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E-Journal Of Cultural Studies

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Published by Universitas Udayana

ISSN : 23382449 EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.

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Articles 5 Documents

Search results for , issue "Volume 11, Number 3, August 2018" : 5 Documents clear

PATRIARCHAL IDEOLOGY IN WORKS OF VISUAL ART OF BALINESE CONTEMPORARY WOMEN ARTISTS Hardiman, Hardiman; Putra, I Nyoman Darma; Atmadja, Nengah Bawa; Mudana, I Gede
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Human problems are faced faced by Indonesian contemporary visual artists. However, the most typical are the problems faced by contemporary women visual artists, including those faced by Balinese contemporary women visual artists. Other than social problems, their personal problems also arise as women visual artists amidst patriarchal cultural construction. Balinese contemporary women visual artists, like Indonesian contemporary visual artists, are facing social problems and their personal problems as women. But, Balinese contemporary women visual artists also face very strong patriarchal (purusa) cultural ideology. This study aimed at revealing and describing the form of the subject matter of woman’s body as an expression of opposition in the works of visual art of the Balinese contemporary women visual artists; revealing and describing ideologies that operate behind the sexual representation of the Balinese contemporary women visual artists and revealing and describing the contestation of meaning in the ideological sexual representation of Balinese contemporary women visual artists. This study using interpretive qualitative method produced, first, works of Balinese contemporary women artists which have traditional visual elements comprising contour, repetition, rythm, dialect. The works of Balinese contemporary women visual artists also have modern visual elements comprising spatial awareness,distortion, stylization, material character, unity, and personal identity. In addition, the works of Balinese contemporary women artists also have post-modern visual elements of trans-aesthetics, dialogism, and disorder. Secondly, the ideologies that operate behind the works of Balinese contemporary visual artists can be classified into three ideologies based on the forms and contents of the works of art. The ideologies are patriarchal ideology that is related to the theme of superiority,phallus symbol, and weak group; feminism ideology that is related to the theme of subordination, equality, and subjectivity construction, and aesthetical ideology concerning with style, which is related to the classification of styles based on time, place, form, technique, and subjject matter. Third, meanings which can be developed from Balinese contemporary women visual artists are the meaning of domestic body and the meaning of open body in the sexual representation of Balinese contemporary women artists. The meaning of domestic body is found in the works of Cok Mas Asiti, Ni Nyoman Sani, and Sutrisni. Sani while the meaning of open body in the works of IGK Murniasih and Nia Kurniati Andika.

THE DISCOURSE OF PADANG RESTAURANTS IN GUS TF SAKAI’S NOVEL ULAR KEEMPAT Fadlillah, Fadlillah; Wirawan, AA Bagus; Cika, I Wayan
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The topic of the research is the novel titled Ular Keempat (the Fourth Snake) by Gus tf Sakai. It is focused on the text of Rumah Makan Padang (Padang restaurants) in the novel based on the study of cultural studies literature. In the final part of the story of Ular Keempat, there is a side text of Rumah Makan Padang. The main point of the research is the archeology of Rumah Makan Padang. The approaches used are the Foucault‘s discourse and Derrida‘s deconstruction. The result of the study shows that the essence of the story of Hajj trip in the articulation of Minangkabau people‘s view of life can be revealed in some texts. First, text of Padang was the episteme discourse built by the Dutch East Indies goverment. Second, the discourse of Minangkabau Sufistic culture systemically was demolished by the Dutch East Indies government. Third, the discourse of Minangkabau culture was systemically controlled by the Dutch East Indies government. Fourth, the discourse of Dutch colonial‘s liberal culture is actually continued by the Indonesian government towards Minangkabau culture. Fifth, the literary approach can be applied by studying the metaphors and cultural hospitality. Through this research it can be argued that the text of Hajj trip, in the novel of Ular Keempat, is a manifestation of the essence of merantau text empirically. Life for Minangkabau people is actually migration and after life is the true home; this is theirlife view. Thus, Minangkabau culture is actually a sufistic culture, and surau is the center of Minangkabau culture.

