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CRISTIAN Raharjo, Timbul
Corak : Jurnal Seni Kriya Vol 8, No 1 (2019): MEI 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v8i1.3092

Sebuah kebidupan dunia yang benuh dengan aneka ragam. Sebuah prestasi dan perjuangan tergambar dari fungsi block mesin yg telah melalui perjalanan panjang.Karya ini saya buat ketika saat saya sakit. Ada seorang doktor dari Spanyol yang belajar konseptual art bernama Christian Gil Gil. Disaat saya di atas kursi ruda christian saya minta menata barang bekas Aluminum. Dan saya juduli "christian"

PERAN SENI KRIYA DI ERA PERDAGANGAN GLOBAL Timbul Raharjo
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.115

In contrast to the kriyawan that able to develop aspects of research and development, innovation capability is actually a manifestation of the economics of proximity, but the producers are faced with the internal weakness of the pattern of financing and Research & Development activities and vulnerabilities to access sources of information. As a result, the role kriyawan become very important in order to encourage innovation capabilities. Proximity craftsmen with external forces such as consumers, distributors, suppliers, and competitors are considered important as a source of useful knowledge in the development of innovation capabilities for the kriyawan. Given the almost certainly composed of international trade in the export trade activities set forth many products related to art craft products. The nature of the mass and economies become one of skill in the art strength exploring the times. Indonesia has a good chance giving the art to craft to surface with high strength locality. Because of the economic nature of art is playing activity continues to craft art craft though. For that work patterns between pekriya and craftsmen sought in the form of mutual cooperation. A kriyawan work to gave birth to a product work can communicate inner experiences were also able to inspire a work product that penetrated into the sphere of mass products as art handicraft items. Of course collaboration among related subjects and aspects of the Art business cannot require each other synergistically. Selfishness in the rights and obligations differentiate cannot be synergized carefully. A product that created by kriyawan expected not to stand alone but can be used by craftsmen in a way giving royalties.Keywords: Art craft, globalization

INDONESIAN CRAFT IN THE WORLD TRADE Timbul Raharjo
Ars: Jurnal Seni Rupa dan Desain Vol 21, No 3 (2018): DESEMBER 2018
Publisher : Institut Seni Indonesia Yogyakarta

Some international craft exhibitions focus on home accessories, gifts, and furniture. The exhibition aim as craft product branding at the national and international market, for example 2016 JIFFINA exhibition. Indonesian craft commodity maintains market share in several export destination countries because Indonesian products offer special characteristics and moreover, Indonesian exporters are enthusiastic in promoting the products in international exhibitions. In Asia level, Canton Fair held in Guangzhou International Convention & Exhibition Center China is one of the biggest programs where a big number of buyers look for products they want to purchase. In Asia, exhibition series peak in Guangzhou in March and in Shanghai in October. These exhibitions are visited by importers from Europe, America, Africa, The Middle East, Australia, etc. They come to buy Asian furniture. Some exhibitions in several countries are intentionally organized within a short time in sequence to grab buyers coming to South East Asian area. It is when the commission products from Indonesian producers, in form of retails or projects. Indonesian stakeholders respond this opportunity by organizing two big exhibitions, namely Indonesia International Furniture Expo (IFEX) in Jakarta and Jogja International Furniture and Craft Fair (JIFFINA) in Yogyakarta

KERAJINAN COR LOGAM ALUMINIUM SEGOROYOSO PLERET BANTUL, DAERAH ISTIMEWA YOGYAKARTA Timbul Raharjo; Joko Subiharto
Corak : Jurnal Seni Kriya Vol 6, No 1 (2017): MEI 2017
Publisher : Institut Seni Indonesia Yogyakarta

