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ANALYSIS OF THE STYLISTIC POETRY ‘TUHAN, KITA BEGITU DEKAT – GOD, WE ARE SO CLOSED’ BY ABDUL HADI W.M S. Samsuddin
Journal of English Education Vol 1, No 2 (2016): JEE
Publisher : Universitas Sembilanbelas November Kolaka

Stylistic or style as the author’s personal expression of quality in the creation of poetry. The quality of personality obtained through universality. The intensity found on the thoroughness, accuracy, and emotional Crystallization, not an intellectual. The quality of the personality of the poet used as the characteristic of the poet in creating poetry. The problem studied in this research is How is stylistic poetry by Abdul Hadi W.M? This study aimed to describe the analysis of the stylistic poems by Abdul Hadi WM benefit expected in this study were (a) theoretically, this study is helpful to the development of literary theory, especially the theory of poetry and stylistic. (B) practical research Translation ( 1) researchers and readers can obtain in-depth description of the analysis of the stylistic poems Abdul Hadi WM (2) source of referral for further research and as a reference source of learning materials Indonesian language and literature especially learning poetry. (3) educational institutions can make the results of research this as a reference to the development of theories of literature, especially poetry stylistic analysis by Abdul Hadi. This study is a literature research using descriptive research design. Sources of data in this study are a collection of poetry Horison Indonesian Literature, poetry internationally 2002. The data is text (lines and stanzas) that contain stylistic poetry. Data was collected by using read and record technique. Data were analyzed by using the theory of stylistic, with the objective approach. The results showed a significant choice of words connotation dominate poems by Abdul Hadi W.M. Meaningful words used connotation poet to style or personal characteristic (idiosyncrasy) poet, style or technique of exposition and style or technique of the highest quality literary achievement that is used to reach the top aesthetic poet poetry. The imagery are dominated by the image of feelings. The imagery feelings become style or characteristic (idiosyncrasy) personal, style or technique exposition technique and style or quality of the highest literary achievement. The sound is dominated by the sound of Kakafoni. This sound becomes a style or personal characteristic (idiosyncrasy), style or technique or style of exposition and literary quality engineering achievement. Theme options divinity of Tuhan, Kita Begitu Dekat in the poetry becomes a style or personal characteristic (idiosyncrasy), style or technique of exposition, style or quality of the highest literary achievement.

Figure of Speech in the Poetry Mitos Vreemde Oosterlingen dan Inlander and the Poetry Habib by Zeffry Alkatiri S. Samsuddin
Journal of Indonesian Language Education and Literary Vol 2, No 2, Dec. (2017): Journal of Indonesian Language Education and Literary
Publisher : Universitas Sembilanbelas November Kolaka

Figure of speech (Majas) is the means by which the poet writes ideas, thoughts, and feelings to convey. Through the use of the Majas, the messages that are rough, instantaneous become more polished, more polite, more accepted by the readers. Majas can be found in all poem including poems written by Zeffry Alkatiri in general, especially poetry. The use of Majas can be traced to the poems of the “Mitos Vreemde Oosterlingen dan Inlander” and “Habib”. Both of these poems empower the Majas of Comparison in the form of analogy with a little metaphor to get around the message the poet is trying to convey.

Literary Ecology in Kongga Owose Folklore S. Samsuddin
Journal of Indonesian Language Education and Literary Vol 4, No 2 (2019): JILEL
Publisher : Universitas Sembilanbelas November Kolaka

Ecology and folklore are two different sides of life. Both have to do with different things. Ecology deals with the interrelationships between living things and the environment, such as land, water, plants and animals. While folklore is a part of life events in nature related to humans, nature, animals and plants that are passed down from generation to generation, from generation to generation in various shades of life and culture. The folklore of Kongga Owose implies three different stages of life, namely (1) the heyday of Kongga Owose, (2) the interim period, and (3) humans (Sorume people) fought against Kongga Owose.

Tolakinese Language Attitude toward Tolaki-Dialect of Mekongga in Kolaka District S. Sarmadan; S. Samsuddin
Journal of Indonesian Language Education and Literary Vol 2, No 2, Dec. (2017): Journal of Indonesian Language Education and Literary
Publisher : Universitas Sembilanbelas November Kolaka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31327/jilel.v2i2, Dec..431

The purpose of this research is to describe the language attitude of Tolakinese people toward Mekongga dialect. This research applied qualitative approach. The place of this research was carried out in Kolaka District. Techniques of collecting data through interviews, observation, documents. Based on the results of data analysis found that Tolaki ethnic community in Kolaka experiencing relatively negative language attitude toward Mekongga dialect. This was because the speakers of Mekongga dialect began to feel less confident in using the local language. Another thing that caused it is the presence of cross-breeding. A family with parents of different ethnic groups, then it is probable that their children do not master one of the languages of their parents, even each parents' language is not controlled by the child. However, there are actually some speakers who show their caring attitude towards the Tolaki language of Mekongga dialect. It is a positive signal that there is still a Tolakinese of Mekongga dialect community who is affectionate and caring about the local language. But the problem is they have not been able to do something meaningful in order to preserve the local language. The first step they can take is to show a more positive language attitude using Mekongga dialect in daily communication, especially in the family environment, i.e to children, husbands, and wives. In addition to the low language attitudes of the community, this also cannot be separated from the lack of significant government attention to regional languages. This is evidenced by the implementation of local language learning content that is still below the standards, both in terms of teacher availability and teacher competence. It is also in line with the government's policy on naming roads and public facilities that are less aligned to the preservation of the Tolaki-dialect of Mekongga.

