics. This descriptive qualitative research uses a subjective approach. The interpretation analysis was conducted based on the results to verbally illustrate the form and style elements of the vlog contents of the ten most subscribed Indonesian Youtuber channels in 2020. The findings indicate that the forms and styles of Indonesian YouTubers' vlog contents result in authentic, dynamic, spontaneous, and distinctive stylistics. These stylistics can finally create a sense of intimacy and engage the audience in the delivered content.
COSTUME AND FEMINISM: CHARACTER IN FILM KARTINI Dyah Ayu Wiwid Sintowoko; Siwi Anjar Sari
Capture : Jurnal Seni Media Rekam Vol 13, No 2 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3796

Abstract

Film Kartini, particularly the mise-en-scene aspect, appears to represent an era in the nineteenth century. The study focuses on Kartini's costumes. The research problem is how characters are constructed in the Film Kartini through costumes. The qualitative research method was employed for this study, and data collection was conducted using purposive sampling, with five scenes from Film Kartini serving as the primary data. The findings indicate that the costume’s four components, namely the top cloth, the body cloth, the leg cloth, and the accessories, are closely related to the character’s physiological, sociological, and psychological dimensions. The physical appearance of Kartini's costumes in its four components accurately reflects the physiological dimension. Meanwhile, Kartini appears to come from a noble family on the social dimension. Finally, on the psychological dimension, Kartini expresses her optimism for feminism through her costumes and movements but is confronted by the clash of Javanese traditions.

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