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All Journal HUMANIS E-Journal Of Cultural Studies Mozaik Humaniora International Journal of Humanity Studies (IJHS) Aksara TOTOBUANG Pustaka : Jurnal Ilmu-Ilmu Budaya Arif: Jurnal Sastra dan Kearifan Lokal Stilistika: Journal of Indonesian Language and Literature Yavana Bhasha: Journal of English Language Education Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Maria Matildis Banda
Fakultas Ilmu Budaya UNUD
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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THE POWER OF TRUTH OF PARRHESIA AND PARRHESIASIST IN THE POETRY COLLECTION OF ARAKIAN BALLAD Banda, Maria Matildis
International Journal of Humanity Studies (IJHS) Vol 3, No 1 (2019): September 2019
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (367.929 KB) | DOI: 10.24071/ijhs.v3i1.2080

Abstract

According to “power” of their “truth”, poets have a responsibility in expressing the truth through their works. Therefore, the personal relationship between poets and their works is an absolute thing that can be examined from both personal and cultural point of view. This paper analyzes it through the poetry collection of Ballada Arakian (Arakian Ballad) (2014) written by Yoseph Yapi Taum (Yapi) with the main issue of how are the actual forms of personal relationship between Yapi and Arakian Ballad? This paper was written by using expressive approach to answer the issue. The theory used was the theory of power and truth by emphasizing parrhesia (fearless speech) and parrhesiasist (the one who uses parrhesia) according to M. Foucault. The method used was literature review and written interview to the poet. The result shows that the power and the truth owned by Yapi in the parrhesia implementation in his poetry collection, Arakian Ballad, express general themes about humanisms, religious, and reflection based on parrhesia: the poet’s personal relationship and the truth, the risk he faced in conveying the truth, and the poet’s responsibility as the parrhesiasist.DOI: 10.24071/ijhs.2019.030111
SA NGAZA IN RELIGIOUS AND TRADITIONAL RITUALS PERFORMED BY THE NGADA ETHNIC PEOPLE IN FLORES Banda, Maria Matildis; Kusuma, I Nyoman Weda; Ratna, I Nyoman Kutha; Pudentia, Pudentia
E-Journal of Cultural Studies Volume 9, Number 4, November 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

This cultural study was conducted based on the primary data kasa’o (the traditional house bestowal of blessing) and wo’soDewa (the church bestowal of blessing).  The study was intended to reveal the elements causing the oral tradition Sa Ngaza (TLS) in the traditional ritual ‘ritual adat’ (RA) are still performed in the religious ritual ‘ritual keagamaan’ (RKA), the function and meaning of TLS in RA and RKA, how it has been inherited. The study used the theory of formula, the theory of semiotics, and the theory of practice, especially the practice of capital. The data were collected using the techniques of observation, interview, and documentation. Sa Ngaza is unique in regard to its pattern of formula in the same dimension in general and in the opening and closing formulas in particular. These formulas support the transmission of TLS, causing mori Sa Ngaza (the Sa Ngaza reporter) to be able to maintain the continuity of TLS and its growth in RA and RKA. The opening formula explains the identities of the characters. The thematic formula in RA and RKA reports different contents. TLS in RA emphasizes patadela (the ancestor’s massage); TLS in RKA emphasizes the Biblical massage. The meaning plurality in RA and RKA explains the acculturative relationship between the tradition and religion. In this relationship there is a shift in the identities of the characters, sa’o (the traditional house), and patadela. The hierarchy of leadership in the tradition and religion can save and hamper the oral tradition. Therefore, TLS can be generally inherited based on the role of leadership through families and society, religious institutions, and education.
KARAKTERISTIK KOMUNITAS SASTRA DI BALI Triadnyani, I Gusti Ayu Agung Mas; Banda, Maria Maltidis; Nama, I Ketut
Aksara Vol 31, No 2 (2019): AKSARA, EDISI Desember 2019
Publisher : Balai Bahasa Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (341.952 KB) | DOI: 10.29255/aksara.v31i2.434.239-250

