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Balong International Journal of Design
Published by Universitas Kuningan
ISSN : -     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 26 Documents
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The Meaning Of Nutmeg And Clove North Maluku In Popular Culture Jerry Dounald Rahajaan
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1198

Abstract

AbstractPhilosophical meaning contained in nutmeg and clove is an interpretation of inter-relationships between language, culture and cognition with the theory of Cognitive Anthropology which is analyzed by visual structure in the culture of Ternate’s People (North Maluku). In Cognitive Anthropology Perspective of North Maluku people (Ternate), there are studies of Interpretation of Nutmeg and Clove which departs from the backgrounds of the people of North Maluku (Ternate), as well as the philosophy associated with the ecological community of Ternate (North Maluku). In this study there are some components examined including: Nutmeg and Clove treatment period, the period before harvesting the Nutmag, nutmeg and clove harvest time, the drying and sale time, this is an interpretation of the nutmeg and cloves into Jujaro and Ngungare philosophy of Ternate (North Maluku). The purpose of this journal is to convey the meaning of Nutmeg and Clove in philosophy of North Maluku people (Ternate) which is understood by generations and becomes verbal tradition in its delivery in the form of immortal truth meaning. This paper is more focused on visual analysis of nutmeg and clove concept with reference to the interpretation theory of Cognitive Anthropology approach from the native society. As a result, this Journal discusses the visual analysis focused on the philosophical meaning in the concept of Nutmeg and Clove associated with the Jujaro and Ngungare meaning, so that it is synergy with the ecological community which is viewed nutmeg and cloves as society commodity, and its contribution as a model for studies in theory of Interpretation and Cognitive Anthropology in a social order.Keywords— Nutmeg and Clove, Ternate (North Maluku), Theory of Interpretation.
THE PRADAKON Fendi Adiatmono; Arif Rivai
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1668

Abstract

The essence of the Stone Age, mountain, and river heritage, has occupied an important role in culture. So far, it can reflect much of the trust and value of its people. Historical, aesthetic, anthropological, and symbolic studies of archaeological discoveries in the region have been able to reveal prehistoric culture. The focus of this section, especially how culture is developed, symbols are built and the appreciation of transmission of inheritance. It is related to the software and hardware of the royal government that was formed to be able to balance the mandate of the management of the land of the archipelago. In the field of history, aesthetics, anthropology, and symbols, the dimensions of life cycle are presented as dialectical patterns of view. It is found that small, large, and representative entities are patterns of view that have been applied dynamically to everyday life. Through a comprehensive approach to the history of society and artevactual, apart from its constitutional history, the authors emphasizes the analysis of social formation by looking at the processes occurring within societies with broader disciplinary comparations. Through the applied method of psychological Sunan Bonang, the Indonesian people are inspired and can have a good system of anthropological and psychological intelligence. Research of this book uses theory and method which are relevant with object and subject matter. So the context that is built into legitimate, in text, oral and visual, both present (represented by Arif Rivai Rumin's work) and past (pradakon Majapahit, Ancient Mataram, Pajajaran, Kuningan, Jambi, and Padang) have been used as reconstruction. The content of the study and his work inspires the public's sensitivity in formulating nationality through the compilation of software and hardware in a more integral way. The ultimate goal is the point of awareness, which makes filters and counters a global power that seeks to make all the people of Indonesia. Keywords: pradakon, intellectual people of IndonesiaKeywords: pradakon, intellectual people of Indonesia
Reconstruction Material Sumping Accesories with Customization Design (Joni Permana Artwork) Rika Nugraha; Elin Herlina
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1199

