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Confessing Love to the Nation: Audrey Yu Jia Hui’s Works and Identity Reconstruction Alberta Natasia Adji; Diah Ariani Arimbi; Adi Setijowati; Nur Wulan; Kukuh Yudha Karnanta
JAS (Journal of ASEAN Studies) Vol. 6 No. 1 (2018): Journal of ASEAN Studies
Publisher : Centre for Business and Diplomatic Studies (CBDS) Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/jas.v6i1.4819

Abstract

 This article addressed identity reconstruction through an analysis of two of the most prominent fictional works by one of the Chinese Indonesian young writers, Audrey Yu Jia Hui. In encompassing the idea of identity rewriting, I addressed Hui’s second and third novels respectively, Mellow Yellow Drama (2014) and Mencari Sila Kelima (Searching for the Fifth Principle, 2015), through the post-structural concepts of Derrida’s deconstruction, and also in relation to cultural studies views on identity. The works were analyzed through close-reading technique. The novels were published during the Reformation (Reformasi) era, where politics had served to be a profound aspect that directed the cultural identity and social attitude of the society. In a range of aspects, from narrative structure to their deeper themes, Hui’s literary works were found to draw on a distinguishable set of strategies which enabled Hui to establish her own identity as someone who was liberated, culturally accepted and free to embrace local colors. This article also showed that Audrey Yu Jia Hui’s narratives have served as an acceptance of an individual’s multiple identities, which often depends on the problem at hand as well as the context of choices.
“COWOK BE GENTLE” : MASKULINITAS MAHASISWA LAKI-LAKI MUSLIM DI SURABAYA Nur Wulan
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 4 No. 1 (2015): Jurnal Lakon
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (247.854 KB) | DOI: 10.20473/lakon.v4i1.1927

Abstract

This article discusses about ideal masculine norms perceived by University male Muslim students in Surabaya. There are two groups of male students interviewed in this research, namely students affiliated with the Dakwah movement and those who are not affiliated with the movement. The two groups share similar forms of ideal masculinity which are associated with restraint and maturity, not those related with muscularity and virility. This could be influenced by the contemplative and receptive dimension of Islam, as well as the paternalistic culture of Indonesian societies. It could be argued that restraint is an important feature of Indonesian masculinities.
Communication And Digitality In Anti-Vaccine Community Behavior Reconstruction Ani Herna Sari; Rahma Sugihartati; Nur Wulan; Lukman Hakim
Jurnal Komunikasi Vol. 14 No. 2 (2022): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v14i2.17167

Abstract

Communication is growing with the advancement of digitalization. This led to the emergence of behavioral construction in society in response to a phenomen. Various patterns of social communication are deliberately carried out to achieve certain interests, but in fact, social communication does not always run in a positive direction and benefit many parties. In the anti-vaccine community in some areas of Surabaya shows that social communication carried out in a negative direction is in the act of mass vaccine rejection. This is certainly interesting, because social communication that is done with manners, manners, and background emotions and solidarity actually leads to the act of constructing behavior. This study will examine digitalization and communication on the construction of anti-vaccine community behavior in the city of Surabaya. The approach taken is qualitative, while the ethnographic method is chosen to obtain relevant data on a daily phenomenon. The results of this study found that digital media in conducting intensive social communication was able to foster behavioral reconstruction. Sharing behavior that was initially believed to be true was deliberately spread, but with the existence of information in digital media, it is able to destroy the power of subjective reality that is created. Communication in digital media is certainly not the only factor, but with the intensification of social communication, social reconstruction can occur again and again.
Understanding Intersectionality through Tequila Leila’s Experience in 10 Minutes 38 Seconds in this Strange World (2019) Diah Putri Ayu Wandira; Rizal Octofianto Datau; Nur Wulan
POETIKA Vol 11, No 2 (2023): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v11i2.86712

Abstract

The article aims to explore intersectionality and its societal impact on the characters as portrayed in Elif Shafak’s 10 Minutes 38 Seconds In This Strange World (2019). This issue was extensively discussed to comprehend the representation of gender inequality and patriarchy in the story. Although the text has been the subject of discussion among a limited number of scholars, the novelty of this study lies in its adoption of a theoretical perspective that has not been utilized previously, specifically Kimberly Crenshaw’s framework of intersectionality. Methodologically, this qualitative study identified and collected the primary data from the text by selecting direct and indirect quotations relevant to the issue discussed. This approach was complemented by secondary sources from previous and related studies which were drawn from books and journal articles. Having analyzed the text by applying Crenshaw’s theory of intersectionality, the authors found that Shafak represented gender inequality and patriarchy in Turkey as a hegemonic and systematic belief. The text also discovered that the perpetuation of the patriarchal system, rooted in the practices frequently justified by religious rhetoric, is effectively prolonged by the continued male dominance in shaping public policies. It also indicates that the main character, Tequila Leila, and the other characters in the story possess overlapping identities, leading to numerous unfortunate experiences. Tequila Leila’s oppressed experiences unveiled the structural and representational intersectionalities.