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All Journal Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik Mimbar Sekolah Dasar RITME Metodik Didaktik Tawarikh : Journal of Historical Studies Humaniora Jurnal Paedagogy Jurnal Adat dan Budaya Indonesia Berajah Journal
sandie gunara, sandie
Departemen Of Music Education, Faculty Of Arts And Design Education, Indonesia University Of Education
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

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Journal : Tawarikh : Journal of Historical Studies

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The Sundanese Pop Music of Nano Suratno: Between Tradition and Adaptation Gunara, Sandie
TAWARIKH Vol 6, No 1 (2014)
Publisher : ASPENSI in Bandung, Indonesia

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Abstract

ABSTRACT: Talking about Sundanese pop music principally means talking about the concept of Sundanese music itself, which is, indeed, packaged differently. Historically, commercial music (pop music) in developing countries, such as Indonesia, did not destruct the originality of “sounds” in its local pop music; rather, it enriched the local music. The imported pop culture is a resource, a source of information on new sounds, instruments, and ideas, which can be exploited by local artists to create “a different taste of music” based on their capabilities. Popular music today is made for commercial purposes, even a commodity; however, sometimes it does not lack quality. Consequently, it is very difficult to make something original in popular music, for if originality is emphasized, people will sense that there is something uncommon in the song. On the other hand, if it lacks originality, its quality will be lowered. The aim of this paper is to discuss on Sundanese pop music. The issues covered: the existence of pop music, the existence of recording industries and Sundanese pop music, and local identity and Sundanese pop music industries, more specifically concerning the case of Nano Suratno that known as Nano S. Based on the conducted study, two hypotheses were put forward. Firstly, the Sundanese pop music of Nano Suratno is based on creative considerations; where in quality, uniqueness, and adaptation are maintained. Secondly, the Sundanese pop music of Nano Suratno is a spirit in counter balancing the national pop music industries. KEY WORDS: Popular music, Sundanese pop music, figure of Nano Suratno, tradition, structuration, adaptation, and local identity.   About the Author: Sandie Gunara is a faculty member of Music Education Department, Faculty of Language and Art Education UPI (Indonesia University of Education), Jalan Dr. Setiabudhi No.229 Bandung 40154, West Java, Indonesia. He is currently taking his doctoral studies in the Department of Cultural Studies UNPAD (Padjadjaran University) Bandung, West Java, Indonesia. He can be reached by email at: sandiegunara@yahoo.comHow to cite this article? Gunara, Sandie. (2014). “The Sundanese Pop Music of Nano Suratno: Between Tradition and Adaptation” in TAWARIKH: International Journal for Historical Studies, Vol.6(1) October, pp.35-42. Bandung, Indonesia: Minda Masagi Press and UNHAS Makassar, ISSN 2085-0980. Chronicle of the article: Accepted (August 4, 2014); Revised (September 17, 2014); and Published (October 28, 2014).  
Co-Authors Cipta, Febbry Dody Mohamad Kholid Eccles Rianda Silalahi Egi Agustian Erik Muhammad Pauhrizi Henri Nusantara Hikmah Sari Hikmah Sari, Hikmah Ihsan Nur Aziz Iwan Gunawan Julia, J. Meta Liana Prana Dwija Iswara, Prana Dwija Ratu Khumairoh Aini Rita Milyartini Sapto Maranapi Banjarnahor Sapto Marapi Banjarnahor Susi Gustina Susi Gustina Thessa Elisabeth Sinaga Toni Setiawan Sutanto Tryiis Arr Tsania Siti Khopipah Wiki Riandi Yildiz, Yıldız Mutlu Yudi Sukmayadi Yuliandani Yuliandani