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All Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Pedagogik: Jurnal Pendidikan Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Ilmiah Kanderang Tingang Jurnal Pengabdian kepada Masyarakat ENGGANG Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya International Journal of Education and Literature (IJEL) Prosiding Seminar Nasional Pendidikan, Bahasa, Sastra, Seni, dan Budaya Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Bhinneka: Jurnal Bintang Pendidikan dan Bahasa

Petrus Poerwadi

Universitas Palangka Raya

Author-ID : 4008725

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Mathematics Public Health Social Sciences Other

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DISTRIBUSI FUNGSIONAL VERBA Pada Konteks Plot dalam Wacana Narasi Dongeng Bahasa Indonesia Petrus Poerwadi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 38, No 1 (2010)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (142.726 KB)

Every type of verb has a specific distribution in the context of plot in the written Indonesian tale narrative discourse (WNDBI). That specific distribution im- plies specific verb functions and meanings in the context of plot in WNDBI. There are three types of verbs dominant in the use of verbs in the WNDBI, namely materi- al-process verbs, relational-process verbs, and mental-process verbs. Types of claus- es, internal pattern of clauses embedded by certain types of verbs, and characteristics of participants have effects on the functions and meanings of the clauses in WNDBI. The written Indonesian tale narrative discourse possesses a characteristic of accentu- ating physical conflicts among the participants. This is marked by the intensive use of material-process verbs in the stage of conflictI

Sexuality Comparison in Novel Eleven Minutes With Tuhan Izinkanlah Aku Menjadi Pelacur! Memoar Luka Seorang Muslimah Misnawati Misnawati; Lazarus Linarto; Petrus Poerwadi; Alifiah Nurachmana; Albertus Purwaka; Patrisia Cuesdeyeni; Paul Diman; Yuliati Eka Asi
Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 5 No 1 (2021): AKSIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia, Volume 5 Nomor 1, Juni 2021
Publisher : LPPM State University of Jakarta (Program Studi Pendidikan Bahasa dan Sastra Indonesia dan LPPM Universitas Negeri Jakarta)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/AKSIS.050101

The purpose of this research is to describe the theme of sexuality in the main character, Maria (novel "Eleven Minutes") and Kiran (novel "God allows me to become a prostitute! Memoar Luka a Muslimah"). The theory of comparative literature (comparative literature) will be the analysis knife of this research. Comparative literary theory generally emphasizes the comparison of two or more works from at least two different countries. This research will completely reveal two works from different countries. The findings of the study show: (1) the similarities in the sexuality of the characters Maria and Kiran include: (a) feeling pleasure and innocence when having intercourse; (b) having sex to fulfill biological needs; (c) Confide in each other with guests; (d) a prostitute by profession; and (e) the pay is high. (2) The differences in the themes of sexuality between Maria and Kiran include: (a) the main character Maria's sexual needs are carried out not because of a feeling of disappointment towards God but because they want to know what it is like to have a sexual adventure, while the sexual needs of the main character Kiran are used as the most basic needs because sex is made the main character as an escape from disappointment to God; (b) The main character Maria graduated from high school, while the main character Kiran is a student (c) The end of the story the main character Maria stops being a prostitute, while the main character Kiran remains a prostitute. Keywords: comparison, comparative literature, sexuality, and themes Abstrak Tujuan penelitian ini adalah mendeskripsikan tema seksualitas pada tokoh utama, Maria (novel ”Eleven Minutes”) dan Kiran (novel “Tuhan Izinkanlah Aku Menjadi Pelacur! Memoar Luka Seorang Muslimah”). Teori Sastra bandingan (comparative literature) akan menjadi pisau analisis penelitian ini. Teori sastra bandingan umumnya menekankan perbandingan dua karya atau lebih dari sedikitnya dua negara yang berbeda. Penelitian ini akan mengungkap tuntas dua buah karya dari negara yang berbeda. Temuan penelitian menunjukkan: (1) Persamaan tema seksualitas tokoh Maria dan Kiran meliputi: (a) sama-sama merasa nikmat dan tidak berdosa ketika melakukan hubungan intim; (b) melakukan seks untuk memenuhi kebutuhan biologis; (c) Saling curhat dengan tamunya; (d) berprofesi pelacur; dan (e) bayarannya mahal. (2) Perbedaaan tema seksualitas tokoh Maria dan Kiran meliputi: (a) kebutuhan seks oleh tokoh utama Maria dilakukan bukan karena pelarian rasa kecewa terhadap Tuhan tetapi karena ingin tahu bagaimana rasanya berpetualang seks, sedangkan kebutuhan seks tokoh utama Kiran dijadikan sebagai kebutuhan yang paling mendasar karena seks dijadikan tokoh utama sebagai pelarian rasa kecewa terhadap Tuhan; (b) Tokoh utama Maria lulusan SMA, sedangkan tokoh utama Kiran seorang mahasiswa (c) Akhir cerita tokoh utama Maria berhenti menjadi pelacur, sedangkan tokoh utama Kiran tetap menjadi pelacur. Kata kunci: perbandingan, sastra bandingan, seksualitas, dan tema

