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Journal : Jurnal Pakarena

NARRATIVE DECORATIVE MOTIVES ON TORAJA TRADITIONAL CARVING Sofyan Salam; Saleh Husain; Tangsi Tangsi; Jamilah Jamilah
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.33007

Abstract

This study aims to explain the format and techniques of non-sacred narrative carving in Toraja. This research is classified as a qualitative research carried out in the field, namely in Tana Toraja and North Toraja. Data sources (1) artifacts in the form of non-decorative motifs of Toraja carving, both found in Toraja and elsewhere; (2) human data sources, namely Toraja sculptors and Toraja community leaders; and (3) documents that are documents containing descriptions, drawings or photographs of non-sacred decorative motifs of Toraja carving. Data collection techniques used were observation, interviews, and documentation. The collected data was analyzed with an interactive analysis model from Miles and Huberman. The results showed that: (1) The format of narrative carving art which is non-sacred in Toraja is (a) the format of a single scene narrative, (b) the panoramic narrative format, (c) the format of the narrative silmultanate. (2) The technique of depicting narrative carving art in Toraja, namely: (a) a realistic depiction technique, (b) the technique of presenting space there are two ways: presenting two-dimensional and three-dimensional space, and (c) the technique of composing elements (composition) which applied is symmetrical composition, asymmetric, rhythm, protrusion of object, and unity.
FORMAL ANALYSIS OF WILHELMINA STATUE COLLECTION OF MAKASSAR CITY MUSEUM Satriadi Satriadi; Muh. Saleh Husain
JURNAL PAKARENA Vol 6, No 2 (2021): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v6i2.26333

Abstract

This research seeks to explain to art observers, especially visitors to the Makassar city museum related to the existence of one of the collections of statues in the museum building. To explain the statute, a search of the library and other relevant sources was carried out. To obtain data on realist analysis of statues, data collection is collected using instruments analyzed based on the realist elements of sculpture, observation, documentation, and interviews. The subject of this research is the Wilhelmina statue collection of the Makassar city museum. The results of the analysis revealed that the statue is a realist statue with the form of a portrait statue or bust statue. The statue depicts the figure of a queen who came from the Netherlands. The existence of the statue in the city of Makassar is historical evidence that reminds us of colonialism that occurred in Makassar in the past. The results of this analysis can help explain one of the historical pieces of evidence of Dutch colonialism that has occurred in Makassar.