Article Per Year (5 Year)
p-Index From 2019 - 2024
1.819
P-Index
This Author published in this journals
All Journal Wacana, Jurnal Sosial dan Humaniora Jurnal IPTEK-KOM (Jurnal Ilmu Pengetahuan dan Teknologi Komunikasi) Syntax Literate : Jurnal Ilmiah Indonesia KABILAH : Journal of Social Community Sospol : Jurnal Sosial Politik Ekspresi dan Persepsi : Jurnal Ilmu Komunikasi JIIP (Jurnal Ilmiah Ilmu Pendidikan) Jurnal Partisipatoris Journal of Community Practice and Social Welfare (JaCiPS) Society: Jurnal Pengabdian Masyarakat Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi Jurnal Audiens
Moch Fuad Nasvian
Universitas Muhammadiyah Malang
Arts Humanities Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Other

Published : 13 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 13 Documents
Search

 1   2 
VISUAL ELEMENTS AS A CONSTRUCTION MEDIA OF KOREAN CULTURE IMPERIALISM Aditya Dwi Putra Bhakti; Moch. Fuad Nasvian
Jurnal Partisipatoris Vol. 4 No. 1 (2022): March
Publisher : University of Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/jp.v4i1.27937

Abstract

This study aims to find out how visual elements are used as a construction medium for cultural imperialism, especially Korean Culture, through film series production. This study uses a qualitative approach. This study uses the visual element concept of Timothy Samara with Roland Barthes' semiotic analysis method. The object under study is the Korean serial film, Squid Game Season 1 which consists of 9 episodes. The results of this study of the Squid Game series in a structured way maximize the use of elements of form and space, color, symbolic space, typography, and layout as a medium for constructing Korean cultural imperialism. The findings from this study also contribute to the science of visual communication, especially in the use of visual elements in film works.
BEYOND WHATSAPP PROFILE PICTURE: PERSONALITY PRESENTATION, SELF-DISCLOSURE, AND IMPRESSION MANAGEMENT OF 2021 FRESHMEN IN MALANG Muhammad Alfian Hidayatullah; Aditya Dwi Putra Bhakti; Moch Fuad Nasvian
Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi Vol. 8 No. 4 (2023): EDISI OKTOBER (in press)
Publisher : Laboratorium Ilmu Komunikasi Fisip UHO

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52423/jikuho.v8i4.107

Abstract

Profile photos are an integral part of most online media platforms as it allows account owners to connect with a wider variety of online communities. Profile photos can also be used to describe self-disclosure in online communications, hence, the users are often confused about choosing an image or photo to describe themselves. For freshmen of the Covid-19 generation, profile photos on social media are part of impression management because they are required to have full interactions through online platforms, especially WhatsApp, without prior direct interaction. In this situation, usually, most freshmen will use their best photos as profile photos with the aim of inviting interaction with other freshmen so they can start exchanging messages on WhatsApp. This research aims to depict how WhatsApp profile pictures reflect the personalities, emotions, and self-disclosure of freshmen in the class of 2021 (Covid-19 Generation) in Malang, Indonesia, and what is the role of Impression Management in CMC communication, WhatsApp in this case. The research was carried out using thematic analysis, using the IPIP-NEO 30 instrument. The results of the study show that there is a fairly strong relationship between WhatsApp profile pictures and the personalities of freshmen in the class of 2021 (Covid-19 Generation) in Malang. Also, the WhatsApp profile pictures speak a lot about their emotion and mental state as they attempt to communicate through images. Furthermore, the WhatsApp users in this case consciously choose images representing themselves. It means that they are aware of their self-disclosure and Impression Management in CMC communication, in this case, WhatsApp.
Day 7 of Kanjuruhan Tragedy: Twitter Data Analysis Moch Fuad Nasvian; Moch. Aan Sugiharto; Muhammad Fadhlillah Setiamukti
Jurnal Audiens Vol. 4 No. 2 (2023): June
Publisher : Universitas Muhammdiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jas.v4i2.21

Abstract

The Kanjuruhan Stadium tragedy on 1 October 2022 became the second deadliest in the history of football. Leaders of many countries sent condolence letters to Joko Widodo, the President of Indonesia. The National Commission on Human Rights commissioner stated that the Kanjuruhan tragedy was a human rights case. The tragedy led to the rise of social movement and digital activism (DMO) through the hashtags #KanjuruhanDisaster #UsutTuntas #PrayforKanjuruhan and #Aremania. This study explains the social network formed by the aforementioned hashtags, the actors involved, and sentiment analysis. The data set crawled using Netlytic.org found 9,944 DMO tweets using the hashtags out of 10,000 tweets. The results of this study prove that DMO on the Kanjuruhan tragedy through the hashtag #KanjuruhanDisaster #UsutTuntas #PrayforKanjuruhan #Aremania has a high number of neutral sentiments indicating that the netizen is still in the phase of mourning and using neutral language to sarcast the authority. The network property data show that there is no feedback and explanation form the authority to reduce the tension of netizens. Low centralization rate between actors shows that digital activism occurs organically and is not controlled by a particular actor or organization.
Co-Authors Aditya Dwi Putra Bhakti Aditya Dwi Putra Bhakti Awan Setia Dharmawan Bambang Dwi Prasetyo Darsono Wisadirana Fakhtu Amirul Wicaksana Firmansyah, Moch M Fadhlillah Setiamukti Moch. Aan Sugiharto Mochamad Aan Sugiharto Muhammad Alfian Hidayatullah Muhammad Fadhlillah Setiamukti Novin Farid Setyo Wibowo Radityo Widiatmojo Ramadhan Permana Agung Rayan Afif Saputra, Muhammad Rizki Wahyu Zen Amirudin