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INDONESIA
Jurnal IMAJI
Published by Institut Kesenian Jakarta
ISSN : 19073097     EISSN : 27756033     DOI : https://doi.org/10.52290/JI
Core Subject : Humanities, Art,
Arts Humanities
Journal IMAJI accommodates a collection of various topics of film / audio-visual studies that contain ideas, research, as well as critical, fresh, and innovative views on the phenomenal development of cinema in particular and audio-visual in general. This journal aims to provide research contributions to film and audio-visual media which are expected to encourage the development of film, including photography, television and new media in Indonesia, so that they are superior and competitive at the national level and in the international world.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 6 Documents
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Search results for , issue "Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual" : 6 Documents clear
Menelaah Proses Pembuatan Film Sekarang: Hilangnya Budaya Intip German G. Mintapradja
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

“Mengintip” menjadi sebuah kata kerja yang khas saat kita berbicara mengenai proses pembuatan film—di mana director of photography atau pengarah fotografi menggunakan viewfinder untuk berkonsentrasi dalam melihat imaji yang hendak diciptakan. Ini pula yang membuat istilah “budaya intip” menjadi istilah yang diasosiasikan dengan proses berkelanjutan. Namun, pada saat teknologi digital hadir menggantikan film seluloid, salah satu konsekuensinya adalah ikut menghilangnya budaya tersebut. Kehadiran monitor pada kamera digital kian lama kian mendominasi dan menggantikan posisi viewfinder. Alih-alih budaya intip bertransformasi menjadi budaya menonton semata. Apa ada makna-makna yang hilang saat penggunaan viewfinder (budaya intip) digantikan dengan monitor (budaya menonton) dalam proses pembuatan film?
Sinema 2D versus 3D Eric Gunawan
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

Sejak 2009, film 3D di bioskop sedang naik daun. Sejumlah riset menunjukkan bahwa 2 dari 3 penonton akan memilih menonton film yang sama dalam format 3D dibanding 2D. Tulisan ini menjelaskan bahwa fenomena sinema 3D menggemakan teori differend Jean-François Lyotard yang mendamaikan teks dan imaji sejak keduanya beroposisi di masa Immanuel Kant.
Mempertanyakan Surprise Film Arrival (2016) Damas Cendekia
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

Arrival (2016) offers a different kind of surprise to its audience. The ending of this Dennis Villeneuve-directed film deceives the audience in a breathtaking way. They are impressed by something that is completely out of expectation. The established convention is turned upside down when the scenes prior, which are believed to be flashback scenes, are actually scenes that are just about to happen. Through a number of scenes and their relation with the film as form that constructs the spectator’s reaction, this paper will examine the causes that makes the audience deceived and witness a completely different kind of surprise while watching this film.
Suara dan Spiritualitas dalam Film Mohamad Ariansah; Siti Asifa Nasution; Budi Wibawa
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

The birth of film at the end of 19th century was a claim towards man’s obsession about movement. The invention of camera as a recording device can be seen as an answer to the problem that disturbs Western civilization since the age of ancient Greece. Camera is able to present movement visually, but there is still one thing that is missing from the invention of the medium. If cinema were only to depend on picture, and negates sound, then the long journey of film invention seems to be for nothing. Why is sound so crucial in film? Wasn’t the purpose of film was only to capture movement visually? This article attempts to see other possibilities from dound in film based on phenomenological approach. The problem of human existence and their relation with the world gives birth to philosophical questions that places film as an alternative to answer this problem. The integration of sound and pictures makes it possible for an understanding towards the world. In the end, man’s longing to understand himself and his spiritual dimension is possible because of film’s potential as a complete audio-visual medium.
Resistensi Orde Baru: Foto Soeharto Tersenyum dan Teks “Pie Kabare? Enak Jamanku To?” Satrio Pamungkas
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

It is not about right and wrong, or about who is the powerful and who is not, but it is about a series of social problems that are stitched together to construnct a culture. Culture has its varieties, and that is exactly the essence of it; it can be broken, but then mended; extinct, but also nurtured; diminished, but also constructed; empty, but also filling; nothing, but also exists. Seeing the social condition of Indonesia, that is having difficulty letting go from stories of the New Order, which is not in subordinate position, there seems to be movements of resistence, as if trying to reconnect the once broken threads in Indonesia’s politics. The smile fo Soeharto and the text “Pie Kabare?” Enak Jamanku To?” exists and fills up the spaces of social anxieties, trying to mingle and greet back, as if what was once thrown away is actually the best condition.
Prinsip Pengulangan pada Tokoh John Keating dalam Film Dead Poets Society Karya Peter Weir: Sebuah Kajian Psikoanalisis Ario Sasongko
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

In the film Dead Poets Society, there is a character of a teacher named John Keating, who is portrayed as a figure who tries to break through conservative order of a school, for the sake of the students. He is pictured as a teacher who tries to understand the wishes of the students, and invites them to make those wishes come true with freedom. This paper will try to look at the mechanism of the conscious and the unconscious within the character of John Keating, and to show how all of his actions are manifestations of the domain of the unconscious.

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