Abstract

Abstrak Komunitas sastra merupakan salah satu ujung tombak bagi tumbuh dan berkembangnya kesusastraan di suatu wilayah, termasuk Bali. Di dalam komunitas sastra tersebut dilakukan berbagai aktivitas, seperti diskusi sastra (baik cerpen, novel, puisi, maupun drama), peluncuran buku sastra, pembacaan puisi, musikalisasi puisi, pertunjukan teater, dan berbagai lomba. Komunitas sastra berperan menjaga iklim yang sehat dan kondusif bagi terciptanya kreativitas. Penelitian ini bertujuan untuk memperlihatkan pentingnya kehadiran komunitas sastra yang marak bermunculan di berbagai daerah di Bali. Untuk mencapai tujuan tersebut digunakan metode deskriptif-analitik. Dalam pengumpulan data digunakan teknik kuesioner dan teknik wawancara. Berdasarkan penelitian ini, diperoleh sejumlah informasi mengenai berbagai aspek terkait komunitas sastra, seperti karakteristik pendukung komunitas sastra dan aktivitas yang mereka lakukan. Kata kunci: komunitas sastra, karakteristik, kreativitas Abstract The existence of a literary community marks the growth and development of Indonesian literature in a region, such as Bali. In the literary community, various activities are carried out, such as book discussions (novels, poetry, and drama), publishing literary books, poetry reading, poetry musicals, theater performances, as well as various competitions. The literary community plays a role in maintaining a healthy and conducive climate for the creation of creativity. This research aims to show the importance of the presence of a literary community that is rife in various regions of Bali. To achieve these objectives, descriptive-analytic methods were used with interview techniques and questionnaire. Based on this research, obtained a number of information about various aspects related to the literary community and the activities they did. Keywords: literary community, characteristic, creativity
Kumpulan Cerpen Lelaki Kantong Sperma Analisis Abnormalitas Seksual A.A Gede Gita Galih Gumalang; Maria Matildis Banda
Humanis Vol 25 No 3 (2021)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (738.124 KB) | DOI: 10.24843/JH.2021.v25.i03.p07

Abstract

This article discusses the form of sexual abnormality from the short stories collection Lelaki Kantong Sperma by Putu Juli Sastrawan. This collection of short stories contains nine short stories, of which six short stories contain elements of sexual abnormalities. The focus of this research is on two things, namely to reveal the structure and the form of sexual abnormalities in the short stories collection of Lelaki Kantong Sperma. The analysis technique used in this research is purposive sampling technique. The method used to collect data is the literature study method. Description method is used to analyze data. The analysis of the six short story titles used structural theory from Burhan Nurgiyantoro's formulation and the theory of sexual abnormalities from Kartini Kartono. Based on the results of the analysis, it was found that the structure was formed of three elements, namely, groove, characterization, and background. Furthermore, the form of sexual abnormalities is clearly depicted, one of which is the character Setia in the short story “Menggiring Belia” who is sexually attracted to minors. Through this, it was revealed that the character Setia had a form of pedophile sexual abnormality.
Mitos Keris dalam Novel Hunus Karya Sunaryono Basuki Ks Sri Septi Dwi Jayanti Putri; Maria Matildis Banda; Sri Jumadiah
Humanis Vol 22 No 3 (2018)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (340.318 KB) | DOI: 10.24843/JH.2018.v22.i03.p01

Abstract

The object of this study was the novel Hunus by Sunaryono Basuki Ks. The novel Hunus was analyzed by using theory of structure and theory of literature sociology. The using of theory of literature sociology in this study was proper because the novel Hunus had an intense social depiction of traditional belief about the supernatural power of kris. The problems of study discussed were the structure of the novel and the myth of kris within the aspects of culture, religion, and education that were revealed in the novel Hunus. The structure of the novel Hunus encompassed: plots, characterization, and backgrounds. The plots of the novel Hunus used the plot of mix. The characterization was divided into the main character and the additional characters, the main character was Anthony Wright, and the additional characters were Anak Agung Ngurah Ari Maharani, Wayan, Husni, and Ida Bagus Sudiara. The background of place happened in Jakarta and England, the background of time was in 1990’s, and the background of social told about the life of Balinese people. The myth of kris in the novel Hunus was focused on three aspects; they were the aspects of culture, religion, and education. The aspect of culture discussed about the ceremony of Tumpek Landep. In the novel, it was explained about the procedures of Balinese people in purifying heirlooms, in this case it was kris, on the ceremony of Tumpek Landep. The aspect of religion discussed about the religious background of the characters who believed in the myth of kris. Tony with his personal religious principle considered that the myth of kris was just a fairytale or superstition which only applied to the people who believed it. Meanwhile Gung Ari (Tony’s wife) was Hindu that she believed in the myth of kris from generation to generation in the form of religious advice that had to be believed as customs which had existed in Balinese society. Then, his thought changed when he experienced the spiritual power of kris that "killed" everytime being impaled. Meanwhile Gung Ari (Tony's wife) was Hindu that she believed in the myth of kris from generation to generation in the form of spiritual advice or the ritual of Tumpek Landep that had to be believed. The aspect of education discussed about the education obtained by the religious characters that influenced the perspective towards the myth of kris that happened in the conflict of the novel. Getting the same formal education, but Gung Ari obtained an informal education from her family about the myth of kris. The myth of kris in the novel Hunus taught us that we must respect every faith in a society even though we were not born and grown in the belief of that myth.
Wacana Kekuasaan dan Kebenaran dalam Puisi Lisan Sa Ngaza Maria Matildis Banda Matildis Banda
MOZAIK HUMANIORA Vol. 17 No. 1 (2017): MOZAIK HUMANIORA VOL. 17 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (218.629 KB) | DOI: 10.20473/mozaik.v17i1.6595

