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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni International Journal of Educational Dynamics (IJEDS) Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pendidikan dan Kebudayaan Science and Environmental Journals for Postgraduate Jurnal Ilmiah Wahana Pendidikan Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra Populer: Jurnal Penelitian Mahasiswa Journal of Creative Student Research Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Seniman: Jurnal Publikasi Desain Komunikasi Visual Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Indrayuda Indrayuda
Universitas Negeri Padang
Religion Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Medicine & Pharmacology Public Health Social Sciences Transportation Other

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Continuity of Tradition Dance: Acedemicians’ Intervention on Artists and Performing Arts Groups Indrayuda, Indrayuda
Harmonia: Journal of Arts Research and Education Vol 15, No 2 (2015): (EBSCO, DOAJ & DOI Indexed, December 2015)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i2.4454

Abstract

This article intends to uncover a concept of developing tradition-art groups in West Sumatra, which is considered that they have been left behind by modern-art groups in terms of packing aspect, presentation, and technical skills. Hence, this article reveals intervention of the academician in developing and providing support in the forms of improving skills and knowledge of the artists and art groups. The support includes improving skills and knowledge of expressing arts through giving packing techniques and arranging art performance, orientated toward educational and social extension actions. The knowledge may consist of techniques for developing movements, dance music, costumes, and make-up affecting skills of arranging and packing performance arts that can be divested in art industries. The method used in this investigation was games that aimed to cope with boredom and improve new awareness of concepts of how to pack performance arts. In addition, the case study was employed to solve problems faced by partners in the field. Moreover, practices about how to pack the arts were critical to be done through brainstorming, discussing, and lecturing.
The Existence of Local Wisdom Value Through Minangkabau Dance Creation Representation in Present Time Indrayuda, Indrayuda
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): (Nationally Accredited, December 2016)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.6146

Abstract

This paper is aiming at revealing the existence of local wisdom values in Minangkabau through the representation of Minangkabau dance creation at present time in West Sumatera. The existence of the dance itself gives impact to the continuation of the existence of local value in West Sumatera. The research method was qualitative which was used to analyze local wisdom values in the present time Minangkabu dance creation representation through the touch of reconstruction and acculturation as the local wisdom continuation. Besides, this study employs multidisciplinary study as the approach of the study by implementing the sociology anthropology of dance and the sociology and anthropology of culture. Object of the research was Minangkabau dance creation in present time, while the data was collected through interview and direct observation, as well as documentation. The data was analyzed by following the technique delivered by Miles and Huberman. Research results showed that Minangkabau dance creation was a reconstruction result of the older traditional dance, and through acculturation which contains local wisdom values. The existence of Mianngkabau dance creation can affect the continuation of local wisdom values in Minangkabau society in West Sumatera. The existence of dance creation has maintained the Minangkabau local wisdom values in present time.
The Existence of Local Wisdom Value Through Minangkabau Dance Creation Representation in Present Time Indrayuda, Indrayuda
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): December 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.6146

Abstract

This paper is aiming at revealing the existence of local wisdom values in Minangkabau through the representation of Minangkabau dance creation at present time in West Sumatera. The existence of the dance itself gives impact to the continuation of the existence of local value in West Sumatera. The research method was qualitative which was used to analyze local wisdom values in the present time Minangkabu dance creation representation through the touch of reconstruction and acculturation as the local wisdom continuation. Besides, this study employs multidisciplinary study as the approach of the study by implementing the sociology anthropology of dance and the sociology and anthropology of culture. Object of the research was Minangkabau dance creation in present time, while the data was collected through interview and direct observation, as well as documentation. The data was analyzed by following the technique delivered by Miles and Huberman. Research results showed that Minangkabau dance creation was a reconstruction result of the older traditional dance, and through acculturation which contains local wisdom values. The existence of Mianngkabau dance creation can affect the continuation of local wisdom values in Minangkabau society in West Sumatera. The existence of dance creation has maintained the Minangkabau local wisdom values in present time.
Women domination in the Galombang dance: between the customary idealism and the market use Indrayuda, Indrayuda; Ardipal, Ardipal
Harmonia: Journal of Arts Research and Education Vol 17, No 2 (2017): December 2017
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v17i2.10724

Abstract

This study aims to answer the women dominance in the Galombang dance creation in Minangkabau, West Sumatra from gender perspective. In addition, this study also reveals the position of women as an urgent thing in the Minangkabau dance creations, Galombang. This research used interdisciplinary approach, namely Cultural Sociology and Dance Anthropology. The data were obtained through various interviews, direct monitoring in the situation of the Galombang dance activity, and literature study to support the primary data. The analysis was done through ethnography method. The result of the research found that women dominance was bigger than men in the Galombang dance creations. In customary idealism, women are not Galombang dancers as the Galombang dance is intended for men. In reality, there is a bigger role between men and women in the Galombang dance; therefore, men’s role is not very decisive on the performance quality and selling value, as well as for the use of dance Galombang creations by society nowadays in West Sumatra.
Popularitas Tari Piring sebagai Identitas Budaya Minangkabau -, Indrayuda
PANGGUNG Vol 23, No 3 (2013): Sejarah, Konseptualisasi, dan Praksis Tradisi Kreatif Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i3.141