Struktur Dasar Sastra Lisan Deder Misnawati Misnawati; Petrus Poerwadi; Fitria Meta Rosia
Pedagogik: Jurnal Pendidikan Vol 15 No 2 (2020): Pedagogik: Jurnal Pendidikan
Publisher : Institute For Research and Community Services Universitas Muhammadiyah Palangkaraya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33084/pedagogik.v15i2.1460

Tujuan penelitian ini adalah mendeskripsikan struktur sastra lisan deder yang berhubungan dengan struktur dasar berupa bait dan baris.Teknik pengumpulan data dalam penelitian ini menggunakan: (1) teknik perekaman, baik audio maupun audiovisual, (2) pencatatan, (3) wawancara yang mendalam, (4) studi kepustakaan dan analisis dokumentasi. Sumber data utama yang dianalisis adalah teks deder yang ada di kota Palangka Raya Kalimantan Tengah. Pemeriksaan keabsahan data dalam penelitian kualitatif ini mengikuti yang disarankan Lincoln dan Gube, meliputi empat teknik: (1) credibility (kredibilitas, merupakan kriteria untuk memenuhi nilai kebenaran dari data dan informasi yang dikumpulkan);(2) transferability (transferbilitas, merupakan kriteria yang digunakan untuk memenuhi kriteria bahwa hasil penelitian yang dilakukan dalam konteks tertentu dapat ditransfer ke subjek lain yang memiliki tipologi yang sama);(3) dependability (dependabilitas, digunakan untuk menilai apakah proses penelitian kualitatif bermutu atau tidak);dan(4) confirmability (konfirmabilitas, yaitu kriteria untuk menilai bermutu—tidaknya hasil penelitian). Data yang telah dikumpul dianalisis dengan menggunakan teori Struktural Dinamik.Teori Struktural Dinamik dimanfaatkan secara metodologis untuk menganalisisrumusan masalah penelitian.Temuan penelitian berupa struktur bait dalam deder, berbentuk: (1) Jumlah bait dalam setiap deder tidak tentu, bergantung topik dan kreativitas pendeder. (2) Setiap bait deder terdiri atas dua baris. (3) Struktur bait deder terdiri atas: pembukaan, isi, dan penutup. (4) Bait pembukaan, isi, dan penutup dinyanyikan oleh pendeder Perempuan maupun Laki-laki.Struktur baris dalam deder, berbentuk: (1) jumlah kata dalam satu baris adalah tiga sampai tujuh kata. (2) jumlah suku kata dalam setiap barisnya adalah delapan sampai tiga belas suku kata. (3) baris pertama dapat berupa pengumpan, dapat pula bertautan makna dengan baris.

