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All Journal IBDA` : Jurnal Kajian Islam dan Budaya LISANIA Jurnal Ilmu dan Pendidikan Bahasa Arab DiH : Jurnal Ilmu Hukum INVOTEC IJIET (International Journal of Indonesian Education and Teaching) Ijaz Arabi Journal of Arabic Learning PEDULI: Jurnal Imiah Pengabdian Pada Masyarakat ALSUNIYAT: Jurnal Penelitian Bahasa, Sastra, dan Budaya Arab Didaktik : Jurnal Ilmiah PGSD STKIP Subang BISNIS & BIROKRASI: Jurnal Ilmu Administrasi dan Organisasi Wiga : Jurnal Penelitian Ilmu Ekonomi
sanusi, Anwar
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Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Journal : IBDA` : Jurnal Kajian Islam dan Budaya

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THE IMAGE OF PRINCE GEBANG IN BABAD SUTAJAYA MANUSCRIPT Sanusi, Anwar; Tendi, Tendi
IBDA` : Jurnal Kajian Islam dan Budaya Vol 17 No 2 (2019): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (177.027 KB) | DOI: 10.24090/ibda.v17i2.2063

Abstract

Prince Gebang was one of the local rulers who collaborated with the VOC at the end of the 17th century. His domain, named as the Principality of Gebang (Kepangeranan Gebang), extended from the northern coastal area of Gebang Sea to the south side of the Cijolang River bordering on Galuh. Although the name of Sutajaya is clearly written as Prince Gebang (Pangeran Gebang) in the colonial archives, his identity and his travel process towards the power of the Gebang area was not clearly explained at all. This paper seeks to reveal the image of Prince Gebang through Babad Sutajaya manuscript stored in Pangeran (Prince) Pasarean Museum. From the ancient manuscripts, taken a number of essences related footage Sutajaya figure to study. The historical elements contained in the affinity of the story, comparated with records of colonial archives and sources of oral traditions that exist. From this research it is known that Babad Sutajaya depicts the image of Prince Gebang as an important figure, who came from the royal court of Cirebon. In addition, this manuscript also illustrates Prince Gebang's abilities and reveals how he gained the territory of Gebang as his controlled area
THE IMAGE OF PRINCE GEBANG IN BABAD SUTAJAYA MANUSCRIPT Sanusi, Anwar; Tendi, Tendi
IBDA` : Jurnal Kajian Islam dan Budaya Vol 17 No 2 (2019): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v17i2.2063

Abstract

Prince Gebang was one of the local rulers who collaborated with the VOC at the end of the 17th century. His domain, named as the Principality of Gebang (Kepangeranan Gebang), extended from the northern coastal area of Gebang Sea to the south side of the Cijolang River bordering on Galuh. Although the name of Sutajaya is clearly written as Prince Gebang (Pangeran Gebang) in the colonial archives, his identity and his travel process towards the power of the Gebang area was not clearly explained at all. This paper seeks to reveal the image of Prince Gebang through Babad Sutajaya manuscript stored in Pangeran (Prince) Pasarean Museum. From the ancient manuscripts, taken a number of essences related footage Sutajaya figure to study. The historical elements contained in the affinity of the story, comparated with records of colonial archives and sources of oral traditions that exist. From this research it is known that Babad Sutajaya depicts the image of Prince Gebang as an important figure, who came from the royal court of Cirebon. In addition, this manuscript also illustrates Prince Gebang's abilities and reveals how he gained the territory of Gebang as his controlled area
Co-Authors Azkia Muharom Albantani Dandan Haryono Dian Andriani, Dian Dwiputranti, Septiana Handayani, Hany Lucas, Thomas Maemonah, Maemonah Maulana, Deni Prabowo, Lindu Rusli, Damay Sabarno, Ripaldi Setiawan, Rezky Feryansyah Siswati, Aris Sofyan Sauri, Sofyan Sumarsono, Tanto Supriadi, Rinaldi Tendi, Tendi Wawan Hermawan Wiley, Victor Yayan M.A Nurbayan Yundari, Yundari