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Mozaik Humaniora
Published by Universitas Airlangga
ISSN : 24428469     EISSN : 2442935X     DOI : -
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Mozaik Humaniora is a journal that focuses on the scope of humanities and accepts articles on cultural studies, linguistic and literary studies, as well as philology and historical studies.
Arjuna Subject : -
Articles 171 Documents
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The Spirit of Tolerance from the Village: A Phenomenological Study of Multicultural Community in Balun, Gilimanuk, and Lingsar Ida Bagus Putera Manuaba; Ni Wayan Sartini
MOZAIK HUMANIORA Vol. 22 No. 1 (2022): MOZAIK HUMANIORA VOL. 22 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i1.36240

Abstract

This study aims to describe the management of tolerance in the culture of a multicultural society. The culture the society studied is the culture of the multicultural society in Indonesia. This research is based on by a hypothetical idea that the village community wisely manages the diversity of local wisdom. The research objects selected were the society of the villages that are Balun-Lamongan, Gilimanuk-Jembrana), and Lingsar-West Lombok. This study uses a phenomenological perspective, with data collection techniques: interviews and observations. From this research, there are three findings. First, the attitude and spirit of tolerance in the multicultural society in the three villages studied have been cultivated in the form of local wisdom values ​​and become the cultural pattern of the society. Second, the communities in the three villages studied showed that their societies had more advanced experience in cultural harmonization in understanding the diversity of socio-cultural realities. Third, the people in the three villages studied used local wisdom in managing diversity which they did not understand as an obstacle, but as a potential to maintain the socio-cultural cohesion of the society.
Analysis of the People’s Needs for Museum Tourism as Cultural Expressions and Freedom to Learn in the Post-Pandemic Era Rhoma Dwi Aria Yuliantri; Tular Sudarmadi; Agus Suwignyo
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2`.34754

Abstract

The Covid-19 pandemic has impacted people’s lives, including the tourism and education sectors such as tours in museums. This study aims to answer three questions (1) How high is the priority of the community's needs for post-pandemic museum tourism? (2) What are the museum tourism needs in terms of museum facilities, cultural activities and independent learning programs? (3) What are the public opinions on the tourism program that should be developed by the museum to respond to the priority needs of museum tourism after the pandemic? This research was conducted using quantitative methods with descriptive statistical calculations. The results of the study showed that most of the respondents strongly agreed (79.13%) and agreed (18.26%) that museum visits should be based on the spirit of finding alternative places to learn and seek new knowledge. Respondents decided to visit a museum firstly due to the programs offered by the museum. Regarding museums which employed freedom to learn program, respondents agreed (53.04%) if museums promoted various activities as learning arenas based on the government programs. Respondents’ expectations of post-pandemic museums lead to the concept of “museums for community.” This means that museum management and the development of cultural creations potential and economic activities by museums are welcomed with high interest if the people or community are involved. It is suggested that museum managements (1) organize cultural performance acitivities as part of the promotion for museum visits, and (2) engage with local communities in the creation and implementation of the activities.
Juharmanik: Portraits of Women in Mamaca Text Edits and Hermeneutical Studies Agustina Dewi Setyari; Akhmad Sofyan; Dewi Angelina; Panakajaya Hidayatulah
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.25886

Abstract

This study describes the text, transliteration, translation of the text, editing of the text, and analysis of the contents of the text with the study of hermeneutics. The theory used in this study is the theory of philology. The text editing process and Gadamer's hermeneutic theory are used to reveal the meaning of Juharmanik's story. In this research using qualitative methods in the form of data inventory, data processing, and presentation of the results of data analysis. The results of the hermeneutical analysis are based on four concepts, namely 1) bildung to understand the text through the history of the formation of the text, 2) census communis is a view of the true and general goodness, 3) judgment is used to classify specific things on the basis of a view of the universal , and 4) tastes, namely subjective attitudes related to various tastes. The concept is an analytical process used to find meaning in the text. The meaning contained in the Juharmanik text is that every child must be devoted to his parents, be honest, not slander, be able to control himself and his passions, be patient in facing life's trials and accept the provisions that have been given by God.
Study of Symbols in Indonesian Tradition as an Effort to Improve the Covid-19 Health Messages During the Pandemic Rina Pertiwi; Chelomitha Malindra Purnamayanti; Farhaiza Ramadhania; Yunika Tri Yulianti; Susy Katikana Sebayang
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.29611

