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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 10, No 2 (2019)" : 7 Documents clear
PHOTO SELFIE AS WOMEN'S EXPRESSION OF FEMININITY Ali Mecca
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (621.309 KB) | DOI: 10.33153/capture.v10i2.2246

Abstract

In selfie photos, women are no longer positioned as objects from photographers, but rather act as subjects who take pictures as well as the subject being photographed. Women in this context become more aware of the values of femininity that have been attached to their bodies. This study aims to identify expressions of femininity represented in selfie. The method used in this study is audience research. The results of the study show two things. First, the physical beauty represented by selfie includes the brightness of facial skin, thin cheeks, and the reddish of red lips. Second, femininity as an expression of their body being identified again into three aspects, namely, women as objects, women as subjects, and women as both of subjects and objects. 
ANALYSIS OF DOCUDRAMA HISTORY AND REFERENTIAL RECONSTRUCTION OF SANG KIAI MOVIES: ADAPTATION OF BIOGRAPHICAL HISTORIOGRAPHIC TEXTS TO BIOPIC FILM Bambang Aris Kartika; Nanik S. Prihatini; Sri Hastanto; D., Dharsono
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (700.541 KB) | DOI: 10.33153/capture.v10i2.2366

Abstract

This article discusses about the conception of adaptation of biographical historiographic texts into the medium text in the Sang Kiai film which is a type of historical docudrama film. Adaptation conception shows a transposition pattern of content from historical biographical narrative texts constructed into the text medium of Sang Kiai film. By conducting a study on the Sang Kiai film through approaches of adaptation and heuristic, hermeneutic, and internal criticism methodology has produced a pattern of referential reconstruction in the production of historical genre film texts, especially in the types of biopic films. The Sang Kiai film is a moving picture biography of the K.H. Hasyim Asy'ari figure who narrated historical facts about the nationalism of the founder of the Nahdlatul Ulama (NU) against the colonialist hegemony of Japanese and Allied fascist armies. Thus, the docudrama film which is positioned as a document of visualization of the historical facts about the past that is presented today through the reproduction of historical texts in the biopic film medium. The pattern of referential reconstruction shows that the biopic film of the Sang Kiai is a representation of the truth of the biographical facts of the K.H. Hasyim Asy'ari figure, although it was produced and presented through historical fiction film text 
MULTICULTURALISM IN ETHNIC IN CHILDREN'S POPULAR FILM IN INDONESIA POST 2010 Romdhi Fatkhur Rozi
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (242.537 KB) | DOI: 10.33153/capture.v10i2.2229

Abstract

This article discusses about multiculturalism in the popular film industry with the theme of children in Indonesia after 2010. The categorization of this popular film is based on the number of viewers. This study is intended to find many aspects of ethnic multiculturalism contained in child-theme films after 2010. The concept of children's films from Bezalgette and Stapless is used to review the children's theme films. The conclusions of this study are that multiculturalism is present in most children's films in Indonesia through various forms of moral messages, which are delivered from interactions between characters and characterizations, however the films have not succeeded in showing all multi-ethnic diversity in Indonesia yet. 
CHARACTER EDUCATION AND MORAL VALUE IN 2D ANIMATION FILM ENTITLED "PENDETA BANGAU" I Gede Adi Sudi Anggara; Hendra Santosa; A.A. Gde Bagus Udayana
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (461.942 KB) | DOI: 10.33153/capture.v10i2.2449

Abstract

Character is a very important and fundamental matter in a child's development. Character education has the same orientation with moral education, whereas moral education is very important in directing young generation to become good people through good values approach. In the midst of current IT advances, animated films are one of the effective and interesting media in transferring the values of character education and moral messages to children. The 2D animated film entitled Pendeta Bangau (The Priestess of Stork) is an animated film which source of story comes from Balinese folklore entitled Pedanda Baka. The aim of this study is to discuss the values of character education and moral messages/values contained in the animated film entitled “Pendeta Bangau”. This study uses qualitative research methods with qualitative data analysis techniques model of Miles and Huberman. The result of this study shows that the character education values from the animated film entitled Pendeta Bangau contains the values of honesty, tolerate, friendship / communicative, love of peace, and curiosity. While the moral message/value was seen in the final/end of film, namely the Bangau (stork) died due to its immorality. Its Bangau dead is related to the principal of Prarabda Karmaphala, namely Bangau, gets the results of his behavior in the present, and is now available without being there anymore. 
STYLOMETRY: STATISTICAL APPROACH INTO FILM STYLE Muhammad Yunus Patawari
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (629.45 KB) | DOI: 10.33153/capture.v10i2.2451

Abstract

So far the study of cinema is still dominated by the use of a Narrative Analysis approach, where its weaknesses do not have empirical evidences, so the resulting analysis is assumptions which then followed by a text debate. Statistical Style Analysis or Stylometry is an alternative method in the study of cinema used to measure the director's formal (film style) parameters. This study applied Stylometry to the films by Chaerul Umam for decades (1970-2000). From this study it was found statistically that the Chaerul Umam style film underwent a change in the use of zoom techniques, the dominance of the use of medium shot (MS) and classified as small ASL units under 9 seconds / shot which is 6.6 / seconds. 
A CONCEPTUAL FRAMEWORK FOR QUALITATIVE RESEARCH: A LITERATURE STUDIES Guntur Guntur
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (192.962 KB) | DOI: 10.33153/capture.v10i2.2447

Abstract

The conceptual framework is an important part of a research. However, there is still a lot of research, especially among students who ignore it. Indeed the conceptual framework has a strategic position and role in research. This article discusses about the conceptual framework in qualitative research. Specifically, it is aimed at providing understanding and practical guidance for students who will and / or are preparing research plans for their final assignments. This article consists of four main section / part. The first section discusses the understanding of research and research frameworks. The second section discusses the conceptual framework in qualitative research. The third section discusses how to develop / arrange a conceptual framework for qualitative research. The final chapter is a conclusion. 
FORM OF STANDARDIZATION AND STEREOTYPING PRACTICES THROUGH MESSAGE OF VIDEO ADS BUAVITA Asnurul Novia Narendra; Sri Kusuma Habsari; Deny Tri Ardianto
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v10i2.2243

Abstract

This research focuses on the symbols contained in the four Buavita video ads, namely Buavita Mix Berries, Buavita Kelapa, Buavita Mangga, and Buavita Jambu. These ad videos seem to be able to segment the community into a type of society. The research aims to prove the existence of certain symbols in the Buavita advertisement video as a practice of hegemony and perpetuating gender inequality. This research uses descriptive qualitative method with four theories of cultural studies as the theoretical basis. The results showed that Buavita's ad-style healthy lifestyle became a trick of capitalism in inviting people to consume symbols and make profits. The video presentation of Buavita's advertisement is also a medium for the perpetuation of the concept of the traditional gender role that positions women as domestic agents, passive and consumptive, while men as non-domestic, active, and productive agents. 

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