Abstract

Sumping is a type of jewelry worn on the ears. It is usually carved in the shape resemble with wings of a bird or swirls strands of leaves. Way of wearing sumping is tucking the earlobe on the curved hole sumping. It is found in Indonesia, especifically in Javanese culture and traditional dress, worn as attributes on Thailand clothing dancers. Sumping is one of the attributes of the completeness of the clothing dance like Java serimpi dance and puppet people. Works of art in the form of Sumping has been reconstructed by Joni Permana as costum art designer, Sumping which is now no longer used as the complement of traditional dance, through display design costumized Sumping has a point of interest in any performance. The reconstruction is done by not changing the form as well as its usefulness, but sumping effort of reconstruction is done so that the use of sumping maintained through a culture of innovation. Sumping has high cultural value as cultural products as well as aesthetic value in its works so that cultural heritage still has continuous existence.Keywords—.  Reconstruction, Sumping, Customization
The Design Of Kelom Kasep (Differentiation Strategy In Exploring The Form Design Of Kelom Geulis as Hallmark Of Tasikmalaya) Asep Sufyan
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1197

Abstract

Kelom geulis is a typical craft of Tasikmalaya Regency. Distinctive features that make Kelom Geulis interested and unique in the fans’view are the use of mahogany and albasia wood materials carved using embroidery motif techniques with the trademark that shows identity of Tasikmalaya.             Increasingly tighter industrial competition needs a new strategy and development of designs. One of the most strategic strategies is how to find a new market segmentation as well as a pioneer in creating innovations not only as a Follower but also as the first step of the craftsmen to be able to make a solution to his loving things that is well known as design. A good design work is a work of uniqueness and very intelligence in appreciating it to community. Differentiation is a way to create a unique position in the mind of the user, establishing status and market segmentation, and making the product position as a different product from the common products. In designing the design of the clones to be unique and valuable is required a method in the process of differentiation development. The differentiation is examined from aspects of form, feature, performance, durability, reliability, style and design.  Keywords: Differentiation, Design, Kelom. 
PHILOSOPHICAL STUDY ON AKE SANTOSA MYTH IN TERNATE COMMUNITY LIFE Jerry Dounald R; Rika Nugraha
Balong International Journal of Design Vol 2, No 2 (2019)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v2i2.2425

Abstract

Myth is a form of education about the essence of morality and ways of life in society. Myth is not just a fairy tale without the essence of the message / philosophy in it, but the myth is the most effective way of delivering teachings and guidance about the ultimate truth. With this research it can become a place for scientific studies in understanding philosophies for the user community or for readers of the research. In its development, the people of North Maluku saw the myth of Ake Santosa only as a story / saga of the past in the name of culture. But there are also those who instill the myth of Ake Santosa as a truth which in fact actually dominates the system of thinking and forming the characteristics of the user community, especially the indigenous people in Ternate. So that the formation of dualism of views, this is feared to change the values of the message / philosophy which is the teachings and guidance for the community. So we need a scientific study, which is able to become a form of method in seeing or dissecting the philosophical meaning of a myth that exists in society. The application of the theory of transfiguration began with literature and literature studies related to the myth of Ake Santosa in Ternate society in North Maluku and became primary data. Then developed through a visual study approach. Furthermore, this final data is then analyzed and transferred into the form of visual objects that give rise to other meanings of the myth itself.
Exploration Of Horse Leather Material As Raw Materials In Making Footwear Asep Sufyan
Balong International Journal of Design Vol 2, No 2 (2019)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v2i2.2421

Abstract

Horse leather material has not been popular among consumers, of course, being a separate obstacle in the sale of products that use horse leather material. Horse leather is a material that is rarely used, if this horse leather material is used appropriately, this can be a selling point for that product. In addition, if you use an attractive selling strategy, this can attract the attention of consumers and increase sales figures. Treatment of horse skin material is not as difficult as imagined, it is enough to use a toothbrush and shampoo to clean it if it is dirty and brushed in the direction of the horse's hair so as not to damage its texture.The process of designing starts from seeing the trends that are taking place in the community, of course, trends related to footwear, by looking at the trends that are taking place in the community we can get a target market from which people will be the target in the design process footwear. The design is done by going through several stages such as sketches, digital rendering by inserting material into the rendering to make it easier to imagine, and also making alternative colors.
The Eminence of Incubation in Creative Procces As The Basic Reason of Recreation Space Development at Work Diena Yudiarti; Hani Amelia
Balong International Journal of Design Vol 2, No 2 (2019)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v2i2.2426

