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INDONESIA
LEKESAN
Published by Institut Seni Indonesia Denpasar
ISSN : 25982192     EISSN : 25982192     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Lekesan is the name of Interdisciplinary Journal of Asia Pacific Arts, is dedicated to the best representation of Asia Pacific Arts from various perspectives. As the link of exchange knowledge and experience, its provides opportunities to world scholars, artists, and the community, who are focused in the aesthetic theory and practice of Asia Pacific Arts.
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "Vol 2 No 1 (2019): April" : 5 Documents clear
Ecological Messages In The Ramayana Story Of The Wayang Purwa Shadow-Puppet Play Sulaksono, Djoko; Sadhhono, Kundharu
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 2 No 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (431.95 KB) | DOI: 10.31091/lekesan.v2i1.747

Abstract

The aim of this research is to describe ecological messages in the Ramayana story of the wayang purwa shadow-puppet play. As a qualitative research, it used descriptive analysis techniques and ecology studies based on data derived from ecological content in the Ramayana story. Results from the analysis show that several ecological forms in the Ramayana story can be described and viewed from the interactions between characters in the story and fellow human beings, water, land, fire, air, plants and animals. These interactions point to a reciprocal relationship between living things and the environment. The results of this study enrich the treasure of knowledge in the field of literature and provide a picture for communities about the relationship between living things and the environment, which should be aligned with guidance within Javanese society. Through this research, communities are invited to respect each other’s existence and living things in their surroundings. This is because everything in the world is believed to have its respective strengths and benefits.
Internalization of Local Wisdom Value through I-Spring Technology- Based Art and Culture Learning Zen Fatro, Mizron; Tri Sulistyo, Edy; Nugroho, Sugeng
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 2 No 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (460.054 KB) | DOI: 10.31091/lekesan.v2i1.748

Abstract

The social change dynamic in globalization era impacts on the students’ reduced love to local wisdom culture so that they understand poorly the meaning of local wisdom culture existence as cultural heritage rich of life prudence values. This research aimed to analyse the internalization of local wisdom culture values through I-Spring technology-based art and culture learning. The unit of analysis used in this qualitative research with case study approach was the stakeholders of SMA Batik 2 Surakarta selected using purposive sampling technique. Techniques of collecting data used were observation, in-depth interview, and documentation. Data validation was carried out using source triangulation, while data analysis was carried out using an interactive model. The result of research showed that I-Spring technology-based art and culture learning could be a learning media facilitating the students to internalize local wisdom culture values. Through I-Spring learning media, students could internalize, externalize, and objectify local wisdom values in order to achieve the balance of students’ conscience, supra-ritual, and intellectuality related to God through the content of local wisdom values.
Directing Cymbeline: Leon activated attributes of God for the 38th Bali Arts Festival 2016 Sedana, I Nyoman
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 2 No 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (806.812 KB) | DOI: 10.31091/lekesan.v2i1.749

Abstract

Applying the theory of Bali Creative Art, this paper looks at the theatre directing elements, concept, and method applied by Leon Rubin when he directed Shakespeare’s Cymbeline. Invited by the Head of the Bali Province Cultural Directorate to showcase a cross-cultural theatrical production, Leon selected and integrated twenty-five artists (actors/actresses, costume and lighting designers) from Bali, Indonesia; Malaysia, Mexico, Brazil, China, and England in a new work for the 38th Bali Arts Festival in 2016. Most of the actors were able to stay in Bali for three weeks to rehearse; the piece was also shown in limited seating venues in the villages of Ubud and Abian Semal for three nights in a row from 25 to 27 June 2016. Despite the great challenge for the non-Indonesian actors and director, all were finally able to collaborate under Leon’s direction and perform the Indonesian language translation of the original Shakespearian text. Although the local artists informed Leon that the Cymbeline play would be competing with sounds from loud speakers in several nearby performance venues and the stage crew offered the actors microphones—Leon did not allow sound amplification of the actors, musicians, narrator, or the singer. Surprising yet amusing local audiences with several uncommon features, the Cymbeline show was considered to be the best collaborative production among the nearly 350 performances presented during the month-long festival.
Political Identity Of Transmigrant Communities In Tanah Abang Village In Jambi Through Gamelan Kartikasari, Devy; Pradoko, A. M. Susilo
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 2 No 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (458.223 KB) | DOI: 10.31091/lekesan.v2i1.750

Abstract

This research is intended to discover the procurement process of gamelan musical instruments as an effort to preserve the identity of Javanese transmigrants community in Tanah Abang village, reviewing the idea to the benefit to the community and exploring the meaning and the social values that is implied by the existence of the gamelan used by the communities to learn karawitan. The research was carried out in the Tanah Abang Jambi village, with the pengrawit and trainers as the objects, and the informants, through interview, of this research were the head of the Tanah Abang village, karawitan coach, pengrawit, and those who was part of the agent of change. The data taken was in the form of field-notes which were processed in such a way and sorted into an intact data that was easily traced. Afterward, the data was used to answers the problem statement. The results of the study conclude that the procurement process of gamelan in Tanah Abang village went through a challenging process, however; the impact that follows is quite satisfying since it brings benefits to the community and the village. The process is described through a chart to facilitate understanding. Furthermore, another important point that can be taken from the existence of a set of gamelan musical instruments is social values that can be implemented in everyday life.
Drawing Pattern On Novels In Contemporary Art Jana, I Made; Sujana, I Wayan; Muka, I Ketut
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 2 No 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (517.653 KB) | DOI: 10.31091/lekesan.v2i1.751

Abstract

This study is prompted by the concern over stagnant rates of creation in producing contemporary statues in Bali, both in the northern and southern regions, by using stone, wood, and metal mediums. The technology of using gips (plaster of Paris) is easier in statue production, however dismisses innovation in the process. The researcher took interest in I Wayan Sujana’s 10 years long research (2007-2017) on transferring of the unconscious onto art from novels (books). Based on that research I Wayan Sujana produced thousands of drawings with rich periodicity patterns. Those patterns are reviewed and selected to be made as contemporary statues. The production method for the contemporary statues, using Drawing Pattern on Novel, was participatory, involving traditional art carving experts. User Participation Method, an approach with user involvement in the art, judgment and creation methods by SP Gustami, was employed to conduct this study. The data was gathered with interviews, observation, documentation, and then exploration, planning and embodiment. This study aimed to create innovation of the fine arts, based on research, using Drawing Pattern on Novels, and can be recognized as part of Indonesian fine arts development. Indonesian contemporary fine arts focuses on local genius as the spirit of its creation. This research generated innovative statutes from stone with Indonesian national culture’s aesthetic motifs.

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