Journal of Language and Literature
Journal of Language and Literature presents articles on the study of language and literature. Appropriate topics include studies on language, translation, and literary texts. To be considered for publication, articles must be in English.
Articles
20 Documents
Search results for
, issue
"Vol 21, No 2 (2021): October"
:
20 Documents
clear
<![CDATA[Facing Anxiety through Ego Defense Mechanisms on The Walking Dead: Michonne Movie Game ]]>
<![CDATA[Fery Setiawan]]>;
<![CDATA[I Gusti Agung Sri Rwa Jayantini]]>;
<![CDATA[Ida Bagus Gde Nova Winarta]]>;
<![CDATA[Ni Komang Arie Suwastini]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (642.584 KB)
|
DOI: 10.24071/joll.v21i2.3132
<![CDATA[With the advancement of technology, a newly adopted form of literary work was found, known as a movie game. It is one of the game genres that resembles real movies that provide choices to the players who can actively determine the story, ending, and characters' action. In literary work, a character is one of the intrinsic elements that can be interestingly analyzed from the psychological perspective, including Ego Defense Mechanisms. This study focuses on how the protagonist in a movie game entitled The Walking Dead: Michonne faced her anxiety through her ego defense mechanisms. It aims to identify the types of ego defense mechanisms and how they can help the protagonist cope with her anxiety. The discussion was based on psychoanalysis theory, namely Ego Defense Mechanisms proposed by Sigmund Freud. This study elaborated the description of the protagonist's actions when she faced anxiety through a qualitative method. The analysis revealed that the protagonist adopted the four types of Ego Defense Mechanisms: repression, sublimation, rationalization, and aggression. It was found that aggression was the most frequently adopted mechanism, followed by sublimation, rationalization, and the least was repression. This finding indicated that the protagonist chose aggression to release resentment or dissatisfaction, especially when facing objects or other characters that create anxiety or frustration. It implies that the persistence of aggression, sublimation, rationalization, and repression could reflect the presence of continual threats in the environment from which people should survive. ]]>
<![CDATA[Folk Onomastics Study of Anthroponymy Found in Babad Banjoemas Wirjaatmadjan ]]>
<![CDATA[Chusni Hadiati]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (403.33 KB)
|
DOI: 10.24071/joll.v21i2.3167
<![CDATA[Folk onomastics is a sub-category of socio-onomastics which deals with people’s beliefs and perceptions of names and name use. Interestingly, pragmatics also plays important role in the study of onomastics as names cannot be split up from the context where they are used. The phenomenon of anthroponymy that gradually advances relates to the development of human civilization. Personal name is very pivotal in human life due to the role of name bearers’ in history. Name is not only a name for it carries something along with it throughout the time particularly those who have power and position in history. Babad Banjoemas Wirjaatmadjan (BBW) was a chronicle of Banyumas regency from 1582 until 1932 which was written by Raden Wirjaatmadjan and continued by Raden Poerwasoepradja. As a chronicle of Banyumas regency, BBW displays historical names and aliases related to the cultural context of Banyumas. This article tries to dig out the phenomenon of anthroponymy of Banyumas’ regency leaders (bupati) in BBW as the names indicate the historical background of the bearers. Thus, the research spotlights the cultural values carried by alias or pseudonym of Banyumas leaders. Utilizing descriptive qualitative and library research, I found out that bupati’s names and aliases in BBW were classified based on five conditions: place of death, place of retirement, place of banishment, medal of appreciation, and lifelong action. The result highlights the traditional proverb that good men must die but death cannot kill their names.]]>
<![CDATA[Hybridity and the Shape of the New African Woman ]]>
<![CDATA[Regie Panadero Amamio]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (380.575 KB)
|
DOI: 10.24071/joll.v21i2.3168
<![CDATA[Hybridity is argued as an intricate combination of attraction and repulsion that describes the relationship between the colonizers and the colonized. This combination creates a challenge to and disruption of the monolithic power exercised by the colonizers of Africa who (mis)represented the land as a Dark Continent. Such monolithic power underpins the portrayal of the colonizers’ patriarchal tradition within which women characters in creative works by Africans are commonly situated. The inclusion of women as part of the many subjects of power strengthens the discourse on hybridity in African literature. To question power is to see men and women both apart and together as ambivalence that defines the idea of hybridity in the African literary tradition. In this paper, the employment of deconstruction in the analysis of women characters in five selected stories by African writers reveals a new consciousness in African literature using the Dark Continent metaphor as a mirror of the female aesthetics. In this sense, the use of women’s bodies in the short stories does not only point to the issue of gender oppression but also to a power that is disrupting and slowly dismantling the long-entrenched patriarchal stance forcing the male characters to question their current worldview and position. Overall, this paper has established that contemporary African literature on women recognizes the hybridized identity and shape of the new woman, consequently proving that the so-called Dark Continent is nothing but a myth.]]>
<![CDATA[Persona in Social Media: A Case Study on Baim Paula Youtube Channel ]]>
<![CDATA[Aidatul Chusna]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (717.828 KB)
|
DOI: 10.24071/joll.v21i2.3009
