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Ahmad Bahrudin
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INDONESIA
Relief: Journal of Craft
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 28092945     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
RELIEF: Journal of Craft contains scientific articles of research, conceptual ideas, creation of craft, craft design, ornaments, and interdisciplinary studies related to the field of craft (kriya).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
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Search results for , issue "Vol 1, No 2 (2022): Relief: Journal of Craft" : 6 Documents clear
TABUIK PARIAMAN DALAM PERAYAAN MUHARRAM (Pendekatan Sosiologi Seni) Yulimarni Yulimarni; Anin Ditto
Relief : Journal of Craft Vol 1, No 2 (2022): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (492.355 KB) | DOI: 10.26887/relief.v2i1.2596

Abstract

Tabuik is a work of decorative art that is formed on an aesthetic concept and is the main object for the implementation of the Muharram celebration in Pariaman City. The activity is held once a year. This study aims to examine the Pariaman tabuik from the perspective of the sociology of art by using the theory of Vera L. Zolberg. This research uses qualitative research and is analysed descriptively. Data was obtained through observation, interviews, literature study, and documentation. The data were analyzed through three stages, namely identification, classification, and interpretation. The results show that tabuik is a cultural artefact whose existence is very important in the celebration of Muharram and is formed due to social processes. Initially, the tabuik celebration was carried out as a sacred ceremony and contained sacred values. Now the implementation of Tabuik is more directed to the value of entertainment or tourism. All of that, of course, cannot be separated from the role of government institutions, tabuik artists, and supporting communities as art constructions. So that tabuik can live and thrive in Pariaman City until now.
MOTIF AKA CINO SAGAGANG PADA INTERIOR KELUARGA Doli Indra Hanafi; Rahmad Washinton; Hendra Hendra
Relief : Journal of Craft Vol 1, No 2 (2022): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1365.894 KB) | DOI: 10.26887/relief.v2i1.2589

Abstract

ABSTRACT Aka cino sagagang motive is one. On the motives applied to Rumah Gadang the motive of aka cino sagagang symbolize a determinate determination to achieves life,s goals this is line with the work to be made, namely the family is a place of basic education to foster personalities. The concept of creating this work departs from the farm of a motif that is stalized to adjust the field applied to the family interior. The theoretical basis used in the realization of this workis the theory used in the realization of this namely the theory of form, function, and aesthetics. The methods in the process of creating this work used the exsploration, design, and realization stages. The material us in the process of making this work is surian wood. The techniques used in making this work is the technique of carving and construction.The work created in three dimentions. This work has a practical and aesthetic function which is used as a disposable object in a family room which consists of a tv cabinet, bookcase, desk chair, display cabinet, and wall lamp.  ABSTRAK Motif aka cino sagagang merupakan salah satu motif yang diterapkan pada rumah Gadang. Motif aka cino sagagang melambangkan suatu tekad yang gigih dalam mencapai tujuan hidup, hal ini sejalan dengan karya yang akan dibuat yaitu interior keluarga, di mana keluarga menjadi tempat pendidikan dasar untuk membina kepribadian.Konsep penciptaan karya ini berangkat dari bentuk motif yang distilisasikan menyesuaikan bidang yang diterapkan pada interior keluarga. Landasan teori yang digunakan dalam perwujudan karya ini yakni teori  bentuk, fungsi, dan estetis. Metode dalam proses penciptaan karya ini menggunakan tahap eksplorasi, perancangan dan perwujudan. Bahan yang digunakan dalam pembuatan karya ini adalah kayu surian. Teknik yang digunakan dalam pembuatan karya ini adalah teknik ukir dan kontruksi.Karya yang diciptakan berbentuk tiga dimensi.  Karya ini memiliki fungsi praktis dan estetis yang digunakan sebagai benda pakai dalam ruang keluarga yang terdiri dari kursi three seat, meja, rak buku, kabinet TV, lemari pajang, dan lampu dinding. 
KERAJINAN KERAWANG GAYO KECAMATAN BEBESEN KABUPATEN ACEH TENGAH Jusnimalita Jusnimalita; Ferawati Ferawati; Ahmad Bahrudin
Relief : Journal of Craft Vol 1, No 2 (2022): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1053.183 KB) | DOI: 10.26887/relief.v2i1.2595

