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Imaji: Jurnal Seni dan Pendidikan Seni

imaji
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Published by Universitas Negeri Yogyakarta

ISSN : 16930479 EISSN : 25800175 DOI : -

Core Subject : Humanities, Education, Art, Social,

Arts Humanities Education Environmental Science Social Sciences

IMAJI is a journal containing the results of research/non-research studies related to arts and arts education, including fine arts and performing arts (dance, music, puppetry, and karawitan). IMAJI is published twice a year in April and October by the Faculty of Languages and Arts of Universitas Negeri Yogyakarta in cooperation with AP2SENI (Asosiasi Program Studi Pendidikan Seni Drama, Tari, dan Musik se-Indonesia/Association of Drama, Dance, and Music Education Study Programs in Indonesia).

Arjuna Subject : -

Articles 10 Documents

Search results for , issue "Vol 4, No 1 (2006): IMAJI FEBRUARI" : 10 Documents clear

PELAKSANAAN PEMBELAJARAN SENI DRAMA SEJAK USIA DINI Sumaryadi -
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

Regarding the implementation of art education in schools, it is seen that art performance education is put in the third position after visual arts and literature. Among other forms of art performance, drama’s position is under music and dance. Drama is a performance delineating human life, which is acted on stage in front of public. The story generally has conflicts, performed through movements, actions and dialogs. Drama needs introducing to children. The attempts to introduce drama to children should be done as early as possible since the early ages have appropriate space and time, which are strategic to implant basic values in children. Related to this, there are at least two things to be put into consideration. The first is related to literature and the second to art performance. The former covers the determination of theme, synopsis, characters and characterization, plot, dramatic conflict, setting and language use. The latter includes script writing, directing, producer, technical staff, players, and audience. Keywords: art education, drama, early ages

DWITUNGGAL DALAM DIMENSI LONTAR: DUALISME DALAM PENCIPTAAN SENI LUKIS I Made Bendi Yudha
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

Art is an expression of feeling representing the crystalization of ideasthat result from imaginative experiences through observation and exploration ofsuch social life as religion, culture, custom and tradition, and naturalenvironment. These are all encouraged by internal stimulus and intuitive urgethat stimulate emotion and imagination to be expressed in a painting art.To Balinese people, lontar is one of the human cultural achievementscontaining dual values and spiritual teaching to guide people to have a physicallyand mentally harmonious and balanced social life. The observed andcomprehended values contained in lontar have inspired the writer during thecreative process.By understanding the balance concept of contained in lontar we canwisely interpret the phenomena of life in our recent social environment which ischaracterized by intrigues of personal interests and violation of moral norms thatresult in horizontal conflicts as represented by the changes of life style andmental attitude such as damaged environment, degraded human value and status,pressure to others, and so on.The understanding of the values has inspired to visualize thephylosophical and conceptual context in the painting artwork of abstractive andrepresentative form with variative colors by impasto technique to have artisticpersonal symbols.Keywords: painting, dual dimension of life

STRUKTUR RUPA TOPENG BALI KLASIK I Wayan Suardana
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

This study of classical Balinese masks aims at discovering and introducing the local and traditional Balinese values with a hope that the result might become input for mask development in Indonesia. The focus of the study is the mask forms, especially those related to symbols in religious belief. The data were collected from references, informants chosen proportionally through purposive sampling and notes from historic sources as well as direct field notes. The result shows that based on structure and form there is similarity between classical Balinese masks and puppets. The similarity can be seen from their dots, lines, shapes, colors, and textures. The form elements reached the peak since the fall of Majapahit. The art traditions of East Java that had gone through synthesis were continued in Bali and accumulated with the local culture. The process enriched the existing arts, producing pajegan, panca, and bobondreasan masks. The masks are used as educational media applied in Hindu religious teachings and philosophy. The characters are taken from Mahabaratha and Ramayana epics. Keywords: visual structure, classical Balinese masks

KOMPARATIF TEKNIK DAN EKSPRESI DALAM SENI KRIYA I Wayan Suardana
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

In modern system fine arts discourse these days, expression andtechnique region is always questioned to assign value whether/what themasterpiece can category as swan song or not. Expression always made byivorytower in creation of swan song of technique and always the attention cannotand considered to be skilled as supporter in course of the creation. Expression iseven also comprehended and careful shallow/ superficially where swan songwhich is not borne with emotional emotion it is not the expressive masterpieceendless. Understanding confusion bear all discourse of confused which to isolatein the end swan song which adiluhung placedly at region of swan song of underbecause assumed less be expressive. Regionas discourse problem of expressionand technique befall art kriya so that on the way nya artis tic [of] kriya havemultifarious to mention of manner that is crafting/ diligence art craft artistic ofartistic craft. This mention place art craft of at very region is corner. Very ironiconce where art craft which adiluhung category as art of second class of becauseits birth is assumed only need mere crafmanshif and without carryingexpression. Discourse mistake and have enter of at system discourse of fine artsby komfrehensif require to be straightened, so that domicile art become is equalto energy and material express different.Key word: kriya, crafmanshif, adiluhung

