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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora JURNAL PENDIDIKAN TAMBUSAI Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra Student Scientific Creativity Journal Jurnal Kajian dan Penelitian Umum Jurnal Kajian Penelitian Pendidikan dan Kebudayaan Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Jurnal Mahasiswa Kreatif Asian Journal of Early Childhood and Elementary Education Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi

Darmawati Darmawati

Universitas Negeri Padang

Author-ID : 2727938

Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Public Health Social Sciences Other

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BENTUK PENYAJIAN TARI GALOMBANG DUO BALEH DALAM UPACARA PERKAWINAN DI DESA MARUNGGI KECAMATAN PARIAMAN SELATAN KOTA PARIAMAN Dina Mutiatul Khairat; Darmawati Darmawati; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aimed to describe the persentation of Galombang Dance Duo Baleh in a Marriage Ceremony in Marunggi Village, South Pariaman Subdistrict, Pariaman. This type of research was qualitative using descriptive analysis method. The main instrument was the researcher herself with assisted by some tools such as stationery and photo cameras. Techniques of data collection were in the form of library studies, observation, interviews and documentation. Data analysis techniques were collecting data, analyzing data, sorting data according to the Galombang Duo Baleh Presentation and then describing the data according to the issues discussed. The results of the study proved that the Galombang Duo Baleh Presentation was in the form of two groups in opposite directions. The elements of the presentation form consisted of: (1) Motion, which had 5 movements, namely: pambukak sambah, langkah tigo, lenong, tapuak, sambah akhir, (2) Floor design, only one form of formation, namely two straight lines in line. (3) Dancers, consisting of 6 men in groups. (4) Music, which was used by gandang tambua, tasa and sarunai (5) costumes, which were used by Galombang Duo Baleh players such as black taluak balango, black pants, sarongs made as a side. (6) The equipment used in the perfoemance of Galombang Duo Baleh was a carano containing complete sirih which was covered by fabric. (7) The place and time of the show, holding on the street exactly in front of the bride's house in the afternoon. Keywords: Presentation, Galombang Dance Duo Baleh, Marriage Ceremony

Pengaruh Penguasaan Materi Dalam Perkuliahan Microteaching Terhadap Kesiapan Mengikuti Program PPLK Mahasiswa Jurusan Sendratasik FBS UNP Retna Wati; Darmawati Darmawati
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to find out if there is an influence of material mastery on microteaching courses on students' readiness to participate in educational field experience programs PPLK in schools. This type of research is quantitative. The data obtained is processed with statistical formulas. In this study, the subject was Sendratasik students 2017 who had taken Microteaching courses. The research instrument is a questionnaire of readiness in carrying out PPLK and microlearning knowledge test of dance and music. Data collection techniques in the form of questionnaires (questionnaires) and tests (objective questions). Analysis techniques are by collecting data, analyzing data, normality of data and homogeneity of data influence mastery of materials in microteaching lectures to readiness to follow the program of educational field experience PPLK students of Sendratasik FBS UNP Department. The results of the study that the mastery of materials in microteaching lectures contributed 57.31% to the readiness to face the Field Experience Program of Education PPLK Students of Sendratasik FBS UNP department and the rest (42.69%) were influenced by other factors not studied in this study.

Tinjauan Koreografi Tari Silek Paarakan Di Jorong Kampung Surau Kenegarian Gunung Selasih Kecamatan Pulau Punjung Kabupaten Dharmasraya Mahdalena Ekaputri; Darmawati Darmawati
SENDRATASIK UNP Vol 9, No 4 (2020)
Publisher : FBS Universitas Negeri Padang