Abstract

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau
The Application of Asa Berger Humour Technique by Sabri Yunus from The Dramaturgy Perception in “Karoot Komedi” Ismail, Mardiana; Indrayuda, Indrayuda; Shamsuddin, Mohd Effindi Bin
Harmonia: Journal of Arts Research and Education Vol 18, No 2 (2018): December 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i2.12725

Abstract

This paper aims to introduce Sabri Yunus as a Dramaturgy in Comedy especially in the popularised television program called “Karoot Komedi”. The method used in conducting this research is qualitative descriptive through a survey. The data was obtained through observation, interview and also documentation studies. The object of the observation is the drama performance “Karoot Komedi” by Sabri Yunus. The researcher is the instrument for this research, who is also in charge in collecting the data, conducting the observation and interpret the research questions based on the object. The analysis was able to be conducted successful using the model Gotthold Ephraim Lessing, Miles and Huberman. The validity of the data obtained is examined by using the triangular method and also by the co-worker’s evaluation and insight. The finding of this paper shows that the Humour elements are correlated to the spontaneous response and behaviour of the audience such as laughing and smiling. Every individual has different spontaneous response and behaviour as it depends on the audience’s interest, inclination and also understanding towards a humour issue displayed to them. Based on two episodes of the Karoot Komedi, the Dramaturgy in Comedy Sabri Yunus applied the Humour techniques during the performance. To sum up each episode as a whole, each episode are assessed based on 4 categories which are Language, Logic, Identity and action.
Continuity of Tradition Dance: Acedemicians’ Intervention on Artists and Performing Arts Groups Indrayuda, Indrayuda
Harmonia: Journal of Arts Research and Education Vol 15, No 2 (2015): December 2015
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i2.4454

Abstract

This article intends to uncover a concept of developing tradition-art groups in West Sumatra, which is considered that they have been left behind by modern-art groups in terms of packing aspect, presentation, and technical skills. Hence, this article reveals intervention of the academician in developing and providing support in the forms of improving skills and knowledge of the artists and art groups. The support includes improving skills and knowledge of expressing arts through giving packing techniques and arranging art performance, orientated toward educational and social extension actions. The knowledge may consist of techniques for developing movements, dance music, costumes, and make-up affecting skills of arranging and packing performance arts that can be divested in art industries. The method used in this investigation was games that aimed to cope with boredom and improve new awareness of concepts of how to pack performance arts. In addition, the case study was employed to solve problems faced by partners in the field. Moreover, practices about how to pack the arts were critical to be done through brainstorming, discussing, and lecturing.
PROBLEMATIKA TARI MINANGKABAU DALAM DINAMIKA PERTUNJUKAN INDUSTRI HIBURAN Indrayuda, Indra
Humanus Vol 13, No 2 (2014)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (708.56 KB) | DOI: 10.24036/jh.v13i2.4722

Abstract

This article is part of a research that reveals the problems regarding the Minangkabau dances from West Sumatera province. The development of entertainment industry has influenced the public taste in choosing art performance. The Minangkabau dances are threatened as an entertaining art in West Sumatera because they are less interesting to the entertaining art fans. This research is qualitative. Data is collected through observation, interview, and documentation. The data is then analysed using ethnography and phenomenology. The result shows that there are various weaknesses of the Minangkabau dances in aspects of artistic, esthetic, technique, and packaging. The weaknesses are identified through its movements, performance structures, durations, costumes, make-ups, as well as the dancers’ skills and expressions. Besides, the Minangkabau dances are not yet managed professionally for marketing purpose. Key Word: Minangkabau dances, entertaining arts, entertaining industry
TARI TRADISIONAL DALAM RANAH TARI POPULER: KONTRIBUSI, RELEVANSI, DAN KEBERLANJUTAN BUDAYA Indrayuda, Indrayuda
Humanus Vol 14, No 2 (2015)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (248.477 KB) | DOI: 10.24036/jh.v14i2.5680