<![CDATA[Social media enables its users to participate in creating and sharing media contents through their accounts; thus, it gives opportunity to gain popularity for anyone, including celebrity. This paper is aimed at revealing celebrities’ strategy to increase and maintain their popularity by constructing self-image through social media. Videos from Baim Paula youtube channel are selected as the main data of the analysis, considering Baim Wong’s success as celebrity and content creator. Using textual approach, the vidoes created and shared are analized as a cultural text which demonstrates celebrities’ self-representation in social media. The result shows that Baim Wong performs various self- images through his videos contents. His prank videos indirectly indicate authenticity and honesty entitled to Baim Wong’s image, as a strategy to create closeness to his fans. He also construcs an altruistic persona by giving presents and/or money to his pranked targets. Another self-representation is seen in videos about his daily activities with family and friends. Through these videos, Baim Wong constructs his image as a family man. The persona performed in social media has successfully attracted more fans/ subscribers and enhanced his fame. Subsequently, it generates profit not only from his YouTube channel, but also from advertising agencies and TV stations that hire him.]]>
<![CDATA[The Invisible Ethnic: Vladimir Nabokov, Richard Rodriguez, and Ethnic Literature ]]>
<![CDATA[Michael Garcia]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (386.118 KB)
|
DOI: 10.24071/joll.v21i2.3163
<![CDATA[This essay explores the possibilities and constraints of reading texts as ethnic literature. It does so by tracing the master theme of transcendence in Vladimir Nabokov’s Speak, Memory and by drawing comparisons with Latino autobiographer and essayist Richard Rodriguez. To date Speak, Memory has transcended categorization as a particular conception of ethnic literature that precludes also reading it as universal. Rodriguez, in contrast, laments that his books are less likely to be read as universal precisely because shelved and categorized as ethnic literature rather than as memoir or simply “literature.” As Rodriguez notes, the conception of Ethnic Literature as a genre marginalizes even as it celebrates ethnic cultures. That is, treating works by ethnic authors as a conventional genre—in the sense that memoirs, westerns, and mystery novels are genres—can have a ghettoizing effect. I argue that ethnic literature is universal despite its focus on a particular culture. To the extent that any work of literature can said to be universal it achieves that status through the particular: a story grounded in a particular culture and, usually, focusing on the particularity of individual characters. There is no view from nowhere. As with other works of literature, ethnic literature is the view from somewhere. I conclude that, when it comes to how we read ethnic literature, it is time for a paradigm shift.]]>
<![CDATA[Negative Politeness Strategies in What Would You Do? TV Show ]]>
<![CDATA[Meidiana Suyono]]>;
<![CDATA[Erna Andriyanti]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (37.221 KB)
|
DOI: 10.24071/joll.v21i2.3430
<![CDATA[Being polite is significant to maintain good communications as well as social relationship and therefore various strategies are applied to show language politeness. This sociopragmatic study deals with negative politeness found in What Would You Do? TV show to describe the types of negative politeness strategies and investigate the reasons of choosing those strategies. This research applied a descriptive qualitative approach supported by statistics. The data were in the form of utterances containing negative politeness strategies, sourced in the conversations and the scripts between the participants and the actors. There were 106 data collected by note-taking technique from the show’s YouTube channel. The trustworthiness was attained through analyst triangulation. The findings show that seven negative politeness strategies are used by the participants in their responses to the actors: Being Indirect (12), Questions, Hedges (40), Minimizing the Imposition (12), Apologizing (25), Giving Difference (9), Being Pessimistic (6), and State the FTA as General Rule (2). The dominance of Questions, Hedges relates to the options provided to the addressee to accept or refuse the speaker’s request and to make utterances sound more polite. Related to reasons, the payoffs factor was dominant (with 84 occurrences) because it is the basic factor the participants might think about what they will get by applying a certain strategy. The circumstances factor has 22 occurrences, consisting of social distance (14), social power (5), and rank of imposition (3).]]>
<![CDATA[Schematic Structure and Stance in Students’ Writing in Business Communication: A Comparative Study of Native English Speaking and Iranian Students ]]>
<![CDATA[Arezou Bakhtiari]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (448.977 KB)
|
DOI: 10.24071/joll.v21i2.3039
<![CDATA[This study reports on two knowledge elements of stance and schematic structure in order to help novice students increase the efficacy of their writing in business communication. With this regard, Santos’ (2002) Business Letters of Negotiation Model and Hyland’s (2005b) Stance Model of Interaction were drawn upon. Sixty business emails written by native English speaking (NS) and Iranian students of Business Management Departments in universities were analyzed. Two raters explored the corpus for their moves/steps frequencies and a concordance software was used in order to explore stance markers frequencies. To investigate whether Iranian and NS writers are statistically different from each other, the findings of frequencies were submitted to one-variable Chi-square test. The results showed that NS and Iranian writers are not different from each other in their content staging while they are providing information/answers or negotiating. Running counter to moves 2 and 23, move 3 turned out to have different results; there was a significant difference between NS and Iranian writers in their request of information/action/favors. Results presented no significant difference between NS and Iranian writers in their employment of hedges and attitude markers of stance with regard to one-variable Chi-square test results. For boosters, Chi-square test detected a significant difference between the groups only in move 2. There was a significant difference, however, between NS and Iranian writers in their use of self-mention markers in moves 3 and 23. The results of this paper have both theoretical and pedagogical significance.]]>