This research aims to describe and study the form of Choreography Review of Paarakan Silek Dance in Jorong Kampung Surau, Kenegarian Gunung Selasih, PulauPunjung District, Dharmasraya Regency. This is a qualitative research using a descriptive analysis method. The object of this research was Silek Paarakan dance in Jorong Kampung Surau. The main instrument was the researcher itselfand was assisted by stationery and a photo camera. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collectingand analyzing the data. The results of the research prove that the Choreography Review of Silek Paarakan Dance is a traditional dance in Jorong Kampung Surau. It is especially performed at Maarak Niniak Mamak Ka Rumah Gadang event and is performed once a year after the Eid prayer. The movements of Silek Paarakan dance consist of Sambah Kiri, Sambah Kanan, Mempersilahkan, Manyangua Tingkok, Tampelong, Tupai Bagaluik, Lantiang Pauh, and Ujak Musang movements. The dancers consist of 20 men. The music used is Talempong Pacik Dan Gong. The costumes worn by the dancers include: Taluak Balango black shirts, Endong (itiak palm) pants, Sembat wrapped around the waists, and black caps. The performance is held in an open field (yard) during the day.

Tinjauan Koreografi Tari Ngayun Nuci Di Semurup Kecamatan Air Hangat Kabupaten Kerinci Provinsi Jambi Ayu Lestari; Darmawati Darmawati; Desfiarni Desfiarni
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

This article aims to describe and explain about the reviews of Dance Choreography Ngayun Nuci in Semurup Sub Regency of Kerinci Hagat Water Jambi province. This type of research is a qualitative descriptive methods. The object of research is the dance Nuci Ngayun. Instrument in this study is the researchers themselves and assisted by mobile phone camera, voice recorder, and stationery. Types of data using primary data and secondary data. Engineering data collection done by the study of librarianship, observation, interviews, and documentation. Technique of data analysis by collecting data, selecting data that is considered important, compiling data that has already been selected, analyzed data with interpretation techniques. The results of this research show that dance Ngayun Nuci is a dance creation which is the development of a tradition of Nuci Ngayun dance serves as the entertainment and aims to preserve traditional arts in Semurup. Dance Dance-shaped Nuci Ngayun group that developed the science of dance composition by koreografernya. Nuci Ngayun dance Creations rendered with planning the choreography for pementasannya. And also this dance movement is fixed at typical dance tradition.

Faktor–Faktor Penyebab Rendahnya Minat Siswa Terhadap Pembelajaran Seni Tari Di SMP Negeri 1 Payakumbuh Ines Hardi; Yuliasma Yuliasma; Darmawati Darmawati
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

This article aimed to find out and describe the factors that caused students' low interest in the process of learning dance at SMPN 1 Payakumbuh. The type of this research was qualitative research using descriptive methods. The main instrument of research was the researcher herself and assisted with supporting instruments such as stationeries and camera. The types of data were primary and secondary data. Thetechniques of data collectionwere done by library research, direct observation in the field, interviews and documentation. The data were analyzed through these steps, namely 1) data reduction, 2) data presentation and 3) data verification or data inference. The results of the study showed that the factors that caused students' low interest in learning dance were internal (from students) and external (from the teacher) factors. Internal factors were seen from 2 indicators, namely desire and discipline. The results of observations from meetings 1 to 4 showed that many students did not respond to the questions asked by the teacher. It was also supported by interview data, they did not like the learning of dance because it needed a lot of time to practice. Meanwhile, external factors included teachers, methods, media, teacher attitudes, and infrastructures. Teacher's external factors included the attitude, method and the media.The teacher's attitude that was less assertive influencing many students to behave indifferently in learning, such as making noise, disturbing friends, so that the class became less conducive. The use of various methods had not been able to help achieving the learning goals. This could be observed in the low interest to learn. Each teacher asked questions, but studentsanswered them rarely. The media used had not supported students to absorb the knowledge and skills. Factors of facilities had not supported learning activities. Thus the factors causing students’ low interest in learning dance were internal factors and external factors.

