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INDONESIA
E-Journal Of Cultural Studies
Published by Universitas Udayana
ISSN : 23382449     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.
Arjuna Subject : -
Articles 5 Documents
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Search results for , issue "Volume 13, Number 4, November 2020" : 5 Documents clear
REINTERPRETATION OF MASS NGABEN IN BALI Suastini, Ni Wayan
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p05

Abstract

The essence of the implementation of the “Ngaben Massal” ceremony, is a deconstruction of hegemonic discourse in society, a deconstruction of the hegemonic tradition in the Ngaben discourse, starting from the rise of philosophical public awareness starting from the clearer understanding of society in religious literature. From this understanding, other reinterpretations emerge, such as reinterpretation of the meaning of economy, social solidarity and education. This reinterpretation of the meaning of the Ngaben ceremony is a very important basis for appreciation so that mass Ngaben can be widely accepted in most community groups. The implementation of the above is very important that can be grown in the implementation of the Mass Ngaben Ceremony, as a medium of education, is the emergence of public awareness of the essential values ??of a yajna ceremony such as the Ngaben Ceremony itself. So that the essential value of a yajña ceremony (Ngaben) is no longer buried by the routine of a tradition, which is nothing more than a traditional obligation which can give the impression that a yajñas ceremony like Ngaben with the hegemonic tradition is just a burden of tradition that is independent of its essence and meaning. Keywords: Mass Ngaben, deconstruction, discourse, cultural hegomony
RECLAIMING KARONESE IDENTITY THROUGH ERPANGIR KU LAU RITUAL Sebayang, Vanesia Amelia; Darma Putra, I Nyoman; Suka Arjawa, I Gusti Putu Bagus; Pujaastawa, Ida Bagus Gde
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p01

Abstract

Dutch colonialism in Tanah Karo has long ended but not with the construction of the discourse. The unilateral evaluation of the Dutch towards the spirituality of the Karo people caused the Karo people to split into groups and live with social pathology. The colonial discourse is now experiencing challenges as the erpangir ku lau ritual was established as a national intangible cultural heritage and was made as one of the routine cultural tourism attractions in Karo District. This research uses a descriptive qualitative research method because it uses theory as a platform. The data source of this research consists of primary data obtained through observation and in-depth interviews, and secondary data obtained through books, scientific papers, documents, and online sources. The results of the study revealed that despite being rejected by one of the community groups, support for efforts to reclaim Karo's identity through the implementation of the erpangir ku lau ritual was still activated. This is because the effort to reclaim identity is expected to bring back the Karo community following the identity of the ancestral heritage, namely mehamat (polite), metami (persuading), melias (loving), perkuah (generous), and perkeleng (merciful) towards fellow humans and ancestors, The Creator, and the universe. Keywords: Reclaiming Identity, Erpangir Ku Lau, Colonial Discourse, and Karo Society
THE MANIFESTATION OF KIM KARDASHIAN’S AESTHETIC AND GLAMOUR LABORS IN KIM KARDASHIAN: HOLLYWOOD MOBILE GAME Soehendar, Tresya Pricillia; Widjayanti, Ellita Permata
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p02

Abstract

Disproving the ‘famous-for-being-famous’ epithet, Kim Kardashian shares the intricacy of the tricky and binding work of celebrity into the nascent screen-based culture, the mobile game Kim Kardashian: Hollywood (KK: H). With swipes and taps to follow the in-game stories, the KK: H player discovers the set of rules and features of KK: H that welcome them to the digitalized version of aesthetic and glamour labors where the states of being fashionable, ageless and charming are matter. Through an analysis of in-game dominant discourse as well as the player’s game experience shown in Facebook public groups, this study explores the underlying values manifesting the practice of aesthetic and glamour labors as an engaging strategy of digital gameplay. The exploration falls into four stages of docility (Power, System, Surveillance, and Normalization) that built upon Michel Foucault’s theory of Docile Body to examine the gameplay as simulating the “real” constitutive social practice of celebrity that lead the examination to the case of Hyper-reality. The result of this examination places KK: H as the particular cultural representation as well as a seemingly playful parody of celebrity work wherein the pursuit of mass beauty standard is associated with the pursuit of fame in the interest of financial benefits and personal satisfaction. Keywords: Kim Kardashian, Aesthetic and Glamour Labors, Kim Kardashian: Hollywood (KK: H), Docile Body, Hyper-reality.
CONSUMERISM PRACTICES OF KOREAN POP FANS COMMUNITY ANNISA WIDOWATI SUNDARI DANCERS IN JAKARTA Apria, Diana Rosca; Kumbara, A.A. Anom; Darma Putra, I Nyoman
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p03

Abstract

Globalization facilitates the spread of culture from one country to another. From globalization, K-Pop has finally begun to be enjoyed by Indonesian society. One of the effects of the Korean culture fever in Indonesia is the consumptive behavior or lifestyle among teenagers who are K-Pop fans. Annisa Widowati Sundari Dancers Community or what is commonly called as AWS Dancers community is one of them. The reason why this community has been chosen as the object of this research is because AWS Dancers community is popular among K-Pop fans in Jakarta. This study used a cultural study approach that is analyzed qualitatively. Data collection is carried out by the method of observation, interviews, and document studies related to K-pop culture in Indonesia. Data were analyzed with hegemony theory and culture industry theory. The results of this study show that the emergence of the K-Pop culture industry ultimately inspired K-Pop fans to form a community, namely AWS Dancers who performed dance cover activities. In addition, K-Pop culture industries such as music, drama, food, cosmetics and electronic goods made teenagers who are members of the AWS Dancers community was hegemonied to buy and consume these things. As a result, various implications arise, such as dissipation among the members of AWS Dancers, hyperreality towards South Korea, the increasingly eroded Indonesian culture and celebritization among members of the AWS Dancers community. Keywords : consumerism practices, korean pop, AWS community, hegemony, culture industry
THE WONDER FOOD MUSEUM STORY: CELEBRATING MALAYSIA’S FOOD CULTURE AND CULINARY HERITAGE SER, ShawHong
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p04

Abstract

Although thematic museums centered around food culture and culinary heritage have beenaround for decades, the concept of food museum is still fairly new in Southeast Asia. Only in2015, the first food-oriented museum – “Wonder Food Museum” was established in Penang,Malaysia. Since its establishment, the museum has received positive feedback from bothlocal and international visitors. From 2017 to 2019, the museum has been selected as therecipient of the Certificate of Excellence by international well renowned Travel organization -TripAdvisor Inc. Meanwhile, the museum’s contribution to the state’s cultural and tourismdevelopment has also been recognized by the state authority. In 2017 and 2019, the museumwas awarded the ‘Top Museum Award (Unique Concept)’, and ‘Best Tourism(Museum)Award’ by the INPenang International Awards respectively. By and large, WonderFood Museum is currently one of the most outstanding museums in Malaysia and a wellknownattraction in Penang. In this paper, to response on the research scholarly interest inmuseum tourism in Southeast Asia, the researcher has made an attempt to document thedevelopment of Wonder Food Museum from 2015 to 2019. The museum’s curatorial concept,exhibits production, exhibition planning and its overall management will be discussed andanalyzed. As the aforementioned this paper will provide insights into an understanding of foodmuseum’s development in Malaysia. Keywords: Food museum, food culture, culinary heritage, Malaysia’s museum, museumtourism, interactive museum

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