Abstract

Puisi  lisan Sa  Ngaza adalah  salah  satu  bentuk  tradisi  lisan  Ngadha  di  Flores  yang  menjelaskankekuasaan dan kebenaran asal-usul subetnis. Menurut konsep Horace, sastra memiliki fungsi dulce et utile atau indah  dan  berguna.  Tujuan  tulisan  ini  untuk  menjelaskan  bahwa  pada  era  postmodern,yang  indah  dan  berguna  saja  tidak  cukup.  Puisi  lisan  perlu  dikaji  demi  keberlangsungan  tradisi,keberakaran,  dan  pembentukan  karakter.  Teori  yang  digunakan  dalam  kajian  ini adalah  teori kekuasaan  dan  kebenaran  menurut  Foucault.  Metode  yang  digunakan  adalah  metode  deskriptif analitik.  Foucault  mengemukakan  tentang parrhesia (berbicara  tentang  kebenaran)  dan parrhesiasist(orang yang berbicara tentang kebenaran). Sa Ngaza berbicara tentang sejarah asal-usul dan identitas kelompok. Sa Ngaza disampaikan oleh Mori Sa Ngaza (pewarta Sa Ngaza) sebagai parrhesiasist. Kajianini  menjelaskan  bahwa  wacana  kekuasaan  dan  kebenaran  dalam  puisi  lisan  sebagai parrhesia danparrhesiasist memerlukan  sejumlah  modal.  Modal  dapat  mendukung Sa  Ngaza agar  memiliki pengaruh dan dominasi  demi  keberlanjutan  tradisi  dalam  era  postmodern.  Hubungan  antara parrhesia dan parresiasist tidak  dapat  dipisahkan dari pengetahuan, kekuasaan, dan kebenaran asal-usul sub-etnis pemilik Sa Ngaza
THE POWER OF TRUTH OF PARRHESIA AND PARRHESIASIST IN THE POETRY COLLECTION OF ARAKIAN BALLAD Maria Matildis Banda
International Journal of Humanity Studies (IJHS) Vol 3, No 1 (2019): September 2019
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i1.2080

Abstract

According to power of their truth, poets have a responsibility in expressing the truth through their works. Therefore, the personal relationship between poets and their works is an absolute thing that can be examined from both personal and cultural point of view. This paper analyzes it through the poetry collection of Ballada Arakian (Arakian Ballad) (2014) written by Yoseph Yapi Taum (Yapi) with the main issue of how are the actual forms of personal relationship between Yapi and Arakian Ballad? This paper was written by using expressive approach to answer the issue. The theory used was the theory of power and truth by emphasizing parrhesia (fearless speech) and parrhesiasist (the one who uses parrhesia) according to M. Foucault. The method used was literature review and written interview to the poet. The result shows that the power and the truth owned by Yapi in the parrhesia implementation in his poetry collection, Arakian Ballad, express general themes about humanisms, religious, and reflection based on parrhesia: the poets personal relationship and the truth, the risk he faced in conveying the truth, and the poets responsibility as the parrhesiasist.
Tanggung Jawab Sejarah dan Kebudayaan di Balik Pelarangan Buku di Indonesia Anak Agung Ayu Rai Wahyuni; Maria Matildis Banda
Journal Social and Humaniora Vol 20 No 1 (2020)
Publisher : Udayana University Press bekerjasama dengan Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (481.672 KB) | DOI: 10.24843/PJIIB.2020.v20.i01.p10

