LiNGUA: Jurnal Ilmu Bahasa dan Sastra
LiNGUA Jurnal Ilmu Bahasa dan Sastra (ISSN Print: 1693-4725 and E-ISSN: 2442-3823) is a journal of Linguistics and Literature which is published twice a year in June and December by Laboratory of Information and Publication, Faculty of Humanities, Universitas Islam Negeri Maulana Malik Ibrahim Malang. The journal covers language issues researched in the branches of applied linguistics, such as sociolinguistics, discourse analysis, critical discourse analysis, pragmatics, stylistics, corpus linguistics, and others. In the area of literature, it covers literary history, literary theory, literary criticism, and others, which may include written texts, movies, and other media.
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<![CDATA[ILLOCUTIONARY FORCE IN @UDARIO.ID INSTAGRAM CONTENT PROMOTION ]]>
<![CDATA[Herlin Triana]]>;
<![CDATA[Mazayatul Mufrihah]]>;
<![CDATA[Haris Syukri]]>;
<![CDATA[Rohaidah Binti Haron]]>;
<![CDATA[Vivi Indriyani]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.25898
<![CDATA[The use of Instagram social media as a promotional medium is not only built based on marketing strategies, but it requires language distinctiveness and strong linguistic power to attract Instagram users. This study examines the marketing strategies and types of illocutionary speech acts used on the Instagram account @udario.id. The method used in this study is descriptive-qualitative. The speech acts found in @udario.id content are (1) Assertive functions to conclude, report, and express; (2) Directive speech acts function to ask, command, and inquire; (3) Expressive speech acts function to complain, blame, thank; and (4) Commissive speech acts serve to promise. The most frequent Speech Acts are illocutionary directives of asking and commanding. By employing directive phrases, creators can significantly enhance engagement and visibility, as these prompts invite followers to interact with the content. When delivered in the local language, these directives become more relatable and understandable, strengthening the connection with the audience and increasing the likelihood of a response. Additionally, such prompts encourage followers to actively participate, fostering a sense of community.]]>
<![CDATA[LANGUAGE SKILLS AND SUCCESSFUL MISSION OF UN PEACEKEEPERS: A CASE STUDY OF ACEHNESE POLICEWOMEN ]]>
<![CDATA[Mamadou Pouye]]>;
<![CDATA[Ali Maksum]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.26337
<![CDATA[UN peacekeeping operations rely on international cooperation to constitute competitive female peacekeepers. Meanwhile, Indonesia is an active contributor to global peace, yet its women peacekeepers dealt with linguistic challenges to participate in peacekeeping missions in French-speaking countries. This article investigates the exhaustive intellectual and physical performances of a policewoman from Banda Aceh to take part in the MINUSCA ( United Nations Multidimensional Integrated Stabilization Mission in the Central African Republic) 2020-2021. This paper aims to illustrate the theory of feminism by using a descriptive qualitative analysis. In UN peacekeeping missions, having female peacekeepers is crucial for ensuring gender-balanced representation. This study describes how the determinism of the female gender through personal commitment, self-engagement, and motivation is as valuable as the male gender. The data are collected via recorded Zoom meetings. The findings revealed the components of French language proficiency for MINUSCA, learning activities, the Indonesian policewoman’s experiences in learning French, and French language teaching andlearning issues that needed to be addressed in Banda Aceh. In addition, this article underlines factual issues on the absence of an official French language academy in Banda Aceh. Addressing those issues will contribute to maximizing Indonesian human resources for global peace.]]>
<![CDATA[REVISITING PRIBUMI – NONPRIBUMI DISCOURSES IN THE POST-SUHARTO INDONESIA ]]>
<![CDATA[Idham Raharfian]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.25903
<![CDATA[This study explores the ideological shifts surrounding the terms pribumi (native Indonesian) and nonpribumi (non-indigenous people) in the post-Suharto era (1998-2020). The data source are 173 news articles from the Indonesian press containing the term ‘pribumi.’ By employing Van Dijk’s ‘Ideological Square’ Critical Discourse Analysis (CDA) the study portrays groups in terms of dominance, inequality, difference, and victimization to understand power dynamics and ideological constructions in the language. The findings reveal that pribumi are portrayed positively as rooted in ethnic origin, cultural heritage, and mainly Muslim identity in recent periods, but also as economically disadvantaged landowners. Conversely, nonpribumi are depicted negatively as foreign, racially distinct, and economically dominant. Negative representations of pribumi as oppressors and politically dominant are de-emphasized, while positive portrayals of nonpribumi as passive victims are mitigated. The study suggests that evolving nuances stem from democratic transitions and heightened identity politics tensions. Economic perceptions linked to these terms persist across periods. These insights might help scholars and policymakers understand mobilization patterns and potential identity-related conflicts, prompting further research into using dichotomous terms within specific social and cultural contexts.]]>
