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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 6 No 1 (2021): Open Issue" : 8 Documents clear
Analisis Tanda Dalam Karya Seni Grafis Reza Sastra Wijaya Kajian Semiotika Peirce Mukhsin Patriansah; Reza Sastra Wijaya
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3737

Abstract

The form of art is a representation of a reality. In representing this reality, an artist tries to restructure signs or even create new signs. The expression poured into the medium of art is a novelty and has never been formulated at all through existing codes, thus creating a new discourse. With all his abilities, the artist creates new signs in his work by associating an object with another object based on generally accepted rules (conventions). In this study, the author uses Peirce's semiotic theory to analyze the sign system in Reza Sastra Wijaya's graphic art. Contextually, the correlation of the sign system contained in this work with the title of the work, namely "the fraudulent method" and the subject matter or main idea of ??the case of "bribery" can be interpreted that with "bribes or kickbacks" everything can be achieved and achieved without following the rules. -Rules that apply by convention. This symbolic message is what the artists want to convey through this graphic art work which is associated with the game of chess, which is a game of fighting tactics and strategies in achieving a victory. This study aims to provide knowledge to academicians about the study of semiotics, so that they can find out how the sign system is presented in art and design works.
Inovasi Kerajinan Serat Paku Hata (Lygodium circinatum) Khas Citumang, Jawa Barat Fajar Ciptandi; Rachmah Firstriani; Sisca Dewi
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3062

Abstract

In Citumang Village of Pangandaran Regency in West Java, Hata ferns (Lygodium circinatum) plants thrive. Citumang people use the abundance of this plant to make handicraft products such as bags, hats, and wall hangings. However, the products made by Hata ferns craftsmen at Citumang do not yet have their characteristics, so often, their bags are said to be the same as crafts in Bali and Lombok. That is due to the lack of development in design, colors, and techniques of the Citumang Hata ferns handicraft products. Experiments on natural coloring, structural design, and motif composition designs were carried out to enhance the characteristics of the handicraft,. Thus Hata ferns craftsmen at Citumang can innovate by applying the experiment to bag products. The experiment finally succeeded in showing the characteristics of Hata ferns handicraft products with makes it more aesthetic. This experiment also helped develop creativity and add insight into the craftsmen at Citumang.
Motif Tenun Sebagai Bentuk Bahasa Rupa Dari Masyarakat Suku Mbojo di Bima Nusa Tenggara Barat Erri Fajarriny Suwandi; Yan yan Sunarya
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3727

Abstract

One of the characteristics of Bima City lies in its handicrafts, namely woven fabrics made by the Mbojo Tribe for generations. The motifs that are often used are motifs with images of flowers, leaves, or lines. Each motif has its meaning and is a form of message used by the people of the Bima kingdom before they knew writing. Over time, the meaning of inherited motifs has shifted. The shift is marked by modern weavers who do not know the meaning. With this phenomenon, the knowledge passed down by previous generations will stop at the current weaver's so that the cultural values ??contained are non-existent and even difficult to translate. The primary study analyzes the Bima weaving motif by exploring the four main motifs to find their meaning. The research was conducted using a qualitative method. In this method, data collection was supported by a literature study, then field observations and interviews to determine the overall motive to comply with applicable regulations. The qualitative approach is followed by a more profound analysis using the theory of visual language forms. The purpose of this study is to provide a reference to the weavers of the Mbojo Tribe to find out the meaning of the motifs contained in the Bima weaving to preserve the Bima culture.
Kajian Androgyny Karya Deden Siswanto Dede Ananta Kurniawan
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3785

Abstract

Androgyny is a concept that refers to gender and gender, where the tendency of masculine and feminine traits is seen from the dominant feature in a person. The androgynous style by designer Deden Siswanto applies this style in his design collection. This study aims to analyze the androgyny style developed by Deden Siswanto and its application to his design collection. This study uses a descriptive-analytical method with a qualitative approach with data collection through field observations, interviews with resource persons, documentation studies of fashion design collections by Deden Siswanto. Based on the results of data analysis, the application of the androgynous style in Deden Siswanto's collections can be seen in the clothing sections, such as fashion silhouettes, colors, types of clothing, and their mixes. Thus Deden Siswanto designed his collection with adjustments to the target market and the character of the design. Thus Deden Siswanto designed his collection with adjustments to the target market and the nature of the design. For this reason, the idea and creativity of androgynous styles, both masculine and feminine in a designer's work, tend to be developed and adapted differently according to the designer's character.
Analysis of Society Perspective about Vintage Fashion Using Deconstruction Approach Assayyidah Bil Ichromatil Ilmi
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3010

