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All Journal INFORMASI Jurnal Komunikasi KOMUNIKATIF AJIE (Asian Journal of Innovation and Entrepreneurship) MetaCommunication; Journal Of Communication Studies Communication Avant Garde International Journal of Media and Communication Research (IJMCR) Jurnal Mahasiswa Komunikasi Cantrik
Sumekar Tanjung
Program Studi Ilmu Komunikasi, Universitas Islam Indonesia, Yogyakarta, Indonesia
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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BUSHIDO PADA PEREMPUAN JEPANG: MEMAKNAI NILAI-NILAI BUSHIDO PADA PEREMPUAN JEPANG DALAM FILM RUROUNI KENSHIN (2012) DAN MYU NO ANYO PAPA NI AGERU (2008) ISADI, RENATA PERTIWI; TANJUNG, SUMEKAR
Communication Vol 5, No 2 (2014): COMMUNICATION
Publisher : Fakultas Ilmu Komunikasi - Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (953.164 KB) | DOI: 10.36080/comm.v5i2.30

Abstract

Fokus penelitian ini untuk mengkaji pemaknaan nilai-nilai Bushido pada perempuanJepang dalam Rurouni Kenshin (2012) dan Myu no Anyo Papa ni Ageru (2008). Keduafilm merepresentasikan nilai-nilai Bushido dan kehidupan perempuan Jepang. Makapertanyaan penelitian yang diajukan adalah bagaimana representasi praktik signifikasinilai-nilai Bushido pada perempuan Jepang dalam kedua film tersebut? Penelitimenggunakan semiotika Barthes untuk menjawab pertanyaan tersebut. Terdapat tujuhtemuan yang dihasilkan, yakni integritas (Gi), pengasih (Jin), keberanian (Yu),penghormatan (Rei), kejujuran (Makoto), martabat (Meiyo) dan kesetiaan (Chungi).
Gegar Budaya dalam Webtoon Next Door Country Chyntia Devi; Sumekar Tanjung
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol 9, No 1 (2020)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v9i1.2372

Abstract

This study aimed to explain the cultural shock reaction experienced by foreigner in the context of Indonesian culture, especially in Aditiya Wahyu Budiawan's Webtoon Next Door Country. This research employed Roland Barthes' semiotic analysis to analyze three episodes from mentioned Webtoon series. The findings showed that in Next Door Country Webtoon, foreigners often to use facial expression when dealing with customs and cultural traditions in Indonesia. In this Webtoon, facial expression is used as a form of emotional expression to show the emotions they feel as a result of culture shock phenomenon experienced in the process when experiencing and understanding a new culture. During the process of cultural shock, foreigners as in Webtoon will go through four phases; those are optimistic phase, crisis phase, recovery phase, and adjustment phase. Another finding from this research is that the diverse cultural tradition in Indonesia is the main trigger for these foreigners to experience cultural shock.
Implementasi Manajemen Kampanye Anti Narkoba BNNP Riau dalam Diseminasi P4GN pada Masyarakat Nadra - Alfiati; Sumekar Tanjung
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol 8, No 1 (2019)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v8i1.2030