The cast aluminum products at Karanggayam, Segoroyoso, Pleret, Bantul is suffering from quality stagnation. They are limited to manufacturing "Vandels", Logos, and Souvenirs as their main products. These products will then be sold to some business around Yogyakarta. The method of manufacturing is still very traditional, Dry casting the aluminum in soft sand. They haven't been able to produce products with certain artistic specifications to supply the global market demand. Thus the need to increase the quality of post-producing techniques like polishing and lathe work is required. These can be achieved by developing the industry in various aspect including but not limited to creation, production, distribution, and management. The 2 targets of this development are 2 home industries: "Habibi Cor" and "Abu Cor". By working on existing technique and skills, compounded by new designs and the application of a polishing machine and a Lathe machine these 2 home industries can be further improved.The goal of this Program to develop the cast aluminum industry is to accelerate the industry by adding polishing and lathe work, as well as adding a new design like accessories, sculpture, and wall decoration and to increase export by matching the current world trend. After the application of the new technologies and methods, an increase in export is to be expected. which in turn will increase the economic condition of the craftsmen. The methods used are for example: explaining about the uses of this project by socializing the goals, motivation, and the form of the activities itself. Various workshop and guidance programs to give the methods of developing new design, increasing product quality by polishing, and expanding the knowledge about management especially around accounting, producing, and marketing. Key Words: Craft, Cast Aluminum, Segoroyoso

METAFOR ATOM DALAM KARYA KRIYA TEKSTIL Yesi Diana Putri; Timbul Raharjo
Corak : Jurnal Seni Kriya Vol 6, No 1 (2017): MEI 2017
Publisher : Institut Seni Indonesia Yogyakarta

Atom merupakan partikel terkecil yang tidak dapat dibagi lagi. Segala sesuatu diseluruh dunia terdiri dari atom, baik manusia, hewan, tumbuhan, maupun benda mati. Model atom dari John Dalton, Joseph John Thomson, Ernest Rutherford, dan Niels Henrik David Bohr digunakan sebagai sumber ide yang akan divisualisasikan dalam bentuk karya kriya tekstil berupa busana. Penciptaan karya ini didasari dari latar belakang penulis yang menganggap sains dan seni dapat dikorelasikan untuk menjelaskan suatu isu melalui metafor atom. Dalam ilmu sains, bentuk model atom tidak dibuat untuk kepentingan estetika, namun didalamnya terdapat beberapa sifat dan bentuk visual yang menarik untuk dijadikan karya seni.Metode penciptaan yang digunakan berupa pengumpulan data-data melalui studi pustaka atau observasi secara langsung, melakukan analisis data dengan menggunakan pendekatan estetika dan desain secara ergonomi. Metode selanjutnya adalah perwujudan karya yang dimulai dari perancangan, persiapan bahan, hingga mewujudkan karya untuk kemudian mengevaluasi kembali. Pengerjaan karya ini menggunakan teknik batik tulis, teknik cat pada kain, tie dye, serta sulam payet, aplikasi benang, dan sulam tapis sebagai finishing. Penciptaan karya seni ini juga diperkuat dengan beberapa teori seperti : teori atom, teori busana, dan teori quantum.Hasil karya yang diciptakan berupa busana cassual wanita, dengan ornamen atom yang sudah digubahkan. Karya ini merupakan karya seni sekaligus bersifat fungsional yang dapat disesuaikan dalam penggunaannya. Diharapkan karya ini dapat memberikan inspirasi bagi masyarakat luas, ranah seni dan lembaga pendidikan, agar dapat menciptakan karya yang lebih inovatif dibidang seni, baik dari segi teknik maupun material khususnya seni kriya tekstil.Kata Kunci: Atom, Busana, Ornamen Atom is the smallest particle which can be divided into the smaller ones. The whole things in the world are consist of atom including human, animal, plant and the inanimate object. This work was inspired by the atom model from John Dalton, Joseph John Thomson, Ernest Rutherford, and Niels Henrik David Bohr. The tangible work was visualized in the textiles media as a cloth. This work is based on the writer’s thought about the correlation of science and art which can figure out an issue from atom metaphor. In science, the form of atom can be used for the aesthetic field, but there are some interesting visual form inside the atom that can be explored as an art work.The method used in this work were collecting the appropriate data through literature study, direct observation, and analizing the data using aesthetic approach also ergonomics design. The next step was embodiment the art work. It started with the plans, preparation the materials, its embodiment and evaluating. The technique of this work were using handmade batik, painting on the textile, tie dye, embroidery sequin, aplication thread, and embroidery tapis. The theory that used in this work are atom theory, fashion theory and quantum theory. The art work result was an atom ornament cassual cloth which has new and vary form. This work is an art work also has a function depends on its user. The expectation of this work are giving the inspiration for the whole society, art field and the education institute. Thus, especially for the textile work, they can produce more creative art work, which is from its technique or its material.Keywords : Atom, Cloth, Ornament