<![CDATA[DICTION AND FIGURATIVE LANGUAGE IN DRAMA "WATASHITACHI WA DOUKA SHITEIRU" BY NATSUMI ANDO ]]>
<![CDATA[Ina Ika Pratita]]>;
<![CDATA[Parastuti Parastuti]]>;
<![CDATA[Della Mauladul Ula]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.22454
<![CDATA[The purpose of this study is to describe and explain the diction and figurative language contained in the drama Watashitachi wa Douka Shiteiru by Natsumi Ando. This research employed the descriptive qualitative method. As for the data provision techniques, the authors used observation and note-taking techniques. Then, the authors analyzed the findings using the translational equivalent method and descriptively presented the results. The research results showed that: a. The uniqueness of the use of language in the drama Watashitachi wa Douka Shiteiru can be seen in the diction, which refers to the meaning of the use of certain words that the author deliberately chose as follows: (1) diction related to the use of typical greetings, (2) diction related to 「外国語」"gairaigo," (3) diction related to the job of making traditional cakes, and (4) diction related to the use of the word connotations The figurative language typesused in the drama Watashitachi wa Douka Shiteiru include simile, metaphor, metonymy, synecdoche, and personification. This research is essential as a reference for Japanese language learners, teachers, and researchersto understand the Japanese language and culture.]]>
<![CDATA[A VISUAL REPRESENTATION OF GENDER IN INDONESIAN EFL TEXTBOOKS ]]>
<![CDATA[Nurul Chojimah]]>;
<![CDATA[Estu Widodo]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.24163
<![CDATA[Gender inequality remains a prevalent issue in countries such as Indonesia in many communication and social media. One such medium is EFL textbooks. This qualitative study aimed to investigate how visual gender representation in EFL textbooks and describe social factors contributing to the patterns of the representation. The data for this study were human images in three EFL textbooks for senior high school students in Indonesia published by the Ministry of the Republic of Indonesia. Coding and classifying were the methods of data collection. Three dimensions of discourse—description, interpretation, and explanation—were used as the framework for the data analysis. The current study reveals that females and males are visually represented symmetrically, yet the stereotyping of males and females remains prevalent. Women’s movement might be the backgrounding of the depiction of the two genders in a symmetrical position. However, subtle conventional gender stereotypes are also portrayed in this study.]]>
<![CDATA[CAN AUTOMATIC POETRY GENERATION INFUSE VALUES? UNVEILING INSIGHTS THROUGH CONTENT ANALYSIS OF GENERATED POETRY ]]>
<![CDATA[S. Rizal Yazid]]>;
<![CDATA[Mutmainnah Mustofa]]>;
<![CDATA[Ulil Fitriyah]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.25482
<![CDATA[This research examines the value underlying poetry created by artificial intelligence (AI), aiming to uncover the complex interaction of religious, philosophical, ethical, and aesthetic values presented in poetry. Eighteen poems generated by three different AI platforms were analyzed using the content analysis method to identify their social values. The results of this research demonstrate the presence of (1) religious values by revealing the AI’s ability to explore traditional and cultural barriers, highlighting themes of spirituality and faith, (2) philosophical values through the exploration of questions of human existence and the nature of reality, showing the AI's capacity to engage with deep existential themes, (3) ethical values by promoting concepts of unity, fairness, and justice, reflecting deeper humanistic perspectives and societal ideals, and (4) aesthetic values by showcasing an interest in the influence of technology and a profound admiration for the natural world's wonders, integrating modern innovation with timeless beauty. In conclusion, AI-generated poetry successfully captures a broad spectrum of human values, enriching literary traditions and intellectual discussions. This intersection of AI and poetry not only highlights technological advancements in creative fields but also opens new avenues for exploring how machines can contribute to cultural and artistic expressions, fostering a deeper understanding of the human condition and societal values.]]>
<![CDATA[A GLOSSARY OF LEGAL TERMS IN A SCENARIO-BASED JUDICIAL CONTEXT ]]>
<![CDATA[Mochamad Nuruz Zaman]]>;
<![CDATA[Reza Sukma Nugraha]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.23038