REALISASI ILOKUSI TINDAK TUTUR DIREKTIF DALAM DIALOG PROSES BELAJAR MENGAJAR MATA PELAJARAN BIOLOGI DI SMAK SANTO ALOYSIUS PALANGKA RAYA Krisma Handayani Br Sitepu; Petrus Poerwadi; Lazarus Linarto
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 1 No. 2 (2021): Juni: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Penelitian ini membahas mengenai realisasi ilokusi tindak tutur direktif dalam dialog proses belajar- mengajar mata pelajaran biologi di SMAK Santo Aloysius Palangka Raya. Oleh karena itu, penelitian ini bertujuan untuk mendeskripsikan: (1) realisasi ilokusi tindak tutur direktif dalam dialog proses belajar- mengajar, (2) pola kalimat bahasa indonesia yang digunakan dalam realisasi ilokusi tindak tutur direktif dalam dialog proses belajar- mengajar, (3) respon siswa dalam menanggapi ilokusi tindak tutur direktif yang dilakukan oleh guru dalam proses belajar- mengajar. Penelitian ini menggunakan pendekatan kualitatif. Data penelitian ini adalah dialog proses belajar- mengajar pada mata pelajaran bilogi. Objek penelitian ini adalah dialog proses belajar- mengajar yang merealisasikan tindak tutur direktif. Hasil penelitian ini adalah sebagai berikut: (1) realisasi ilokusi tindak tutur direktif dalam dialog proses belajar- mengajar yang paling dominan adalah tindak tutur direktif pertanyaan. realisasi tindak tutur direktif dalam dialog proses belajar- mengajar dituturkan dengan kalimat deklaratif, imperatif, dan interogatif. Tindak tutur direktif dalam dialog dominan menggunakan kalimat imperatif. (2) pola kalimat bahasa Indonesia yang paling dominan diwujudkan dengan kalimat deklaratif, imperatif dan interogatif dan paling dominan kalimat interogatif dan imperatif, (3) respon siswa dalam menanggapi tindak tutur direktif guru meliputi respon kognitif, afektif dan konatif. Respon dalam menanggapi tindak tutur direktif paling dominan respon konatif.

CAMPUR KODE DALAM IKLAN PENAWARAN BARANG DI FORUM JUAL BELI ONLINE FACEBOOK KOTA PALANGKA RAYA (KAJIAN SOSIOLINGUISTIK) Noviasi; Linggua Sanjaya Usop; Indra Perdana; Petrus Poerwadi; Paul Diman; Lazarus Linarto
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 2 No. 1 (2021): Desember: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