POWER RELATION OF PUNGGAWA-SAWI ON FISHERMEN OF BAJO ETHNICS AT TIWORO ARCHIPELAGO, NORTH TIWORO DISTRICT, WEST MUNA REGENCY, SOUTH EAST SULAWESI Marhadi, Akhmad
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

After the coming of globalization flow and ideology of capitalism in Ner Order around 1970s and 1980s until reformation era in 1998 up to now, power relation of punggawa-sawi resulted in hegemony on the group of sawi that had the impact on economic imbalance in the life of Bajo ethnics. This research is a qualitative method. Next, this research used a qualitative method with technique of snowball according to the purpose and objective of research. Result of this research showed that in forming power relation and hegemony of the group of punggawa is done not only directly in recruiting sawi as the worker to collect sea product, but also do the power and hegemony through another punggawa, through capital restriction and restrain of trade. In addition, manipulating regulation of government, power relation and hegemony through trader outside and through security apparatus are also done in recruiting sawi with the purpose of pursuing economic profit. Ideology of capitalism and religiousity is the supporting factor of hegemony towards sawi to happen. In this case, power relation between punggawa and sawi has the implication on ideological aspect that also influences system of knowledge of Bajo ethnics. Besides, this thing also has the implication on economic aspect, namely inegality of incoming between punggawa with sawi, political aspect, namely the involvement of the group of punggawa in practical politic, and has the implication in practical poliytics and has the implicatin on the condition of social stratification in which the change on the system of socil stratification happens on the society of Bajo ethnics.

BATUR: THE MOUNT, LAKE, AND TEMPLE’S SANCTITY, SOCIAL RELATIONS IN THE COMMUNITY, AND THE TOURISM BUSINESS Mudana, I Gede; Sutama, I Ketut; Widhari, Cokorda Istri Sri
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Batur region in Kintamani Subdistrict, Bangli, Bali, is at first a living place of a group of local people with holy, sacred markers characterized by Hinduism. The most popular holy markers are Mount Batur (1717 m), Lake Batur, and Pura (Temple) Ulun Danu Batur. Later Batur is known as a tourist destination where many tourists both domestic and international come and go everyday. This paper describes the existence of the Batur region as a unity of three things: sanctity or holiness (sacred area), social relations of the local community, and tourism business. This study is qualitative which its data is taken from books, journals, and other documents with the techniques of qualitative data analysis. The result of the study shows there is a high complexity in Batur due to its position as a sanctuary (holy area), a place of community life, and a tourism area. Batur is a sacred area, at least because of the Mount Batur, Lake Batur, and Ulun Danu Batur Temple so that such a region is honoured by all Hindu believers in Bali and outside Bali. However, today, Batur is also known as a popular tourist area because the mount, the lake, and the temple are really very interesting to be enjoyed (or consumed as tourism products) and in fact, the region is also surrounded by other beautiful tourist attractions in Batur and Kintamani, i.e. Penelokan, Toyabungkah, Trunyan village, agricultural fields, and a new, man-made one that is the Batur Global Geopark.

DISCOURSE ON KAFOAMPE IN THE TRADITIONAL MARRIAGE OF MUNA ETHNIC IN MUNA REGENCY, SOUTHEAST SULAWESI Hasanah, Nurul; Suastika, I Made; Arsana, I Gusti Ketut Gde
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

This study aims to reveal and understand about the discourse on kafoampe in the traditional marriage of Muna community in Muna Regency, Southeast Sulawesi Province. This is a qualitative research, which is categorized into cultural studies. The result of study shows, kafoampe symbolized by the amount of money given by the family of the bride to the family of the groom to be used to finance the marriage. Kafoampe is a form of appreciation of the groom's family to the family of the bride, which can be given either in the form of money as a whole or by including livestock, and other food items in accordance with the agreement of the two great families. In addition to being regarded as a form of awards, kafoampe also has a meaning to tighten the bond and strengthen the familial relationship between the two big families in a marriage as well as strengthening the familial relationship with the surrounding community.

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