Abstract

Riau menjadi salah satu kota besar di Indonesia yang semakin banyak memiliki pengguna narkoba dan narkoba, terutama di kalangan remaja. Dari data yang diperoleh, 70 persen pengguna narkoba berasal dari siswa sekolah menengah dan perguruan tinggi, dan sekitar 40 persen orang dewasa. Menghadapi kenyataan ini diperlukan kampanye oleh Badan Narkotika Nasional Provinsi Riau. Penelitian ini bertujuan untuk menjelaskan implementasi manajemen kampanye dalam kampanye anti narkotika di BNNP Riau, dan untuk mendeskripsikan faktor pendukung dan penghambat yang dihadapi oleh Seksi Pencegahan Bagian P2M dalam mengimplementasikan kampanye tanpa narkoba. Penelitian ini menggunakan paradigma konstruktivisme dengan pendekatan kualitatif. Penulis melakukan wawancara terhadap tiga narasumber, dengan sumber utama yaitu Kepala Seksi Pencegahan yang berlokasi di Kantor BNNP Riau. Hasil penelitian ini sesuai dengan teori, yang meliputi perencanaan, pengorganisasian, mobilisasi, dan pemantauan atau evaluasi. Namun, selama fase evaluasi, Bagian Pencegahan kurang melakukan survei kepada khalayak kampanye tanpa narkoba. Ada dua faktor pendukung. Pertama, masyarakat Riau sebagai faktor eksternal, yang memiliki antusiasme terhadap kasus penyalahgunaan narkoba di Riau. Kedua, kekuatan tim kerja sama BNNP Riau sebagai faktor internal. Kurangnya sumber daya manusia menjadi kelemahan dari manajemen kampanye ini.
Di Balik Teluk Balikpapan: Framing Eksploitasi Korporasi pada Film Dokumenter Gone with The Tide dan Into The Shadow Rini Asmiyati; Sumekar Tanjung
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol 10, No 2 (2021)
Publisher : Fakultas Ilmu Komunikasi UKWMS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33508/jk.v10i2.3179

Abstract

This study aims to explain the framing of corporate exploitation of fishermen's life and natural damage in Balikpapan Bay through the documentary films Gone with The Tide and Into The Shadow. Corporate exploitation activities are a major source of problems in Balikpapan Bay. Expansive corporate growth but not followed by efforts to save nature is the main highlight of this second film. The choice of research object takes into consideration the function of documentary films as a medium of criticism and awareness to the public. In addition, Gone with The Tide and Into The Shadow present the problems of Balikpapan Bay based on the same director's point of view. The researcher uses the Pan & Kosicki framing method to explain the framing of corporate exploitation through 16 scenes in the second film. Researchers found seven constructions formed in this film, namely, the allusion to the provincial and central government, Balikpapan Bay is a strategic area, cornering the Kariangau Industrial Area, lack of attention to fishermen's welfare, maintaining a balance between industrial and environmental activities, cornering corporate and government over endangerment of marine mammals. Although it does not necessarily change people's awareness, documentary films have provided inspiration for environmental changes.Penelitian ini bertujuan menjelaskan pembingkaian eksploitasi korporasi terhadap Teluk Balikpapan melalui film dokumenter Gone with The Tide dan Into The Shadow. Kegiatan eksploitasi korporasi menjadi sumber utama masalah di Teluk Balikpapan. Pertumbuhan korporasi yang ekspansif namun tidak diikuti dengan upaya penyelamatan alam menjadi sorotan utama kedua film ini. Pemilihan objek penelitian berdasarkan pertimbangan fungsi film dokumenter sebagai medium kritik dan penyadaran kepada masyarakat. Selain itu, Gone with The Tide dan Into The Shadow menyajikan permasalahan Teluk Balikpapan berdasarkan sudut pandang sutradara yang sama. Peneliti menggunakan metode framing Pan & Kosicki untuk menjelaskan pembingkaian eksploitasi korporasi melalui 16 scene dalam kedua film. Peneliti menemukan tujuh konstruksi yang terbentuk dalam film ini yaitu, sindiran bagi pemerintah provinsi dan pusat, Teluk Balikpapan merupakan kawasan strategis, menyudutkan Kawasan Industri Kariangau, kurangnya perhatian atas kesejahteraan nelayan, pentingnya keseimbangan antara kegiatan industri dan lingkungan, menyudutkan pihak korporat, dan kekhawatiran atas terancamnya mamalia laut. Meski tidak serta merta mengubah kesadaran masyarakat, namun film dokumenter telah memberikan inspirasi bagi perubahan lingkungan.
Pemaknaan Maskulinitas pada Majalah Cosmopolitan Indonesia Sumekar Tanjung
Jurnal Komunikasi Vol. 6 No. 2 (2012): Volume 6, Nomor 2, April 2012
Publisher : Program Studi Ilmu Komunikasi

