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RESOLUSI KONFLIK BERBASIS ADAT Studi Resolusi Konflik Harta Pusaka Tinggi di Nagari Gantuang Ciri, Kab. Solok, Sumatera Barat
Yuhelna .
Jurnal Ilmu Sosial Mamangan Vol 3, No 2 (2014): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v3i2.98
Conflict of harta pusaka tinggi is a kind of conflict often occurs in Minangkabau. The Court of Sumatera Barat issued a circular to solve ‘sako’ and ‘pusako’ conflict by custom mechanism. This article explain harta pusaka tinggi conflict resolution base on institution Minangkabau custom mechanism and effectiveness. Specifically this article explain step and mechanism of conflict resolution of harta pusaka tinggi base on institution of Minangkabau custom and effectiveness to solve harta pusaka tinggi problem.
KONTESTASI RUANG: TINJAUAN SOSIOLOGIS TERHADAP KEADILAN EKOLOGIS
Afrizal MA
Jurnal Ilmu Sosial Mamangan Vol 1, No 1 (2012): Jurnal Ilmu Sosial Mamangan
Publisher : Laboratorium Program Studi Pendidikan Sosiologi, STKIP PGRI Padang
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DOI: 10.22202/mamangan.v1i1.87
Baik dalam masyarakat pramodern maupun modern ruang diperebutkan oleh berbagai pihak,tetapi dalam masyarakat modern perebutan ruang didominasi oleh keperluan untuk uang dan konservasi. Dari sinilah konsep keadilan ekologis menjadi relevan untuk diterapkan dalam memaknai perebutan ruang untuk berbagai keperluan di suatu wilayah dalam masyarakat modern. Artikel ini akan membahas kontestasi ruang dan keadilan ekologis dalam masyarakat Indonesia dengan menggunakan perspektif keadilan ekologis. Argumen pokok artikel ini adalah ruang merupakan habitat suatu masyarakat hukum adat Indonesia, baik yang tinggal di perdesaan maupun di perkotaan. Bagi mereka, ruang tidak hanya penting untuk tempat tinggal dan sumber mata pencaharian, melainkan juga untuk melaksanakan kebutuhan sosial dan budaya. Penggunaan ruang dalam habitat masyarakat hukum adat dengan cara mengibiri eksistensi mereka adalah suatu ketidakadilan ekologis dan oleh sebab itu rersistensi serta perlawanan warga masyarakat hukum adat adalah resistensi dan perlawanan terhadap ketidakadilan ekologis.
BERTANI DI DUA KOTA ASIA; Menarik Pelajaran dari Jakarta dan Manila
Semiarto A Purwanto
Jurnal Ilmu Sosial Mamangan Vol 1, No 1 (2012): Jurnal Ilmu Sosial Mamangan
Publisher : Laboratorium Program Studi Pendidikan Sosiologi, STKIP PGRI Padang
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DOI: 10.22202/mamangan.v1i1.90
Kehidupan masyarakat kota seringkali diidentikkan dengan bidang jasa dan industri yang berbasis teknologi tinggi dan keterampilan yang diperoleh secara khusus. Para ilmuwan sosial menengarai bertahannya praktik bertani di kota-kota besar dunia. Di kota negara berkembang, penjelasan mengenai pertanian kota umumnya dikaitkan dengan migrasi dan penyesuaian para migran di kota. Tulisan ini akan melihat bagaimana pertanian kota berkembang di Jakarta dan Manila, dua kota metropolitan di negara berkembang. Kedua kota ini mewakili jenis kota yang bertumbuh karena migrasi dari desa. Baik di Jakarta maupun Manila, keterbatasan lahan menjadi bagian penting dari eksistensi pertanian kota. Di Jakarta, pertanian kota lebih merupakan bagian dari adaptasi kaum migran, baik yang baru datang dari desa maupun yang telah dua-tiga generasi berpindah. Mereka mengelola lahan-lahan di terutama di pinggir kota dimana sejumlah lahan tidur ditemukan. Di Manila pertanian kota merupakan bagian dari inisiatif politik yang terkait dengan strategi untuk mengambil hati masyarakat miskin kota. Pemerintah pusat dan daerah mengajukan program pertanian sebagai bagian dari program pengentasan kemiskinan dan upaya meningkatkan gizi keluarga.
