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Locality in Makoto Shinkai’s Kimi no Na wa: Negotiating Japanese Youth Identity Muammar Kadafi; Shofi Mahmudah Budi Utami
IZUMI Vol 10, No 1 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.1.21-31

Japan becomes one of the countries that has been producing worldwide popular culture, namely through anime. Besides its popularity which attracts wider audiences, anime cultivates cultural content as it is also found in popular anime entitled “Kimi no Na wa”. Aside from its popular culture, Japan has undoubtedly been known for its ‘high culture’ products such as haiku or Zen, to which Japanese identity is attached. Then, the content of Japanese locality performed in the anime highlights some crucial issues related to Japanese identity, including the problematic relationship between traditionality and modernity, generations, and genders. Thus, the local content in the anime is interesting to scrutinize how traditional values are depicted and negotiated concerning Japanese identity. Since this study is descriptive-qualitative research, it answers the problem by describing the phenomenon and employing the interpretative method by Hall’s concept of identity. The selected data related to locality and identity obtained from the movie and poster are grouped and approached by Hall’s semiotic representation to see the relation to its significations. Finally, this brings out the interpretation of the data indicating that the anime portrays the ‘return’ to local culture. It is referred to as ‘nihonjinron’, which is particularly emphasized in youth life. Through this film, the identity is negotiated. The characters (Taki and Mitsuha) perform post-modern subjects; a case in point accepts the changes as they develop their identity in the current era.

Kepribadian Dan Ikigai Tokoh Utama Pelaku Pembunuhan Dalam Film Kokuhaku Diani Ratna Pungkasari; Yusida Lusiana; Muammar Kadafi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p11

This study aims to examine the relation between the character's personality and the Japanese motivational concept of ikigai on the murderers of the Kokuhaku’s movie, Yuko Moriguchi, Shuya Watanabe, and Naoki Shimomura. The method used in this study is a qualitative descriptive method with a literary psychology approach. The data analysis technique used is the listening technique followed by the note-taking technique. The personality theory used is Carl G. Jung's theory of personality typology, and the concept of ikigai in this study uses the concept by Akihiro Hasegawa. The results of this study indicate that Yuko Moriguchi has an extroverted-thinking personality and her ikigai is her daughter, then Shuya Watanabe has an introverted-thinking personality with gaining recognition as his ikigai, and Naoki Shimomura has an introverted-thinking personality and his ikigai is gaining recognition. The conclusion that can be drawn from this research is that a person's personality and ikigai influence each other, especially in their behavior.

Struktur dan Makna Tarian Yosakoi Yussy Talitha Khairunnisa; Ely Triasih Rahayu; Muammar Kadafi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p10

The purpose of this study was to determine the structure and meaning of movements contained in the yosakoi dance. The yosakoi dance is a traditional dance that was first introduced in 1954 in Kochi prefecture. The kochi yosakoi dance was first performed in a summer festival, with the basic dance was called seicho. Seicho yosakoi is danced with the yosakoi naruko odori song and uses a musical instrument called naruko. Besides at Kochi prefecture, yosakoi also has expanded to the Hokkaido area. Yosakoi dance in Hokkaido is known as yosakoi soran. Yosakoi soran was first created by Hasegawa Gaku in 1992. Different from kochi yosakoi, yosakoi soran was first introduced with the traditional song soran bushi. The type of this study was descriptive qualitative. The data source of this study was the movement of yosakoi dancers, namely the Iroha and Yuujou Taiko groups. The method of this study used literature study, observation and interview. The data analysis technique was conducted by analyzing the movement structure and meaning of the seicho and soran bushi dances based on the semiotic concept of Roland Barthes. The results of this study showed that there were 5 movement structures in the seicho yosakoi dance that contained connotative meanings, and there were 14 movement structures in the soran bushi dance. The conclusion from the structure and meaning of these two dances are that they only have connotative meanings. In the seicho dance, it contains the meaning of an invitation for people to come and have fun during the summer at the yosakoi festival. While in soran bushi, this dance has the meaning of describing how fishermen go to sea to catch fish.

The World through the Eyes of Travel Writers: Agustinus Wibowo’s Selimut Debu and Jihan Davincka’s Memoar of Jeddah Shofi Mahmudah Budi Utami; Muammar Kadafi; Ambhita Dhyaningrum; Muhammad Hary Rusli
Jurnal Lingua Idea Vol 13 No 1 (2022): June 2022
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jli.2022.13.1.4886

This paper investigates depictions of the world in two travel stories by Agustinus Wibowo in Selimut Debu (2010) and Jihan Davincka in Memoar of Jeddah (2013). The dissimilarity of both stories particularly in projecting the view of the world does not only accentuate different nuances but also the propensity of authors’ observations towards the objects they encounter such as places, people, and culture. Therefore, this study focuses on how travel writings own distinct ways in narrating the story of the author’s journey. In accordance with the problem, this study employed theoretical concepts proposed by Thompson specifically about reporting the world; that travel writers have certain tendency in their descriptions of the objects they see and involvement of the ‘self’ during the journey. This study then explores these two works to seek the data indicating the subjectivity to be sequentially selected and analysed. Eventually, it is found that Selimut Debu performs alteration in the involvement of the ‘self’; while Memoar of Jeddah emphasises more on personal involvement.