Abstract

Recent development of dance performance is not only esthetical and artistic; it has improved farther along with social cultural changes and economic development, which is supported by the scientific and technological changes that have encouraged the improvement of the art and knowledge about dances. In choreographic learning in academic environment, the arrangement pattern in choreography is not limited to the conventional that the consequence of movement, but also a media for criticism and expression of the artists. Currently dance does not belong to certain tradition of a community but to individuals. The individual belonging of the dance is widely known as popular dance, both monumental and contemporary dance. In Indonesia, both monumental and contemporary popular dances tend not to be detached from their traditional idiom or spirit in their cultural choreographic background, even all of their arrangement source stems from traditional kinesthetic dance. This phenomenon becomes a new trend in dance creation and dance choreographic learning in Indonesia, many of which are developed by art academicians, art studios and workshops.
STRUKTUR GARAPAN GANDANG TAMBUA SEBAGAI PERWUJUDAN KEARIFAN LOKAL MASYARAKAT DESA CUBADAK AIA KECAMATAN PARIAMAN UTARA KOTA PARIAMAN Wahyuni, Irfi Sri; Indrayuda, Indra
Humanus Vol 13, No 2 (2014)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (545.876 KB) | DOI: 10.24036/jh.v13i2.4723

Abstract

This article aims to reveal the structure of arrangement of Gandang Tambua and the function of Gandang Tambua in the communities in terms of local wisdom. This study examines the values in local wisdom that are represented in the arrangement of Gandang Tambua in Cubadak Aia village, Pariaman Utara district, Pariaman City. This research is qualitative using descriptive method. Data is collected through interview, observation with direct participation, documentation, and literature review. Data is then analysed according to Miles and Huberman’s. The result shows that the arrangement structure of Gandang Tambua consists of parts related to each other. ‘Tasa’ plays as the main role in leading the performance of Gandang Tambua, while Gandang Tambua follows Tasa. It means, based on the local wisdom, the leaders are one step in front and one level higher. It also refers to the social structure of Minangkabau community where the children see their uncles as kings, the unces see ‘pangulu’ (tribal leaders) as kings, pangulu see the truth as king, and the truth stands on its own. Gandang Tambua also serves as the media for social integration, entertainment, and communication. Keywords: Gandang Tambua, local wisdom, function and structure of arrangement
Co-Authors Afiatri Gelurena Afifah Asriati Ahmad Damhuri Ahmad Fauzan Yusman Angge Pratiwi Vitri Anugrah Prima Insani Ardipal Ardipal Ariep Bijaksana Ayu Nara Sati Bunga Maharani Bunga Naselia Chelina Dewi Dara Ardilla Darmawati Darmawati Darmawati Darmawati Dede Putri Perdani Della Natasia Gunita Piska Desfiarni Desfiarni Dewi Fiolinda Dibba Gazwami Diye Chania Dwi Witri Anggraini Eke Febrianti Endang Nuryani Esy Maestro Fadhila Saktia Feby Try Rahmanda Fingki Novi Arsita Fitrah Hayati Frisilia Yulisianti Fuby Candani Fuji Astuti Fuji Astuti Gusnia hadi, Harisnal Hafizatul Ismi Hana Shilfia Iraqi Hasanuddin WS Helfira Helfira Hendri Yusuf Herlinda Mansyur Hidayatunnisa Hidayatunnisa Husna Febri Andika Putri Idol Fatria Indri Mayangsari Intan Milanda Junita Fitri Lidya Indrawati Liza Azoni Lola Murnianti Mahdalena Syafitri Maidilla Siska Putri Mardiana - Marzam Marzam Marzam Marzam Maya Endah Rahayu Meisa Adila Meizul Ofriananda Mia Fahmiati Miftahul Rizka Mohd. Effindi Samsudin Muhammad Afif Nela Majesti Nerosti Nia Putri Jelita Niken Ayu Astuti Ningsih, Lisa Wahyu Novelis, Puput Nurul Annisa Syafwan Nurul Intan Pratiwi Pebrina Sapitri Poppy Lisafri Yolanda Prihan Pangemba Putri Amriana Putri Yunengsih Quinta Dianda Voneline Radisma Suziyanti Rahmat Adriyanto Rahmat Hidayat Rahmi Ul Fadhilah Raju Gunawan Rama Dona E Ranti Lestari Regia Amelia Putri Reza Trinanda Rini Suardi Rita Syofyan Rizka Annisa Rizka Janarsi Samsuddin, Mohd Effindi Sari, Nurima Shamsuddin, Mohd Effindi Bin Siti Aisyah Jasmin Siti Khodijah Sri Muryenti Suci Okta Rahmadani Susi Evanita Susmiarti Syahrel Syahrel Tiara Virginia Aulia Tulus Handra Kadir Ukie Winaranti Viska Nanggita Vuja Syafrianti Alhidayah Wahyuni, Irfi Sri Widya Novitri Wilya Aryana Putri Wina Hestilia Yeni Yeni Yoni Sesilia Yos Sudarman Yosi Dwi Zulniati Zora Iriani Zul Asri Zul Fahmi