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Abstract

Nowadays, the position of men and women has no difference. Men and women are treated equally as a commodity. The phenomenon of hegemonic masculinity have been well understood, despite the fact that media especially magazine, is a medium for the contest between masculinity and femininity. This study focuses on how masculinity of man is represented in Cosmopolitan Indonesia Magazine (August, September, October and December 2011 editions).
Analisis Framing Dugaan Korupsi Anas Urbaningrum dalam Kasus Wisma Atlet pada Harian Kompas dan Jawa Pos Tesa Herowana; Sumekar Tanjung
Jurnal Komunikasi Vol. 6 No. 2 (2012): Volume 6, Nomor 2, April 2012
Publisher : Program Studi Ilmu Komunikasi

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Abstract

In 2012, Indonesian Corruption Eradication Comission (KPK) investigate further to Nazaruddin statement about Anas Urbaningrum’s corruption assessment on the sport center case. The frame analysis is used to look how Jawa Pos and Kompas Daily cover Anas Urbaningrum corruption assessment. This study concerns on Jawa Pos and Kompas Daily Januari editions 2012 about this news. It find that Jawa Pos Daily presents the Anas Urbaningrum’s news with resolute. While Kompas Daily presents that news with irresolute.
Konsepsi Kematian a la Jawa Sumekar Tanjung
Jurnal Komunikasi Vol. 8 No. 1 (2013): Volume 8, Nomor 1, Oktober 2013
Publisher : Program Studi Ilmu Komunikasi

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Abstract

This articles describes important side about death in Java, especially Bejikarto society, in Yogyakarta. They looking at death is not the opposite of life. For them, death as a manifestation of the body’s extinction and the new life’s genesis that is eternity. In the Javanese culture, all of the life and death’s process had the concept and control. This article consist of four parts. First is introduction, describes the construction and an understating of God in their belief. Second, describes about death in Javanese people concept. Third is conceiving the causation of death in terms illness and medical. Fourth, is discussion about how Javanese people preserve the tradition in celebration of death.
SEMIOTICS OF BORDER (ANALYSIS OF BATAS, A FILM OF RUDI SOEDJARWO) Sumekar Tanjung; Indra Ramanda
Informasi Vol 49, No 1 (2019): INFORMASI
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (481.122 KB) | DOI: 10.21831/informasi.v49i1.25396

