Articles
<![CDATA[Struktur Keluarga Jepang Kontemporer dalam Tiga Novel Karya Ogawa Yoko ]]>
<![CDATA[Devi, Rima]]>
<![CDATA[ Lingua Cultura Vol 8, No 2 (2014): Lingua Cultura Vol. 8 No. 2 ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/lc.v8i2.446
<![CDATA[Ogawa Yoko as a Japanese novelist mostly features the life of contemporary Japanese society in her novels. One that stands out from her works is the image of the Japanese family structure. Ogawa outlines the Japanese family structure in contrast to the Japanese family structure in actual society, as in the novel Kifunjin A No Sosei, Hakase No Aishita Suushiki, and Miina No Koushin. These three novels depict Japanese family structure more complex than her other novels. How Ogawa described Japanese family structure in the three novels is the issue on this article. This article is a literature study; data were collected from the three novels and analyzed using sociological literature approach and the concept of Japanese traditional family known as ie system. This paper shows that there was an implementation of the ie system in the three novels yet it was only a part of the ie concept.]]>
<![CDATA[Struktur Keluarga Jepang Kontemporer dalam Tiga Novel Karya Ogawa Yoko ]]>
<![CDATA[Rima Devi]]>
<![CDATA[ Lingua Cultura Vol. 8 No. 2 (2014): Lingua Cultura Vol. 8 No. 2 ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/lc.v8i2.446
<![CDATA[Ogawa Yoko as a Japanese novelist mostly features the life of contemporary Japanese society in her novels. One that stands out from her works is the image of the Japanese family structure. Ogawa outlines the Japanese family structure in contrast to the Japanese family structure in actual society, as in the novel Kifunjin A No Sosei, Hakase No Aishita Suushiki, and Miina No Koushin. These three novels depict Japanese family structure more complex than her other novels. How Ogawa described Japanese family structure in the three novels is the issue on this article. This article is a literature study; data were collected from the three novels and analyzed using sociological literature approach and the concept of Japanese traditional family known as ie system. This paper shows that there was an implementation of the ie system in the three novels yet it was only a part of the ie concept.]]>
<![CDATA[The Reflection of Wabi Sabi in the Novel Joseito by Dazai Osamu ]]>
<![CDATA[Rima Devi]]>;
<![CDATA[Aminah Hasibuan]]>;
<![CDATA[Ferdinal Ferdinal]]>
<![CDATA[ Lingua Cultura Vol. 15 No. 2 (2021): Lingua Cultura ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/lc.v15i2.7004
<![CDATA[The research examined the life’s perspective of the author that was reflected in wabi sabi in the novel ‘Joseito’ by Dazai Osamu. The life of the Joseito character described by Dazai Osamu in the Joseito novel had individual values (honne), and Joseito desired to equate it with collective values (tatemae). However, Joseito could not unite the two contradictory values and accepted the contradiction. The method used was descriptive qualitative, with the sociology of literature approach and focused on the sociology of the author using the concept of wabi sabi. Data on wabi sabi were collected from reading Joseito’s novels. The research results find that Dazai Osamu sincerely accepts the contradictions in Japanese society because Dazai can place himself where he is. Dazai is willing to accept contradictions in Japanese society by understanding the meaning of wabi sabi. He learns to appreciate, accept what it is, and be grateful for the contradictions in society because these contradictions can establish harmony in a beautifully ordered life through wabi sabi.]]>
<![CDATA[Pelatihan Origami Bagi Anak Usia Dini di Paud Jannatul Na’iem Sungai Buluh ]]>
<![CDATA[Lady Diana Yusri]]>;
<![CDATA[Adrianis Adrianis]]>;
<![CDATA[Aulia Rahman]]>;
<![CDATA[Darni Enzimar Putri]]>;
<![CDATA[Dini Maulia]]>;
<![CDATA[Idrus Idrus]]>;
<![CDATA[Imelda Indah Lestari]]>;
<![CDATA[Rachmidian Rahayu]]>;
<![CDATA[Radhia Elita]]>;
<![CDATA[Rahtu Nila Sepni]]>;
<![CDATA[Rima Devi]]>;
<![CDATA[Rina Yuniastuti]]>
<![CDATA[ Warta Pengabdian Andalas Vol 26 No 1 (2019) ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Universitas Andalas ]]>
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DOI: 10.25077/jwa.26.1.1-6.2019
<![CDATA[Origami is one of the arts in folding paper from Japan. Through this origami workshop, not only adults, even the children, could increase their imagination and creativity in the early years. Based on this reason, Japanese Department Universitas Andalas carried out the Origami workshop to the children in the PAUD Jannatul Nai'em Sungai Buluh. This workshop was a part of community service as the lecturer of the University. The workshop activity provided three sessions. The first session was to give an introduction about origami for understanding, history, types, and benefits of origami. The second session was training on making origami in various forms. Then the last session was evaluation, which aims to confirm whether the children could absorb the material well and whether the children could work on the process of making origami on their own. This activity was very beneficial for children in improving their motoric skills. Origami is an alternative skill game where the skill games begin to abandon due to the presence of a smartphone and other digital gadgets.]]>