UPAYA MENGGALI POTENSI DUSUN SEMAYA MELALUI ANALISIS KEBUDAYAAN Dian Bayu Firmansyah; Eko Kurniawan; Hartati Hartati; Heri Widodo; Diana Puspitasari; Haryono Haryono; Yudi Suryadi; Anggita Stovia; Muammar Kadafi
Jurnal Abdimas Bina Bangsa Vol. 3 No. 1 (2022): Jurnal Abdimas Bina Bangsa
Publisher : LPPM Universitas Bina Bangsa

This community service activity aims to explore the potential of both Human Resources and Natural Resources in Semaya Hamlet, considering the geographical condition of Semaya Hamlet bordering the protected forest area causing Semaya area as separated from urban civilization. Semaya is one of the hamlets in Sunyalangu Village, Karanglewas-Banyumas located under the slopes of Mount Slamet with a distance of about 18 km from the center of Purwokerto. The location of Semaya Hamlet is slightly isolated both in terms of location and government touch in development so that the economic level of the community is relatively low. Therefore, in this devotional activity, there are 3 (pieces) of main activities consisting of: SWOT analysis of 7 (seven) aspects of its culture, mapping and documenting village data, profiling hamlets, and creating learning content "Kampung Japan". Through this devotional activity, the hidden potential of Semaya Hamlet can be lifted and the problems that have been in the midst of the community can be slightly solved. Improvements in the standard of living of the people are also increasing along with the process of building village infrastructure, as well as the improvement of the main commodities of the hamlet whose marketing has begun to penetrate a wider market than before

Knowledge on Japanese People's Beliefs in the Anime Natsume Yuujinchou Idah Hamidah; Muammar Kadafi; Dera Zuliyanti
Japanese Research on Linguistics, Literature, and Culture Vol 1, No 1 (2018): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v1i1.2106

Japanese people's trust is a belief inherited from time immemorial and is still maintained today. This can be seen from popular works that still raise traditional Japanese values. One of them is the anime Natsume Yuujinchou raising the values of Japanese people's beliefs about gods or Us and the life of the unseen. This study was about to describe the beliefs of Japanese people found in the anime Natsume Yuujinchou. The research method used to explore Japanese people's trust is a qualitative descriptive method. The approach used is literary anthropology. Found five concepts of Japanese people's beliefs from the anime, namely, 1) trust in the existence of a god; 2) trust in inanimate objects and can live if entered by the spirit; 3) belief in vengeance or punishment invisibly; 4) belief in the manifestations of kindness and evil from the spirit; 5) belief in souls (spirits) or spirits (spirits) in plants or animals The conclusions of this study are Japanese people's beliefs contained in the Natsume Yuujinchou anime in the form of supernatural concepts, soul concepts (souls) and spirits (spirits), and the concept of retaliation (tatari).

Locality in Humor Show entitled “Bocah Ngapa(K) Ya” Shofi Mahmudah Budi Utami; Muammar Kadafi
Journal of Language and Literature Vol 21, No 1 (2021): April
Publisher : Universitas Sanata Dharma

This article discusses a humor show which was initially aired on YouTube channel entitled “Bocah Ngapa(K) Ya”. This show particularly brings out humorous content with local dialects and exhibits local nuances of the Ngapak-speaking community. This phenomenological quality expressed by the Ngapak-speaking community as ‘self’ is understood as locality through which it connects the identity of the Ngapak-speaking community with a wider audience (global society). However, the locality displayed through such kind of shows can potentially perpetuate stereotyped identity. Thus, this article examines locality displayed in a particular humor show namely “Bocah Ngapa(K) Ya” which offers an alternative identity of the Ngapak-speaking community. Central to the analysis is an argumentation that the depiction of Ngapak people in “Bocah Ngapa(K) Ya” subverts their stereotyped identity. The purpose of this study is to reveal hierarchical identities and to present an alternative to view this local identity based on the local context and humor delivery in the humor show. The method employed is cultural studies approach in order to view this cultural phenomenon. Through this study, it is found that the locality performed in this humor indicates a contemporary identity for the Ngapak people in the current era, which posits Ngapak people beyond their prevailing identity.

