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E-Journal Of Cultural Studies
Published by Universitas Udayana
ISSN : 23382449     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.
Arjuna Subject : -
Articles 5 Documents
Search results for , issue "Volume 11, Number 2, May 2018" : 5 Documents clear
COUNTER-HEGEMONY IN THE DEVELOPMENT OF BAWOMATALUO TOURIST DESTINATION, NIAS SELATAN, SUMATERA UTARA Waruwu, Dermawan; Mudana, I Gede
E-Journal of Cultural Studies Volume 11, Number 2, May 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (672.662 KB) | DOI: 10.24843/cs.2018.v11.i02.p01

Abstract

Bawomataluo which is located in South Nias, North Sumatra, has unique cultural and natural tourism. The area is referred to as “Bukit Matahari” (Hill of the Sun) as it is the area where tourists can enjoy the sunrise and sunset. However, the hegemonic practice performed by the government through its policies and the counter-hegemonic practice performed by the local people as the owner of the tourist destination have caused the area to be less developed. The problem of the study is how the counter-hegemonic practice is performed to develop the Bawomataluo tourist destination. This study is intended to understand and describe the form of the counter-hegemonic practice so it can widen the concepts of the related studies. The study used the qualitative method with the perspective of cultural studies. The theory of hegemony, the theory of power/knowledge, and the theory of social practice were used to analyze the data. The result of the study showed that the counter-hegemonic practice performed by the Bawomataluo people included the counter-hegemony towards the government’s policy, the counter-hegemony towards change and functional change of cultural heritage, and the counter-hegemony towards the tourism-related activities. They are all the accumulation of the local people’s disappointment with the government’s policy (hegemonic practice) which has been performed so far. As a result, the development of the tourist destination and infrastructure has not achieved the target yet. This present study offers a strategic political policy so the development of the tourist destination in Bawomataluo in particular and in Indonesia in general can be avoided from the hegemonic practice and counter-hegemonic practice. To this end, the tourist destination should be sustainably developed in order to improve the local people’s economy and increase the government’s income. The development should be the community-based one as well.
MARGINALIZATION OF WOMEN LABORERS AT OIL PALM INDUSTRY OF DAMAI JAYA LESTARI COMPANY IN WIWIRANO DISTRICT OF NORTH KONAWE REGENCY, SOUTHEAST SULAWESI Hafsah, Wa Ode Sitti; Kumbara, A.A. Ngurah Anom; Wiasti, Ni Made; Setiawan, I Ketut
E-Journal of Cultural Studies Volume 11, Number 2, May 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (618.108 KB) | DOI: 10.24843/cs.2018.v11.i02.p03

Abstract

This study discusses the forms of marginalization of women laborers at oil palm industry of Damai Jaya Lestari Company in Wiwirano District of North Konawe Regency. The economy factor brings the women to work in public sector as hard laborer because their education level is low. As the result, they often get unjustify action and marginalization. As qualitative method and culture studies, this study aims finding out the forms of marginalization of women laborers at Damai Jaya Lestari Company. In analyzing the data, it used theories of feminism, gender relation, and power relation. To find out the relevant data, the study used participant observation, interview, and documentation. The result of the study shows that the forms of marginalization of women laborers at Damai Jaya Lestari Company are unjustice of laborers recruitment, access of working, closed control of company, low wages, no assurance of health and work accident, bad work tool and facility, and double burden of women laborers. Those are also factors of marginalization of women laborers at Damai Jaya Lestari Company. Although the women laborer get the job in public sectors and has contribution to the family prosperity, it can not change the paradigm of patriarchal culture in the social and culture system of Wiwirano society in North Konawe, including at Damai Jaya Lestari company.
TOURISM DEVELOPMENT IN THE WORLD CULTURAL HERITAGE AREA OF SUBAK JATILUWIH, TABANAN, BALI Susila, I Gede
E-Journal of Cultural Studies Volume 11, Number 2, May 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (973.389 KB) | DOI: 10.24843/cs.2018.v11.i02.p02

