Garuda - Garba Rujukan Digital

MAKNA FILOSOFIS KEBERADAAN ORNAMEN BEDAWANG NALA DI DASAR BANGUNAN MERU Paramadhyaksa, I Nyoman Widya
Jurnal Filsafat "WISDOM" Vol 20, No 1 (2010)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

AbstractThis study discusses philosophical meanings of bedawang nala ornaments found on foundation of meru buildings in Bali. The bedawang nala is an ornament in the form of giant turtle with fire tongue and one or two serpents coiling it. Qualitative-interpretativemethod is applied in the analysis. The results show that the bedawang nala ornament is related to the concept of Vadavamukha, the hell located at the bottom of Mount Meru, which supports the universe, and to the folklore of occurrence of earthquakes.Keywords: bedawang nala, meru.

MAKNA FILOSOFIS KEBERADAAN ORNAMEN BEDAWANG NALA DI DASAR BANGUNAN MERU Paramadhyaksa, I Nyoman Widya
Jurnal Filsafat "WISDOM" Vol 20, No 1 (2010)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

AbstractThis study discusses philosophical meanings of bedawang nala ornaments found on foundation of meru buildings in Bali. The bedawang nala is an ornament in the form of giant turtle with fire tongue and one or two serpents coiling it. Qualitative-interpretativemethod is applied in the analysis. The results show that the bedawang nala ornament is related to the concept of Vadavamukha, the hell located at the bottom of Mount Meru, which supports the universe, and to the folklore of occurrence of earthquakes.Keywords: bedawang nala, meru.

FILOSOFI DAN PENERAPAN KONSEPSI BUNGA PADMA DALAM PERWUJUDAN ARSITEKTUR TRADISIONAL BALI Paramadhyaksa, I Nyoman Widya
LANGKAU BETANG: JURNAL ARSITEKTUR Vol 3, No 1 (2016)
Publisher : Department of Architecture, Universitas Tanjungpura

