cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Arif Abadi
Contact Email
arifabadi15071978@gmail.com
Phone
+6289648003473
Journal Mail Official
-
Editorial Address
Jl. Buahbatu no. 212 Bandung 40265
Location
Kota bandung,
Jawa barat
INDONESIA
Pantun: Jurnal Ilmiah Seni Budaya
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077143     EISSN : 27157350     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 111 Documents
 1   2   3   4   5 
Pengenalan Cagar Budaya Pasar Gede Harjonagoro Surakarta Bagi Generasi Muda Melalui Video Time Lapse Rudy W Herlambang; Mohammad Suharto; Jauhari .; Nadia Sigi Prameswari
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (911.615 KB) | DOI: 10.26742/pantun.v2i2.761

Abstract

Cultural heritage which refers to objects among others are culturally protected materials, buildings, sites, and areas either in the land or in the water. Those culturally protected materials have signifcant values for history, knowledge, education, religion, and culture through the statement process. Surakarta City Planning Service owns 127 culturally protected buildings. Pasar Gede Harjonagoro is one of the cultural heritage functioning as the oldest traditional market; the centre of the people’s economic activities; and the sociocultural sphere of Surakarta society. Introducing cultural heritage to the youthcan be done by utilizing the technology sophistication. One of them is by designing audio visual by time lapse technique. Time lapse technique is the process of taking sequence frames of Surakarta cultural heritage with a certain duration. Audiovisual media are expected to increase new atraction and interest for the spectators. The result of the study is aimed to share knowledge and cultural education to all society in general and the youth in specifc.Keywords: Time lapse, culturally protected objects, cultural heritage, Pasar Harjonagoro Surakarta
Artikulasi Jersey Persib 2014 Sri Soedewi
PANTUN Vol 2, No 1 (2017): Media Dalam Dinamika Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1077.482 KB) | DOI: 10.26742/pantun.v2i1.752

Abstract

Persib jersey 2014 is the pride for bobotoh, because Persib became a champion for Indonesia Super League (ISL) competition in 2014. Not only to a! ract the customer, good performance of Persib also to attract the sponsor to promote their brands. Local culture of West Java use for Persib jersey 2014 design elements and become an interesting phenomenon in the middle of the issue of local culture decrease. Production of Persib jersey 2014 trough some processes, like simplifi cation to icon, logo, and design elements in jersey. Artwork design created from internal and external infl uences. The internal infl uences are idea/concept, regulation of FIFA, PSSI, and media requirements. The External infl uence is to understand the audience taste/trend. There are some processes such as regulation, signifi cation, consumption, production, and identity relates each others. In order to understand the meaning of Persi  jersey of 2014, the Circuit of culture was created to fi nd the interrelated from as many angles, and in as many contexts, as possible to articulating the meaning. From the relation between Circuit of culture moments in Persib jersey, the meaning is spirit of team togetherness to victory until they become the pride of West Java.Keywords: Persib jersey, local culture, articulation, circuit of culture, the pride
Museum Sri Baduga dalam Paradigma New Museology Detty Fitriany
PANTUN: Jurnal Ilmiah Seni Budaya Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (405.459 KB) | DOI: 10.26742/pantun.v1i1.742

Abstract

Museum experiences a paradigm shift from the traditional museum into a modern museum then post-modern museum which gave birth to the movement of the eco-museum. As a museum established in the modern era, Museum Sri Baduga needs to adjust to the new paradigm of museology. The focus of this study is to find the suitability of the museum Sri Baduga current principles with the principles of eco-museum both physical and managerial aspects of the museum and what changes should be madeto achieve the ideal eco-museum. Methods of data collection is done with literature study and field observation. Methods of data analysis is conducted qualitatively by using the Eco-museum guidance indicator of Corsane Gerard (2006. The presentation method of data analysis is done informally in the form of a narrative. The findings in this study are the strengths and opportunities that are owned by the museum Sri Baduga to meet the principles of eco-museum that cannot be completed at this time. Keywords: new museology, Museum Sri Baduga, eco-museum
Makna pada Lirik Lagu ‘Panghudang Rasa’ Karya Eutik Muchtar Melita Herlinda
PANTUN Vol 3, No 2 (2018): Kreatif, Inovatif, dan Industri Kreatif
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (386.066 KB) | DOI: 10.26742/pantun.v3i2.964