ABSTRAKTujuan penelitian ini adalah mendeskripsikan campur kode dalam forum jual belionline Facebook di kota Palangka Raya. Masalah yang akan digali dalam penelitian iniadalah: (1) Bagaimana bentuk campur kode dalam iklan penawaran barang di forum jualbeli online Facebook kota Palangka Raya (2) Apa penyebab terjadinya campur kode dalamiklan penawaran barang di forum jual beli online Facebook kota Palangka Raya.Metode penelitian yang digunakan dalam penelitian ini adalah metode penelitiankualitatif deskriptif. Data yang digunakan dalam penelitian ini adalah kata, frasa, danklausa/kalimat pada status pedangang online dalam forum jual beli online di kota palangkaraya di Facebook. Sumber data yang dipakai adalah hasil ScreenShoot pada status penjualonline dalam forum jual beli online. Teknik pengumpulan data dilakukan dengan teknikstudi pustaka, membaca, mencatat dan dimasukkan pada data penelitian. Teknik analisisdata menggunakan teknik interpretasi teks.Hasil dari penelitian ini menunjukkan bahwa terdapat 50 data kutipan bentukcampur kode sering ditemukan dalam status penjual online dalam forum jual beli di kotaPalangka Raya di Facebook terdapat 50 kutipan dengan rincian campur kode dalam bentukkata 37 kata, campur kode dalam bentuk frasa 19 frasa, campur kode dalam bentuk kataulang 1 kata ulang, dan campur kode dalam bentuk klausa 1 klausa. Jadi dapat simpulkanbahwa bentuk campur kode yang paling banyak ditemukan dalam forum jual beli onlineFacebook di kota Palangka Raya adalah bentuk kata dan frasa. Faktor penyebab yangmelatarbelakangi campur kode dapat dibedakan menjadi dua yaitu, latar belakang nonkebahasaan atau sikap (atitudinal type) dan latar belakang kebahasaan (linguistic type).Faktor penyebab terjadinya campur kode dalam forum jual beli online di kota PalangkaRaya di Facebook berjumlah 50 data, faktor campur kode non kebahasaan 24 data denganrincian (a) need for synonym 2 data, (b) social value 22 data. Faktor kebahasaan sebanyak28 data dengan rincian (a) low frequenchy of word 2 data, (b) oversight 2 data dan (c) end(purpose and goal) 24 data. Jadi dapat disimpulkan bahwa penyebab penjual onlinemelakukan campur kode adalah social value yaitu penutur segaja menggunakan bahasaasing dalam tuturannya agar terlihat seperti orang yang terpelajar, modern, berwawasanluas dan hebat dan penyebab selajutnya adalah end (purpose and goal) yaitu penutur inginmenerangkan, membujuk, dan meyankikan pembeli agar barang yang dijual menarikperhatian pembeli.

Percepatan Produksi Karya Sastra Mahasiswa Program Permata Merdeka Dengan Memanfaatan Voice Typing Misnawati Misnawati; Petrus Poerwadi; Patrisia Cuesdeyeni; Muhammad Saibani Wiyanto; Nirena Ade Christy; Syarah Veniaty; Ibnu Yustiya Ramadhan; Diplan Diplan; Anwarsani Anwarsani; Siti Rahmawati
Jurnal Ilmiah Kanderang Tingang Vol 13 No 1 (2022): Jurnal Ilmiah Kanderang Tingang
Publisher : FKIP Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jikt.v13i1.154

This study aims to: (1) describe how to use voice typing by Permata Merdeka students. (2) describe the PPKSM model by using the voice typing of Permata Merdeka students. (3) Describe the form of literary works produced by the students of the Permata Merdeka program by using voice typing.This research method uses a qualitative approach. Qualitative research is a way to interpret and present data in descriptive form. The existing data are then interpreted and analyzed. This research resulted in: (1) how to use voice typing for Permata Merdeka students. (2) PPKSM model by utilizing voice typing of Permata Merdeka Program students. (3) the form of literary works produced by students of the Permata Merdeka program by utilizing voice typing. This innovative applied research TKT is at level six, namely demonstration of a system/subsystem model or prototype in a relevant environment. This study demonstrates the PPKSM (Accelerated Production of Student Literary Works) model by using voice typing to Permata Merdeka students who programmed the Literary Creative Writing course.

PEMBERDAYAAN KEWIRAUSAHAAN UNTUK ANAK TUNARUNGU DENGAN PEMBUATAN SELAI NANAS Misnawati Misnawati; Abdul Aziz; Anwarsani Anwarsani; Siti Rahmawati; Petrus Poerwadi; Nirena Ade Christy; Ibnu Yustiya Ramadhan; Yulina Mingvianita; Stefani Ratu Lestariningtyas; Syarah Veniaty
J-ABDI: Jurnal Pengabdian kepada Masyarakat Vol. 1 No. 10: Maret 2022
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