SENI TRADISI, JATIDIRI DAN STRATEGI KEBUDAYAAN
Heddy Shri Ahimsa-Putra
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v4i1.1195
In this article the author identifies and describes three kinds of traditional arts in Indonesia: the arts of the Great Tradition, of the Little Tradition and of the Tribal Tradition. These kinds of tra-ditional arts need to be preserved and developed since they have a number of functions for the so-cieties, namely: as tourist attractions; identities of their communities/societies; source of inspira-tions for the creation and development of new arts. In Indonesia, the efforts are hindered by several problems, such as the decline of the popularity of the traditional arts, lack of regeneration, lack of institutional support, and lack of grand design for the development. These problems need to be solved to develop the Indonesian traditional arts.
SEJARAH DAN NILAI SONGKET PANDAI SIKEK
Silvia Devi
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v4i1.1189
Songket is one of weaving creations produced in various countries in Indonesia. The process of making Songket is not easy. It is a difficult and thorough process and needs a long time. Therefore it requires great care and diligence. One area where artisan Songket come from is Nagari Pandai Sikek (Pandai Sikek village) in West Sumatra. Besides Pandai Sikek, there are some other villages such as Silungkang, Koto Gadang, Kubang, Tanjung Sungayang and Batipuh. But the craft of weaving in Pandai Sikek has existed and developed since 1850. Songket weaving skill in Nagari Pandai Sikek still owned by the older generation to the younger generation. These skills cannot be passed on to generations out of Nagari Pandai Sikek, because this is the message left by the ancestors of village communities. In the process of passing on the skill, they are still using methods that have been taught by their ancestors for hundreds of years ago namely by using handloom (Not Weaving Machine Tools). This paper would like to explain about the history of the birth of weaving Songket of Pandai Sikek, processes and manufacturing techniques and values contained in the motives generated in its weaving Songket.
GAYA INTERAKSI & INTEGRASI SOSIAL ANAK MUDA RANTAU: Kasus Mahasiswa Kost Di Air Tawar Barat, Kota Padang
Darmairal Rahmad
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v4i1.1194
Overseas (shoreline) young man (students) interaction style in Air Tawar Barat (ATB) has its own peculiarities. Discussion of interaction refers to patterns of social integration in social system. Patterns of social integration that is most ideal Students Type A, Type B or Type C they are active in religious institutions (AA) and social institutions (AS) as well and have a concern (care) for the social environment in the form of type explorer (PP). However, in this study, the ideal reality of the social integration of students in the social system, namely Student Type A, Type B, and Type C one of them is active in religious institutions (AA) or social (AS) and has concern for the Moderate mode (PM). Stretchable student of religion and social institutions and social norms prevailing in society is an action trigger conflict between students and the community. Involving students in religious activities and sociality, student administrative records, as well as the dissemination of social norms is a form of community efforts to integrate students in the social system and the students respond and participate to it. Based on the results it can be stated that any type of residence status, marital status, student activity form (activists and non-activist) in the social system and the student meets the requirements of social norms and administrative requirements are morality behavior to integration of students in the social system into.
BUDAYA DALAM LINTASAN SEJARAH: BOOMING NONTON BIOSKOP DI PADANG TEMPO DULU
Meri Erawati
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v4i1.1190
This article discusses the existence of cinema as entertainment for the people in Padang during the period 1970s to 2000s. Cinema is a mass entertainment and can be enjoyed by all the community at that time. Cinema became a phenomenal because the movies have become part of people's lifestyles. Cinema furor enlivened by promotions to attract people to come to the cinema through flyers, posters, banners and advertisements in the mass media. The development of technology led to the existence of cinema began to be replaced by the presence of new entertainment media such as television and media screenings of other films such as VCD players so that the film is no longer only be enjoyed in the cinema. Cinema audience popularity and dynamics as well as aspects related to cinema in 1970 this will be discussed within this article.
