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All Journal MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts KALANGWAN Abdi Seni Tamumatra : Jurnal Seni Pertunjukan Journal of Music Science, Technology, and Industry (JOMSTI) Widyanatya: Jurnal Pendidikan Agama dan Seni Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Ghurnita: Jurnal Seni Karawitan Jurnal Pengabdian Seni Abdi Widya: Jurnal Pengabdian Masyarakat Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Ni Putu Hartini
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : Widyanatya: Jurnal Pendidikan Agama dan Seni

 1 
PERAN REMAJA PUTRI DALAM MELESTARIKAN GAMELAN GENDER WAYANG DI KOTA DENPASAR Ni Putu Hartini
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2118

Abstract

Gender Wayang is a Balinese gamelan musical instrument that is very special because it has a form, repertoire, and techniques to grow with virtuosic skills. The once dominant Gender Wayang gamelan grower is still played by men, but with the development of the times or the influence of globalization causes a shift from male anchors to the entry of female growers, especially those who are rife today in Denpasar city, namely young women. This research examined how the role of young women as well as the function of the role of young women in preserving Balinese culture, especially gamelan Gender Wayang in Denpasar City. This research is conducted with a qualitative approach with case study research design. The results of this study show that the contribution of the role of gender in the form of the role of young women in the Gender Wayang brings social and cultural changes in terms of the respect of this emancipation movement leading young women to participate in playing the Gender Wayang and has an impact on the development of its function in socio-culture, aesthetic presentation and economic function.
Co-Authors A.A. Trisna Ardanari Adipurwa Haryati, Ni Made I Bagus Wijna Bratanatyam I Gede Gunadi Putra I Gusti Putu Sudarta I Kadek Deo Sandiawan I Kadek Widnyana, I Kadek I Komang Werdi Darmawan I Made Dwi Andika Putra I Made Dwi Rustika Manik I Nyoman Juniarta I Nyoman Mariyana I Nyoman Nyoman Mariyana I Nyoman Sudiana I Pande GedeYudista Wijasa I Putu Angga Mahendra I Putu Dony Suryawan I Putu Pryagus Nyoman Sana I putu Restu Andika Ida Bagus Oka Prabawa Iriani, Ni Wayan Marhaeni, Ni Komang Sekar Masyuni Sujayanthi, Ni Wayan Ni Komang Sekar Marhaeni Putu Sandra Devindriati Kusuma Putu Tiodore Adi Bawa Santosa, Hendra Tudhy Putri Apyutea Kandiraras Widiastuti, Ni Made Dian