Padma adalah sebutan bunga teratai merah dalam bahasa Sanskerta. Padma tumbuh secara alami di media lumpur dengan kandungan air yang cukup. Akarnya tumbuh menjalar di media tanah, batangnya terendam di air, sedangkan daunnya yang lebar mengapung di permukaan air. Bunga padma yang sedang mekar berada di atas permukaan air, menengadah, bersih dari noda lumpur, dengan kelopaknya yang merekah sempurna ke segala arah. Karakter fisik padma yang sedemikian rupa ini telah lama melahirkan ilham dijadikannya padma sebagai bunga suci dalam ajaran Hindu dan Buddha. Dalam seni lukis dan seni arca timur, padma juga sering dijadikan lapik atau atribut yang digenggam tokoh dewa-dewi tertentu. Di Bali, padma juga dijadikan sebagai konsepsi dasar wujud bangunan suci dan arah mata angin. Kelopak-kelopak bunga padma yang merekah sempurna sering kali dikaitkan dengan keberadaan delapan arah mata angin utama yang diyakini dijaga oleh para dewata utama pula. Tulisan ini merupakan ringkasan dari suatu kajian yang menerapkan metode hermeneutik tentang filosofi bunga padma dan keterkaitannya dengan konsep arah mata angin utama yang dikenal dalam tatanan arsitektur tradisional Bali. Pada beberapa bagian juga akan dipaparkan gambaran wujud penerapan konsepsi bunga padma tersebut dalam berbagai perwujudan arsitektur tradisional Bali. Hasil akhir penelitian ini menunjukkan bahwa Konsepsi Padma ini telah terejawantahkan dalam tata ruang Pulau Bali, tata mandala pura, seni bangunan suci, dan seni ikonografis arca tradisional Bali.Â Padma refers to red water lily in Sanskrit. Padma grows naturally in the mud media with enough water content. Its roots spread in the soil planting media, the stem is submerged in water, while the leaves float on the water surface. Water lily flower blooms above the surface of the water, looking up, clean from mud, with petals that splitting all directions. Such padmaâ€™s physical characteristics have brought inspiration so that it becomes a sacred flower in Hinduism and Buddhism. In Eastern art, padma is often used as a pedestal or character attributes of certain gods or goddess. In Bali, padma serves as the basic concept of the sacred structure form and eight directions. The splitting petals of padma are often associated with the presence of the eight cardinal directions guarded by eight major gods. This paper is a summary of the study which applied the methods of philosophical hermeneutics on the philosophy of padma and its relevance to the concept of the main wind direction known in the order of traditional Balinese architecture. In some parts, it is also described the application description of Padma concept various embodiments of the Balinese traditional architecture. The final result of this research shows that Padma concept applied on Bali island masterplan, Hindu temple mandalas, holy buildings and iconographic of traditional Balinese sacred statues.REFERENCESAltman, Nathaniel (2002). Sacred Water: The Spiritual Source of Life. New Jersey: Paulist Press.Beer, Robert (2003). The Handbook of Tibetan Buddhist Symbols. Chicago: Serindia Publications, Inc.Debroy, Bibek dan Dipavali Debroy (2005). The History of Puranas. New Delhi: Bharatiya Kala Prakashan.Dwipayana, A. A. G. N. Ari dan Putra, I Nyoman Darma (2004). Bali Menuju Jagaditha: aneka perspektif. Denpasar: Pustaka Bali Post.Eiseman, Fred B. dan Margaret H. Eiseman (1989). Bali, Sekala and Niskala: Essays on religion, ritual, and art. Volume 1. London: Periplus Editions.Gupte, Ramesh Shankar (1980). Iconography of the Hindus, Buddhists, and Jains. Delhi: D. B. Taraporevala Sons.Heine-Geldern, Robert (1956). Conceptions of State and Kingship in Southeast Asia. New York: SEAP Publications.Kapur, Sohaila (1983). Witchcraft in Western India. New Delhi: Orient Longman.MacDonell, Arthur Anthony (1974). A Prctical Sanskrit Dictionary: with transliteration, accentuation, and etymological analysis throughout. London: Oxford University Press.Manuaba, Adnyana dan Supartha, Wayan (1999). Bali dan Masa Depannya. Denpasar: Penerbit Bali Post.Miksic, John N (1995). The Legacy of Majapahit. Singapore: National Heritage Board.Munandar, Agus Aris (2005). Istana Dewa Pulau Dewata: Makna Puri Bali Abad ke-14-19. Depok: Komunitas Bambu.Munandar, Agus Aris (2008). Ibukota Majapahit: Masa Jaya dan Pencapaian. Depok: Komunitas Bambu.Phalgunadi, I Gusti Putu (1991). Evolution of Hindu Culture in Bali: From the Earliest Period to the Present Time. Delhi: Sundeep Prakashan.Scheurleer, Pauline C. M. Lunsingh, dkk. (1988). Ancient Indonesian Bronzes: A Catalogue of the Exhibition in the Rijksmuseum Amsterdam with a General Introduction. Leiden: Brill Archive.Thompson, Richard L (2007). The Cosmology of the Bhagavata Purana: Mysteries of the Sacred Universe. Delhi: Motilal Banarsidass Publisher.Wiana, Ketut (2004). Mengapa Bali disebut Bali. Denpasar: Paramita

KETINGGIAN BEBATURAN BANGUNAN RUMAH TRADISIONAL BALI SEBAGAI SALAH SATU PENANDA TINGKAT KESAKRAL DAN PROFANANNYA Paramadhyaksa, I Nyoman Widya
Jurnal Ilmiah Desain & Konstruksi Vol 8, No 1 (2009)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar

Penelitian ini bertujuan memperoleh gambaran mengenai korelasi antara ketinggianbebaturan (dasar) bangunan dalam areal rumah tradisional Bali dengan tingkat kesakraldan profanannya. Metode analisis yang digunakan adalah metode hermeneutik dankomparatif. Nilai tingkat kesakral dan profanan bangunan tradisional Bali ditentukanberdasarkan beberapa pendekatan. Pendekatan yang digunakan adalah pendekatan atasposisi bangunan dalam areal rumah, bentuk bangunan, fungsi bangunan, kegiatan ritualpenghuni rumah, dan persepsi pemakai terhadap makna bangunan yang bersangkutan.Hasil yang diperoleh menunjukkan bahwa ketinggian dasar bangunan rumah tradisionalBali dapat dijadikan sebagai salah satu penanda tingkat kesakral dan profananbangunan yang bersangkutan.AbstractThis study is aimed to obtain description about correlation between the height ofbebaturan (base or foot part) of structures in the complex of traditional Balinese housesand the grade of their holiness and profane. The methods of hermeneutics andcomparative are used in the analysis. The grade of holiness and profane of the traditionalBalinese structures is determined by some approaches. They are the position of thestructures in the house area, the morphology of the structures, the function of thestructures, the ritual activities of the host, the host perception towards the function of thestructures. The result shows that height of base part of traditional Balinese housesstructures can be used as an indicator to see its grade of the holiness and profane of thestructures.

