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All Journal Kompetensi: Jurnal Bahasa Dan Seni SoCul: International Journal of Research in Social Cultural Issues
Franklin E Dumais
Universitas Negeri Manado
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Journal : SoCul: International Journal of Research in Social Cultural Issues

 1 
MUSIK GEREJA DALAM PERIBADATAN GEREJA PANTEKOSTA BUKIT SION BINTARA JAYA Vernando Sinaulan; Meyny Kaunang; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 1 No. 3 (2021): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (477.706 KB) | DOI: 10.36582/soculijrccsscli.v1i3.2640

Abstract

Penelitian ini bertujuan untuk menjelaskan tentang musik dalam peribadatan di Gereja PantekostaDalam studi ini, musik yang dimaksud ialah bagaimana pemusik bisa memainkan perananya dalam memaikan musik dalam ibadah, terutama di Gereja Pantekosta Bukit Sion Bitara Jaya. Metode yang digunakan adalah metode kualitatif. Pengumpulan data dilakukan dengan cara observasi, wawancara dan dokumentasi. Berdasarkan hal-hal diatas, maka dengan ini peneliti mengambil kesimpulan bahwa musik dalam peribadatan di Gereja Pantekosta Bukit Sion Bintara Jaya adalah sangat berperan penting yaitu sebagai suatu bentuk pemahaman musik rohani pada masa kini yang merujuk pada terminology kata yang berarti sedang menunjukkan trend yang menanjak atau kekini-kinian.
UNSUR-UNSUR PENGHIDUP DAN TEKNIK PENERAPANNYA DALAM PROSES ANIMASI DAN PENGEKSPRESIAN PADUAN SUARA Rizky Jonathan Rantung; Perry Rumengan; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 1 No. 4 (2021): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (230.022 KB) | DOI: 10.36582/soculijrccsscli.v1i4.2902

Abstract

The purpose of this study is to find out how to turn on a choir using Qualitative methods with Approaches to Musicology, Psychology, and Communication. Data collection is done through library research, literature collecting, and reading sources to obtain basic knowledge about the object of research. These sources can be in the form of books, journals, articles, theses, and interviews. Choir is a type of musical composition with human voice instruments, which in the process of making the composition, the composer takes into account the color of the voice, the ability to reach both high and low speed, power volume and balance, and blending, as well as Dixie clarity. The main problem at this time is there are still many conductors and even choir trainers who do not understand the elements of life and how to apply/apply animation and expression techniques in the choir because there are still many trainers and even conductors who only rely on Youtube and do not yet exist scientific writing on the Living Elements and their application techniques in the process of Animation and Choir Expression. Therefore, I hope this article can help the coaches and even the choir conductors, especially those in North Sulawesi
BILLY SHEEHAN’S BASS PLAYING TECHNIQUE IN THE SONG OBLIVION Ravi Arjuna Sundari; Perry Rumengan; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 2 No. 6 (2022): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v2i6.7313

Abstract

The bass player played a significant role in something of a band's team, though in a rock band more than a guitar player or vocalist. Billy Sheehan is a different figure in regard to methods, presentation, and progressive acumen in his bass game. Together with The Winery Dongs, they drafted a drill song called Oblivion that combined progressive techniques in their game. The research takes a qualitative approach that reflects the condition of the research object the Oblivion of the bass play method and Billy Sheehan’s key analyzed source information, which the research described in a descriptive way to respond to the research case. Gathering information in the research employs method of documentary study. Based on the findings of this research, Billy Sheehan in a Oblivion song uses a mixture of plucking techniques and tapping techniques combined with the method of lead guitar play. As a result of this study, the authors found that Billy created new styles that made his bass game a unique performance, and looking back on it was a rich bass-game technique.
AN ANALYSIS OF THE GUITAR MUSIC LEARNING OF BEGINNER USING PROBLEM-BASED LEARNING Abraham G. A. Onibala; Meyny Kaunang; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 2 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i2.7990