Abstract

The number of COVID-19 cases in Indonesia is still on the rise. The government has issued policies to suppress, anticipate, and  break the chain of COVID-19  transmission, including the   5M health protocol. However, the community has not fully adhered to this appeal. Without a strong cultural basis, society may find it difficult to accept behavior change. Conflicting command norms and descriptive norms for certain types of behavior in the social context can cause discomfort. The national health message can be made stronger by incorporating symbols from traditional Indonesian fairy tales. Indonesian society has a strong oral tradition and uses stories, legends, and tales as a method of communicating norms. Incorporating symbols that are deeply rooted in culture will enhance the effectiveness of health messages and help people to quickly understand the new norms for interacting during the COVID-19 pandemic and adhere to health protocols. This study provides a list of potential symbols rooted in culture that can be used by governments, health professionals, and the general public to design strong health messages, including messages about stigma, isolation, vaccination, wearing masks, washing hands, social distancing, avoiding crowds, and reducing mobility.
The Bugis Culture in Marriage Proposal Communication Juanda Juanda; Azis Azis
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.29628

Abstract

The aim of this study is to investigate the language used in the marriage proposal among the Bugis ethnic group. This research adopts a descriptive qualitative approach. The data was obtained through participant observation and recording techniques of oral dialogues among the Bugis Wajo community in South Sulawesi. The data is presented in the form of a narrative of the proposal process recorded by the authors. Data collection involved recording the speech of the participants, which was then transcribed. The results were analyzed using the Dell Hymes communication ethnographic approach. The findings indicate that the proposal process was conducted formally, with a group of seven men making the proposal. The proposal was accepted and proceeded to the wedding procession with mappasiarekeng, which involves delivering the dowry money and determining the wedding day. The proposal was delivered via delivering the dowry money and determining the wedding day. The proposal was delivered via elong in a serious tone using fixed spoken language that cannot be interrupted, and only spokespersons designated by the proposer, the man and the woman being proposed to, spoke. The speech belongs to the madduta genre.
Spices, Colonialism, and the Growth of New Economic Centers on the East Coast of East Sulawesi, 1620s—1920s La Ode Rabani; Sarkawi B. Husain; Johny Alfian Khusyairi
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.32069

Abstract

This study focuses on the East Coast of Sulawesi, which includes parts of the mainland and the eastern coast of Sulawesi Island. The area comprises parts of Central Sulawesi   and Southeast Sulawesi, as well as surrounding islands such as Buton, Muna, Menui, Salabangka, and Siompu. The islands are significant in supporting economic activities along the spice route strip of the eastern coast of Sulawesi Island. The study explores the spice trade effect on the region in various aspects such as political, economic, social, cultural, and others. The research uses a historical method that focuses on relevant documents by conducting criticisms, interpretations, and analyses. The study found that spices that grow endemically and distinctly (exotic) in the archipelago (Banda Islands) have a long-lasting impact and cover various aspects. Spices had driven other nations to reach, exploit, and trade them to gain wealth and glory. For this reason, conflicts and wars have colored the history of spices that led to the practice of colonialism and hegemony. Colonial hegemony did not always have negative implications but also had essential effects on the growth of the region around the network of spice production centers as new economic centers on the East Coast of Sulawesi. The encounter between the indigenous people and other nations through the spice trade network had a significant positive impact, which Sartono Kartodirjo called positive integration.
The Community System Based on Kolo Bian Myth in East Nusa Tenggara Moses Glorino Rumambo Pandin; Mohd Roslan Mohd Nor
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.33678

