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Grenek: Jurnal Seni Musik
Published by Universitas Negeri Medan
ISSN : 23015349     EISSN : 25798200     DOI : https://doi.org/10.24114/grenek.v10i1
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Computer Science & IT Education Social Sciences
Grenek : Jurnal Seni Musik merupakan jurnal yang dikelola oleh prodi pendidikan musik jurusan sendratasik FBS Unimed. Grenek: Jurnal Seni Musik menyajikan persoalan dan isu-isu terkini tentang musik di Indonesia terkhusus di Sumatera utara. Grenek : Jurnal Seni Musik secara khusus membahas tentang pendidikan musik, penyajian musik, pengelolaan musik, penciptaan musik, serta pengkajian musik.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 10 Documents
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Search results for , issue "Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik" : 10 Documents clear
Analisis, Teknik, dan Interpretasi Musik pada Fantasia Dramatique Op. 31 Karya Napoleon Coste Mardian Bagus Prakosa; Glen Afif Ramadan
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.20119

Abstract

Fantasia Dramatique Op.31 karyaNapoleon Coste merupakan salah satu repertoar untuk gitar klasik tunggal yang memiliki kompleksitas yang tinggi dalam aspek musikal dan teknis. Tujuan dari penelitian ini adalah menganalisis struktur, teknik, dan interpretasi musik, kemudian memberikan solusi dari kompleksitas teknik dan interpretasi musik pada Fantasia Dramatique Op.31 karya Napoleon Coste. Penelitian ini menggunakan pendekatan kualitatif dengan jenis penelitian studi kasus yang dilakukan melalui observasi,wawancara, dan studi kepustakaan. Hasil penelitian menunjukan bahwa kekayaan gagasan musikal pada karya ini berupa pengembangan sukat, harmoni, modulasi, dan eksplorasi instrumen memiliki implikasi terhadap kompleksitas teknik dan interpretasi. Solusi dari kompleksitas teknik dan formulasi interpretasi dilakukan melalui analisis yang mendalam terkait dengan bentuk dan struktur musik, penggunaan pendekatan dan metode latihan yang berorientasi pada efektivitas dan efisiensi, dan peninjauan ulang dengan melihat setiap konteks yang melekat pada setiap movement dan direalisasikan melalui parameter ekspresi seperti timing, dinamika, artikulasi, dan timbre.
PENINGKATAN KOMPETENSI MAHASISWA TEKNOLOGI MUSIK MELALUI PENERAPAN PEMBELAJARAN SOFTWARE DIGITAL AUDIO WORKSTATION R.M Aditya Andriyanto
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19392

Abstract

This study aims to determine the process of implementing Digital Audio Workstation learning media software in the Music Technology course in the Study Program of Music Education Music UNJ. In addition, this research is expected to broaden the insight of educators and students (students) about DAW software as a digital literacy of 21st century music education. This research method uses qualitative methods with a participatory action research approach. This study utilizes open interviews to examine and understand the attitudes, views, feelings and behavior of individuals and study groups. Assessing the effectiveness and efficiency of applying DAW software in the production of music. The results showed that music technology courses were arranged to have an important role in integrating technology in education. In addition, the use of technology in learning activities is carried out in an effort to improve the quality of education. Technology is able to provide broad, fast, effective, and efficient access to the dissemination of information to various parts of the world. 
IMPLEMENTASI TEKNIK DASAR ISTRUMENT TROMPET PADA MAHASISWA PRODI MUSIK, FSP, ISI YOGYAKARTA Ezra Deardo Purba; Hagripa Natanael Barus
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.20312

Abstract

The trumpet instrument is one of the instruments that was studied in depth at the Music Study Program, Faculty of Performing Arts, Yogyakarta Indonesian Art Institute. The trumpet instrument course is divided into six classes, namely intermediate instruments I, II, III and advanced instruments I, II, III. Each of these practical lecture meetings has maximum stages and targets to be able to play the trumpet instrument correctly. Several stages begin with understanding the basic techniques correctly and must be mastered by students taking trumpet instrument classes. The formulation of the problem that will be discussed is what problems are experienced by students if they do not apply basic techniques correctly and what the results are if the implementation of the basic techniques of the trumpet instrument is carried out correctly by music study program students. The methodology used is a qualitative method with a case study approach, a case study is a research strategy in which researchers carefully investigate a program, event, activity, process or group of individuals with data collection techniques in the form of observation, literature study, interviews, documentation, then analyzed. the result. In the classroom process of trumpet practice lectures, mastering the correct basic techniques is the first key to maximizing trumpet play. From a technical point of view, it will produce a good tone color, so that when you continue to the next stages, such as long tones, scales, arpegio, etude or song material that is suitable for each class level, you can blow casually more easily and can participate in practical class materials to the fullest. So in this study describes the process of implementing the correct basic techniques in preparing the quality of a professional trumpet player with maximum sound of trumpet instruments.
ABSURDISME PELUKIS DAN WANITA KARYA ADHYRA IRIANTO lusi Handayani; Sahrul N; Roza Muliati
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19585