Manajemen Seni Pertunjukan Di Sanggar Puti Limo Jurai Kota Bukittinggi Tiaranti Dwi Pradita; Darmawati Darmawati; Herlinda Mansyur
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

The research aims to describe the Management of the performing arts in the workshop of Puti Limo Jurai Bukittinggi. Type of this research is descriptive research using qualitative methods. The main instrument in this study is the researchers themselves and supporting instruments such as assisted with writing instruments and cameras. The type of the data in the research is the primary data and secondary data. Engineering data collection done by the study of librarianship, observation/observation, interview and documentation. Technique of data analysis performed with the measures include: the reduction of the data, the presentation of data, conclusions and make a report. The results showed that Sangar Puti Limo Jurai still retain cultural values in the performing arts. As an organization that is engaged in the arts with a democratic system, where all the decisions taken based on the results of the mutual agreement. All the process is carried out by management as good as possible. System performance or the workings of the organization performing arts at Sanggar Puti Limo Jurai belongs to the semi professional performing arts organizations because the Sanggar Puti Limo has been working with the Kings ' management approach, both in terms of function or process. In terms of personal profession, and the members of the Sanggar Puti Limo Emblem also has a profession other than the workers of art. But in terms of their ethics remain subject to rules that have been set.

PELAKSANAAN PEMBELAJARAN RANDAI PADA PENGEMBANGAN DIRI DI SMPN 14 PADANG Gemala Dewi; Herlinda Mansyur; Darmawati Darmawati
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aimed to find and describe the implementation of Randai Learning on Self-Development at SMPN 14 Padang. The type of this research was qualitative research. This research applied descriptive method. Data collection in the field was done by observation, interviews, and documentation. In addition, data were collected from library studies, observations, and interviews. The analysis of data was conducted by qualitative data analysis, and then the analysis was described and concluded. The results of the research showed that the implementation of Randai Learning on Self-Development at SMPN 14 Padang was influenced by factors that inhibited the effectiveness of Randai activities. These factors were internal and external factors. Internal factors consisted of urge factors, attention factors, and participation factors that came from the students themselves, while external factors of students included parents, teacher factors, and facility factors. These factors can be specified as follows: 1) Students did not always pay attention to the teacher and trainer. 2) Less interest in students in paying attention to teachers had an impact on students' lack of understanding of the mastery toward the material given. 3) The material for combining music with legaran based on dendang became difficult material for students because of the short time given and the distracted attention of students. 4) Lack of mastery of material that caused students unable to display what had been given well. Keywords: Randai and Self Development

Perubahan Tari Makan Sirih Ke Tari Persembahan Melayu Riau Di Kota Pekanbaru Provinsi Riau Cut Bunga Maharani Nazlen; Darmawati Darmawati
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to analyze the changes in the Riau Makan Sirih Melayu Dance which are focused on changing the form of the dance. This type of research is qualitative research with a descriptive analysis method with the object of research namely Riau Malay dance. The main instrument of this research is the researcher himself making direct observations in the field and assisted by supporting instruments such as; stationery, digital cameras, tape recorders, CD cassettes, and flash drives. Data collection techniques were carried out through literature study, observation, interviews, and documentation. Data analysis techniques are carried out by reducing data, presenting data, and drawing conclusions. The results showed that the change of the Makan Sirih Dance into the Riau Persembahan Melayu Dance consisted of a change in the name and the form of presentation.

TARI BUAI-BUAI DI KANAGARIAN PAUH IX KECAMATAN KURANJI KOTA PADANG: TINJAUAN KOREOGRAFI Riana Nasmi; Darmawati Darmawati; Desfiarni Desfiarni
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to disclose and describe about "review Choreography Dance Delight-Delight in Kanagarian Pauh IX Subdistrict Kuranji Padang city". This qualitative research study with the method descriptive analysis. The object examined was the dance of Delight-Delight in Kanagarian Pauh IX Subdistrict Kuranji Padang city. Research instrument is the researcher himself, and assisted with the instruments supporting such as stationery, photo cameras, cassette cd and pendrive. The type of data in this study is the primary data and secondary data. Engineering data collection done by the study of librarianship, observation/observation, interviews. The concept is used to analyze data are data collection, data reduction, withdrawal and presentation of conclusions. The results showed that views on choreography dance Delight-Delight consists of form and content. The form includes: dancer (4 person female dancer), motion farmed (maknawi motion) 14 motif, top design (design 8 above), the design of the floor (horizontal, rectangular), dramatic design (single cone), the composition of the groups of 4 people (large group), music (dance accompaniment vocals dendang, talempong, bansi and gandang), costumes (male costumes), the properties of the oil bottles (dama). The content includes: the idea of dance Delight-Delight comes from a family that worked in the rice fields of the mother membuaikan her crying and dad sing dendang. The atmosphere of dance Delight-Delight, namely: the quiet atmosphere, passion and joy.Keywords: dance Delight-Delight

BENTUK PENYAJIAN TARI BAROMBAI DALAM UPACARA TURUN KA SAWAH DI NAGARI PADANG LAWEH KECAMATAN KOTO VII KABUPATEN SIJUNJUNG Rahmadhani Amelia; Fuji Astuti; Darmawati Darmawati
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This study was aimed to describe performance of Barombai dance on Turun ka sawah ceremony in Nagari Padang Laweh Kecamatan Koto VII Kabupaten Sijunjung. Type of this study was qualitative with analytic descriptive mthod. The study object was performance of Barombai dance on Turun ka sawah ceremony in Nagari Padang Laweh Kecamatan Koto VII Kabupaten Sijunjung with data were both primary and secondary. Instrument used in this study was the researcher. Technique of data collection were done by using library research, observation, interview and documentation. Furthermore, data were analyized accurately and selected as needed and it’s relation with the posed problem. Result of this study showed that performance of Barombai dance was combination of imitation motion activities at farmland namely mancangku (mencangkul), mambuek luluak (membuat lumpur), mancampak (membuang), manyimbua (menyiram), malunyah (menginjak), manjapuik baniah (menjemput benih), batanam/ ma atu (menanam), basiang (menyiang) dan mananti padi tobiek (menunggu padi masak). Iringan musik tari Barombai dari talempong pacik dan gendang serta dendang yang khas “dadoi”. Performance of this dance was performed at farmland by using floor pattern of linear progression that were using horizontal and circle. Costume which was used namely baju kurung, kain sarung and takuluak which used on a head. Music of this dance used talempong pacik, gendang and unique dendang “dadoi” Keywords: Performance, Barombai Dance, Turun ka Sawah Ceremony

Co-Authors Adinda Rahmasari Putri Afifah Asriati Aninda Nissafitri Aninda Nissafitri Ayu Lestari Ayu Ulandari Balqista Andriani Putri Cesi Frinamala Nazar Cindy Feliona Mutiarawan Cut Bunga Maharani Nazlen Dela Silasmi Delvia Mona Denny Regina Desfiarni Desfiarni Desi Rahmaini Diana Yosmadia Dina Mutiatul Khairat Febri Lestari Anggraini Feby Try Rahmanda Fuji Astuti Gemala Dewi Gustia Arini Herlinda Mansyur Indah Purnama Riski Indrayuda Indrayuda Ines Hardi Khairunnisa Khairunnisa Kurnia Hidayati Laras Tri Andini Laras Tri Andini Lola Murnianti Mahdalena Ekaputri Mahfud Tohari Marriyel Jelly Fahmi Mastajabul Hakum Meirita Hardina Sari Meisa Adila Mica Parmita Muhamad Fadli Muhammad Trio Idha Nada Cania Haryati Nerosti Nilam Permata Sari Nur Na’afi Putri Nurâ€™aini Putri Puja Asrita Puja Rahayu Rahmadhani Amelia Reni Apriani Reni Nadia Fetrin Retna Wati Riana Nasmi Sela Oktafia Shafana Aulia Azhara Shalsa Bila Ivanka Sintia Anisa Siti Nurhayati Siti Rahmayani Sumiarti Darni Rahayu Tiaranti Dwi Pradita Vera Megasari Yuliasma Yuliasma Zora Iriani Zuzana Safitri

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