<![CDATA[Quantitative Distribution of English and Indonesian Motion Verbs and Its Typological Implications: A case study with the English and Indonesian versions of the Twilight novel ]]>
<![CDATA[Gede Primahadi Wijaya Rajeg]]>;
<![CDATA[Utei Charaleghy Pamphila]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (726.764 KB)
|
DOI: 10.24071/joll.v21i2.3297
<![CDATA[This paper investigates the quantitative distribution (type and token frequencies, and type-per-token ratio [TTR]) of motion verbs found in English and Indonesian versions of the novel Twilight (Meyer, 2005; Sari, 2008). The study is contextualized within two divergent views on the typological characteristics of Indonesian lexicalization patterns of motion events. One study (Son, 2009) suggests that Indonesian behaves like English, representing a satellite-framed pattern (i.e., lexicalizing Manner of motion in the main verb) while another study (Wienold, 1995) argues for the verb-framed nature of Indonesian (i.e., lexicalizing Path of motion in the main verb). We seek to offer a quantitative perspective to these two proposals. Our study shows that, compared to English, Indonesian has significantly higher number (i.e., types) and occurrences (i.e., tokens) of Path verbs (reflecting the verb-framed pattern). Moreover, the higher TTR value of Path verbs for Indonesian shows a greater lexical diversity in the inventory of Indonesian Path verbs compared to English. In contrast, the English Manner verbs are significantly higher in number and in token frequency than Indonesian (suggesting the satellite-framed pattern), and show greater lexical diversity given the higher TTR value. While these findings lean toward supporting the verb-framed pattern of Indonesian (Wienold, 1995), we caution with the limitation of our conclusion and offer suggestions for future study.]]>
<![CDATA[Racism towards Black American: Intersectionality in Constructing Social Racist through Poetical Depiction by Langston Hughes and Amy Saunders ]]>
<![CDATA[I Gusti Ayu Sundari Okasunu]]>;
<![CDATA[Ni Luh Nyoman Seri Malini]]>;
<![CDATA[Made Detriasmita Saientisna]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (1031.309 KB)
|
DOI: 10.24071/joll.v21i2.3241
<![CDATA[In this research, the development of racism based on the different formations of socio-cultural and historical aspects was the standpoint that was shown by the interpretation of poetical depiction of meaning and messages. The gap between Langston Hughes in “I, too, sing America” (1926) and Amy Saunders in “You’re not Black” (2019) as the data advocates for racist transformation in natural past and present American socialization. Several critical studies have examined the racial issues reflected in poems however they didn’t elaborate on racism specifically rather than segregation and discrimination although racism is classified in several types. Moreover, the critical studies have been done only analyzed the racism happened on the past while this study compares the past and present racism as the concern of social construction among black American as the target of unfair treatments. The descriptive qualitative method using documentation, descriptive analysis, and note-taking technique was used to identify and elaborate meaning correlation with racial issues in the poems. This research aimed to classify the figurative language and its meaning related to racism while illustrating the development of racism from the perspective of socio-cultural and historical aspects that influenced the poets and their poetry. Theory of Critical Race was used to demonstrate that racism was developing in a different formation. The research has found the interconnection between historical values of slavery system constructed stereotypes of black people as minor American. Social construction formed a cultural differentiation which led to segregation and discrimination towards black in any form of everyday aspects.]]>
<![CDATA[Covid-19 #Takeresponsibility: A Multimodal Discourse Analysis of Select NCDC’s Online Public Health Advertising Campaign ]]>
<![CDATA[Adetutu Aragbuwa]]>;
<![CDATA[Victor O. Adejumo]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (678.651 KB)
|
DOI: 10.24071/joll.v21i2.3044
<![CDATA[This article examines the Nigerian Center for Disease Control’s (henceforth, NCDC) Covid-19 #TakeResponsibility online public health advertising campaign. This is with a view to exploring how the representational, interactive and compositional resources are realized in these advertising visuals as well as their communicative functions. Forty purposively selected data samples, which were subjected to qualitative analysis, are examined from a multimodal discourse analytical approach. The analysis reveals that the narrative, transactive, action, offer, and the frontal resources, among others, are realized in the adverts. These resources interactively perform the directive, informative, reinforcing, preventive, cautionary and collective functions. Thus, the representational, interactive and compositional resources deployed in the NCDC’s Covid-19 #TakeResponsibility online visuals discursively cohere as multimodal public health campaign strategies geared towards sensitizing the Nigerian populace on the safety guidelines to adhere to in containing the spread of Covid-19 in Nigeria.]]>