One of the aspirations that partners want is for deaf children to have an entrepreneurial spirit. Entrepreneurs have an important role in permeating business activities with an entrepreneurial spirit and turning that spirit into energy to engage in reforms, especially in the manufacture of pineapple jam. Deaf children are taught how to process, distribute, and market products. For this reason, through the Intellectual Product Business Development Program the "Educational" Campus will be given Entrepreneurship Empowerment Training for Deaf Children Through Making Pineapple Jam, in order to prepare deaf children in Palangka Raya to become independent individuals and able to do entrepreneurship through making pineapple jam. The targets achieved are (1) Enhancing Entrepreneurial Capability for Deaf Children Through Making Pineapple Jam; and (2) the production of a guide module for making pineapple jam for deaf children with a unique taste. The implementation of community service "Entrepreneurship Empowerment for Deaf Children Through Making Pineapple Jam," begins with an approach, then implementation in the field. After the implementation in the field, an evaluation is carried out, what are the obstacles faced in the training. Through these processes, it is hoped that the training can achieve the targets desired by partner one and partner two. Lastly, assistance was provided.

THE EKOPUITIKA THEORY Misnawati Misnawati; Petrus Poerwadi; Alifiah Nurachmana; Syarah Veniaty; Stefani Ratu Lestariningtyas; Nirena Ade Christy; Ibnu Yustiya Ramadhan; Yulina Mingvianita; Anwarsani Anwarsani; Siti Rahmawati
International Journal of Education and Literature Vol. 1 No. 1 (2022): April : International Journal of Education and Literature
Publisher : Amik Veteran Porwokerto

This study aims to: (1) describe the sense of ekopuitika theory; (2) describe the working mechanism of ekopuitika theory; and (3) describe the application of the ekopuitika theory in the oral literature. The theory used in this research is ekopuitika theory, ecology theory, and poetics theory. The data collecting technique or data collection process utilized in this research are as follows: (1) recording technique, either audio or audiovisual, (2) notes, (3) rooted interview, (4) literature study and documentation analysis. The finding of the research is (1) the meaning ekopuitika theory is literary theory/knowledge of poetry which is associated with the environment. (2) the working mechanism is started from analyzing the poetics theory which consists of: 1. Sound that includes: a) rima; (b) assonance; (c) alliteration; (d) anaphora; (e) efoni; (f) kakafoni; and (g) onomatopoeic. 2. Rime (metrum and rhythm) 3. Word includes: (a) vocabulary; (b) diction; (c) figurative language; (d) imagery; and (e) linguistic factors. 4. Phrase that includes: (a) nominal phrases; (b) verbal phrase; (c) the numeral phrase; (d) the adverb phrase; and (e) the prepositional phrase. 5. Sentence/array includes: (a) declarative sentences; (b) interrogative sentences; (c) the imperative sentence; and (d) the exclamatory sentence. 6. The discourse that includes: (a) cohesion and (b) coherence. The next how it works, is further analyzed once more with the ecology theory that includes: (a) the representation of nature: plant, animal, mountain, water, sea, land, air, sun, and sky; (b) the manifestation of the representation of behavior: traditional event (ritual), religion, knowledge, cosmology, language, myth, art, moral, and housing. After the ekopuitika theory applied in the oral literature there was a result that evidently for the representation of nature related to the plant and animal, while for the representation of the behavior associated with the traditional event (ritual) and language.

Kajian Semiotik Pertunjukan Dalam Performa Drama “Balada Sakit Jiwa” Misnawati Misnawati; Petrus Poerwadi; Apritha Apritha; Anwarsani Anwarsani; Siti Rahmawati
PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA Vol. 1 No. 1 (2022): Mei: PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA
Publisher : Universitas Palangka Raya