A LITERARY MITHOLOGY STUDY ON THE STORY OF THE BAPAK BIOLOGI SOEKARNO-BILOGICAL FATHER OF SOEKARNO S. Samsuddin
Journal of Indonesian Language Education and Literary Vol 2, No 1, JUNE (2017): JILEL
Publisher : Universitas Sembilanbelas November Kolaka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31327/jilel.v2i1, JUNE.280

The story of Bapak Biologi Soekarno (bilogical father of Soekarno) is a story that developed in the community of Butonese. This story contains the existence of Soekarno who was born from the descendants of the nobleman of Buton, La Ode Muhammad Idris. This story is certainly controversial with the historical record of the Indonesian nation who recognizes Raden Soekemi Sosrodihardjo as the father of Soekarno. This controversy is very strong. Each maintains a belief that is assumed to be true. This controversy can be decomposed by restoring the essence of myth as a narrative story. Myths are seen in various dimensions, such as (1) factual, (2) scientific, (3) imagination, and (4) spiritual. These four dimensions then give rise to the four truths in the narrative story, such as (1) factual truth, (2) scientific truth, (3) the truth of the imagination, and (4) spiritual truth. Referring to the nature of the narrative story and its truths, the controversy of Biological Father of Soekarno is not necessarily the case. Both have elements of truth, either factually, scientifically, imaginatively, or spiritually.

THE STRUCTURE OF ROMANTICISM IN INDONESIAN POETRIES Samsuddin Samsuddin
Journal of Indonesian Language Education and Literary Vol 1, No 2 November (2016): Journal of Indonesian Language Education and Literary (JILEL)
Publisher : Universitas Sembilanbelas November Kolaka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31327/jilel.v1i2 November.190

Romanticism is a growing understanding in the literature which is operationally working on two things, namely the ideal world and the factual world. Considers that the ideal world of ideas, thoughts and ideas stems from gaps in life both personally and socially. Everything is present in an ideal world is always seen as something that is good in law, law, customs and religiously. Unlike the case with factual world. Factual world sometimes is not always in line with the ideal world. In these conditions there was a clash between the world of ideas and factual. In this condition the condition of poetry is always present to neutralize the gap between the ideal and the factual world. Poetry exists to provide a description, breaking up, providing a solution to the existing gaps. Poetry poet anxiety stems from the gap that occurs both personally and socially. Poetry comes to identify study and modify the gap into a road that can be taken and considered to ward off the gap. Although in all facets of life can be engineered factual world, but in particular the idea kataristik as a form of purification can occur through poetry.Poetry Surat Cinta by Mashun comes from the gap that occurs in the poet. The gap that occurs in some aspects that can be traced through nature, the elements and means poetry. One of them can be traced to the choice of words like love letters and hardback dusk. The word choice is the romance is the opposition. A love letter is an expectation that spans a row of stories carved out by two people who complement each other, complementary and understanding between the two. However, they do not walk in a straight line, for the love letters carved turns both hardback dusk, an illustration that will soon be arriving the night. A horizon that is beautiful to look at. However, the beauty of the horizon with violet color does not last long because the night soon engulfed everything. Opposition two things are done and poet strongly opposed to the whole poem.

PEMEROLEHAN LEKSIKON PADA ANAK USIA 2 TAHUN Nur Ihsan HL; Takwa Takwa; Samsuddin Samsuddin
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 5, No 2 (2021)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2021.05206

The forms and meanings of a 2-year-old lexicon are very interesting. The aesthetics are found in the different meanings of similar lexicon forms. The purpose of this study is to explain the forms and purpose of the lexicon of children at age 2. The method used in this research is descriptive qualitative. The subject of this research is 2-year-old children who live in the Sabilambo Village, Kolaka Regency. The object of this study is the lexicon of these children. The data collection techniques are through direct observations, recordings, notes, and interviews. The data were analyzed using a contextual approach. The context approach is used to explain the different meanings of the same lexicon forms. The results showed that the 2-year-old children during the research expressed 65 lexicons in the forms of nouns, verbs, adverbs, adjectives, and pronouns. From these lexicon forms, it is found that there are some similar forms that convey different meanings, and consequently, the understanding of a context is needed to be able to explain the meaning.