Abstract

This study aims to reveal the absurdism value contained in the show Pelukis dan Wanita by Adhyra Irianto. This study uses a descriptive analysis approach with qualitative research methods. The theoretical framework chosen to answer the research questions is the concept of dramatic structure and the concept of absurdism. Several conclusions resulted from this research, namely, Pelukis dan Wanita by Adhyra Irianto has an indication of absurdism from play texts to performance texts. Painters and Women have plots that are not circular or circular, conflicts without certainty, unbalanced characters and unresolved ending. The indications of absurdism depicted in this work are irregularity, uncertainty and imbalance.
Penerapan Inovasi Model Instrumen Musik Kulcapi Senar 4 pada Kelompok Seniman Tradisional Produktif di Kecamatan Kabanjahe Kabupaten Karo Uyuni Widiastuti; Panji Suroso; Merdy R. S Togatorop; Tri Danu Satria
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.20428

Abstract

Studi ini bertujuan menjelaskan proses penerapan produk hasil inovasi kulcapi senar 4, pada kelompok seniman tradisional produktif yang ada di Kecamatan Kabanjahe, Kabupaten Karo. Metode yang digunakan adalah pendekatan kualitatif, mengikuti pendapat Miles dan Huberman (1984) yakni: 1) pengumpulan data yang dilakukan melalui wawancara dan pengamatan; 2) pengamatan intisari dokumen; 3) perekaman dan pencatatan; 4) reduksi data; 5) memilih hal-hal yang pokok untuk dapat direduksi; 6) memfokuskan hal-hal yang penting dan membuang yang tidak perlu; dan 7) menyajikan data secara lengkap dilakukan dengan mendeskripsikan data dalam bentuk teks yang bersifat naratif dan bagan. Penarikan kesimpulan dan verifikasi dilakukan pada bagian konklusi. Dalam studi ini dideskripsikan kulcapi 4 senar menjadi solusi alternatif yang memungkinkan para seniman untuk mengeksplorasi nada-nada dengan jangkauan yang lebih luas. Hasil studi menunjukkan bahwa inovasi model instrumen musik kulcapi senar 4 merupakan pengembangan konsep organologi dari senar 2 menjadi senar 4 dengan alasan untuk dapat mengeksplorasi dan menjangkau nada-nada secara lebih luas. Penerapan inovasi model instrumen kulcapi senar 4 pada kelompok seniman produktif di Kecamatan Kabanjahe Kabupaten Karo bertujuan membentuk kemampuan seniman produktif dalam menciptakan inovasi atau memproduksi instrumen kulcapi senar 4, yang dampaknya dapat meningkatkan perekonomian seniman. Serta untuk menciptakan atau mengembangkan ide dan konsep baru dalam menyajikan pertunjukan musik ansambel gendang kulcapi Karo.
TINJAUAN MUSIKOLOGIS DIKIE RABANO DALAM RITUAL BAOK ANAK KA AIE DI NAGARI BAWAN KECAMATAN AMPEK NAGARI KABUPATEN AGAM Yudi Asrul Yeni; Asril Asril; Zahara Kamal
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19681

Abstract

The study aims to discuss dikie rabano’s function in the context of the baok anak ka aie (shower down) ritual and to discuss the form of the presentasion of dikie rabano in the care-bathing ritual at Nagari Bawan. The research methods use are qualitative methods with data collection techniques: observastion, interviews, and documentation. As a result of the study, dikie rabano’s function was that of both customary and religious education and of promoting a grammatical relationship between the family and surrounding communities. In terms of the presentation, there is an art in dikie rabano that begins with vowels or song solo and instructed by the vocal group together while playing rabano’s instrument rhythm pattern, whereas in terms of its musical shape, it can be seen as a continuous rhythm pattern.
ALIH KREATIVITAS PELAKU SENI KABUPATEN BIREUEN SEBAGAI PELUANG PENDAPATAN DI TENGAH WABAH COVID-19 (STUDI KASUS: NIZAR 41 PROJECT OFFICIAL) Angga Eka Karina; Abdul Rozak; Fani Dila Sari
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.20994