Abstract

Penelitian ini bertujuan untuk mengetahui kerajinan kerawang Gayo di kampung kerawang Bebesen, Kecamatan Bebesen, Aceh Tengah, Propinsi Aceh, meliputi bentuk, fungsi, dan pemasarannya.  Kampung Bebesen memiliki perajin kerawang terbanyak di Aceh.  Penelitian ini menggunakan metode kualitatif dengan data deskriptif yang bersumber dari perajin dan pemilik usaha, tokoh masyarakat, dan pemerintah daerah setempat.  Pembahasan dan pemecahan data penelitian dilakukan dengan dukungan teori yang relevan yaitu teori bentuk, dan fungsi. Pengumpulan data dilakukan melalui observasi, tinjauan pustaka, wawancara, dan dokumentasi.  Perajin kerawang Gayo di kampung Bebesen menghasilkan produk untuk kebutuhan sehari-hari seperti baju kerawang, tas, rok, jilbab, upuh ulen-ulen, pawak, sarung bantal kursi, serta untuk kebutuhan acara-acara adat, bantal didong yang digunakan dalam kesenian didong, payung, dan beragam bentuk cinderamata.  Adapun motif hias yang banyak dijahitkan dalam produk kerajinan di sini yaitu motif emun berangkat, emun beriring, emun mutumpuk, emun mupesir, tapak seleman, bunge ni kapas, puter tali, dan pucuk rebung. 
KARAKTERISTIK LEMPUNG PARIT MALINTANG SEBAGAI KEKAYAAN LOKAL UNTUK BAHAN BAKU KRIYA KERAMIK Taufik Akbar; Hendratno Hendratno
Relief : Journal of Craft Vol 1, No 2 (2022): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (744.427 KB) | DOI: 10.26887/relief.v2i1.2591

Abstract

The paper talked about the character of clay in Parit Malintang, Padang Pariaman District, as a raw material of ceramic craft. This research aims to find a new clay for ceramic craft or terracotta in West Sumatera. This research method is action research and implementation with pottery and solid casting techniques and reviewed materials science of ceramic. The result of this research contains; Characteristics of clays of Parit Malintang is terracotta clay (red earthenware clay) entirely plastic, drying shrinkage of  5%, firing shrinkage of  8% (713°C) and can be used as a raw material of ceramic craft mainly terracotta craft.
STRATEGI KOMUNIKASI PEMASARAN SONGKET PANDAI SIKEK PADA PANDEMI COVID-19 Siska Mitria Nova; Mutia Kahanna; Wirda Hayani
Relief : Journal of Craft Vol 1, No 2 (2022): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1204.47 KB) | DOI: 10.26887/relief.v2i1.2592

Abstract

ABSTRACT Songket Pandai Sikek is a songket that has been traded in the market. Pandai Sikek is one of the nagari in the Minangkabau which a famous because pandai sikek songket is producer in West Sumatra. The spread of the Covid-19 virus has a negative impact on various economic sectors. The spread of covid -19 has caused a decrease in market demand for the sikek songket. The COVID-19 outbreak requires changes in marketing communication strategies for business players can survive during of a pandemic. The selection of a marketing communication strategy is one of the efforts made so that the business activities of the songket pandai sikek can survive during the COVID-19 pandemic. The purpose of this study is to identify and determine the choice of an integrated marketing communication strategy that is in accordance with market needs during of the covid-19. The method used in this research is a qualitative method with a descriptive type of research. The results of the research, integrated marketing communication strategy used during the covid-19 pandemic used by the songket pandai sikek business players is interactive marketing.
SONGKET TRADISIONAL SILUNGKANG (Kajian Teknik dan Motif) Mutia Budhi Utami
Relief : Journal of Craft Vol 1, No 2 (2022): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (517.597 KB) | DOI: 10.26887/relief.v2i1.2593

Abstract

Makalah ini merupakan sebuah kajian tentang sejarah dari warisan budaya minangkabau yaitu tenun songket Silungkang di Kota Sawahlunto. Penelitian ini bertujuan untuk menganalisis songket tradisional Silungkang pada kajian teknik dan motifnya. Metode penelitian yang digunakan peneliti adalah metode kulitatif deskriptif.Teknik analisis data yang digunakan adalah yang dikembangkan oleh Miles dan Huberman yang berupa reduksi data, penyajian data, dan menarik kesimpulan/verifikasi. Hasil penelitian menunjukkan bahwa teknik tenun songket tradisional Silungkang telah menggalami modifikasi dengan menggunakan Alat Tenun Bukan Mesin (ATBM). Motif pada kain tenun songket yang merupakan filosofi masyarakat Minangkabau yang memiliki makna pada setiap motifnya, sekarang telah menggalami perubahan yang tidak lagi memperlihatkan filosofi dan makna pada motifnya.

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