PERLAWANAN KAUM MUDA TERHADAP HEGEMONI RADIKALISME AGAMA DALAM BENTUK-BENTUK BUDAYA POPULER
Yusar Yusar
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v4i1.1193
This paper aim to describe the middle class youth resistance against the religion radicalism which hegemonized the society. Religion radicalism is one of the main issue faced by the Indonesian as their cause of the communal conflicts within the state. The youths are the main target of the spreading the radicalism ideology. The qualitative method was done to comprehend the meanings of the middle class youth contemporary popular culture. Data was gained by several observation, depth interview, and framing analyses to the actors who are made the resistance. The results found that the youth have an awareness of the religion radicalism hegemony and made the resistance against the radicalist with several communicatively artistic appearance and oftten ironics which constructing the forms of youth contemporary popular culture.
GAYA KEHIDUPAN MALAM REMAJA DI KOTA PADANG; Suatu Kajian Subkultur di Tempat Hiburan Malam Kota Padang
Faishal Yasin
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v4i1.1192
The subculture is a group of people who have different culture from the dominant culture and them original cultures. The subculture expreesed in the from of the style creation (style) and not as a challenge to its culture or way of social tension symbolically. In addition, forms of subculture also expressed by groups to negotiate and then they create an identity based on situation themselves. This research article described the involvement a adolescent in the nightlife in the Padang City. Their involvement in night entertainment especially happeneed in the billiards, cafe and discotheques. On this third place the adolescent raises subculture in the terms of dress, music style and kind of food.
KONFLIK PENGELOLAAN PARKIR LIAR DI PANTAI PURUS, KEC. PADANG BARAT, KOTA PADANG
Ilmiati Amril;
Ardi Abbas;
Surya Prahara
Jurnal Ilmu Sosial Mamangan Vol 3, No 1 (2014): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat
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DOI: 10.22202/mamangan.v3i1.1351
This article aim to describe the conflict of illegal parking management ini Purus beach, Padang.. Research conducted with qualitative approach through descriptive type. Informants selected with purposive sampling. Data collected throught partisipative observation, indeepth interview and study document. The result is illegal parking in Purus started since 2008 and growing in 2013. Conlict is between illegal parking attendants and the owner of the vehicle, where the vehicle owner loses something when parking, conflict is between illegal parking attendant and UPT parking in the process of demolition. Conflict resolution between between illegal parking attendant and the owner of the vehicle is throught conciliation and conflict resolution between UPT parking with illegal parking attendants thrught pursuing cooperation strategy Penelitian ini bertujuan untuk mendeskripsikan konflik pengelolaan parkir liar di Purus Padang. Pendekatan yang digunakan dalam penelitian ini adalah kualitatif dengan tipe deskriptif analisis. Pemilihan informan mengggunakan teknik purpossive sampling. Metode yang digunakan untuk pengumpulan data dilakukan dengan cara observasi berperan serta terbatas, wawancara mendalam (Indepth Interview) dan studi dokumen. Hasil penelitian menunjukkan bahwa munculnya parkir liar di Pantai Purus berawal semenjak jembatan penghubung dibangun pada tahun 2008 dan berkembang pada tahun 2013. Bentuk konflik yang terjadi dalam pengelolaan parkir liar adalah konflik antara petugas parkir liar dengan pemilik kendaraan, dimana pemilik kendaraan kehilangan barangnya disaat parkir, lalu konflik petugas parkir liar dengan UPT perparkiran dalam proses penertiban. Upaya penyelesaian konflik antara petugas parkir liar dengan pemilik kendaraan dengan cara konsiliasi dan upaya penyelesaian konflik petugas parkir liar dengan UPT Perparkiran dengan melakukan strategi kooperasi