Abstract

This present study aims at exploring the implementation of Beginner Guitar Music Learning through the application of the Problem Based Learning (PBL) model. The research focuses on understanding how the Problem Based Learning model is employed in the context of learning beginner guitar music. The qualitative method with a pedagogical approach was employed for data collection, utilizing observation, interviews, and documentation. The findings reveal that, in the preparatory phase for implementing music learning activities at SMA Negeri 1 Tondano, comprehensive planning is essential. This involves developing semester programs, syllabuses, lesson plans, learning media, and teaching materials. Moreover, the cultural arts (music) teachers conduct a thorough assessment of each student's abilities, considering their interests, needs, and profiles. This information aids in tailoring the learning process to accommodate different learning styles. The study contributes valuable insights into the practical application of the Problem Based Learning model in the domain of beginner guitar music education.
THE STRATEGY OF CLASICAL GUITAR TRAINING SHOWN BY JEKSON PONTOMUDIS FOR THE EVENT OF FLS2N Geryanto F. Sasela; Perry Rumengan; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 3 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i3.8071

Abstract

This research aims to explore the classical guitar learning strategies applied by Jekson Pontomudis as part of his preparation for the National Student Art Competition Festival (FLS2N). The main focus of this research is to identify the challenges faced in the implementation of Jekson Pontomudis' classical guitar learning strategy in the context of FLS2N preparation. The research method used is qualitative with a musicology approach. Data were collected through observation, interview, and documentation. The results show that this learning strategy faces obstacles, such as the lack of teachers and trainers with classical guitar expertise, as well as limited learning facilities and infrastructure. In addition, the lack of curriculum compatibility with FLS2N demands and inadequate school conditions are problems. To overcome this, it is necessary to improve the qualifications of teaching staff, improve facilities and infrastructure, and evaluate and adjust the curriculum. This research provides insights into the constraints of classical guitar learning strategies in preparation for national competitions, such as FLS2N, and provides a basis for improving the effectiveness of similar learning in other schools.
A DESCRIPTIVE ANALYSIS ON THE ROLES AND FUNCTIONS OF THE MUSIC TEAM IN A WORSHIP Miracle Christian Pratowo; Meyny Kaunang; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 4 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i4.8286

Abstract

The present study is conducted to explore the roles and functions of the worship music team as shown at the curch of GPdI Karmel Tataaran II. This qualitative study uses primary and secondary data. The primary data are obtained through interview from the members of the church and the members of the music team of the church. The primary data are also collected through direct observation. On the other hand, the secondary data comes from the documentation of the previous relevant research and the digital sources from the internet. The obtained data are then analyzed using interactive data analysis which consists of the steps of data reduction, data display, and conclusion or verification. The findings show that the worship music team at the church of GPdI Karmel Tataaran II has a very important role in the worship experiences of the church members. The worship music team help the church members to have praying experiences full of happiness, to have a close relationship with the God, and to create a harmonic and happy atmosphere during the worship. The findings have important implications for the development of church worship and the enhancement of the music team's role in supporting worship objectives. Theoretically and practically, this research contributes to further understanding of the dynamics of music teams in Pentecostal churches.
AN ANALYSIS ON THE ROLE AND FUNCTION OF SINGERS IN WORSHIP: A CASE STUDY AT THE NEW JERUSALEM BETHEL CHURCH INDONESIA Ariandi Richard Mabuka; R. A. Dinar Sri Hartati; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8307

Abstract

This research aims to examine the roles and functions of the worship singers at the New Jerusalem Bether Church Indonesia in Kampung Lebo. To achieve this goal, data collection tools such as observation, interviews, literature review, and documentation were employed. The research method used is a qualitative descriptive method, with the objective of identifying the outcomes obtained in the field. In this study, the researcher utilized theories that support the research, serving as the foundation for investigating the roles and functions of singers in worship at the Indonesian Bethel Church in Kampung Lebo. The research has elucidated the roles and functions of singers in the worship of the New Jerusamlem Bether Church Indonesia in Kampung Lebo. The researcher discovered several aspects regarding the roles and functions of singers, including the significant role of backing vocalists in the progression of worship, their ability to assist the song leader in leading worship, the importance of singers being pitch-perfect, their capacity to provide harmony and vocal energy in every song, the ability to transform the worship atmosphere to avoid monotony, guiding the congregation in singing, providing enthusiasm, and making the congregation feel engaged during worship. The data were obtained through interviews with singers and the pastor.
THE HISTORICAL DEVELOPMENT OF THE GROUP BAMBOO CLARINET MUSIC GEMA DIRGANTARA LIWUTUNG Millen Rousevelt Hendriks; Franklin Dumais; R. A. Dinar Sri Hartati
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8308