Abstract

Creative People are known to be different in their perceptions and interpretations of their work problems, depending on the characteristics of the current situation occur (Dorst Cross, 2001). The creative process that people usually see cannot be seized by any methodology, but the creative people actually implement different types of methods. Methods have flexibility in processes, actions, and appreciations (Roozenburg Dorst, 1998; Stempfle Badke-Schaub, 2002). Creative people usually have unique characteristics while doing their job. They need some supportive situations or environments to embrace the imagination as they create an idea of the creative process. Sometimes, the ideas come out in unexpected situations, either in a relaxed situation or under pressure situations. The second stage of creative thinking from the four stages presented by Graham Wallas (1926) is the Incubation Stage which becomes the focus of this research. The need for the incubation stage will be used as one of the variables of the user aspect approach for leisure facility design which is the output expectation from this research for the recommendation of designing the facility in a Co-Working Space.
"Lacerman" Comic Character Design With Morphological Forced Connection Method (Mfc) Muhammad Iskandar; Sonson Nurusholih
Balong International Journal of Design Vol 2, No 2 (2019)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v2i2.2422

Abstract

Character figures are vital elements in a narrative story, especially with the presence of the characters in the story. Without the presence of characters with strong characterizations, a story in a comic will not be interesting to be read. This research will focus on how to design a comic character using the morphological forced connection transformation method. The final result of the research is a form of comic characters with a combined form of humans and animals where the process of making these characters can be a foothold for illustrators who want to make a character of a kind. This research method uses a qualitative descriptive method, with data collection methods carried out through a variety of literature studies, as well as tracing documentation data. The Matrix Manga Theory from Hiroyoshi Tsukamoto was used to give personality figures, the fundamental theory of Human Drawing from Andrew Loomis as a foothold to make anatomy. The final results of the study will be (1) New characters combined figures of humans and animals (2) drawing method to create characters using the morphological forced connection method.
Landscape As Cultural Identity In Cau Bau Kan Movie Teddy Hendiawan; Aris Rahmansyah
Balong International Journal of Design Vol 2, No 2 (2019)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v2i2.2423

Abstract

The aim of this research is to investigate the landscape as forming identity in the Cau Bau Kan movie scene. However, the landscape depicted is often symbolic, and often contributes to social formation, impacting on human associations and social norms. The purpose of this study is to know the meaning of landscape into a cultural identity from the Cau Bau Kan movie. This study uses texture analysis to reveal surface quality in a film. The use of textural analysis to interpret and analyze the interrelations of narrative, style, and meaning of the strategy of applying aspects of landscape as cultural identity.
Paradoxical Figure And Application In Carita Pantun Sunda Aris Darisman
Balong International Journal of Design Vol 2, No 2 (2019)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v2i2.2424

Abstract

Characterization is a reconstruction of form and meaning as a manifestation of Sundanese cultural identity. Characterization is reflected in story narratives with prose and poetic expressions. Paradoxical figures and characterizations in the carita pantun format give a character description that is manifested in imaginary figures. Characterization is the first step in reconstructing characters. The figure or character is an entity of Sundanese community value in which it manifests in the belief (religion), social, cultural and historical context sublimated to Carita Pantun. Pantun is not only a symbol but a sacred symbol. Generaly there’s no different between Carita pantun and the myths that exist in other countries. Carita pantun is a mythology. This study uses a qualitative method of paradoxical aesthetic approach through descriptive interpretive to provide an in-depth description and interpretation of the subject. The analysis model includes characterization analysis and paradoxical aesthetic analysis through narrative symbols on Carita pantun.

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