Performance Semiotics in Dramatic Performance is a study of the semiotics of theater or stage performances related to the theory of signs and sign systems in the performing arts called theater. Theater semiotics tries to understand the components of theater and establishes the assumption that everything within the framework of theater is a sign or sign. Theatrical performances are essentially a series of sign systems. This study aims to: (1) reveal the process of creating and presenting the performance art of the Mental Ill Ballad Drama, (2) reveal signs related to the activities of the Mentally Ill Ballad Drama performance actors, (3) reveal signs related to the appearance of the Mentally Ill Ballad Drama performance actors Jiwa, (4) reveals signs related to the spatial aspect or place of the performance of the Mentally Ill Ballad and (5) reveals signs related to the non-verbal acoustic aspects of the Mentally Ill Ballad's performance. This research was carried out at the Campus of the Indonesian Language and Literature Education Study Program, Department of Language and Arts Education, FKIP, Palangka Raya University, Central Kalimantan Province. The object of research is students who practice theater and perform theater. This study involved (1) lecturers who taught the Drama/Theatre Performance course, (2) drama/theatre arts workers, and (3) students who practiced and performed plays/theatre. Data collection techniques in this field research are observation, recording, recording, and interviews. The collected data will be analyzed using the theory of Performance Semiotics. The performance semiotics contained in the performance of the drama Balada Illness, are: (1) signs related to the process of creating and presenting performing arts, (2) signs related to actor activities, (3) signs related to actor appearances, (4) signs related to spatial aspects, and (5) signs related to non-verbal acoustics.

Unsur Mistis Dalam Novel-Novel Karya Neno Cristiandi Nelis dan Implikasinya pada Pembelajaran di SMA (Tinjauan Antropologi Sastra) Santiani Santiani; Petrus Poerwadi; Misnawati Misnawati; Siti Supriyati; Sri Maya
PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA Vol. 1 No. 1 (2022): Mei: PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA
Publisher : Universitas Palangka Raya

Mystical is a spiritual effort in realizing the social relations that prevail in society. Mystical as an understanding that gives teachings that are secret or all-secret, hidden, dark, and veiled in darkness, so that they are only known, known, or understood by certain people,especially their adherents. This study aims to describe the mystical forms and beliefs of the Ma'anyan Dayak people towards mystical matters including: (1)Mystical forms in the novels Minyak Bintang, Dalung, and Kariau (2) Public beliefs in mystical elements contained in the novels Minyak Bintang, Dalung, and Kariau (3) implications for literature learning in high school class XII. This research approach uses a qualitative research approach using descriptive methods. The data sources used in this study are Novels, Wawaacara, and field notes. The data in this study are Neno Cristiandi Neno's novel Minyak Bintang, Dalung, and Kariau and interviews with speakers conducted in Jaweten Village and Garinsing Village, East Barito Regency. Data analysis of this study was analyzed by reducing data, presenting data, and drawing conclusions. The results of research on mystical forms and people's belief in mystical things and implications for literature learning in high school show (1) How mystical forms in the novels Minyak Bintang, Dalung, and Kariau. (2) there are five mystical forms(3) there are three public beliefs in mystical things. The results of this study can be used in novel learning in high school class XII, especially in competency 3.8. interpreting the author's view of life in the novel being read.

Co-Authors Abdul Aziz Albertus Purwaka Alifiah Nurachmana Andelia Tritia Anwarsani Anwarsani Anwarsani Anwarsani Anwarsani Anwarsani Apritha Apritha Ayu Natalia Diplan Diplan Elin Widia Episiana Sari Fitria Meta Rosia Ibnu Yustiya Ramadhan Indah Fitria Indra Perdana Klinton Sahputra Sitorus Krisma Handayani Br Sitepu Lazarus Linarto Lazarus Linarto Linggua Sanjaya Usop Mariani Mariani Misnawati Misnawati Muhammad Saibani Wiyanto Nirena Ade Christy Noor Hidayat Noviasi Patricia Cuesdeyeni Patrisia Cuesdeyeni Paul Diman Putri Laras Sati Risckha Ronanti Santiani Santiani Siti Rahmawati Siti Rahmawati Siti Rahmawati Siti Supriyati Sri Maya Stefani Ratu Lestariningtyas Syarah Veniaty Vidella Maro Tohang Yuliati Eka Asi Yulina Mingvianita Yusnia Yusnia

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