Interaksi Sosial dalam Film Mariposa Sutradara Fajar Bustomi Rudi Karma; Samsuddin; Lilis Muspitasari Irwan
DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Vol. 2 No. 2 (2022)
Publisher : Perkumpulan Dosen Muslim Indonesia - Sulawesi Selatan

Penelitian ini dilatarbelakangi oleh suatu hubungan antara dua individu atau lebih, di mana kelakuan individu yang satu mempengaruhi, mengubah, atau memperbaiki kelakuan individu yang lain atau sebaliknya. Rumusan masalah dalam penelitian ini adalah “Bentuk-Bentuk Interaksi Sosial Apa Sajakah yang Ada dalam Film Mariposa Sutradara Fajar Bustomi?” Tujuan penelitian ini adalah untuk mendeskripsikan bentuk-bentuk interaksi sosial dalam film Mariposa sutradara Fajar Bustomi. Manfaat penelitian ini adalah manfaat teoretis dan manfaat praktis. Metode penelitian yang dipergunakan adalah analisis is conten (content analysis) yang menggunakan data penelitian berupa interaksi sosial. Teknik analisis data secara interaktif dimulai dari reduksi data, penyajian data, penarikan kesimpulan dan verifikasi. Dari hasil penelitian dan pembahasan menunjukkan bentuk-bentuk interaksi sosial yang terdapat dalam film Mariposa sutradara Fajar Bustomi terdiri atas interaksi sosial asosiatif berupa bentuk kooperatif yaitu kerja sama antara tokoh-tokoh yang ada, sosiabilitas yaitu sikap terbuka dan tertutup tokoh, dan pertukaran yaitu tokoh yang satu memberi informasi lebih kepada tokoh yang lain. Sedangkan bentuk interaksi sosial disosiatif dalam film Mariposa sutradara Fajar Bustomi berupa konflik yang dialami oleh tokoh yaitu suatu peristiwa yang saling berkaitan dan bertautan yang dibungkus dalam suatu peristiwa sehingga menimbulkan benturan antara tokoh yang satu dengan tokoh yang lain.

HEGEMONI DALAM PUISI “BUTON 1969” KARYA IRIANTO IBRAHIM Samsuddin Samsuddin
Widyaparwa Vol 50, No 2 (2022)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

This study aims to describe the hegemony of power contained in the “Buton 1969” poem. Through this poem, we can get a description of the power that has ever occurred through the diction that the poet extracts. In this paper, the theory of hegemony is used with a qualitative descriptive methods to examine the actions of the authorities and the consequences of actions for the people that occurred in Buton. To describe the hegemony of power, it is done by means of diction which is described by denotation and connotation. The results of the research show that the “Buton 1969” poem is related to the ideology that was breathed in the authorities through the issue that Buton was the basis of the PKI. Through this issue, the apparatus of power made arrests of the Butonnese officers and people. Such acts of power tools leave deep and prolonged suffering and sorrow for the Butonese community.Penelitian ini bertujuan untuk mendeskripsikan hegemoni kekuasaan yang terdapat dalam puisi “Buton 1969”. Hegemoni dalam puisi tersebut penting dikaji secara ilmiah karena di dalamnya disiratkan tindakan penguasa terhadap masyarakat yang melahirkan derita yang berkepanjangan. Melalui puisi ini, dapat diperoleh gambaran jejak kekuasaan yang pernah terjadi melalui diksi yang disarikan penyair. Dalam tulisan ini digunakan teori hegemoni dengan metode deskriptif kualitatif untuk mengkaji tindakan penguasa dan akibat tindakan bagi masyarakat yang terjadi di Buton. Untuk mendeskripsikan hegemoni kekuasaan dilakukan melalui sarana diksi yang dideskripsikan secara denotasi dan konotasi. Hasil penelitian menunjukkan bahwa puisi “Buton 1969” berkaitan dengan ideologi yang dihembuskan oleh penguasa melalui isu bahwa Buton sebagai basis PKI. Melalui isu itu, peranti kekuasaan melakukan penangkapan terhadap aparat dan masyarakat Buton. Tindakan peranti kekuasaan yang demikian meninggalkan penderitaan dan duka yang mendalam dan berkepanjangan pada masyarakat Buton.

Struktur Produksi Bunyi Bahasa Anak Usia 2 Tahun (Studi Kasus Ilyas) Rudi Karma; Samsuddin Samsuddin; Sulpina Sulpina
GERAM Vol. 11 No. 1 (2023): GERAM (GERAKAN AKTIF MENULIS)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/geram.2023.vol11(1).12381

The production structure of sound in language by 2-year-old children is an interesting issue in the realm of language research. It lies in the imperfect yet meaningful language production of children. In their language production, some sound omissions and changes occur. This research aims to describe the structure of sound production in 2-year-old children. It is a field research conducted using a qualitative descriptive method. The research findings indicate that the structure of sound production involves sound omissions and changes. Sound omissions occur in consonant sounds such as [r], [m], [n], [ŋ], [t], [k], and [l]. Sound changes occur in sounds such as [t→c], [s→c], [au→o], and [ai→e]. These omissions and changes consistently occur

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