KONSEPSI OPOSISI BINER DALAM PENGARCAAN PASANGAN DWARAPALA PADA KORI AGUNG DI BALI I Nyoman Widya Paramadhyaksa; I Gusti Agung Bagus Suryada; Ida Bagus Primayatna
Forum Arkeologi VOLUME 26, NOMOR 2, AGUSTUS 2013
Publisher : Balai Arkeologi Bali

This article aims to review the conceptual background of dwarapala couple figure found in the doorway of kori agung temple complex of buildings in Bali. The method applied is the hermeneutic method by applying some kind of major approaches, including: (1) approach on the statue morphology, (2) pattern of placement, (3) mythology and cosmology of Hindu and Buddhist, (4) comparative studies of the dwarapala figure outside Indonesia, and (5) folklore based approach.The result shows that there are some kinds of dwarapala couples, among others, the giant king pair, pair of mans clown, couples of monkey king, husband and wife couples, and couples of rangda. The conclusions obtained show that there are some major concepts behind the existence of various pairs figure of kori dwarapala in building the great temple complex in Bali. Each pair of the dwarapala figure includes symbolic meanings associated with the concept of binary opposition.Abstrak Artikel ini bertujuan untuk mengulas tentang latar belakang konseptual pasangan sosok dwarapala yang terdapat di lubang pintu kori agung kompleks bangunan pura di Bali. Metode kajian yang diterapkan adalah metode hermeneutik dengan menerapkan beberapa macam pendekatan utama, di antaranya: (1) pendekatan morfologi arca, (2) pendekatan atas pola penempatannya, (3) pendekatan mitologi dan kosmologi Hindu dan Buddha, (4) pendekatan atas studi komparatif terhadap sosok dwarapala di luar Indonesia, dan (5) pendekatan berdasarkan cerita rakyat. Hasil observasi secara umum yang telah dijalankan menunjukkan bahwa ada beberapa macam pasangan dwarapala yang dapat dijumpai di lapangan, antara lain pasangan raja raksasa, pasangan punakawan, pasangan suami-istri, pasangan raja kera, pasangan bidadari, dan pasangan rangda. Kesiimpulan yang diperoleh menunjukkan bahwa ada beberapa konsepsi utama yang melatarbelakangi keberadaan berbagai pasangan sosok dwarapala di bangunan kori agung kompleks pura di Bali. Salah satu dari konsepsi temuan menunjukkan bahwa setiap pasangan sosok dwarapala tersebut memuat makna simbolis yang berkaitan dengan konsepsi oposisi biner.

PERWUJUDAN KONSEP KERAJAAN SURGA PADA PUSAT KOTA KERAJAAN DI BALI I Nyoman Widya Paramadhyaksa
Forum Arkeologi VOLUME 27, NOMOR 2, AGUSTUS 2014
Publisher : Balai Arkeologi Bali

This paper describes the application of kingdom of heaven concept in the centers of kingdom capitals in Bali. The study applies rationalism paradigm placing illustrative conception of the governance of kingdom capitals as a main concept serving as guidance in studying layout forms of the capitals. Research objects are some kingdom capitals selected by means of purposive sampling techniques. The study was focused on several aspects of the royal city, such as its form and layout of the main architectural elements of the city, position of the king, royal temple concept, and layout of the kingdom area in a macro level. The data were collected in two main ways, namely library research and field observations. The findings show that basically the capitals layout is an imaginary picture of the layout and governance in kingdom of heaven in the Hindus point of view, characterized by the presence of equivalence between the two, such as central axis in the center of the kingdom, conceptual equivalence between kings figure and Indra as the king of heaven, and synergistic relationship between kings residence and the existence of royal temple built nearby.Penelitian ini menjabarkan tentang gambaran wujud penerapan konsep kerajaan surga pada pusat-pusat kota kerajaan di Bali. Kajian ini menerapkan paradigma penelitian rasionalistik yang menempatkan konsepsi ilustratif tata pemerintahan Kerajaan Surga sebagai suatu konsep utama yang menjadi panduan untuk mencermati tata ruang ibukota-ibukota kerajaan di Bali. Objek kajian penelitian adalah beberapa pusat kota kerajaan di Bali yang dipilih dengan teknik purposive sampling. Kajian difokuskan pada beberapa aspek kota kerajaan, seperti wujud dan tata letak elemen-elemen arsitektural utama kota, kedudukan raja, konsep pura kerajaan, dan tata ruang wilayah kerajaan secara makro. Data dikumpulkan dengan dua cara utama, yaitu studi kepustakaan dan observasi lapangan. Hasil temuan menunjukkan bahwa pada dasarnya tata ruang pusat kota kerajaan di Bali merupakan representasi dari gambaran imajiner tata ruang dan tata pemerintahan kerajaan surga yang dikenal dalam pandangan Hindu. Hal ini ditandai dengan adanya beberapa bukti kesetaraan antara keduanya, seperti sumbu pusat wilayah kerajaan di pusat kota, kesetaraan konseptual sosok raja penguasa wilayah dengan Dewa Indra sebagai raja surga, dan relasi yang sinergis puri kediaman raja dengan eksistensi pura kerajaan yang dibangun di dekatnya.