The World through the Eyes of Travel Writers: Agustinus Wibowo’s Selimut Debu and Jihan Davincka’s Memoar of Jeddah Shofi Mahmudah Budi Utami; Muammar Kadafi; Ambhita Dhyaningrum; Muhammad Hary Rusli
Jurnal Lingua Idea Vol 13 No 1 (2022): June 2022
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jli.2022.13.1.4886

This paper investigates depictions of the world in two travel stories by Agustinus Wibowo in Selimut Debu (2010) and Jihan Davincka in Memoar of Jeddah (2013). The dissimilarity of both stories particularly in projecting the view of the world does not only accentuate different nuances but also the propensity of authors’ observations towards the objects they encounter such as places, people, and culture. Therefore, this study focuses on how travel writings own distinct ways in narrating the story of the author’s journey. In accordance with the problem, this study employed theoretical concepts proposed by Thompson specifically about reporting the world; that travel writers have certain tendency in their descriptions of the objects they see and involvement of the ‘self’ during the journey. This study then explores these two works to seek the data indicating the subjectivity to be sequentially selected and analysed. Eventually, it is found that Selimut Debu performs alteration in the involvement of the ‘self’; while Memoar of Jeddah emphasises more on personal involvement.

Risalah Perang Bone-Makassar: Transformasi Teks Fiksi Populer Gadis Portugis Karya Mappajarungi Manan Muammar Kadafi; Shofi Mahmudah Budi Utami
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 4 No. 2 (2022): September
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2022.4.2.116-127

Munculnya sebuah teks dapat menjadi respons terhadap teks lain dalam bentuk yang berbeda yang mana berkontribusi pada teks transformasi. Respon terhadap teks-teks tersebut dapat muncul pada tema, karakter, narasi, atau bahkan wacana, yang dapat dilacak pada teks hipogramnya. Hubungan intertekstualitas ini juga ditemukan dalam novel Gadis Portugis (GP) yang terkait dengan teks tradisional Sinrilikna Kappalak Tallumbatua (SKT). Namun, bentuk keterkaitan kedua teks tersebut masih perlu diteliti lebih lanjut, dengan demikian, dalam penelitian ini akan melihat lebih jauh sejauh mana hubungan intertekstualitas novel GP dengan teks SKT. Pendekatan masalah ini adalah intertekstualitas yang merupakan konsep dalam respon pembaca oleh Riffaterre. Penelitian ini merupakan penelitian deskriptif yang cenderung mendeskripsikan suatu fenomena dalam karya sastra; dan juga tergolong sebagai penelitian kualitatif di mana teknik interpretatif digunakan untuk mendekati sebuah fenomena. Hasil penelitian ini menunjukkan bahwa adanya penggambaran perang Makassar-Bugis di kedua teks tetapi terdapat pula modifikasi dalam novel GP yang intertekstualitasnya cenderung subjektif; dengan munculnya cerita cinta antara seorang pria Makassar dan seorang wanita Portugis. Selain itu, wacana kolonial yang tampak jelas dalam SKT terkesan kabur dengan ilustrasi cerita cinta ini. Yang terakhir adalah adanya transformasi karakter bernama Andi Patunru yang muncul sebagai protagonis di SKT justru tampil sebagai antangonis di GP.

Reimagining Trauma: Japanese American Incarceration Reflected in Kenji by Mike Shinoda Shofi Mahmudah Budi Utami; Muammar Kadafi
Journal of Language and Literature Vol 23, No 1 (2023): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v23i1.4970

Trauma inherited by forbearers from those who had suffered racial injustice can endure so much consequence for later generations. Similarly, what had been affected to intergenerational Jews around the world about the Holocaust was, to an extent, repeated by Japanese Americans who had experienced incarceration during the World War II. This tragedy was recorded and reflected in several art and literary works including photography, short stories, and music. Interestingly, these eerie memories transmitted by the postgeneration or referred as ‘witness’ instead of ‘testifier’ (survivor) can be thoroughly seen present and well understood in such works. One of which is a song written by an American musician, Mike Shinoda, entitled Kenji. Therefore, this paper aims at figuring out on how this traumatic experience inhabited by the person who seemed to own the memories coming from someone else. Later in this study, the problem will be approached with postmemory by Frosh gradually by investigating constructive process in the lyrics of Kenji. In order to enhance discussion on this issue, the details of each line will be further analyzed with the concept of postmemory including memory, transmission and constructive process. As a result, the findings indicate that transmission of the trauma is reimagined through ‘actively’ constructive process by the songwriter as the ‘witness’ of the Japanese American incarceration. Rather than picturing the memory in similar context, the witness employs testimony in his creative reinvention to offer ‘new context’ in working through the trauma.

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