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E-Journal Of Cultural Studies

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Published by Universitas Udayana

ISSN : 23382449 EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.

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Articles 5 Documents

Search results for , issue "Volume 10, Number 3, August 2017" : 5 Documents clear

BANGKA MBULE-MBULE TRADITION AS A CULTURAL TOURIST ATTRACTION IN WAKATOBI, SOUTH EAST SULAWESI Yusuf, La Ode; Cika, I Wayan; Arsana, I Gusti Ketut Gde
E-Journal of Cultural Studies Volume 10, Number 3, August 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Globalization has caused tradition to change, meaning that globalization has caused the sacred tradition to change into the propane tradition as it has been used as a tourist attraction. This present study discusses the Bangka mbule-mbule tradition used as a tourist attraction in Wakatobi Regency, South East Sulawesi. The study is intended to inform the public that the Bangka mbule-mbule has been performed as a cultural tourist destination. The study uses the descriptive qualitative method. The data which were obtained from the field were qualitatively described. The social theory combined with the theory of cultural tourism department was used to analyze the data. The result of the study shows that Tradition can be defined as a right heritage or a heritage from the past which is still currently found in society. One of the traditions which is still performed is the bangka mbule-mbule tradition. It is still performed by Mandati people in Wakatobi Regency, South East Sulawesi. The owners of the tradition still believe in it. It has been performed to support the cultural tradition in Wakatobi. The implication is that it has increased the number of tourists visiting Wakatobi, South East Sulawesi.

THE DECONSTRUCTION OF THE MASS CULTURAL INDUSTRIAL POWER RELATION OF THE WOODEN STATUE ARTISANS AT KEMENUH VILLAGE, SUKAWATI, BALI Mardika, I Made
E-Journal of Cultural Studies Volume 10, Number 3, August 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

It is important to deconstruct the development of the mass wooden statue industry at Kemenuh, Sukawati District, Gianyar, Bali. The reason is that the artisans are presumed to have been marginalized by capital strength. This present study is intended to answer the ideology which has inspired the mass wooden statue industry, the power practice performed by the agencies, and its implication on the life of the artisans. The study used the approach of cultural studies and the critical social theories. The data were analyzed qualitatively. The result of the study shows that, first, the ideology which has inspired the artisans to develop the mass wooden statue industry is the ‘great’ capitalistic ideology which is mixed with the Balinese ideology, causing the synthetic and pluralistic ideology to be formed. Second, the hierarchical and symmetrical power practice performed by the agencies. The capital owners, distributors and consumers dominate and exploit the artisans. Third, the mass cultural industry has economically, socially and culturally affected the life of the artisans. However, their economy has been better but they are getting marginalized; their gender equality is getting stronger but their traditional social structure is getting instable; and their art creativity has improved but the connotation of their mass culture is getting lower.

ENTREPRENEURAL FIGURE OF MOUNT AGUNG TREKKING GUIDES Mudana, I Gede; Sutama, I Ketut; Widhari, Cokorda Istri Sri
E-Journal of Cultural Studies Volume 10, Number 3, August 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Mount Agung with an altitude of 3,142 meters from sea level stood at the coordinates of 8020'27 "S 115030'12" E, circled along 105 kilometers (65 miles), and classified as a volcanic type monoconic strato. The highest mountain in Bali Province was located in Selat District, Karangasem Regency. It got a last major eruption in 1963 and since then began to be climbed by climbers/tourists. Because in 1970s and 1980s some climbers/tourists very often got lost and accidents to death, since the 1990s a number of the local community members took initiative to serve the climbers/tourists who want to explore the mountain known as holy and sacred one. This study was conducted in order to understand and describe the pioneering aspects of entrepreneurial figure of the related trekking guides. It was a qualitative study with a qualitative data analysis. The results of this study showed that because Mount Agung was not an ordinary mountain but full of myths and stories that were supernatural, so the entrepreneurial practices of the Selat Village community appeared not only to serve the climbers/trekkers as usual but also to preserve the environment and ensure their safety as there were so many taboos in the climbing/trekking. All these facts can be seen from the depiction of the stories and experiences of the local climbing/trekking guides who had been doing their work for years. As entrepreneurs, they looked for income but, above all, environmental sustainability and the spirituality of the mountain werw not neglected.