EKSPLORASI ANYAMAN MANIK KALIMANTAN DAN SULAM TAPIS LAMPUNG DALAM KARYA SENI Paskasius Kalis Legi; Timbul Raharjo
Corak : Jurnal Seni Kriya Vol 6, No 1 (2017): MEI 2017
Publisher : Institut Seni Indonesia Yogyakarta

Proses penciptaan karya tugas penciptaan ini terinspirasi dengan proses teknik anyaman manik Kalimantan dan sulam tapis Lampung. Teknik tersebut merupakan warisan kebudayaan asli Indonesia yang sering digunakan untuk membuat produk kerajinan khas daerah masing-masing. Di dalam proses perwujudan dan motifnya terkandung nilai-nilai tinggi yang bermakna positif. Penciptaan karya ini menggunakan pendekatan semiotika dan estetika. Perpaduan seni sulam tapis Lampung dan anyam manik-manik Kalimantan di dalam karya ini menjadikan sebuah keindahan baru yang unik. Proses perwujudan mengunakan teknik sulam tapis, sulam payet dan anyaman manik. Bahan utama yang digunakan adalah kanvas, benang sulam, benag rajut, benang katun, benang jahit dan manik-manik. Bahan pendukungnya adalah kulit kayu, kain beludru, dan berbagai macam aksesoris. Karya penciptaan ini menghasilkan satu karya alternatif dan empat karya populer. Konsep karya alternatif adalah kearifan lokal Nusantara yaitu wanita Dayak. Karya populer merupakan karya aplikasi anyaman manik Kalimantan pada busana yang terdiri dari dua kategori yaitu busana pria dan busana wanita. Bentuk visual karyanya berupa motif icon superhero dunia seperti, superman, batman, wonderwoman dan avengers. Salah satu kategori busana motifnya dikombinasikan dengan motif suku Dayak. Kata kunci: Anyaman Manik Kalimantan, Sulam Tapis Lampung, Karya Kriya alternatif, karya Kriya Populer This creating process was inspired by the beads care work of Borneo and tapis Lampung embroidery. This technique is the original Indonesia Heritage wich is often used for making handicraft of each area. The process of actualization and its motif exist the high positive value.This result is used the semiotic and aesthetic approach. The blending art process between tapis Lampung embroidery and beads cane work of become a new unique beauty art. The actualization process used tapis embroidery, payet embroidery and beads cane work. The primary material is applied in this art are canvas, embroidery thread, embroidery pout, cotton thread, thread and beads. The secondary material are barks, veluet and various accessories.The result of this works are an alternative work and four popular works. The alternative concept was taken from the Indonesian local heritage. It come froms the Borneo women of Dayak. Beside that, the popular works is an applied art of beads cone work in a cloth. It consists of two categories men cloth and woman cloth. The visual from of th work are the famous icon superhero world like superman, batman, wonderwoman and avengers. One of then cloth motif categories is combined by the motif of Dayak tribe. Key word: cane work of Borneo, tapis Lampung embroidery, alternative craft artwork, popular craft artwork

JAMUR DALAM EKSPRESI SENI KRIYA KAYU Nurul Iftitah Abrar; Timbul Raharjo
Corak : Jurnal Seni Kriya Vol 6, No 2 (2017): NOVEMBER 2017
Publisher : Institut Seni Indonesia Yogyakarta