MAKNA-MAKNA FIGUR NAGA DALAM BUDAYA TRADISIONAL BALI I Nyoman Widya Paramadhyaksa
Forum Arkeologi VOLUME 24, NOMOR 3, NOVEMBER 2011
Publisher : Balai Arkeologi Bali

Konsepsi Panca Mahabhuta dalam Perwujudan Arsitektur Tradisional Bali I Nyoman Widya Paramadhyaksa
Archigreen Vol 3 No 4 (2016): Jurnal ArchiGreen
Publisher : UNIVERSITAS PEMBANGUNAN PANCA BUDI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1225.97 KB)

In Balinese architectural knowledge it is known that it has a fundamental conception that has long been applied to the realization of buildings and layout of Bali since long time ago. This conception is known as Panca Mahabhuta containing the doctrine of the five main elements of the universe or cosmos macro (Bali: bhuwana agung); human body or micro cosmos (Bali: bhuwana alit), and the realization of the architecture or the built environment which has mesocosmos scale. This kind of conception was also known in the classical cultures belong to other nations in the world, such as in China, India, Japan, and Greece. This brief article concerns with some issues about the conception of Panca Mahabhuta, namely: (a) definition, (b) philosophical background; (c) its relation to natural character; (d) its relation to elements of the human body, (e) to figures of the Five Pandawas, and (f) the application form to layout and the structure of Balinese buildings. This paper is based on the library research and observations in the field object by applying rationalistic paradigm and hermeneutic studies.

Tata Ruang Zona Tengah Di Desa Tenganan Pegringsingan : Kajian Arkeologi Keruangan Ni Ketut Miasih; I Wayan Srijaya; I Nyoman Widya Paramadhyaksa
Humanis Volume 16. No. 1. Juli 2016
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (267.268 KB)

Settlement archaeology investigated of archaeological site or human place for living by all type of their daily activities. Settlement archaeology also explain about spatial that is sub-explanation from the settlement investigation. Spatial archaeology is one of the specific research in archaeology investigation which is focus in concerning investigate of spatial dimension, thing, and shape dimension.Spatial arrangement of Tenganan pegringsingan village has a partitioned pattern, straight from the north to the south or arranged linearly. Tenganan village is one of the old village in Bali which is keep holding a megalitik tradition that is still fungtioned till present. The reseach problem in this research is about building typology in center spatial of Tenganan pegringsingan village and zone image that is formed in the center spatial base on the function. The theory that is used in this research is structural-functional theory and sacred profane theory. The method that is used to answer the problem that had been formulated in this research concerned about the step to collect the data, there are by observation, interview, book review. The next step is about processing the data by etno-archaeology analysis, quality analysis, spatial analysis, context analysis, and behavior analysis. The analysis of the problems formulated above is as follows. In the building typology, devided into 2 parts, that are sacred building and profane building. From the side of the building pattern, material also architecture, there is applied a traditional architecture by simple pattern without any ornament, decoration, and any other variation of aesthetics. From the zone that is formed in the middle zone, there are three awangan. There are awangan kauh, awangan tengah, and awangan kangin. The daily activities are done in the middle zone, both of the social activity and culture activity.

REPRESENTASI GAMBARAN ALAM PADA PERWUJUDAN ARSITEKTUR PADMASANA DI BALI I Nyoman Widya Paramadhyaksa
Bumi Lestari Journal of Environment Vol 12 No 2 (2012)
Publisher : Environmental Research Center (PPLH) of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

The padmasana shrine is one of the main holy structures of Balinese Hindu. This shrine hasvarious ornaments, decorative elements and other forms that have symbolic meanings. Thesymbolic contents in padmasana have close relation with mythology and the concepts ofHindu teaching. Beside that, the concepts of architectural representation of padmasana alsohave a correlation with the nature representation of the earth. This article discusses about therepresentation of padmasana shrine as the symbol of mountain and the representation ofnature on earth.

Title

Found 25 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 25 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 25 Documents
Search