FILOSOFI MULTIKULTURALISME DALAM PENDIDIKAN MUSIK Djohan Salim
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

In these recent years, the issue of multiculturalism cannot be ignored in education. It has become a topic of discussions in various settings, such as academic and non-academic forums, political debates, cultural studies, and popular news. The aim of this article is to answer questions about what multiculturalism is and what it means to educators, especially those in music education. Support to music educators in all levels to understand and to implement multicultural music education is crucial. It also aims at describing multicultural music education in the United States and in other countries, including the philosophical ideas, problems and opportunities behind what are stated about multiculturalism. It is hoped that this article can give more perspectives about multiculturalism in education. Keywords: multiculturalism, political debates, music education

OBJEKTIVITAS IMAJINASI DALAM SENI Susapto Murdowo
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

In reality, art structure is dual and relational. A work of art can beviewed as a subjective and objective ‘structure’. Arts always appear ascontinuous acts in imagination. The artists exist in the material world (the worksof art) and in other life experiences. Besides, the objective understanding ofimagination in art is expected to enhance epistemological ways of thinking andunderstanding as a reaction against a tendency towards verbalism of reality andtruth. Finally, it is expected to motivate someone to be wiser, highly consciouswith his willingness to create art works, as well as to build a system or frameworkin the forms of unique and personal expression.Keywords: art structure, objectivity, imagination

MUSIK TERAPI DALAM PERSPEKTIF BUDAYA Dahlan Taher
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

Classical music is said to have healing power. However, whether it can be used universally as common medicines remains questionable. The fact shows how music perceived by human senses is the same among people of different cultures. On the other hand, since music is a product of culture, human perception of music might also vary according to their cultures. Some people have high appreciation towards music so that they can appreciate various cultures while the others do not. Therefore, the use of therapeutic music should be in accordance with someone’s sense of appreciation towards it so that the therapy can give better effects. Keywords: classical music, therapy, culture

PERTUNJUKAN TARI: SEBUAH KAJIAN PERSPEKTIF GENDER Titik Putraningsih
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

Up to now, there is still a little number of activities for female choreographers sothat we can rarely watch dance performances composed by them. However,some dance performances in Yogyakarta and Surakarta are composed by femalechoreographers with gender themes. Setyastuti, Inong and Maruti perform theirworks with various themes related to woman life in Indonesia and describe theroles of women in the colonial era through these works. Some of the works areinteresting to be discussed from the gender perspective. The term ‘gender’ refersto social, cultural, and biological senses. This perspective leads to a view orunderstanding about women’s roles that are determined by nature, and theirgender roles, which are determined by society and culture. The different genderfor men and women creates problems if it causes unfair treatment related to menand women’s rights and opportunities.Keywords: dance performance, gender, female choreographers

MELODI DAN LIRIK LAGU CAMPURSARI CIPTAAN MANTHOUS Kusnadi -
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

Campursari songs are specific phenomena in music development andJavanese traditional music. Based on forms, campursari songs composed byManthous still refer to traditional music and songs, especially the conventionalones, lelagon dolanan, or mixture between them. The most dominant literarydecoration applied in his song lyrics are purwakanthi guru swara, parikan,wangsalan, wancahan, the change of vowels at the end of stanzas, traditionalexpressions, senggakan and bebasan paribasan. The most dominant themes arelove, marriage life, beauty of nature and social life. All are in accordance withthe target of audience, namely youths and adults.Keywords: melody, lyrics, campursari songs

WAYANG DALAM KONTEKS BUDAYA Muhammad Mukti
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

Wayang is a traditional drama performance, which has existed since the period of Erlangga. Its history then can be traced back from Majapahit, Demak, and the nine wali until this present time. In cultural context, especially that of Islam, wayang is a means to spread the Islamic religious teachings, leading people to God. As a medium of religious propagation, this performance always transforms the syahaadah sentences Laailaahailallah and Muhammadar-rasulullah. These can be sent explicitly or implicitly. Additionally, the ways to invite people to implement the teaching values are done directly or indirectly. Through this performance, the audience can observe the good conducts to be deduced as Islamic knowledge. Since the direction is from practices to knowledge, as a medium of propagation this performance is a set back. Keywords: wayang, cultural context, religious propagation

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Putra Afriadi

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putraafriadi12@gmail.com

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Journal Mail Official
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Location
Kab. sleman,

Daerah istimewa yogyakarta

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Abstract

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Putra Afriadi

Contact Email putraafriadi12@gmail.com

Phone -

Journal Mail Official jurnal_imaji@uny.ac.id

Editorial Address -

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Putra Afriadi

Contact Email
putraafriadi12@gmail.com

Phone
-

Journal Mail Official
jurnal_imaji@uny.ac.id

Editorial Address
-

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA