Article Per Year (5 Year)
p-Index From 2019 - 2024
6.954
P-Index
This Author published in this journals
All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Journal of Culture, Arts, Literature, and Linguistics (CaLLs) Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Jalabahasa: Jurnal Ilmiah Kebahasaan Indonesian Journal of EFL and Linguistics
Singgih Daru Kuncara
Universitas Mulawarman
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 62 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 57 Documents
Search
Journal : Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya

 1   2   3   4   5 
THE SHADOW ARCHETYPE OF EMIL SINCLAIR’S CHARACTER IN DEMIAN NOVEL BY HERMANN HESSE Nurhayati, Dewi; Kuncara, Singgih Daru; Astuti, Anjar Dwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 6, No 1 (2022): Januari 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i1.5308

Abstract

ABSTRACTThis research analyzed a literary work entitled Demian, written by Hermann Hesse. This research conducted to discover the Shadow Archetype of Emil Sinclair, the main character in the novel. This research used the theory of Individuation Process by Carl Jung. This research conducted with qualitative research as the research design and used Psychological Approach. The result of this study were six shadows found. The shadows were the lie of Emil, the stealing committed by Emil, he doubted Bible, he drifted away from Christianity, Emil’s new lifestyle with Alfons Beck, and when he missed his old self.  Every shadow is triggered by different causes.Keywords: shadow archetype, individuation process, psychological approach. ABSTRAKPenelitian ini menganalisis sebuah karya sastra berjudul Demian yang ditulis oleh Hermann Hesse. Penelitian ini dilakukan untuk mengetahui Arketipe Shadow Emil Sinclair, tokoh utama dalam novel ini. Teori yang digunakan dalam penelitian ini adalah teori Proses Individuasi oleh Carl Jung. Penelitian ini dilakukan dengan jenis penelitian kualitatif sebagai desain penelitian dan menggunakan Pendekatan Psikologi. Hasil dari penelitian ini ditemukan enam shadow. Shadow adalah kebohongan Emil, pencurian yang dilakukan oleh Emil, dia meragukan Alkitab, dia menjauh dari agam Kristen, gaya hidup baru Emil dengan Alfons Beck, dan ketika dia merindukan dirinya yang dulu. Setiap bayangan dipicu oleh sebab yang berbeda.Kata kunci: arketipe shadow, proses individuasi, pendekatan psikologi
HEROIC JOURNEY OF WADE WATTS IN ERNEST CLINE’S READY PLAYER ONE Pratama, Zumaidil Arif; Kuncara, Singgih Daru; M., Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 5, No 4 (2021): Oktober 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i4.4688

Abstract

Myth and Heroes have been a part of humanity’s culture since long time ago. Campbell argues that all myth comes from a single source and dub it as the Monomyth. In these days and age, heroes still exist within the various media that we consume every day and one such work is Ernest Cline’s Ready Player One. The purpose of this study is to prove that monomyth and the characteristics of myth can be found within Ready Player One by examining its main character, Wade Watts. This study used the descriptive qualitative method to explain the story. The study employs two theories to describe Wade’s journey. First, it used the Monomyth by Joseph Campbell as the primary theory to analyze the hero’s journey from the beginning till the end. Second, Northrop Frye’s Theory of Myth is used to analyze the characteristic of myth and determine the work’s genre of myth. The result of the study showed that the monomyth is applicable in this work, all stages of monomyth can be found within the work, except for the refusal to the call. Furthermore, by employing Frye’s theory, the research showed that the most common characteristics of myth that appears in this research belongs to the Summer: Romance. These two analyses were able to successfully describe Wade’s journey and myth.
CHILDREN’S OPPRESSION TOWARD ENDER FROM ENDER’S GAME NOVEL Sofyan, Fitria; Kuncara, Singgih Daru; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 6, No 1 (2022): Januari 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i1.5505

Abstract

ABSTRACT This study is focused on the children’s oppression experienced by Ender as the main character in a novel entitled Ender’s Game. The novel tells about a child who was training under an army to fight aliens. The research question of this study is what types of oppression that Ender has to experience as portrayed in Ender’s Game novel using Young’s five faces of oppression theory. Under the paradigm of qualitative research design, the findings are descriptively explained. The result of the analysis using Young’s theory showed that Ender experienced three types of oppression. In the total of nine data found, they were classified under violence, cultural imperialism, and powerlessness. Four data found were under violence, three data belonged under cultural imperialism, and two data classified under powerlessness. Lastly, based on the findings, it can be concluded that novel as part of literary work can also function as a reminder and a tool to improve awareness to society about the issues that are still happening. Key words: oppressor, oppression, Ender’s Game novel  ABSTRAK Kajian ini difokuskan pada penindasan anak-anak yang dialami oleh Ender sebagai tokoh utama dalam novel berjudul Ender's Game. Novel tersebut menceritakan tentang seorang anak yang sedang berlatih di bawah pasukan untuk melawan alien. Pertanyaan penelitian dari studi ini adalah jenis penindasan apa yang harus dialami Ender seperti yang digambarkan dalam novel Ender's Game menggunakan teori lima wajah penindasan Young. Di bawah paradigma desain penelitian kualitatif, temuan dijelaskan secara deskriptif. Hasil analisis menggunakan teori Young menunjukkan bahwa Ender mengalami tiga jenis penindasan. Dari total sembilan data yang ditemukan, mereka diklasifikasikan dalam kekerasan, imperialisme budaya, dan ketidakberdayaan. Empat data ditemukan berada di bawah kekerasan, tiga data milik imperialisme budaya, dan dua data diklasifikasikan dalam ketidakberdayaan. Terakhir, berdasarkan temuan tersebut dapat disimpulkan bahwa novel sebagai bagian dari karya sastra juga dapat berfungsi sebagai reminder dan alat untuk meningkatkan kesadaran masyarakat tentang isu-isu yang masih terjadi. Kata kunci: penindas, penindasan, novel Ender's Game
AN ANALYSIS OF SMEAGOL’S CHARACTER INFLUENCED BY THE ONE RING IN LORD OF THE RINGS: RETURN OF THE KING FILM USING JUNG ARCHETYPES Eko Hardanto; M. Natsir; Singgih Daru Kuncara
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (235.608 KB) | DOI: 10.30872/jbssb.v3i1.1770

Abstract

Lord of the Rings: Return of The King film was adapted from a novel with the same title by J.R.R. Tolkien. This film was directed by Peter Jackson and aired in 2003. This film was a fantasy-adventure genre film. It tells the journey of the Hobbits and their friends to save Middle Earth from dark master Sauron. The purpose of this research is to find out Smeagol archetypes and how the One Ring influences Smeagol’s personality. In this research, the researcher used Carl Gustav Jung analytical psychology theory which contains ego, personal unconscious, and the collective unconscious. In this research, the researcher focused on Jung Archetypes theory, which Archetypes is part of the collective unconscious. The researcher used twelve archetypes in this research: persona, shadow, anima, animus, the great mother, the wise old man, hero, child, hermaphrodite, trickster, and self. The researcher used those twelve archetypes to find Smeagol archetypes and used that to analyze how the One ring influenced Smeagol personality. In this research, the researcher used a qualitative method to collect the data. The data collected from dialogue, narration, and monologue which was related to Smeagol’s. the data presented in quotations and pictures. The result of this research, the researcher found five archetypes in Smeagol and one in the One Ring. Five archetypes that found in Smeagol are the persona, shadow, the hero, hermaphrodite and the trickster, and for the One Ring is the mana. The major archetypes in Smeagol were the trickster, which was the most influenced on changing Smeagol personality. Lord of the Rings: Film Return of The King diadaptasi dari novel dengan judul yang sama dari karya J.R.R. Tolkien. Film ini disutradarai oleh Peter Jackson dan ditayangkan pada tahun 2003. Film ini adalah film bergenre fantasi-petualangan. Di film ini menceritakan perjalanan para Hobbit dan temannya untuk menyelamatkan Middle Earth dari penguasa kegelapan yaitu Sauron. Tujuan penelitian ini adalah untuk mengetahui arketipe yg ada di Smeagol dan bagaimana One Ring mempengaruhi kepribadian Smeagol. Dalam penelitian ini, peneliti menggunakan teori psikologi analitik Carl Gustav Jung yang berisikan ego, personal unconscious, dan collective unconscious. Dalam penelitian ini, peneliti memfokuskan pada salah satu teori Jung, yaitu arketipe, yang mana arketipe adalah bagian dari collective unconscious. Peneliti menggunakan dua belas arketipe dalam penelitian ini: persona, shadow, anima, animus, the great mother, the wise old man, hero, child, hermaphrodite, trickster dan self. Peneliti menggunakan kedua belas arketipe ini untuk menemukan arketipe yang berada pada Smeagol dan juga menggunakan ke dua belas arketipe itu untuk menganalisis bagaimana One Ring mempengaruhi kepribadian Smeagol. Dalam penelitian ini, peneliti menggunakan metode kualitatif untuk mengumpulkan data. Data yang di kumpulkan berasal dari dialog, narasi, dan monolog yang berkaitan dengan Smeagol. data yang disajikan dalam bentuk kutipan dan gambar. Hasil dari penelitian ini, peneliti menemukan lima arketipe di Smeagol dan satu arketipe di One Ring. Lima arketipe yang ditemukan di Smeagol adalah persona, shadow, hero, hermaphrodite dan trickster, dan untuk One Ring adalah mana. Arketipe yang paling menonjol di Smeagol adalah trickster, yang mana arketipe tersebut yang paling mempengaruhi perubahan kepribadian pada Smeagol.
SELF-ESTEEM DEVELOPMENT OF LILLIE’S CHARACTER IN THE POKÉMON SUN AND MOON VIDEO GAMES Edo Edryananda; Singgih Daru Kuncara; Indah Sari Lubis
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 2 (2020): April 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (520.5 KB) | DOI: 10.30872/jbssb.v4i2.2746

Abstract

This study was conducted with the purposes to identify the self-esteem of Lillie in the Pokémon Sun and Moon video games as presented in the plot and the motives behind her self-esteem development. This study was based on qualitative research and used psychological approach. Therefore, this study focused on the psychological phenomenon of self-esteem. The data are the dialogues that convey Lillie’s self-esteem and the motives behind her self-esteem development. The data sources are Pokémon Sun and Moon video games and two other sources as data triangulation. The theories of self-esteem by Maslow and Branden were used to analyze the self-esteem of Lillie. The results of this study have shown that Lillie has low self-esteem in the exposition up to the rising action. Shortly after rising action starts, she has developed the high self-esteem. The Lillie’s high self-esteem remains up to the falling action and resolution. The first motive behind her low self-esteem development are the problems between she and her family. Lillie lost her family in the past. Secondly, it relates with her own self alone. She lacks of strength and has an unfavorable idea about Pokémon Trainer and Pokémon battle. These problems thwart her esteem desires and develop her low self-esteem. The motives behind her high self-esteem are related with her problems but resolved. She finds the supports from various characters along her journey. She gains independency and confidence. She fulfills her wish to save Nebby. Her thwarted desires are satisfied and her high self-esteem is developed then.
SOPHIE’S NEEDS IN ROOFTOPPERS NOVEL BY USING MASLOW’S THEORY OF HIERARCHY OF HUMAN NEEDS Akbar Yunadi; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (553.699 KB) | DOI: 10.30872/jbssb.v4i1.2626

Abstract

This research aimed to analyze Sophie’s needs based on the theory of Hierarchy of Human Needs by Abraham Harold Maslow. The purposes of this research were to find out the needs of the main character from the Rooftoppers novel and also finding how she fulfills all her needs. This research used descriptive qualitative research because the data were shown in words. There were two discussions taken in this research. First, is the identification of Maslow’s hierarchy of needs in the novel through the main character. The second is the identification of how the main character fulfill her needs according to Maslow’s theory. Rooftoppers novel was used in this research as the data source. The data consisted of paragraphs, phrases, words, and dialogues through the novel that showed Sophie’s needs. The results of the research showed that Sophie managed to fulfill all of her needs both at home and on her way of finding her long lost mother in Paris. Starting from the basic needs of physiological needs, safety needs, love and belonging needs, esteem needs, and self-actualization need. Sophie managed to fulfill all of her needs through her actions, dialogs, habits, and thoughts.
THE OPPRESSION TOWARDS BLACK FEMALE CHARACTERS AS MAID IN THE HELP NOVEL BY KATHRYN STOCKETT Abigail Flavia Dominilla; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3152

Abstract

This research analyzed the oppression issue that happened in The Help novel. The oppression mostly happened to the two main black female characters in the novel, namely Aibileen Clark and Minny Jackson. The purpose of this research is to analyze how the kinds of oppression happened through the postcolonial feminism perspective. To provide deeper analysis, qualitative research is used as the research method. By the analysis, it was found that Aibileen got four kinds of oppression, which are exploitation, marginalization, powerlessness, and cultural imperialism. Whereas Minny Jackson got all the kinds of oppression towards her. These oppressions can be seen through the narration, dialogue, action, thoughts, and physical appearance of the characters. Both of them got the oppression because as the third world women, they were shaped to be inferior towards Miss Hilly, Miss Leefolt as their masters and Leroy as Minny’s husband. Based on the analysis, the researchers concluded that black women experienced double oppression than the first world women, considering not only through their gender but also race and class. Penelitian ini menganalisis masalah penindasan yang terjadi dalam novel The Help. Penindasan sebagian besar terjadi pada dua karakter perempuan kulit hitam utama dalam novel, bernama Aibileen Clark dan Minny Jackson. Tujuan dari penelitian ini adalah untuk menganalisa bagaimana jenis – jenis penindasan terjadi melalui sudut pandang feminism poskolonial. Untuk memberikan analisa yang lebih dalam, penelitian kualitatif digunakan sebagai metode penelitian. Melalui analisa, telah ditemukan bahwa Aibileen mendapatkan empat jenis penindasan, yakni eksploitasi, marginalisasi, ketidakberdayaan, dan imperialisme budaya. Sedangkan Minny Jackson mendapatkan semua jenis penindasan disebabkan. Penindasan ini dapat dilihat melalui narasi, dialog, aksi, pikiran, dan penampilan fisik karakter. Keduanya mendapatkan penindasan karena sebagai perempuan negara ketiga, mereka ditentukan untuk menjadi bawahan terhadap Miss Hilly dan Miss Leefolt sebagai majikan mereka dan Leroy sebagai suami Minny. Berdasarkan analisa, peneliti menyimpulkan bahwa perempuan kulit hitam mengalami penindasan ganda daripada perempuan negara pertama, menimbang tidak hanya melalui jenis kelamin tetapi juga melalui ras dan kelas mereka.
ANALYSIS OF THE MAIN CHARACTER NEEDS IN LIFE OF PI MOVIE USING MASLOW’S THEORY Yohanes Truman AM; Singgih Daru Kuncara; Ririn Setyowati
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 1, No 1 (2017): Edisi Januari 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (341.826 KB) | DOI: 10.30872/jbssb.v1i1.669

Abstract

This research focuses on analyzing the Hierarchy of Needs manifested in the main character. Two questions were designed to discuss this topic. The first question is about the Needs manifested by the main character in the movie. The second question is about the desire of the main character in fulfilling his Needs. This research used descriptive qualitative method to explain and describe the data carefully in answering the questions. The data in this research were in written form taken from the dialogue and narration of the movie. This research uses Maslow’s theory. it is appropriate theory to this research. This research examines the elements of the hierarchy of needs through the main character. Keywords:  Life of Pi, Maslow, hierarchy of need.
HISTORIOPHOTY IN THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE Vincent Woolyanto; Singgih Daru Kuncara; Chris Asanti
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 2, No 1 (2018): Edisi Januari 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (602.401 KB) | DOI: 10.30872/jbssb.v2i1.852