Abstract

Nowadays, society perspective about vintage fashion as old-fashioned can be changed. This study aims to discuss the alteration perspective of society about vintage fashion. This discussion is conducted to see the other side of vintage fashion. This research is different from other fashion studies because it wants to show how to view the value of a fashion not in general way, especially using deconstruction approach. This study used qualitative methods in the form of interviews to get the data. The interviewees of this research were four young women who like to follow fashion development through social media. Their opinions are used as society representatives about vintage fashion. It will be connected with the theory of deconstruction like 'Differance.' In this case, people's perspective on vintage fashion changes due to the influence of influencers from various social media so that vintage fashion can be juxtaposed with modern style today. Therefore, vintage can get an identity as nowadays's clothes.
Eksperimen Material Pada Masker NonMedis dengan Memperhatikan Faktor Komunikasi Nonverbal dan Estetika Pingki Indrianti; Oki Kurniawan
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3731

Abstract

Since the COVID-19 pandemic, the Indonesian government has implemented the 5M health protocol (washing hands, maintaining distance, wearing masks, avoiding crowds, maintaining body immunity). Along with the appeal for the use of masks for the general public, non-medical covers made of cloth (cloth masks) with various and unique designs have emerged, specifically to support a lifestyle. From the results of observations through several sources, there is another need for cloth masks, namely for nonverbal communication on facial expressions (facial kinesics). When using a mask, facial expressions are often invisible, especially in mouth movements (lips). This nonverbal communication will undoubtedly be needed for both the deaf and speech-impaired people and society in general. This study aims to determine the characteristics of non-medical cloth mask materials that can support the convenience of facial kinesic non-verbal communication. The material is also considered in terms of visual aesthetics so that the mask can still keep the appearance of everyday attire. This study uses a qualitative approach with experimental methods on several non-medical masks with various material variations. The results showed that masks with a combination of transparent materials such as synthetic organza dove fabric (polyamide) and PVC plastic were sufficient to help nonverbal communication on facial expressions while still having droplet and aerosol protection. This research needs to be improved by utilizing filtration technology to make the mask more comfortable.
Review Pergeseran Fotografi Dari Sistem Konvensional ke Digital (Virtual Photoshoot) Pada Masa Pandemi COVID-19 Adrian Permana Zen; Dyah Ayu Wiwid Sintowoko; Iqbal Prabawa Wiguna; Arfi Andrian; Gregorius Kresna Haga Ginting
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3060

Abstract

Virtual photoshoot is a new method in the development era of modern contemporary photography that was born due to the impact of COVID-19. This study finally tries to analyze the trend of virtual photoshoots as the use of photography technology during the Covid-19 pandemic. Virtual photoshoot is a development of photography. The method used in this research is a phenomenological approach regarding the use of online video call software in the process of shooting the object. The sample of this research is the photographic works of virtual photoshoot by Michael Fabians Cools when taking pictures using the sophisticated video call application. The results showed three main results, namely media, technical and aesthetic. In terms of media, research has found that the existence of social media such as Instagram can support the existence of a virtual photoshoot trend. Technically research, this virtual photoshoot implementation method is something new and has never happened before. The virtual photoshoot implementation method is applied in in-game screenshots and Google Street View, where virtual photoshoots offer a shooting process by taking pictures through an LCD monitor using video call software such as Zoom, Facetime, and Google Meet to bring up photo objects. Aesthetically, this study found that the results of photos from virtual photoshoots led to photography techniques that were not widely used before in conventional shooting, namely displaying the blur effect on photos using glasses or bottles. The blur effect that is usually produced through lens settings can also be produced with a glass or bottle.
Sampul dan Colophon Aulia Ibrahim Yeru
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.4195

Abstract

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