Abstract

Pelarangan buku di Indonesia sudah berlangsung sejak kekuasaan Presiden RI pertama, Soekarno. Pelarangan ini berlangsung terus dalam kualitas dan kuantitas yang lebih besar pada masa kekuasaan Presiden RI kedua, Soeharto. Pada era reformasi, ketika kebebasan epskresi menemukan ruangnya, pelarangan buku tetap terjadi. Artikel ini membahas tanggung jawab sejarah dan kebudayaan di balik pelarangan buku. Bagaimana pelarangan buku pada era Soekarno, Soeharto, dan era reformasi. Bagaimana pro-kontra yang terjadi, serta bagaimana solusi yang memuaskan berbagai pihak. Metode yang digunakan adalah metode pustaka, dengan membaca, menginput data, dan mengkaji berdasarkan data pustaka. Artikel ini menjelaskan bahwa penulis buku mesti bertanggung jawab terhadap kandungan tulisannya. Tema-tema seperti G-30-S PKI adalah tema yang sensitif karenanya penulis wajib memiliki kesadaran sejarah dan budaya. Demikian pula pihak pemerintan diharapkan dapat mengkaji sebuah buku, dan tidak melakukan pembekuan atau pelarangan secara sepihak. Membawa sebuah buku ke dalam ranah hukum didukung pembuktian yang diperlukan, agar semua pihak mendapatkan keadilan berdasarkan hukum, sejarah, dan kebudayaan bangsa demi persatuan NKRI berdasarkan pilar-pilar pembangunan dan keberlangsungan hidup sebagai sebuah bangsa.
TEATER SEKOLAH AJANG KREATIVITAS DAN MASA DEPAN SENI TEATER [Schools’Theater as a Media to Improve Creativity and the Future of Theater itself] I Gusti Ayu Agung Mas Triadnyani; Maria Matildis Banda; I Ketut Nama
TOTOBUANG Vol. 9 No. 1 (2021): TOTOBUANG, EDISI JUNI 2021
Publisher : Kantor Bahasa Provinsi Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/ttbng.v9i1.289

Abstract

Theater as one of the extra-curricular activities in Senior High-school gradually attract more students to join. The previous reseaches provedg their  interesting on it. Based on  several undergone activities, there was 40% students who stated that their joining in the literary community  in schools due to the existence of the theater. This research aims to more deeply explore the characteristics of theater in schools, especially the Senior High-Schools which located in the three districts of Bali. The method applied is due to field-method combined by library research. The techniques are  questionnaires and interviews. As a result, the students have great interests in play theater because they think that  this kind of activity is the arena to self improve and also to stimulate creativity. Kegiatan teater sebagai salah satu kegiatan ekstrakurikuler yang ada di SMA semakin lama semakin diminati. Penelitian terdahulu membuktikan bahwa minat siswa pada kegiatan ini sangat tinggi. Dari beberapa kegiatan yang diselenggarakan, 40% siswa menyatakan bahwa mereka bergabung dengan komunitas sastra di sekolah karena adanya kegiatan teater. Penelitian ini bertujuan untuk menggali lebih dalam karakteristik teater sekolah, khususnya di tingkat SMA yang ada di tiga kabupaten di Bali. Metode yang digunakan adalah metode lapangan yang didukung studi pustaka. Teknik yang dipakai adalah kuesioner dan wawancara. Hasil yang diperoleh adalah bahwa siswa-siswi menyukai kegiatan teater/drama karena kegiatan ini dapat menjadi ajang pengembangan diri siswa, di samping membangkitkan kreativitas.
Konstruksi Latar dalam Fiksi Etnografis Orang-Orang Oetimu Maria Matildis Banda
Stilistika : Journal of Indonesian Language and Literature Vol 1 No 1 (2021)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (593.848 KB) | DOI: 10.24843/STIL.2021.v01.i01.p02

Abstract

This paper examines the setting construction in the ethnographic fiction of Orang-Orang Oetimu by Felix K. Nesi. Analytical descriptive methods, oral tradition, narratology, and setting theory were used to answer questions about: colonial and decolonial settings, socio-educational, ethnographic, and military violence setting. The results depict that the colonial and decolonial grounds left scars on the nation, which experienced previous neglect and alienation in their land. This long-experienced trauma affects massive social, education, and military violence behaviors. In addition, colonial and decolonial history also intersects with ethnographic, mainly traditional beliefs about local history and myths about “sifon,” which is a tradition of having sex after circumcision. Unpredictable and irreversible patterns of colonial, decolonial, and ethnographic settings are also shockingly strengthening the plot, proofing that the well-constructed set produces quality and innovative story, narrative, and narrating.
Co-Authors A.A Gede Gita Galih Gumalang Anak Agung Ayu Rai Wahyuni Bagus Dewadharu Megawayah Putra I Gusti Ayu Agung Mas Triadnyani I Ketut Nama I Ketut Sudewa I Nyoman Kutha Ratna I Nyoman Weda Kusuma Kurnia Lindayani M Fatkhur Rohman Nyoman Yulia Pratiwi Pudentia, Pudentia Sri Jumadiah Sri Septi Dwi Jayanti Putri