Abstract

ABSTRACT The object of this research was to find the historiophoty in The Chronicles of Narnia: the Lion, the Witch and the Wardrobe and the purpose of this research was to find how historiophoty interpreted in the historical events of The Chronicles of Narnia: the Lion, the Witch and the Wardrobe. This research used qualitative method as research design and library research as the method of data collection. This research showed that historiophoty could be used to interpret World War II as a setting and Christianity concept related to the author personal experienced. The researcher showed that there were ten historical events on The Chronicles of Narnia: the Lion, the Witch and the Wardrobe.  Keywords: historiophoty, World War II, Christianity, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe film  ABSTRAK Objek dari penelitian ini adalah untuk menemukan historiophoty di The Chronicles of Narnia: the Lion, the Witch and the Wardrobe dan tujuan dari penelitian ini adalah untuk menemukan bagaimana historiophoty diinterpretasikan didalam sejarah The Chronicles of Narnia: the Lion, the Witch and the Wardrobe. Penelitian ini menggunakan metode kualitatif dan penelitian perpustakaan sebagai metode pengumpulan data. Penelitian ini menunjukkan kalau historiophoty dapat digunakan untuk menginterpretasikan Perang Dunia kedua sebagai latar dan konsep Kristiani terkait dengan kehidupan pribadi sang penulis. Peneliti menunjukkan bahwa ada sepuluh kejadian sejarah di The Chronicles of Narnia: the Lion, the Witch and the Wardrobe. Kata kunci: historiophoty, Perang Dunia II, Kristiani, film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe 
PREJUDICE TOWARDS INDIAN IN MORAIS’ THE HUNDRED-FOOT JOURNEY NOVEL Henny Rohmah; Singgih Daru Kuncara; Indah Sari Lubis
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3266

Abstract

This research analyzes prejudice in The Hundred Foot Journey Novel. The novel explains about prejudice which is done by French towards Indian. This research aims to reveal rejections generated from prejudice that happened to Indian and to describe the behaviors of Indian when they experienced prejudice. This research uses Gordon Allport’s prejudice theory and then the prejudice generated several rejections: antilocution, avoidance, discrimination, physical attack and extermination. Prejudice also generated behaviors from the victim of it, in this case behaviors became the response. The theory of behavior is also based on Gordon Allport which divided into extropunitive and intropunitive behavior. The method of this research is qualitative research with mimetic approach. The data are narrations and dialogues that related to prejudice and also rejections from prejudice. The data are analyzed by using Allport’s theory and then the process of data analysis is using Miles and Huberman’s theory. The result of this research is four out of five rejections from prejudice are found in this research. There were antilocution, avoidance, discrimination, and physical attack. Meanwhile in this research, extropunitive was the most dominant behavior as the response from the Indian.
Co-Authors Abigail Flavia Dominilla Akbar Yunadi Alya Rozzan Anjar Dwi Astuti, Anjar Dwi Armyla Armyla Awaliah Nur Annisa Bahtiar Bahtiar Baruna Hardiantoro Bayu Arsiadhi Putra Bayu Arsiadhi Putra Chris Asanti Chris Asanti Chris Asanti, Chris Desy Biatrik Dewi Max, Jonathan Irene Sartika Dewi Mudmainah Dewi Nurhayati Dina Friskaliana Edo Edryananda EKA PRATIWI SUDIRMAN Eko Hardanto Erna Wati erna wati Fatimah M Hairani Alfi Ananda Hasanah, Sa'adatil Henny Rohmah Hera Erliani Imas Romlah Imelda Intan Safitri Indah Sari Lubis Indah Sari Lubis Ira Alifia Yunita James Madula Kumala Sari Lana Rasita Safa Rizkianty Lusi, Monica M. Natsir M. Natsir M., Fatimah Maghfirah, Monika Dwi Marselina Mistin Asmiaty Much. Eko Wahyu Rianto Muhajir, Fatimah Muniralizah Nurman Nasrullah Nasrullah Nasrullah Nasrullah Nidya Anggarwani Nita Maya Valiantien Nita Maya Valiantien Nor Rahmah Novita Diah Purnawati Novita Sari Nurman, Muniralizah Nurul Azizah Pratama, Zumaidil Arif Putri Indah Sari Rahayu, Famala Eka Sanhadi Ramadhan, Jalo Patra Regzi Sri Haryanti Ririn Setyowati Ririn Setyowati Ririn Setyowati Rosianah Rosianah Rusmini Rusmini Ruspika Margiana Ryanshan Gunawan Sabiela, Nur Laili Sagita Octavia Saheriah Ali Santi Rahmawati Sari Rabbiyani Sari, Noor Laila Sari, Yuli Eka Purnia Septiana Hairul Nisah Setya Ariani Silalahi, Selvy Risma Asmianty Siti Noor Latifah Soffan Soffa Sofyan, Fitria Surya Sili Syarifah Rizakiah Vincent Woolyanto Yofi Irvan Vivian Yohanes Truman AM Yusrina Rahmatillah