<![CDATA[The use of English in judicial interactions has increased during court proceedings. A glossary is necessary to design bilingual usage in the context of real-life scenarios. This study is grounded in two theoretical foundations: legal terminology and an ethnographic approach. Qualitative research is employed to investigate the cases presented in the issue. Data are obtained through document analysis and interviews containing technical terms related to the field of judiciary and its scenarios. The data are analyzed using domain, componential, taxonomy, and cultural themes to implement the glossary design based on interviews with language practitioners in the judicial domain. Ten data samples are presented to consider the context, connotations, and clarity of the translations in judicial practice. The findings of this research indicate that implementing an ethnographic approach in designing a scenario-based bilingual legal terminology glossary has significant benefits in ensuring the appropriateness and accuracy of translating legal terms between Indonesian and English.]]>
<![CDATA[LEXICAL RELATIONS AND CONTEXTUAL MEANING ANALYSIS OF SURAH AL-KAHF IN ABDULLAH YUSUF ALI’S ENGLISH TRANSLATION ]]>
<![CDATA[Savira Rahma Maulidya]]>;
<![CDATA[Muhamad Afifuddin Ghozali]]>;
<![CDATA[Khairulman Akbar Hutagalung]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.25920
<![CDATA[Direct translation of the Arabic Qur'an to other languages exists with the closest literal meaning due to the several absences of the exact equivalent meanings of words. Abdullah Yusuf Ali did one of the popular translation works from Arabic to English. One translation issue is the translator's bias, which leads this study to analyze the linguistic relations and contextual meanings in the English Qur'an translation to disclose the bias issue within and enclose prejudication arose. This qualitative study used the mixed technique of semantic analysis in four steps. The data of this research is the English translation of Chapter Al-Kahf (The Cave) verses 65-82 by Abdullah Yusuf Ali. The results of this study enclosed four types of lexical relations and four types of contextual meaning. Also, this study unintentionally found that the synonymy and antonymy pair categories consist of one verse pair and a different verse pair. Uniquely, a category of homonymy and five unrevealed patterns of contextual meaning used are also found in this study. This study concluded that the English translation of the Qur'an, Chapter Al-Kahf verses 65-82 by Abdullah Yusuf Ali has used several procedures to preserve the message within the Qur'an from being misinterpreted by the reader.]]>
<![CDATA[ABORIGINALS’ RACIAL INEQUALITY AND LINGUISTIC DISPLACEMENT IN THE POEM "THEY ASK ME: ‘WHO AM I?’” ]]>
<![CDATA[Rasha Gazzaz]]>;
<![CDATA[Tariq Elyas]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.27059
<![CDATA[Through a close reading of “They ask me: ‘Who am I?’’' poem, this paper examines the themes of racial inequality and linguistic displacement of the oppressed race of the Australian Aboriginals, specifically the lost generation as voiced in the poem. Adopting the theoretical frameworks of Kroskrity that focus on the linguistic racism and white supremacy, the authors analytically aim to explore covert linguistic racism through the poem’s narrative. In addition, this paper conveys the representation of race and colonial powers by conveying the exclusion and discrimination the Aborigines faced since the 18th century. It highlights the ‘White Supremacy’ (concerning politics, culture, and linguistics) and the desperate measures the white settlement took to complete the erasure of the linguistic and culture of the minority group of the Aboriginal people. The poem highlights the unspoken voices of the lost generation through the poet's heartfelt agony with his encounter with the history of Aboriginals and their racial and linguistic oppression.]]>
<![CDATA[ECOCRITICAL STUDY ON THE "SENDHANG TIRTA PANGGESANGAN" GEGURITAN ]]>
<![CDATA[Atik Dina Nasekha]]>;
<![CDATA[Mulyana Mulyana]]>
<![CDATA[ LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1 (2024): LiNGUA ]]>
Publisher : <![CDATA[Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang ]]>
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DOI: 10.18860/ling.v19i1.24073
<![CDATA[Geguritan (Javanese poetry) is a fascinating literary work to study from various perspectives, one of which is from the perspective of ecocriticism. Ecocriticism examines environmentally oriented criticism of literary works. This research examines ecocriticism in the geguritan "Sendhang Tirta Panggesangan," created by S. Wignya Raharja. This type of research is qualitative descriptive research. The data in this research is in the form of sentences in the "Sendhang Tirta Panggesangan" geguritan. The data collection technique used was the literature study technique, which involved studying reference sources from similar articles regarding literary ecocriticism. The data analysis technique used is content analysis, which is carefully reading the geguritan and analyzing it using literary ecocriticism. The results of the research show that there is ecocriticism contained in the "Sendhang Tirta Panggesangan" geguritan in the form of a depiction of the sendhang environment, which has been polluted and is no longer natural as a result of human activities.]]>