The fungus is one known being that has its own kingdom namely the kingdom fungi. Visually, a fungus has a great unique variation with the interesting natural colors; this case has triggered the writer’s imagination as a creator to create a work that becomes kingdom fungi as inspiration sources. In the creation of this work, the writer has chosen the theme of Fungi in the Craft Expressions “Parasitism: Fungi’ Survival System as a Metaphor Human’s Survival System to become system classification of fungi’survival consists of Parasitic Fungi, Saproba Fungi, and Symbiosis Mutualism Fungi as a metaphor system of human’s survival that consist of Parasitism, Commensalism, and Mutualism Symbiosis. The fungi who survives its live in a way be a parasite the same as human who like as a parasitic in the earth. In the creation of this art, the exploration stage, the writer examined about fungi as the object that become the sources in deeply, both in terms of visual or as discourses and the valid data that covered about fungi so that it could help the writer to trigger the imagination largely. It could to ease at the design making. In the next stage, the writer through the improvised stage by doing some experiment thus in the end decided to choose a ferns super as a major media term using the printing resin technique as a helped media in exploring a ferns that has interesting motives and texture as a main ingredient in this creation. The writer used the theory mimesis by taking the kingdom fungi as a natural object that is copy to furnish discourse in review the creation of these artworks. The writer also used the theory of semiotics metaphors as a means of rhetorical choice in the process of semiotics between the two objects that became inspiration sources and also the theory of aesthetic in reviewing of aesthetic side either objectively or subjectively. The writer’s work would not be understood clearly without any a better understanding deeply about the classification of fungi and human survival systems, so that the three theories have an important role in the craft creation like Applied Art (Lamp) and Fine Art (Expression). Keywords: Kingdom Fungi, Heterotrophy, Parasitism, Commensalism, Symbiosis Mutualism. Jamur merupakan salah satu makhluk hidup yang memiliki kingdom tersendiri yaitu kingdom fungi. Secara visual jamur memiliki berbagai macam bentuk yang unik dengan warna-warna alami yang menarik, hal ini memicu imajinasi penulis selaku creator untuk menciptakan sebuah karya yang menjadikan kingdom fungi sebagai sumber inspirasi. Dalam penciptaan karya dengan mengusung tema Jamur dalam Ekspresi Seni Kriya “Parasitisme: Sistem Bertahan Hidup Jamur Sebagai Metafor Sistem Bertahan Hidup Manusia” ini, penulis menjadikan klasifikasi sistem bertahan hidup jamur yang terdiri dari Jamur Parasit, Jamur Saproba, dan Jamur Simbiosis Mutualisme sebagai metafor sistem bertahan hidup manusia yang terdiri dari Simbiosis Parasitisme, Simbiosis Komensalisme dan Simbiosis Mutualisme. jamur yang bertahan hidup dengan cara menjadi parasit sama halnya dengan manusia yang bagaikan parasit dibumi. Dalam penciptaan karya ini, pada tahap eksplorasi, penulis mengkaji lebih dalam tentang objek yang menjadi sumber inspirasi yaitu jamur, baik dari segi visual maupun berupa wacana dan data-data valid yang mengulas tentang jamur sehingga membantu penulis dalam memicu imajinasi yang lebih luas agar mempermudah pada tahap pembuatan desain. Pada tahapan selanjutnya, penulis melalui tahap improvisasi dengan melakukan beberapa eksperimen hingga pada akhirnya penulis memutuskan untuk memilih batang pakis super sebagai media utama dalam perwujudannya dengan mengunakan teknik cetak resin sebagai media bantu dalam mengeksplorasi batang pakis yang memiliki motif dan tekstur yang menarik sebagai bahan utama dalam penciptaan ini. Untuk melengkapi wacana dalam mengulas penciptaan karya seni ini, penulis menggunakan teori mimesis dengan menjadikan kingdom fungi sebagai objek alam yang ditiru. Penulis juga menggunakan teori semiotika berupa metafor sebagai sarana retorik pilihan dalam proses semiosis diantara kedua objek yang menjadi sumber inspirasi penciptaan serta teori estetika dalam mengulas sisi estetik karya secara objektif maupun subjektif. Karya penulis tidak akan dipahami secara gamblang tanpa adanya pemahaman lebih mendalam tentang klasifikasi sistem bertahan hidup jamur dan manusia, sehingga ketiga teori tersebut memiliki peran yang cukup penting dalam penciptaan karya seni kriya yang berbentuk Aplied Art (lampu) dan Fine Art (Ekspresi). Kata kunci: Kingdom Fungi, Heterotrof, Parasitisme, Komensalisme, Simbiosis Mutualisme.