<![CDATA[Perempuan Sebagai the Other Dalam Novel Kogoeru Kiba Karya Nonami Asa ]]>
<![CDATA[Miming Gustina]]>;
<![CDATA[Khairil Anwar]]>;
<![CDATA[Rima Devi]]>
<![CDATA[ Janaru Saja: Jurnal Program Studi Sastra Jepang (Edisi Elektronik) Vol 11 No 1 (2022): Mei 2022 ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung ]]>
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DOI: 10.34010/js.v11i1.5713
<![CDATA[Abstract This study aims to analyze the forms the other towards women in the novel Kogoeru Kiba by Nonami Asa. Data were collected from a Japanese novel entitled Kogoeru Kiba by Nonami Asa using qualitative methods with content analysis techniques and then analyzed using Simone de Beauvoir's existential feminism perspective (Beauvoir, 1989) described descriptively. The results of the analysis are three marginalities obtained from colleagues, general public and from husband. Women are marginalized because they do things that are considered not domestic field than what women should do. Women are considered to do something that should only be done by men. Future research is expected to discuss the resistance to marginality experienced by female figure by using existential feminism. Keywords: Feminist existence; Kogoeru Kiba; marginality; the other Abstrak Penelitian ini bertujuan untuk menganalisis perempuan sebagai other dalam novel Kogoeru Kiba karya Nonami Asa. Data dikumpulkan dari novel bahasa jepang berjudul Kogoeru Kiba karya Nonami Asa menggunakan metode kualitatif dengan teknik analisis isi lalu dianalisis menggunakan perspektif feminisme eksistensi Simone de Beauvoir (Beauvoir, 1989) dijabarkan dengan deskriptif. Hasil analisis yang didapatkan adalah berupa tiga marginalitas yang didapatkan dari rekan kerja, masyarakat umum dan dari suami. Perempuan dimarginalkan karena melakukan sesuatu yang dianggap bukan ranah domestik dari yang seharusnya dilakukan oleh perempuan. Perempuan dianggap mengerjakan sesuatu yang seharusnya hanya dikerjakan laki-laki. Penelitian selanjutnya diharapkan dapat membahas mengenai perlawanan terhadap marginalitas yang di alami tokoh perempuan dengan menggunakan feminisme eksistensi. Kata kunci: Eksistensi feminis; Kogoeru Kiba; marginalitas; the other]]>
<![CDATA[Absurditas Eksistensi Tokoh Barman dalam Novel Khotbah di Atas Bukit Karya Kuntowijoyo ]]>
<![CDATA[A Desriyanto]]>;
<![CDATA[Rima Devi]]>;
<![CDATA[Zurmailis Zurmailis]]>
<![CDATA[ Stilistika: Jurnal Pendidikan Bahasa dan Sastra Vol 16, No 1 (2023) ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Surabaya ]]>
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DOI: 10.30651/st.v16i1.14828
<![CDATA[Absurditas Eksistensi Tokoh Barman dalam Novel Khotbah di Atas Bukit Karya Kuntowijoyo Barman Character Existensialism Absurdity in Khotbah di Atas Bukit Written By Kuntowijoyo ABSTRAKPenelitian ini bertujuan mengungkapkan bentuk absurditas eksistensi tokoh Barman pada novel Khotbah di Atas Bukit karya Kuntowijoyo. Objek formal penelitian ini adalah bagaimana bentuk perspektif absurditas eksistensialisme Albert Camus yang terdapat pada tokoh utama yaitu Barman. Metode yang digunakan adalah metode naratologi Gerard Genette. Hasil penelitian ini mengungkapkan absurditas yang dimanfaatkan oleh tokoh Barman sebagai cara untuk menunjukkan bentuk eksistensi terhadap dirinya. Temuan penelitian adalah bentuk pemberontakan yang dihasilkan tokoh Barman terbagi atas dua jenis, yaitu pemberontakan secara fisik dan pemberontakan secara filosofi. Pemberontakan secara fisik mempengaruhi tindakan absurditas yang diperlihatkan oleh Barman sedangkan pemberontakan secara filosofi mempengaruhi tindakan perasaan dan cara berpikir tokoh Barman. Barman mengakhiri kehidupannya di dunia, tetapi tidak dengan ideologi yang sudah ditanamkan dan dikenang oleh para pengikutnya.Kata Kunci: Absurditas, Albert Camus, Eksistensialisme, Naratologi ABSTRACTThis study aims to reveal the form of the absurdity of Barman's existence in the novel Khotbah di Atas Bukit by Kuntowijoyo. The formal object of this research is how the perspective of the existentialist absurdity of Albert Camus is found in the main character, namely Barman. The method used is Gerard Genette's narratology method. The results of this study reveal the absurdity used by the character Barman as a way to show a form of existence towards himself. The research finding is that the form of rebellion produced by Barman's character is divided into two types, namely physical rebellion and philosophical rebellion. Rebellion physically affects the acts of absurdity shown by Barman while rebellion philosophically affects the actions of feelings and ways of thinking of Barman's character. Barman ended his life in the world, but not with the ideology that had been implanted and remembered by his followers.Keyword: Absurdity, Albert Camus, Existentialism, Narratology]]>
