I Nyoman Sama
Udayana University

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Journal : HUMANIS

Melaib Mebase Tegeh: Bentuk Perkawinan Yos Embang Wayan Sumarjayanti; I Nyoman Sama; I Ketut Darmana
Humanis Vol 24 No 2 (2020)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (727.923 KB) | DOI: 10.24843/JH.2020.v24.i02.p08

Abstract

Pedawa village is part of Banjar district, Buleleng regency, which is one of the Bali AgaVillages in the north Bali. Pedawa as the old village has its own uniqueness especially concerning the marriage ceremony in which the local people in that place often called it as Melaib. There are six types of marriages in Desa Pedawa namely melaib ngemaling, melaib ngidih, melaib ngangken, melaib negteg, melaib mebase tegeh, melaib ngerorod (mepekirang).Melaib mebase tegeh is one of the types of marriage for the people of Pedawa Village who shelter Yos Embang which is the procession of the marriage ceremony uses the conditions in the form of banten base tegeh as a symbol for every woman from Yos Embang (local kawitan) who marries out of their clan. The results of this research are expected to provide benefits and development of science in the field of anthropology, especially about marriage. The results of this research showed that melaib mebase tegeh is one of the types of marriage in Pedawa Village, which is implemented by the people in Pedawa vilage that shelter Yos Embang if the women mated out from Yos Embang. Melaib mebase tegeh has the meaning of kinship, religious meaning and cultural. Moreover, if the people who marry girls from Yos Embang do not carry out mebase tegeh ceremony will have an impact on family and community life and have an impact on the belief aspect of the people in Pedawa Village, which shelter Yos Embang.
Pementasan Tari Jejumputan dalam Upacara Saba Nguja Benih Tika Widari; I Nyoman Sama
Humanis Vol 23 No 4 (2019)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (981.944 KB) | DOI: 10.24843/JH.2019.v23.i04.p09

Abstract

Pedawa Village is one of Bali Aga Villages located in Banjar sub-district, Buleleng district which has a sacred ritual dance, name of this sacred dance is tari Jejumputan. This dance is usually performed once every five years when performing (sasih kaulu nemoning purnama) the ritual of Saba Nguja Benih. There are problems of study in this research, namely (a) How are the procredures of tari Jejumputan in the ritual of Saba Nguja Benih in Pedawa Village (b) Function of the performance of tari jejumputan in the ritual of Saba Nguja Benih. This research is purposed to describe the performance of tari jejumputan in the event of the ritual of Saba Nguja Benih, and to unveil the function of the performance of tari Jejumputan in the ritual of Saba Nguja Benih in Pedawa Village. The theories used in this research are the theory of manifest and latent proposed by Robert K Merton. Method used in this research is the qualitative research method. The techniques of collecting the data are observation, interview, and literature study. The technique of analysis used in this study is descriptive qualitative analysis. There are manifest and latent function in Jejumputan dance at Saba Nguja Benih ceremony. The manifest function contain important function namely to entertain Dewi Sri to get good seed, good harvest, deny the pest, and as a blessing for the bliss in agricultural sector. The latent function of Jejumputan dance is strength the solidarity among the society and as the identity of Pedawa Village.
Tari Baris Babuang pada Upacara Pegingsiran Jro Pingit di Desa Pengotan I Wayan Hartawan; I Nyoman Dhana; I Nyoman Sama
Humanis Vol 25 No 1 (2021)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (553.648 KB) | DOI: 10.24843/JH.2021.v25.i01.p14

Abstract

Bali is one of the islands that is very well known to foreign countries. Besides being famous for its natural beauty it is also known by the nickname of the Thousand Temples. It is known that the Balinese are usually inseparable from the sacred arts which are believed to complement the ceremony. Meanwhile in the village of Pengotan has a sacred dance that is the Baris Babuang dance. Baris Babuang is one element of universal culture that is part of the arts. Baris Babuang dance is danced by carrying banana fronds which can also be called the papah biu war. This research focuses on two things, namely the Babuang Baris Dance Function at the Pegingsiran Jro Pingit ceremony in Pengotan Village and the Meaning of the Babuang Baris Dance at the Pegingsiran Jro Pingit ceremony in Pengotan Village. The purpose and objective of this research is to find out the function and meaning of the implementation of the Babuang Baris Dance at the Jro Pingit ceremony. Then the authors use the Functional Theory of B. Malinowski and the ceremonial theory of William Robertson Smith to help strip the results of the research. This study uses qualitative methods to describe an event or phenomenon that occurs in a research subject such as behavior, perception, motivational action holistically and analyzed by collecting data that has previously been recorded besides audio visual recording, then recorded again in the recapitulation sheet then processed in the form of scientific writing. The results of this study state that, the function of Babuang Row Dance in relation to public trust, functions as a reinforcement of solidarity between citizens and the meaning of Babuang Row Dance to invoke safety, the meaning of kinship meaning the symbol of harmonization.
Perubahan Sosial Budaya Nelayan Pesisir Kedungrejo Wahyu Tianingsih; I Nyoman Sama; I Ketut Kaler
Humanis Vol 25 No 2 (2021)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (371.265 KB) | DOI: 10.24843/JH.2021.v25.i02.p13

Abstract

This study aims to reveal the various dynamics and attitudes of the Madurese fishing community towards changes in Kedungrejo Village. Based on the results of the analysis, this research is divided into four parts, the first is the change in Kedungrejo fishing technology from traditional to modern. Second, changes to the sea-picking ritual tradition. Third, changes in the strategy of the Kedungrejo fishing community in facing the dry season. Fourth, the attitude of the Madurese fishing community towards changes in Kedungrejo Village. Changes greatly affect the conditions that exist in the fishing community in this village, especially social and cultural values.