Abstract

This study is conducted to analyze the historical development of the Group Gema Dirgantara Liwutung as the group of bamboo clarinet music. This research uses a qualitative approach and the data collection techniques used are observation, interviews, documents. Data analysis is done after the data is collected then classified, interpreted and described in the form of words. The results of this study indicate that Bamboo Clarinet Music is the most influential art in community activities in Liwutung village. For example a wedding event, in the event Bamboo Clarinet Music plays an important role when the groom will go to the bride's house and pick her up then go to the house of worship (church) and at the peak of the wedding there is a Polynesian dance accompanied by Bamboo Music. In addition, Bamboo Music is not only used for village activities but is also often invited to various events outside the region and nationally with achievements, namely the golden Indonesia commemoration event at the State Palace in 1995, Makasar Trevel Mart in 1996, and the birthday of Jayapura city in 2015. Based on the research results, the author suggests: 1) There needs to be a forum for routine/planning performances in an event or concert, so that Bamboo Music is known more widely; 2) There needs to be successors to play bamboo music; 3) The need for regular training, so that in an event or concert the preparation is very mature.This study is conducted to analyze the historical development of the Group Gema Dirgantara Liwutung as the group of bamboo clarinet music. This research uses a qualitative approach and the data collection techniques used are observation, interviews, documents. Data analysis is done after the data is collected then classified, interpreted and described in the form of words. The results of this study indicate that Bamboo Clarinet Music is the most influential art in community activities in Liwutung village. For example a wedding event, in the event Bamboo Clarinet Music plays an important role when the groom will go to the bride's house and pick her up then go to the house of worship (church) and at the peak of the wedding there is a Polynesian dance accompanied by Bamboo Music. In addition, Bamboo Music is not only used for village activities but is also often invited to various events outside the region and nationally with achievements, namely the golden Indonesia commemoration event at the State Palace in 1995, Makasar Trevel Mart in 1996, and the birthday of Jayapura city in 2015. Based on the research results, the author suggests: 1) There needs to be a forum for routine/planning performances in an event or concert, so that Bamboo Music is known more widely; 2) There needs to be successors to play bamboo music; 3) The need for regular training, so that in an event or concert the preparation is very mature.
THE ANALYSIS ON THE DISC JOCKEY TRAINING MODEL AT LA STUDIO DJ SCHOOL Joseph Agustinus Friets Sarkol; Glenie Latuni; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8316

Abstract

This research aims to present a holistic approach in developing DJ skills for students at LA Studio DJ School. The research method applied is a qualitative method rooted in the philosophy of positivism, specifically designed to study the condition of objects scientifically. Researchers, as the key instrument, used purposive and snowball data sampling techniques, with data collection techniques through triangulation. Data analysis was carried out inductively and qualitatively, with an emphasis on meaning rather than generalization. Additionally, LA Studio DJ School also incorporates business elements of the music industry into the curriculum, providing students with an understanding of event management, self-marketing, and building a professional network. With a focus on practical teaching and direct guidance from experienced instructors, this program aims to train high-quality DJs who are ready to compete in the dynamic music industry. Students will develop their own unique style while understanding the essence of the art of DJing and appreciating the diverse forms of expression in the world of music.
Co-Authors Abraham G. A. Onibala Alfa Alafino Zefanya Singkay Aloysius Totuuk Ariandi Richard Mabuka Brigita Wolayan Chezel Samgar Rembang Debora G. P. Rotikan Dennys Fredrik Julius Tasarane Geryanto F. Sasela Glenie Latuni Indriani Florensia Kadis Ira Chenia Regar Joseph Agustinus Friets Sarkol Joshua Matindas Luccylle M Takalumang Meyny Kaunang Meyny Kaunang Millen Rousevelt Hendriks Miracle Christian Pratowo Otniel Runtulalo Perry Rumengan R. A. Dinar Sri Hartati R.A. Dinar Sri Hartati Rahel Gabriella Lolong Ralf Sorongan Ravi Arjuna Sundari Rizky Jonathan Rantung Rizky Jonathan Rantung Sri Sunarmi Vernando Sinaulan