Abstract

Salah satunya pelaku seni bernama Nizar 41 Project Official asal daerah Aceh adalah sebagai Drumer pada event-event grup Band Wedding dan lainnya, pendapatannya hanya dari acara yang disajikan secara live di panggung  publik, Proses ini terhenti akibat Pandemi Covid-19 dan pemberlakuan social distancing oleh pemerintah, Hal ini membuat Nizar kehilangan pendapatan utamanya, Sehingga Nizar beralih kreativitas menjadi konten kreator Youtube pada masa pandemi Covid-19, Penelitian ini bertujuan untuk Mengetahui bagaimana Alih Kreatifitas Pelaku Seni di Kabupaten Bireun sebagai peluang pendapatan di tengah wabah Covid-19. Penelitian ini menggunakan penelitian deskriptif kualitatif, Metode pengambilan sampel pada penelitian ini menggunakan metode snowball sampling dalam memilih informan. Subyek Informan dalam penelitian ini adalah Nizar sebagai konten kreator Youtube 41 Project Official. Teknik analisis data yang digunakan dalam penelitian ini terdiri atas empat alur kegiatan yaitu: (1) pengumpulan data, (2) reduksi data, (3) penyajian data, dan (4) penarikan kesimpulan. Hasil Penelitian ini adalah Profil Nizar sebagai seorang Drumer sebelum masa pandemi Covid-19 dan beralih kreativitas menjadi konten kreator Youtube, kreatifitas yang Nizar lakukan adalah membuat karya musik dalam bentuk lagu ciptaan bergenre pop serta lagu yang di arransemen ulang yang bertema religi.  Akun Youtube yang diberi nama “41 Project Official”  memiliki jumlah Subscribe 292 ribu dan jumlah rata-rata viewers pada karya videonya diatas 1 Juta viewers, Proses kreatif yang Nizar lakukan mulai dari membuat kerangka konsep karya, menentukan lagu, Proses perekaman musik, Proses perekaman klip video dan gambar, Mixing dan editing dan Video musik hasil akhir yang di upload pada Youtube.
CULTURE CHANGE: CASE OF THE USE OF TRADITIONAL INSTRUMENTS REPLACED WITH MODERN INSTRUMENTS IN KERONCONG MUSIC Dani Nur Saputra
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19787

Abstract

As the development of science, technology, and external culture, individuals and groups face the challenges and major influences that enable changes in one's values, attitudes, and thinking patterns. Keroncong music is one type of music that is a result of the culture of society, especially the Javanese community. In technological developments, the existence of traditional music has been replaced by modern music. The method used in this study is a qualitative research method with a descriptive analytical approach. Technique of data analysis performed using reduction of the data, the presentation of the data, and verification. the results show that cultural change in case of instrument musical change in Keroncong music effected by lack of relationship with other societies, developed education system, attitude of valuing the work of others and strong desire to advance, open system society (open stratification), vested interest, existence of reclusive attitude and prejudice against new (foreign), barriers which are ideologically, custom or habit that has rooted, value that life This is in fact.
POLA GARAPAN LAGU “TIM TAM TUM” MENGGUNAKAN ANSAMBEL CAMPURAN PADA SISWA EKSTRAKURIKULER SMP NEGERI 15 PALEMBANG Deria Sepdwiko; Nofroza Yelli
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.21202

Abstract

In writing this research the writer discusses the pattern of cultivating songs “TIM TAM TUM” Using Mixed ensembles for exstracurriculer students of SMP 15 Palembang.This study aims to determine how the pattern form the Tim Tam Tum song composed by using a mixed ensemble. The data collection techniques used were, observation, interview, and documentation techniques. The method used in this research is a qualitative descriptive method. The results of this study are analyzed to become a research report that has an output, target, namely being published in a scientific journal and used as teaching material in related subjects, especially in the field of music. The media instruments used in this mixed ensemble are: percussion , instruments, drum, symbal, guitar, bass, pianica,and violin, meanwhile, the musical form of the technique uses the yunisono technique.
IMPLEMENTASI SPOTIFY BAGI GRUP MUSIK INTHESKY BAND DI MEDAN SUMATERA UTARA Furnita Giovani Tarigan; Pulumun Ginting; Lamhot Sihombing; Herna Hirza
Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19349

Abstract

This study aims to find out about the implementation of spotify for the band Inthesky Band in Medan, North Sumatra. This study uses theories related to research topics such as the meaning of implementation, the meaning of spotify, social media theory, the meaning of applications, the meaning of musical groups, and theory of results. The population in this study are eight music groups consisting of Inthesky Band, Garside, Shadowplay, Psychotic Villager, Boxquitos, Pesawat Sederhana, Moove, and Equaliz. Based on the results of research conducted, the Inthesky Band music group uses Spotify to introduce their musical works to the public. Spotify is one of the most widely known digital music platforms and is used in the digital era today, especially by young people and music lovers who love indie music. In implementing Spotify, the Inthesky Band music group started by compiling the concept of a song that they wanted to make, then producing it into a song that is ready to be played through Spotify by using one of the service providers, namely Netrilis. The results of the implementation of spotify for the Inthesky Band music group have a good impact on the music group itself as well as for connoisseurs, including Exposure which is how the songs of the Inthesky Band music group are increasingly heard by people and spread widely through social media networks that Share songs from Inthesky Band, Inthesky Band music groups can see the development of their own music groups, can get royalties and Inthesky Band music groups are able to be in the same playlist as National musicians. For music lovers, it's easier to access songs from Inthesky Band through Spotify which are available in paid or free form and for others musicians to be motivated to do the same, create music using Spotify.

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