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Contact Name
Eva Solina Gultom
Contact Email
evasgultom@uho.ac.id
Phone
+6281314955035
Journal Mail Official
elite.sastrainggrisuho@gmail.com
Editorial Address
English Language and Literature Department, Faculty of Humanities, University of Halu Oleo Jln. H.E.A. Mokodompit, Kampus Hijau Bumi Tridharma Kendari
Location
Kota kendari,
Sulawesi tenggara
INDONESIA
ELITE: Journal of English Language and Literature
Published by Universitas Halu Oleo
ISSN : -     EISSN : 25033271     DOI : https://doi.org/10.33772/elite.v4i1
ELITE: Journal of English Language and Literature is a periodic academic publication that serves as the appropriate link to exchange any worthwhile and marvelous ideas in the realm of English language and literature. ELITE was established for the purpose of reviving and perpetuating academic excellence for the sake of the common good. On the other hand, Elite, standing for English Language and Literature, is aimed at undertaking its primary mission to promote and advance English language and literature in the national and international scope. The managing editors and the editor-in-chief will gratefully receive any kinds of theoretical writings, ethnographic research findings, and any other kinds of publications with constructive ideas which are supposed to be able to rectify any socio-cultural problems in a broader sense and resolve any complicated problems in human and community development, as well as the textbook reviews and any other kinds of exploratory and explanatory research findings. The contents are not necessarily in conformity with the editors’ viewpoints. The texts are typed using the Microsoft Office Word application, selecting Times New Roman 12 font size with 1,5 line spacing. The whole documents are submitted in soft copy. The length of the article contains at least 3000 words or more, embodying the scientific principles. The abstract should be attached, containing no more than 250 words. The footnotes should be inserted at the bottom of the document with the appropriate cardinal numbers. The references are arranged in such a way that the authors are ordered alphabetically, in accordance with the sample references in this edition. ELITE is published biannually, in June and December.
Articles 6 Documents
Search results for , issue "Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022" : 6 Documents clear
Conversational Implicature in Oprah Winfrey and Meghan Markle’s Interview on thesun.co.uk (A Pragmatic Study) Ela Martisa; La Aso; Laras Sulistya Ningsih
ELITE: Journal of English Language and Literature Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (172.588 KB) | DOI: 10.33772/elite.v5i1.1468

Abstract

This study aims to describe the form of conversational implicature in the Interview between Oprah Winfrey and Meghan Markle. This research is a qualitative descriptive study. The subject of this research is Oprah Winfrey and Meghan Markle. The object of the research is the utterances contained in the Interview between Oprah Winfrey and Meghan Markle. The data was collected through searching, downloading, reading script, note taking, classifying, and coding the data to achieve a complete conclusion in the form of conversational implicature in the interview between Oprah Winfrey and Meghan Markle. The results of the study show three forms, namely satire (6 data), protest (3 data), and statement (14 data). Meghan uses this form because she doesn't want to be silent about the problems she has with the royals who played an active role in perpetuating lies about her and Prince Harry.  
An Analysis of Non-Observance the Maxim in " Knives Out " Movie script Tamrin - Tamrin; Muarifuddin Muarifuddin; Arman Arman
ELITE: Journal of English Language and Literature Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (194.783 KB) | DOI: 10.33772/elite.v5i1.1470

Abstract

This research is a pragmatic approach study of an analysis of Non-Observance the Maxim in Knives Out Movie Script. The objectives of this researcher are to find out the types of Non-Observance a Maim in Movie scripts and to find out the dominant types of Non-Observance used by all the character’s utterances. The researcher used the content analysis qualitative method to describe and analyze the selected of Non-Observance which are watching movies and then classifies them according to Paul Grice’s concept types of Non-Observance. The researcher used content analysis which focuses on classifying the types of Non-Observance and the dominant types of Non-Observance in Knives Out movie carried out by all the characters. The researcher found that the characters use all types of Non-Observance. The first flounting there are Quality (3), Quantity (8), Relation (1) Manner (-). Second is Violation, they are Quality (4), Quantity (3), Relation (1), and Manner (-). Third, is Opting Out, they are {Quality (-) Quantity (1) Relation (1) Manner (-), Forth is Infringing, they are Linguistics Performance (-), Culture Impairment (-) Cognitive Impairment (1), and the last is Suspending (1) Based on the data above, it reveals that all characters in their utterances dominantly used the Non-Observance of Flounting with 13 data.
Perlocutionary Act in Look Away Movie Script: Andra sari Andra Sari; Fina Amalia Masri; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (174.556 KB) | DOI: 10.33772/elite.v5i1.1474

