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E-Journal Of Cultural Studies
Published by Universitas Udayana
ISSN : 23382449     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.
Arjuna Subject : -
Articles 4 Documents
 1 
Search results for , issue "Vol 16 No 3 (2023): Volume 16 Number 3 August 2023" : 4 Documents clear
THE IDEOLOGICAL MEANING BEHIND THE SHIFT IN WOMEN'S POSITION IN DOKA NIKISI'E VILLAGE Angelius Chrisantho Marician Sile; Ni Made Wiasti; I Wayan Suardiana
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p01

Abstract

Di'i Dhano is a form of marriage system that follows the mother's lineage in Doka Nikisi'e Village. According to this system, a woman inherits all the property of the family in which she lives. However, this marriage system has begun to shift at this time. Even though the matrilineal structure and customary symbolism glorify women, authority, leadership and and access to knowledge about customs, law, politics and technology are dominated by men. This research aims to reveal the causing factors and the hidden ideology of the shift in the position of women in the matrilineal marriage system in Doka Nikisi'e village. This research applies qualitative methods through participant observation, in-depth interviews, and documentation study. Data obtained is analysed critically by feminist theories, namely nature and nurture, liberal feminism, and psychoanalytic theory. The results of this study indicate that the factors causing the shift in women's position include internal and external factors. The hidden ideologies behind the shift in women's positions include patriarchy, masculinity, and power relations. Keywords: Di’i Dhano, ideological, meaning, women’s position
FINDING THE TRANSCENDENTAL BEAST IN POETIC TRANSLATIONS OF CHAIRIL ANWAR’S AKU Mochamad Nasrul Chotib; Arif Subyanto; Harits Masduqi; Herditya Wahyu Widodo
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p03

Abstract

This study sets out to present the combined application of qualitative research and a translation method to elucidate the transcendental aspect of Chairil Anwar's poem entitled Aku. The translation process uses the poem’s verbatim format at first, then its interpretation of the content, and finally its inherent ideas by reading behind its lines. The transcending process is achieved through the use of a symbolic beast that permeates the poem’s structure. The beast-symbol has twofold functions in the poem, to say that everything beyond the persona-self is unworthy and thus the persona itself is capable of reaching a more divine place or becoming a higher being. Such a powerful symbol further substantiates the presence of a textual being, a voice of a persona that is inherent within the poem’s structure, and of which function is to express the persona’s wish to transcend into something bigger or higher than himself, which is resembling, if not equal to, a godly being. Keywords: poem’s persona, poetic translation, transcendentalism.
INTERPRETING BALINESE MYTHOLOGY-THEMED CHARACTER DESIGN SIGNIFICATION AS A VIRTUAL ENTITY IN ANIMATION I Made Marthana Yusa; I Ketut Ardhana; I Nyoman Darma Putra; Ida Bagus Gde Pujaastawa
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p05

Abstract

This article explores the significance of Balinese mythology-themed character design in animation as virtual entities, providing an in-depth analysis of their cultural signification and cultural implications, and their role in promoting social commentary and cultural preservation. Through the use of case studies, literature reviews and survey, the articles examines how various Balinese mythological figures including (Hanoman, Garuda, Barong, and Rangda) are portrayed in popular animated works and what cultural meanings are conveyed through their design choices. The article analysis reveals that Balinese mythology-themed character design in animation can reflect Bali cultural values, promote social commentary, beliefs, and traditions, serving as a means of preserving Balinese cultural heritage. Furthermore, the results demonstrate the importance of considering the cultural context in which mythology is presented in animation, as it can shape the interpretation of these virtual entities. Keywords: Balinese mythology-themed, character design, signification, virtual entity
UPIN IPIN ANIMATION: THE MEDIA OF MALAYSIA'S IDENTITY POLITICS Gede Pasek Putra Adnyana Yasa; I Nyoman Darma Putra; I B Gde Pujaastawa; I Nyoman Larry Julianto
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p04

Abstract

"Upin Ipin" animation is a popular children's film series in Indonesia, including Denpasar from 2010-2023. The Upin Ipin animation shows the background of a Malaysian village with its own culture, and the characters who play a role in it can represent the Malay-Malaysian identity and the various tribes that exist in Malaysia. The research used qualitative methods, and data were analyzed using discourse analysis theory and ideology theory. The results show that the issue of Malay-Malaysian identity plays a role in the production of Upin Ipin animation. The identity is visualized through the characters in the story, along with the environment that considers the socio-cultural background of the local Malaysian community. The construction of the environment, socio-cultural life, religion and culture, and language represent the Malaysian identity. This article contributes to the understanding that Upin Ipin animation is not just entertainment but a medium to introduce the Malay-Malaysian cultural identity. Keywords: animation, Upin Ipin, identity politics, Malaysia

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