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All Journal Scriptura MediaTor: Jurnal Komunikasi KOMUNIKATIF Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Komunikasi Jurnal Ilmu Komunikasi Kanal : Jurnal Ilmu Komunikasi ProTVF: Jurnal Kajian Televisi dan FIlm Communicatus: Jurnal Ilmu Komunikasi Jurnal Studi Komunikasi Jurnal Komunikasi Lontar : Jurnal Ilmu Komunikasi Expose: Jurnal Ilmu Komunikasi Jurnal Komunikasi Profesional Jurnal Riset Komunikasi Avant Garde The Journal of Society and Media Abdimas Altruis: Jurnal Pengabdian Kepada Masyarakat Scriptura : Jurnal Ilmiah Artinara
Nanang Krisdinanto
Universitas Katolik Widya Mandala Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Journal : Communicatus: Jurnal Ilmu Komunikasi

 1 
Analisis Semiotika tentang Penggambaran Orang Pedalaman pada Film Indonesia Maria Rosalia; Nanang Krisdinanto; Brigitta Revia Sandy Fiesta
Communicatus: Jurnal Ilmu komunikasi Vol 3, No 2 (2019): Communicatus: Jurnal Ilmu Komunikasi
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/cjik.v3i2.6541

Abstract

This study was conducted to see the depiction of inland people who became minorities in Indonesian films. Since the 2000s, Indonesian films have tended to portray minorities as a group that still lags behind. This is seen from the two film categories selected in this study, namely educational and social-themed films. This study was conducted to see how inland people were described using Ferdinand de Saussure's semiotic method. As a knife of analysis will be used the concept of blackness developed by Ed Guerrero to see aspects of behavior, intelligence, and emotions of the minority groups depicted in the film. The films analyzed are Sokola Rimba and Lost in Papua. The results showed that Indonesian films with the theme of education and social always attached minorities with the impression of being stupid, primitive and backward. In the category of behavior (behavior), inland people tend to be displayed close to backwardness (primitive) or evil. While intelligent (intelligence), they are described as having low intelligence or stupid, and emotionally (emotionally) are described as people close to violence and unable to find a solution if a problem occurs. Such images can form prejudices in the minds of the public, which then crystallize into stereotypes that are considered true.Kajian ini dilakukan untuk melihat penggambaran orang pedalaman yang menjadi kaum minoritas dalam Film-film Indonesia. Sejak tahun 2000-an, film-film Indonesia memiliki kecenderungan menggambarkan kaum minoritas sebagai kelompok yang masih tertinggal. Hal ini dilihat dari dua kategori film yang dipilih dalam penelitian ini, yakni film bertema pendidikan dan sosial. Kajian ini dilakukan untuk melihat bagaimana orang-orang pedalaman digambarkan dengan menggunakan metode semiotika milik Ferdinand de Saussure. Sebagai pisau analisis akan digunakan konsep blackness yang dikembangkan Ed Guerrero untuk melihat aspek perilaku, kecerdasan, dan emosi dari kelompok minoritas yang digambarkan dalam film. Film yang dianalisis adalah Sokola Rimba dan Lost in Papua. Hasil penelitian menunjukkan, film Indonesia yang bertema pendidikan dan sosial selalu melekatkan kaum minoritas dengan kesan bodoh, primitif dan terbelakang. Dalam kategori tingkah laku (behavior), orang-orang pedalaman cenderung ditampilkan dekat dengan keterbelakangan (primitif) atau jahat. Sementara secara intelligent (kecerdasan), mereka digambarkan memiliki kecerdasan rendah atau bodoh, dan secara emotional (emosi) digambarkan sebagai orang-orang dekat dengan kekerasan dan tidak mampu mencari penyelesaian jika terjadi persoalan. Gambaran-gambaran seperti ini bisa membentuk prasangka di benak khalayak, yang kemudian mengkristal menjadi stereotip yang dianggap benar.
Two Face Personality in Identity Falsification and Catfishing Behavior on Online Dating Tinder Amelya Kristy; Nanang Krisdinanto; Akhsaniyah Akhsaniyah
Communicatus: Jurnal Ilmu komunikasi Vol 7, No 1 (2023): Communicatus: Jurnal Ilmu Komunikasi
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/cjik.v7i1.26102

Abstract

This research stems from using online dating, originally used to make it easier for users to find friends, relationships, or partners. However, online dating is often used to practice catfishing or identity fraud. This phenomenon arises as an implication of the ease of creating more than one personal account, which is used as a reflection of the identity that the perpetrator wants to display. This topic is related to the theme of computer-mediated communication (CMC), which allows individuals to communicate asynchronously, which makes it easier for perpetrators to find victims. This research aims to find out the experiences of catfishing perpetrators and how they interpret the experience of doing so. This research uses the phenomenological method, where each informant constructs meaning through their intersubjective side. Data collection techniques were conducted through in-depth interviews to obtain results from a first-person perspective. The results of this research describe the experience of catfishing perpetrators interacting and finding victims in online dating applications. In addition, the research also found that the perpetrators interpreted their catfishing practice not only as the fulfillment of sexual desires but also as the fulfillment of desires that are not in the real world (wanting to be praised, recognized, and have a sense of pride). The experiences and meanings of the research subjects reflect modernity and the fulfillment of sexual desires online. Unlike several previous studies, this phenomenological research can see the depth of the essence of catfishing behavior because it uses original data extracted from the perpetrator’s experience (first party).
Co-Authors ., Akhsaniyah Agatha Winda Setyarinata Ali Djamhuri Amelya Kristy Anastasia Yuni Widyaningrum Brigitta Revia Sandy Fista Budiman Budiman Christopher Chandra Clara Carolina Wiyanto Clara Ocktarida Sutisna Desi Yoanita Emyliani, Tania Finsensius Yuli Purnama Glandy Burnama Ido Prijana Hadi Jennifer Riona Kanthy Mayangsari Maria Rosalia Mas Yongky Satria Muhammad Purnomo Melissa Melissa Nirra Swastika Putra Aditya Lapalelo Rafika Rezky Setyarinata, Agatha Winda Shanice Priscilla Octavia Theresia Intan Theresia Intan Putri Hartiana Theresia Intan Putri Hartiana Vergiana Lestari Widyaningrum, Anastasia Yuni Yohana Ayu Astari Yohana Debby Yuli Nugraheni Zha Zha Elenita Santoso