Abstract

Subak Jatiluwih in Tabanan Regency, Bali, has double status. On the one hand the Subak (water irrigation system) is a tourist attraction (destination), and on the other hand its status is as World Cultural Heritage (Warisan Budaya Dunia or WBD). Related to that matter, this paper describes two things: (1) the development of tourism facilities in Subak Jatiluwih area, and (2) the financial input in managing Jatiluwih tourist attraction and its distribution. This is a qualitative study. The data found is analyzed using qualitative data analysis. The result of study shows that, regarding the double status as stated above, it is precisely within the perceptions of local community about the status of Subak Jatiluwih as WBD are related to "tourism brand". Therefore, the development of tourism facilities that violate the provisions of the law in the area of ??Subat Jatiluwih WBD was inevitable. On the rice fields in the subak, area parking lots of buses and restaurants have been built. Thus, there are some conversion of rice field into parking lots and restaurants in the area of ??the WBD. Specifically in relation to financial input in the management of DTW Jatiluwih, it turns out financial input reaches hundreds of millions of dollars even nearly 1 billion per month. The distribution of the results of the DTW (daerah tujuan wisata or tourist destination) management is conducted with the management of the parties based on justice that is tailored to the contribution and needs of each manager. This means that the greater the contribution and the needs of the parties involved in managing the DTW, the greater the share of the financial results it receives.
TRANSFORMATION OF DOL MUSIC IN THE MUSICALITY OF TABOT RITUAL, BENGKULU CITY Parmadi, Bambang; Kumbara, A.A. Ngurah Anom; Wirawan, A.A. Bagus; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Volume 11, Number 2, May 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (794.755 KB) | DOI: 10.24843/cs.2018.v11.i02.p04

Abstract

Originally, Dol music was used as means of religious musicality to spread Moslem religion in Bengkulu. As time goes by, through the process of acculturation and assimilation, Dol music becomes a sacred musicality to accompany the ritual procession of Tabot, Sipai tribe (Tabot family) in Bengkulu city. Globalization and the interference of power bring the change complexity of Dol musicality as Tabot ritual music in the socio-culture of Bengkulu society. The aim of this research is to understand and explain the occurrence of Dol music transformation and its implication to the socio-cultural system in Bengkulu society. The approach implemented is cultural studies with qualitative analysis technique. It is applied critical and popular culture theories to uncover the focus of the problem in this study. The result shows that Dol music undergoes musical transformation as Tabot ritual music into a secular and profane music, resulting in the expansion of function and form. Therefore, Dol music is legitimized into traditional music icon of Bengkulu, in a wider and freer scale, shifting the Tabot’s popularity and sacred rituals as the “Heritage of the World in The Trust” of Bengkulu’s folk art culture. This has implications for all socio-cultural joints of the people in Bengkulu city, triggering a qualitative change in socio-cultural evolution to the form of divergence. It means that Dol music was originally a sacred/ religious music tradition, developed following the increasingly complex transformation as a mass culture in Bengkulu.
CHARACTER EDUCATION VALUES AS REFLECTED BY GATOTKACA DRESS PROPERTIES IN SURAKARTA PUPPETRY STYLE Vayoga, Brahmana Rendra; Suyanto, Suyanto; Subiyantoro, Slamet
E-Journal of Cultural Studies Volume 11, Number 2, May 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (670.161 KB) | DOI: 10.24843/cs.2018.v11.i02.p05

Abstract

The purpose of this study are: (1) To understand the character of Gatotkaca characters in wayang kulit Surakarta style. (2) To investigate the symbolic meaning of Gatotkaca fashion clothing in Surakarta style puppetry. This study uses qualitative descriptive to present the existing data in the field by way of describing and interpreting. Technique of collecting data is done by interview and direct observation. The results of this study are: (1) Gatotkaca figure represents a humble character, and he has a high spirit of nationalism, (2) Gatotkaca has dress properties such as of Caping Basunanda, Kotang Antra Kusuma, and Trompah Padakacarma which represent as the key values in character education. Gatotkaca’s personal characteristics and his dress property have a deep meaning and values that can be precious for character education.

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