Perancangan Kreatif Kolaboratif Arsitektur Gapura Berkarakter Lokal Wisata Bumi Perkemahan Bedengan desa Wisata Selorejo Ponimin Ponimin; Mitra Istiar Wardana; Timbul Raharjo; Nurhadi Rakuti
Sejarah dan Budaya: Jurnal Sejarah, Budaya, dan Pengajarannya Vol 15, No 2 (2021): Sejarah dan Budaya: Jurnal Sejarah, Budaya, dan Pengajarannya
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um020v15i22021p331-343

Designing iconic gate architecture for Bumi Perkemahan Bedengan of Selorejo Village tourism area with local character plays important role for tourism area development. The design meant not only for beauty aspect, but also build local-based artistic visual image as tourists attraction. It can be reached by collaborative creative method. Done by cooperation of local tourism area administrator team with LP2M UM as implementer. This collaborative work started from user partner needs analysis. The analysis result used as reference to formulate design concept for gate architecture, realized gate design concept, analysing the result, evaluating and improving collaborative work result. The activity result comes in design and gate product set built on tourism area to strengthen tourism area image through gate design icon with local character from environment and local culture as creation idea.

Quilling Paper Stamp for the Efficiency of the Batik Production Process Timbul Raharjo; Yulriawan Dafri
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.6472

Batik is making motifs on cloth with a coloring system using a wax barrier. The United Nations Educational, Scientific and Cultural Organization (UNESCO) notes batik as a cultural heritage. Batik is one of the traditional cultural characteristics of Indonesia. Batik work has become a traditional skill for some Indonesian people. Batik is currently produced by many craftsmen in several regions in Indonesia. There are several types of batik, one of which is the stamping technique, namely the technique of making batik motifs by stamping wax on the fabric. The stamp technique aims to produce batik motifs automatically bulk. With a tool in the form of a batik stamp, you can speed up the batik production process. Batik stamp tools generally use tools made of copper metal. This material in the procurement process is relatively expensive. This paper aims to improve the efficiency of batik products by applying quilling paper stamp batik as an alternative tool that is cheap and easy to make to assist the batik production process. Quilling paper stamp batik can provide benefits for Micro, Small and Medium Enterprises (MSMEs) in the batik production process. Because batik cap made of copper requires relatively complicated materials and the manufacturing process. In this paper, qualitative methods are used by exploring batik motifs and batik paper stamp quilling tools in one pattern unit, namely applying batik stamp quilling paper tools. Quilling paper stamp batik can be a new alternative as a tool in batik production. Quilling paper batik stamp has the advantage of being more economical and efficient. Production and diversification of batik motifs are more varied. It is hoped that the batik industry will experience an increase in the production of fitas and the economy of the batik industry in Indonesia is increasing.

Antique coloring of the burning process to increase the variety of finishing of export commodity pottery products Raharjo, Timbul; Dafri, Yulriawan; Morin, Lutse Lambert; Prasetyaningsih, Yulyta Kodrat; Atmojo, Wahyu Tri
JPPI (Jurnal Penelitian Pendidikan Indonesia) Vol 9, No 3 (2023): JPPI (Jurnal Penelitian Pendidikan Indonesia)
Publisher : Indonesian Institute for Counseling, Education and Theraphy (IICET)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29210/020232175

Coloring plays an important role as an artistic consideration in pottery products for the export market. Burning technique coloring is one of the innovative finishing techniques that have an antique impression. The purpose of this paper is to experiment with the finishing of the burnt technique and its application to the surface of the pottery body to make it look antique or ancient. This is an effort to increase the variety of finishing on the products of the Kasongan Yogyakarta pottery industry. Kasongan is the largest pottery industry in Indonesia. Kasongan Yogyakarta pottery has become an international trade commodity. This paper uses a qualitative descriptive method with an explanation of the flow of the experimentation process for the combustion technique of coloring on Kasongan pottery. The experiment resulted in four findings of the burning technique, namely (1) antique green, (2) antique blue, (3) antique brown, and (4) antique earth color. The experimental results were applied to 8 pottery in the form of statues and decorative vases. It is hoped that it can add variations to the coloring of pottery products and increase sales of Kasongan pottery products.

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