<![CDATA[Gerard Genette Naratology on Gender Inequality from Alex L. Tobing’s Mekar Karena Memar ]]>
<![CDATA[Fadhlan Ramadhan]]>;
<![CDATA[Sulastri Sulastri]]>;
<![CDATA[Rima Devi]]>
<![CDATA[ Jurnal Ilmiah Langue and Parole Vol. 6 No. 2 (2023): Jurnal Ilmiah Langue and Parole ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Ekasakti ]]>
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DOI: 10.36057/jilp.v6i2.562
<![CDATA[This research examines the gender inequality experienced by Gloria in Mekar Karena Memar's novel by Alex L. Tobing from Gerard Genette's narratology theory. The author is interested in studying gender inequality because, in this novel, the main character named Gloria is fighting against the gender inequality that she experiences. This makes this issue attractive to the author because women generally only received improper treatment without daring to do anything in those days. The author of the novel uses the pure narrative method, where the pure author acts like someone who is outside the novel and does not participate in the role of a character from the novel. In this study, the authors used a qualitative study method. The author collects data through literature study (documentation) and performs analysis using the Genette theory which consists of five parts: order, duration, frequency, mood, and voice. After analyzing, the writer found that the author had described the gender inequality experienced by a character named Gloria in the novel, as well as the actions Gloria had taken to overcome the gender inequality she experienced.]]>
<![CDATA[IE System in Modern Japanese Society ]]>
<![CDATA[Rima Devi]]>
<![CDATA[ Andalas International Journal of Socio-Humanities Vol. 5 No. 1 (2023) ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas ]]>
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DOI: 10.25077/aijosh.v5i1.50
<![CDATA[This paper explores the transformation of the traditional family system in Japanese society, known as the IE system, to a modern family structure influenced by Western ideologies. Historically, the Japanese state was conceptualized as a family state or kazokukokka, with the emperor as the head of the family, as seen in the Meiji Constitution. However, after Japan's defeat in World War II, the allied governments abolished this system, leading to gradual changes in the societal structure. The objective of this research is to investigate how Japanese people have adapted their family system from the traditional IE system to a modern one. The study utilizes a descriptive qualitative approach, employing field research reports and literature related to the contemporary Japanese family system. Data was collected and analyzed using descriptive methods to draw conclusions. The findings of the research highlight that while the IE system was officially removed from the Japanese Constitution, its influence persists in certain aspects of modern Japanese society. Scholars widely agree that remnants of the traditional family system still endure due to the lack of a viable replacement. Eradicating a deeply rooted cultural tradition developed over centuries proves to be a challenging task. This study sheds light on the coexistence of traditional and modern elements within the Japanese family system, presenting a nuanced understanding of how the IE system continues to partially shape family dynamics in contemporary Japanese society.]]>
<![CDATA[Ruang Sosial P.D. James “The Queen of Crime” ]]>
<![CDATA[Ahmad Luthfi]]>;
<![CDATA[Rima Devi]]>;
<![CDATA[Maizufri Maizufri]]>
<![CDATA[ Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 8 No. 2 (2023): Volume 08 No 02, September 2023 ]]>
Publisher : <![CDATA[Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan ]]>
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DOI: 10.23969/jp.v8i2.10245
<![CDATA[Penelitian ini bertujuan untuk mendeskripsikan bagaimana seseorang yang menggambarkan dirinya sebagai seorang penulis dan tumbuh dalam ruang sosial Inggris selama Perang Dunia II, yang merupakan perjuangan simbolisnya sendiri untuk menjadi seorang penulis kejahatan yang dipadatkan, menjadi diakui pada akhir karirnya sebagai salah satu penulis kejahatan terbesar di era kontemporer. Penelitian ini merupakan penelitian kualitatif dengan menggunakan metode kajian literatur, dilakukan dengan menggunakan teori ruang sosial oleh Pierre Bourdieu. Penerapan teori Bourdieu dalam kehidupan P.D. James memaparkan konsep ruang sosial Bourdieu, yang dapat menjelaskan posisi dominan dan dominasi di lapangan agen-agen yang muncul dalam masyarakat secara lebih rinci berdasarkan ruang sosial, habitus, dan modalnya]]>