Abstract

 This research was conducted to explain the presentation of the boundary meanings presented by Batas film through their character. The border becomes the front face of a country. The social conditions of people who are still lagging behind and far from infrastructure development make the people living in the border vulnerable to various problems. As a message delivery medium, meanings are represented by character in film. The author analyzed five scenes on each character in Batas film. These are, Ubuh’s character is threatened by the bad people who chase her in the middle of the forest, Arif’s character as a police officer who looking for the information in the community, Jaleswari’s character who cares about education problems at the border, Adeus’s character who has great desire for the advancement of the people at the border but get threats from individuals who do not want the people on the border to get a high education, the character of the Panglima who has power in the Dayak tribe community. This study uses a critical paradigm with a qualitative approach. The process describes the meaning of signs into denotations, connotations, and myths. The results of this study indicate that meanings are defined as areas that have complex problems. Access to transnational crime is still very easy as security is needed in the area. Despite the increase in technology and technology, the region must have the slightest education, strive to advance the regions, without prioritizing their own interests without ignoring the cultural values of their ancestors. Penelitian ini dilakukan untuk menjelaskan reperesentasi makna batas yang dihadirkan oleh pembuat film Batas melalui karakter tokohnya. Perbatasan menjadi wajah terdepan dari suatu negara. Keadaaan sosial masyarakat yang masih tertinggal dan jauh dari pembangunan infrastruktur, membuat masyarakat suku Dayak yang tinggal di pedalaman rentan terhadap berbagai permasalahan. Sebagai medium penyampai pesan, film ini penting dikaji untuk menjelaskan bagaimana makna batas direpresentasikan melalui masing-masing karakter. Peneliti melakukan analisis terhadap lima scene pada masing-masing karakter dalam film Batas. Kelima scene tersebut adalah, karakter Ubuh yang terancam dengan adanya orang-orang jahat yang mengejar di tengah hutan, karakter Arif sebagai aparat penegak hukum yang mencari informasi di tengah masyarakat, karakter Jaleswari yang peduli terhadap masalah pendidikan yang terjadi di perbatasan, karakter Adeus yang memiliki keinginan besar demi kemajuan masyarakat di perbatasan namun mendapatkan ancaman dari oknum yang tidak ingin masyarakat di perbatasan mendapatkan pendidikan yang tinggi, karakter Panglima yang memiliki kuasa di masyarakat suku Dayak. Penelitian ini menggunakan paradigma kritis dengan pendekatan kualitatif. Proses analisis yang dilakukan adalah semiotika model Roland Barthes yang menjabarkan makna tanda menjadi denotasi, konotasi, dan mitos. Hasil penelitian ini menunjukkan bahwa makna batas dimaknai adalah daerah-daerah yang memiliki masalah kompleks. Akses kejahatan transnasional masih sangat mudah, sangat diperlukan pengamanan di daerah tersebut. Meskipun terjadi peningkatan teknologi dan teknologi, wilayah harus tetap memiliki pendidikan sekecil apapun, berjuang memajukan daerah, tanpa mementingkan kepentingan sendiri tanpa mengabaikan nilai budaya leluhurnya.
Produksi Shrimp River Magz Sebagai Upaya Penguatan Eksistensi Komunitas Skateboarder di Yogyakarta Dweysa Wahabi Anas; Sumekar Tanjung
Asian Journal of Innovation and Entrepreneurship Vol 2 No 03 (2017): September 2017
Publisher : UII

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Abstract

This article aims to explain the production process of Shrimp River Magz in an effort to strengthen the existence of skateboarder community in Yogyakarta. The lack of media reviewing skateboarding in Indonesia has become one of the causes of skateboarding in Indonesia. The method of project creation is carried out through five stages: creative planning, technical planning and equipment, planning of supporting resources, budget planning, and implementation stage. The author also conducted an interview on the skateboarder community to fill the article rubric in the magazine. Based on the results of magazine production, the authors hope that the skateboarder community in Yogyakarta more exposed. The author can also deepen the ability to do design and editing in a magazine production. 
OPTIMIZATION OF CYBER PR AT PRIVATE UNIVERSITIES IN YOGYAKARTA Mutia Dewi; Sumekar Tanjung; Shalma Nadira
Asian Journal of Innovation and Entrepreneurship Volume 04, Issue 02, May 2019
Publisher : UII

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Abstract

This study aims to explain the optimization of cyber PR at private universities in Yogyakarta. High internet penetration in the community forces public relations to utilize communication technology. Thus, this research was conducted at five universities in Yogyakarta based on webometrics rank of 2016/2017 i.e., UII, UMY, UAD, UAJY, and Amikom through observation, interview, and physical and online document search. It is revealed that the public relations in universities not only connect institutions and students or government but also form the universities’ positive image to attract the public's attention. There are eight components played by private universities in their activities: credibility, context, content, clarity, channel, continuity and consistency, capability of the audience, and connectivity. Communication is the most influential key element in cyber-PR activity. Consequently, this should be managed maximally by universities to create a positive image.
Co-Authors Britania Widya Sista Hapsari Hapsari Chyntia Devi Dweysa Wahabi Anas Efri Khoirunnisa Hartoyo Indra Ramanda ISADI, RENATA PERTIWI Muhammad Chamdan Husein Mutia Dewi Nadra - Alfiati Nurmalita Natia Dewi Puji Rianto Puji Rianto Rezca Utama Arza Rini Asmiyati Shalma Nadira Tesa Herowana