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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 3 No 2 (2018): Open Issue" : 6 Documents clear
Limbah Loom sebagai Alternatif Material Mebel Susi Hartanto
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1417

Abstract

Furniture factories are one of Cirebon's economy boosters as they employ many workers and produce numerous products for local and export orientation. As a consequence, this industry produces quite a large amount of waste, one of them is paper loom. Loom is a woven paper threads and metal wires which is used to wrap a number of furniture components, such as seat, backrest, etc. Case studies in 2 major factories in Cirebon, total loom waste reaches around 3 tonnes a month. This research provides recommendations of waste usage for furniture.
Pemanfaatan Pewarna Alam sebagai Trend Baru pada Fashion Brands di Indonesia Arini Arumsari; Agus Sachari; Andryanto Rikrik Kusmara
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1620

Abstract

As one of the largest sub-sectors of the creative industry in Indonesia, the fashion industry has a great potential and contribution to society and the country's economy. However, the role of the large fashion industry also needs to be balanced with the methods of production and design of fashion products that are environment-friendly. This needs to be done considering the potential for adverse impacts of the rapidly developing fashion industry without any direction. The adverse effects are the use of synthetic materials or raw materials that are harmful to the environment; unprocessed production waste; poor quality of materials and production processes resulting in a low product life-cycle; and social labor issues. To overcome the above problems, the environment-friendly method currently used by various fashion brands in Indonesia and becoming a trend is the use of natural dyes in the process of fashion production. The use of natural dyes has many advantages, namely: using non-toxic and dangerous materials; preserving the traditions of Indonesian ancestors; and producing authentic and trendy color characters if processed properly. This study uses qualitative methods with a sociocultural approach. This study presents the background and development of the use of natural dyes by various fashion brands in Indonesia to become today's trend. Thus, the use of natural dyes is expected to not only become a momentary trend but is also expected to continue to be developed. The biggest reason is that the application of more environment-friendly methods for the Indonesian fashion industry broadly can provide many benefits.
Pergeseran Fungsi dan Makna Simbolis Kain Sasirangan Yunita Fitra Andriana
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1473

Abstract

Sasirangan cloth is a result of the cultural work of the Banjar people in South Kalimantan, it has its own beauty, characteristics and uniqueness, both in terms of manufacturing techniques, colors, motifs and symbolical meanings. The symbolical meaning that contained in Sasirangan is closely related to its traditional motifs and the natural dyes which it has been used for many years. However, along with the current development, Sasirangan now has changed from using natural dyes to using synthetic dyes, so that the symbolical meaning needs to be reexamined. This study of shifting symbolical meanings of Sasirangan cloth uses qualitative methods with literature studies and analysis. The results of this study can be a reference source for studies related to Sasirangan cloth in particular, and traditional Indonesian fabrics in general.
Kamasan: Goldsmith Tradisional Sunda Busratul Mukmin Sjahroeddin; Agus Sachari; Meirina Triharini; Muhammad Ihsan DRSAS
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1498

Abstract

Every culture has its own craft product made by a specialized craftsman. Even so, wider community nowadays in Indonesia do not give attention to traditional craftsman as they should. Many of traditional craftsman has been alienized even perish from their community. One of the traditional craftsmen who has been existing and known in Sundanese people society are kamasan. Kamasan is the name of Sundanese traditional goldsmith who will make jewelry or embed precious metal to other product. Today presence of kamasan almost like a myth, even on Sundanese community. Rapid growth and higher quantity demand of jewely from Sundanese people that cannot be fulfilled by kamasan make them outcast from the mainstream precious metal and jewelry business scene. Beside that, the economic inflation that struck globaly caused many of kamasan changed their profession. In effort to find kamasan that still exist around Bandung, an ethnographical approach was performed in one of the kamasan village at southern Bandung. From those communities finally found only one kamasan who still practicing goldsmith until today. That kamasan persistently practicing goldsmith as known as in Sundanese traditional culture. Traditional craftsmen absence from its community affected the loss of various cultural knowledge. That condition will make a community alienated to their own cultural roots and awareness.
Menelusuri Jejak Rupa Wayang Klasik Bali I Dewa Alit Dwija Putra
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1821

Abstract

The form of classical Balinese puppets through its long history, starting from primitive times, ancient Balinese, Balinese Hinduism, and colonialism until now. As a work of art of ancestral heritage with its various forms and developments, many Balinese people do not know the history of the puppet origins that became 'pakem' in its traditional art. To find out the traces of the classical puppets of Bali have similarities form with the depiction of puppets figures that exist in the temples of Central Java and East Java. The art crossed to Bali through the conquest of Bali during the Majapahit colonialism. This research uses historical method through heuristic stages, criticism, interpretation, and historiography, to be able to describe historically the origin of classical Balinese puppets as well as analysis matrix comparison to see the similarities and differences of Balinese puppets visual that exist in the temple the studies reliefs in the two areas. This research gives an idea that wayang art in Bali comes from Java which its early formation has been started since the time of Singosari kingdom and as a form of traditional artwork which is close to society which requirement of moral and spiritual value.
Pewarisan Kesenian Wayang Golek di Jawa Barat Soni Sadono; Catur Nugroho; Kharisma Nasionalita
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1822

Abstract

As the improvement of increasingly sophisticated technology and the variety of modern communication media, such as television, radio, magazines, and the internet, the communities experienced a change of communication and entertainment media. So diverse regional arts and culture in Indonesia provides opportunities for various parties to be able to pass on to the younger generation and use it as a medium of communication. One of the local cultural arts passed down from generation to generation is Golek Puppets (Wayang Golek). Wayang Golek indeed been utilized by leaders and government in conveying information, knowledge and teachings to the community. Dissemination of information that is still centred on the urban areas, led to information gap between the people who live in urban areas with the people who live in the countryside. Meanwhile, the condition of people in West Java is still largely residing in rural areas. This is one of the reasons why this medium of Golek Puppet folk art is still used in guarding cultural and values heritage, also as dissemination of information media. This research is related to guarding of cultural heritage and development communication strategy. The theory used in this paper is Heriter La Culture Theory which describes the concept of cultural inheritance. While the method used is the method of phenomenology, where research focused on phenomena or events that are unique and special. In this research, the use of wayang golek folk art as a communication medium is something unique because while technology is more modern, some parties in West Java still maintain the traditional communication media that is, the art of wayang golek show. In the development of wayang golek in West Java, almost all stakeholders involved using the conservation, reinterpretation, and revitalization system.

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