Abstract

This research discussed how the perlocutionary act is used in the “Look Away” movie script. The objective of this research is to describe the functions of the perlocutionary act of the utterances of the characters in the “Look Away” movie script. This research uses a descriptive qualitative method and the data source of this research is taken from the “Look away” movie script. In this research, there are many data belonging to type two where the content of type two is that what the speaker said is not understood by the listener, usually causing a misunderstanding discourse. But there are also some data belonging to types one; what is the speaker said is understood by the speaker, types three; what is the speaker’s intention was fully or partially understood by the listener, however, the listener did not work in that way, and types four; what is the speaker’s intention was not been understood by the listeners, however, due to the involvement of other attendants in the communication, the speaker’s expected perlocutionary act came true. This research also has similarities between the four types of perlocutionary acts by Qiang (2013) and perlocutionary act and communication and non-linguistic signs in the perlocutionary act in the book “On Perlocutionary Act” by Qiang (2013).
Personality of The Main Character in Inside Out Movie Directed by Pete Docter Wa Ode Zaltina; Rasiah Rasiah; Nur Israfyan Sofyan
ELITE: Journal of English Language and Literature Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (562.214 KB) | DOI: 10.33772/elite.v5i1.1484

Abstract

This thesis aims to analyze the personality of the main character reflected in the movie Inside Out by Pete Docter using Sigmund Freud's psychoanalysis studies. This research uses descriptive qualitative research methods. The data source in this study is Inside Out movie which is directed by Pete Docter, as well as articles, books, and theses that can provide information related to this research. Data is collected through watching, taking notes, taking pictures, and identifying. The results showed that in the main character there is Id, Ego, and Superego. Next as in the new students, there will be a directive from the teacher that we must introduce ourselves first so that we can be known in our environment that's what Riley did when entering a new school in San Francisco. Also for the sake of hobbies and support from her parents, he had to rise from the slump and he began to adapt well to her new neighborhood of San Francisco. In this case, the most guided in the main character is compassion, attention, and unyielding. Keywords: Movie, personality, psychoanalysis.
Ethnography of Communication Analysis in Luca Movie Dialogue Rekiyan Nurfridayanti; Ansor Putra; Rahmawati Azi
ELITE: Journal of English Language and Literature Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (152.124 KB) | DOI: 10.33772/elite.v5i1.1486

Abstract

This study aimed to analyze the ethnography of communication, ethnographic components, and how to explain it using the theory proposed by Dell Hymes. This study discussed the settings/scenes, participants, ends, action sequences, keys, elements, instrumentalities, norms, and genres of the communication summarized in the acronym SPEAKING model in Luca movie dialogue. To make it easy for readers to understand, all the categories mentioned were grouped according to the analysis under study. This ethnographic study focuses on communicative competence in society related to its culture. The researcher used qualitative descriptive research methods to describe and interpret objects according to the current situation. The descriptive method is applied in an integrated manner because in analyzing the data, it is presented in a clearer explanation. The researcher then analyzed the dialogue in the Luca movie by using a descriptive qualitative research method. The finding in this movie is a conversational genre is found which generally becomes the human daily conversation. This movie uses language that is easy for the readers to understand because it uses everyday language whose words can be easily understood. The data found in this study include 141 dialogues based on the variety of topics discussed by the participants. In conclusion, the part of the discussion is that the researcher found some data that included several category elements from the ethnography of communication and then made conclusions from the use of ethnography of communication elements in the research findings section.
Bourdieu's Strategy in the Movie "A Bug's Life": An Application Of Pierre Bourdieu’s Theory
ELITE: Journal of English Language and Literature Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v5i1.1582

Abstract

Movies have been a platform to picture every human-related activity. The movie is not a mere depiction but a reflection of social life. The idea is to set movies as a manifestation of social life. A Bug’s Life (1998) is an animated movie directed by John Lasseter which followed the storyline of Seven Samurai (1954) a movie by Akira Kurosawa. A bug’s life is a manifestation of social life, it contains the struggle for power, social dynamics, and oppression. This study aimed to analyze the depiction of the strategy of power by Pierre Bourdieu in A Bug’s life and focused only on the strategy-based practical action. Bourdieu has classified the strategy into two segments, those are reproduction strategy and reconversion strategy. The author used three variables to analyze the movie, those are Habitus, Capital/Modal, and Field, which determine the agent’s strategy. After conducting the research using Pierre Bourdieu's theory, the author found that a strategy is a tool of struggle, strategy is based on emergence, strategy is made to counter another strategy, and strategy is a manifestation of capital, habitus, and field.

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