Abstract

Tujuan penulisan artikel ini adalah untuk mengetahui makna yang terdapat pada lirik lagu “Panghudang Rasa” karya Eutik Muchtar. Metode yang digunakan adalah metode kualitatif dalam upaya untuk mengungkap makna yang terkandung di dalam lirik lagu “Panghudang Rasa” secara keseluruhan. “Panghudang Rasa” merupakan lagu mutilaras dan sempat populer dalam genre kesenian Kiliningan Sunda dan Wayang Golek, karena segi musikalnya yang luar biasa. Lirik lagu “Panghudang Rasa” mengandung makna yang menarik untuk dikaji. Analisis menggunakan teori semiotik model Riffaterre yang mengemukakan metode pemaknaan yang khusus. Teori semiotik Riffaterre ini merupakan yang paling tepat, karena analisanya mengarah pada pemberian makna sebuah karya sastra (lirik lagu). “Panghudang Rasa” merupakan karya Eutik Muchtar yang isinya adalah curahan isi hatinya yang mengajak semua orang untuk kembali kejalan yang benar atau ngelingan karena kematian bisa datang kapan saja. Kata Kunci: Makna lirik Lagu Panghudang Rasa, Semiotik Riffaterre.
Perspektif Gender pada Lengger Lanang Banyumas Sugeng Iman Hartanto
PANTUN Vol 1, No 2 (2016): Dialektika, Seni Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (222.567 KB) | DOI: 10.26742/pantun.v1i2.766

Abstract

The changes of lengger role is closely related to a shift in the meaning of the role of Lengger by Somakaton Village community as a sacred figure representing Dewi Sri. These issues need to be discussed to find out the link between the role of Lengger Lanang to be Lengger Wadon. The purpose of this study is to determine the public response to the background of Lengger Lanang Dariah, thevalues contained in Lanang Lengger Dariah, and to know the factors that cause social change, and factors in the development of Lengger Banyumasan. The method used is descriptive analytical. The process of data collection is through the study of documentation, observation and interviews. The result shows that the spiritual activities like sin confession, fasting, ritual offering, and meditatingare still done by Lengger Lanang Dariah. Lengger Banyumasan describes the emotional involvement between the Lengger roles so that social change dominates all these activities.Keywords: Lengger Lanang Dariah, Lengger Banyumasan, crossgender
Mitos Tradisi Perayaan Tahun Baru Imlek Jepriyanti Br Tambunan; Sridevi Hutauruk; Zeco Hamos Sianno Pardede
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (373.283 KB) | DOI: 10.26742/pantun.v2i2.757

Abstract

Indonesian has about 300 ethnic groups. Each ethnic groups has an ethnic heritage developed over the centuries that is infuenced by Indian, Arabic, European and Chinese culture, that is Chinese New Year. The celebrations of Chinese Lunar New Year are held by the farmers in China on the first day of the frst month at the beginning of the new year. This celebration is also closely related to the spring festival that begins on the 30th of the 12th month and ends on the first 15th of the month or better known as Cap Go Meh. This Lunar New Year tradition falls in February. Imlek began to be known since the time of the Xia Dynasty. At the celebration of Chinese New Year, many myths are still believed by the Chinese community. Myths are believed to be something that some people believe, commonly used to frighten, warn, or tell them in a sustainable way. This study tries to fnd out the myths of Chinese New Year tradition. The study applies the theory of Bronislaw Malinowski. The result of the study shows the myth of tradition from the Chinese New Year celebrations in Chinese society.Keywords: Chinese New Year, tradition, myth
Teknik Era Bisu dalam Visualisasi Film The Artist Agustinus Dwi Nugroho
PANTUN Vol 2, No 1 (2017): Media Dalam Dinamika Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (181.487 KB) | DOI: 10.26742/pantun.v2i1.748

Abstract

The focus of the study is on how the process of fi lmmaker in producing his works. Especially on the technology of silent fi lm to become the cinematic techniques in visualizing the present fi lms. Narratively, this study analyzes the small portion of the fi lm through coding system, namely, descriptive code and interpretative code in order to obtain the pa" ern of the codes. Meanwhile, the use of silent fi lm techniques is also analyzed technically.The narrative aspect of The Artist visualizes the actor of silent fi lm in his up and down moments. Narratively, the plot of this fi lm moves regarding with the lives of the main character (George Valentin). The cinematic aspect applies silent fi lm technique. One of them is seen through the black and white coloring. The coloring technique is signifi cant to build the atmosphere and the tone of the fi lm. The technique of this silent fi lm is the milestone for the emergence of the style of silent fi lm which becomes the model mode in producing fi lm.Keywords: silent fi lm technique, The Artist fi lm, narrative, cinematic
Kliningan Inovatif dalam Komoditas Kontemporer Winda Ayu Ghaniyah
PANTUN Vol 3, No 2 (2018): Kreatif, Inovatif, dan Industri Kreatif
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (669.536 KB) | DOI: 10.26742/pantun.v3i2.969