TRANSFORMATION OF LULO DANCE PERFORMED BY TOLAKI PEOPLE IN KONAWE REGENCY, SOUTH EAST SULAWESI Alim, Abdul; Suastika, I Made
E-Journal of Cultural Studies Volume 10, Number 3, August 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

This present study analyzes the transformation of lulo dance performed by Tolaki people in Konawe Regency, South East Sulawesi. From the perspective of cultural studies, the study analyses an empirical field reality related to the matter pertaining to transformation. The local culture which is transformed into the global culture has caused the lulo dance to change with its new form and meanings. There is one problem which needs to be analyzed in the present study. The problem is formulated in the form of a question, namely what ideologies which have inspired the transformation of the lulo dance performed by Tolaki people in Konawe Regency, South East Sulawesi. The study used the qualitative method and is intended to analyze the transformation of the lulo dance performed by Tolaki people using the critical, interdisciplinary and multidimensional approach of cultural studies. The data were obtained through library research, documentary study, observation, and interview. After being verified, the data were analyzed using several relevant theories; they are the theory of deconstruction, the hermeneutic theory, the theory of discourse of knowledge, and the theory of semiotics. The result of the study shows that the transformation of the lulo dance performed by Tolaki people in Konawe Regency cannot be separated from the ideologies which have inspired it. They include the religiosity ideology, the educational ideology, and the economic ideology. The contact between the global culture and local culture has caused the lulo dance to transform. The global culture indicates that a new era has come; it cannot be stemmed and avoided, meaning that many aspects in the people’s social and cultural life have transformed or changed.

POWER BEHIND HARMONY: CRITICAL ETHNOGRAPHY OF RELATION BETWEEN CHINESE ETHNIC GROUP AND BALINESE ETHNIC GROUP AT PUPUAN VILLAGE, TABANAN, BALI Aryana, I Gusti Made; Wirawan, AA Bagus; Atmadja, Nengah Bawa
E-Journal of Cultural Studies Volume 10, Number 3, August 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The harmonious relation between the ethnic groups living at Pupuan Village can be evidenced by the inter-ethnic marriages. The problems of the present study can be formulated in three questions. They are why the Chinese ethnic people can live harmoniously with the Balinese ethnic people, how is the dynamics of the power behind the harmonious relation between the Chinese ethnic people and Balinese ethnic people at Pupuan Village, and how the educational model implemented by the Chinese ethnic people and Balinese ethnic people is developed to contribute to the harmonious relation between the two ethnic groups from the ethno pedagogic perspective. The descriptive and qualitative method was used in the present study. The data were collected through in-depth interview, observation, and documentary study. The data were analyzed using the interactive analysis method. The theories used include the Theory of Practice proposed by Bourdieu, the Theory of Discourse of Power/Knowledge proposed by Foucault, theory of Habernas Education, and so forth. The result of the study shows that there are several reasons why the relation between the Balinese ethnic people and Chinese ethnic people has become harmonious. They use power and capital. The Balinese ethnic people use the spiritual capital (the capital of cultural power) through the values of the local genius. The Chinese ethnic people use the socio-economic capital they have to make the domination of the Balinese people balanced. The dynamics of the power behind harmony shows that the relation between the two ethnic people at Pupuan Village is made to be diluted resulting from the power of the internal (local) people and the external (national) people which can be seen from the religious aspect, political aspect, socio-cultural aspect, and socio-economic aspect. The ethnopedagogic educational model is developed using different media such as the societal organization, the social activity in the forms of ngayah (doing voluntary religious things) and ngoupin (helping other people living in the neighborhood prepare and perform their traditional and religious activities).

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