Abstract

The main objective of this study is to analyze the Weoe community system in the Kolo Bian myth of East Nusa Tenggara. The method used was a literature review through structural analysis and reflection on the story of the Kolo Bian myth. The findings showed that the Weoe people's genealogical development process is reflected in the power system that has developed in the trade and marriage patterns. In particular, the marriage pattern is a means of perpetuating the power system. The participation of local authorities, who are integrated into   groups and given new customs, plays a role in supporting the continuation of power. Faith-based organizations in the community support this pattern of power systems both politically and spiritually. The power system is not enforced by the rulers on the existing society; instead, the people welcome the presence of rulers who position themselves lower than the real rulers coming from expulsion on other lands or areas. The power system in Weoe society is preserved in this habitus. The power system is then formed in the concatenation of the marriage system.
TikTok Social Media and Colloquial Discourse of Grade 4—6 Elementary School Children in Surabaya Rafida Mumtaz; Irfa Rafiatuz Zukhrufin; Izzatin Nada Al Jannah; Pujo Sakti Nur Cahyo
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.33895

Abstract

This study aims to explore how TikTok content consumptions affect daily language usage of 4th-6th graders in Surabaya elementary school. The popularity of TikTok as an entertainment platform has increased rapidly since Covid-19 pandemic. With thousands of content, some of TikTok users are children who are in the phase of imitation and building their language skills. By applying a qualitative approach based on interviews and observations, our findings suggest that during the pandemic, parental supervision of children's smartphone usage was very low. This creates a tendency for children to freely roam on various applications on their devices, including TikTok, which results in massive and uncontrolled patterns of content consumption. On further observations of content production activities and cross-platform online social interactions, findings revealed the tendency for these children to reproduce and imitate several vocabularies commonly found in TikTok content, such as anjing, goblok, kakak, butuh kontak, bang, lonte, and cok. In researchers’ observations, these vocabularies tend to have negative nuances because they contain swearing, disrespectful, and rude elements.
Representation of Karo Culture in the Early 20th Century in P. A. J Moojen’s Paintings Ariani Ariani; Imam Santosa; Achmad Haldani Destiarmand; Agus Sachari
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.33974

Abstract

cultural and artistic point of view with a cultural studies approach. The results of the study show that Moojen's paintings represented the belief systems, social stratification systems, and art systems of Karo culture in the early 20th century. In conclusion, Moojen's paintings are able to provide an overview of the reality of the life of the Karo people who lived in the early 20th century that cannot be separated from elements of traditional Karo buildings. 
Remythology and Ideology of Nyonya Muluk in Masmundari’s Damar Kurung Painting Aniendya Christianna; Acep Iwan Saidi; Riama Maslan Sihombing; Nuning Yanti Damayanti
MOZAIK HUMANIORA Vol. 22 No. 2 (2022): MOZAIK HUMANIORA VOL. 22 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i2.35684

Abstract

This study aims to explore the visualization of damar kurung's painting with Nyonya Muluk theme and its meaning in the context of Javanese culture critically. It was stated that the figure of Nyonya Muluk was inspired by Masmundari's experience of meeting the Queen of the Netherlands who had visited Surabaya. Nyonya Muluk is described as a large woman who wears a dress and jewelery and has a pair of wings. Around her are other human figures painted in smaller sizes. To pursue the aim this study, the analysis was conducted using Gillian Rose's visual methodology which takes the position of the site of self. The analysis of this study found how Masmundari depicts objects by combining opposing cultural elements reflecting that the postcolonial subject is never completely the position of the colonized or the colonizing self. The ambivalence that arises in the practice of mutual views shows a form of negotiation or resistance from the colonized position. Masmundari's remitology also depicts the Indonesian nation as a colonized party trying to decolonize itself from colonial rule. By relocating the mythology of Nyonya Muluk in a contemporary context, this painting shows the efforts of the Indonesian people to regain 'independence' by using local traditions to fight against the culture imposed by the colonialists. In short, it can be concluded that the remitology of Nyonya Muluk in amar kurung's painting not only reflects Masmundari's resistance to Western colonial and post-colonial rule, but also represents Masmundari's resilience to the definition of her identity as Javanese.

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