Abstract

Tujuan penelitian ini adalah mengkaji Kliningan Inovatif dalam komoditas kontemporer yang dikenal masyarakat khususnya masyarakat Desa Pasirlangu, Cisarua, Kabupaten Bandung Barat. Metode penelitian yang digunakan adalah metode kualitatif melalui pendekatan antropologi sosial. Penelitian dilakukan untuk menganalisis seni kliningan inovatif sebagai realitas dan hipperrealitas. Saat ini konsumsi masyarakat modern dapat dilihat dan dibuktikan melalui bagaimana rasionalitas konsumsi telah beroperasi pada masyarakat budaya konsumtif. Produk seni pertunjukan yang digunakan tidak hanya untuk menutupi memenuhi kepuasan batin atau nilai gunanya, namun juga nilai tanda, nilai tukar dan nilai simbolik. Dengan kata lain seni pertunjukan : seni kliningan, menjadi sarana untuk menunjukkan identitas diri serta gaya hidup di masyarakat tersebut. Kata kunci : Kliningan, Masyarakat konsumtif, Komoditas, Simul
Budaya Populer sebagai Medium Perlawanan dan Penghindaran: Studi Kasus Situs Kaskus Adrianto, Aditya Eko
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (575.968 KB)

Abstract

The purpose of this study is to show how popular culture is formed and its influences ot he com-munity in the digital age. The data collected from Kaskus is analyzed to show how popular culture can become a medium of resistance and evasion against the dominant culture. Furthermore, throughout its development, Kaskus transformed from a social networking website into information/news website. Analyzed from kitsch standpoint, Kaskus is also actively using its potential to earn profit from its popularity in the community. Thus, using Cultural Capital and Field concepts popularized by Pierre Bourdieu, Kaskus, as a popular culture, can be analyzed thoroughly.?Keyword: Popular Culture, kaskus, kitsch, resistance, evasion.
Avant-Garde Sebagai Ilustrasi Mitos Dewi Sri Nadia Rachmaya Ningrum Budiono
PANTUN Vol 3, No 1 (2018): Estetika Budaya Urban
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1087.847 KB) | DOI: 10.26742/pantun.v3i1.881

Abstract

This paper aims to explain the concept of the creation of avant-garde works inspired by the mythical fgure of Dewi Sri in Javanese society in the form of an illustrated fashion. The purpose is to introduce the mythical fgure of Dewi Sri in Java to the modern society. Dewi Sri is a character who is trusted in the Javanese people life. She is identifed with the goddess of rice, the goddess of wealth, the goddess of fertility and prosperity, the goddess of fame and success. She is believed to be able to provide long life, health and lots of children. She is the mother of life on earth. Avant-garde is one type of artwear or wasable-art focusing on an aesthetic value rather than a function. The research is conducted by collecting literature data and interviews. This study applies Paul Ricour’s Hermeneutic approach which is conducted through appreciation of symbols to the idea of ‘thinking of’ symbols. Ricour considers that hermeneutics is a way to explore hidden meanings in texts that appear to contain meaning, also an atempt to fght against “cultural distortion”, through semantics, re?ection, and existential or ontological.Keywords: Avant-Garde, Artwear, Dewi Sri.

Page 2 of 12 | Total Record : 111

 1   2   3   4   5 

Filter by Year

2016 2022


Reset
Filter By Issues
All Issue Vol 7, No 2 (2022): Keragaman Seni Tradisional & Media Baru Vol 7, No 1 (2022): Ritual, Seni, dan Rekayasa Budaya Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital Vol 5, No 1 (2020): Kolaborasi Seni Vol 4, No 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern Vol 4, No 1 (2019): Fenomena Kultural Dalam Paradigma Multikultural Vol 3, No 2 (2018): Kreatif, Inovatif, dan Industri Kreatif Vol 3, No 1 (2018): Estetika Budaya Urban Vol 2, No 1 (2017): Media Dalam Dinamika Seni Vol 1, No 2 (2016): Dialektika, Seni Budaya Nusantara Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern More Issue