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All Journal E-Jurnal Kajian Budaya E-Journal Of Cultural Studies Jurnal Pendidikan Seni Rupa WIDYA LAKSANA DHARMASMRTI: Jurnal Pascasarjana UNHI Jurnal Bisnis dan Kewirausahaan Indonesian Journal of Religion and Society
I Ketut Supir
Universitas Pendidikan Ganesha
Religion Arts Humanities Economics, Econometrics & Finance Education Social Sciences Other

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Journal : Jurnal Bisnis dan Kewirausahaan

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Uang Kepeng in the Globalization Era: Industrialization at Kamasan Village, Klungkung, Bali Ketut Supir; I Wayan Sadia; I Wayan Muderawan
Jurnal Bisnis dan Kewirausahaan Vol 15 No 2 (2019): JBK - Jurnal Bisnis dan Kewirausahaan
Publisher : P3M Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2248.025 KB) | DOI: 10.31940/jbk.v15i2.1409

Abstract

Uang kepeng or pis bolong (a traditional coin with a square hole in its center) has become an integral part in the cultural life and rituals of Balinese community. When Bali has been influenced by the ideology of globalization, uang kepeng has not only been used in connection with the culture and rituals, but has become tourism products in the form of souvenirs and ornaments. The coin which was originally brought to Bali from China when it was used as money, now has been produced as a product of a handicraft industry. The change in practice in the production of uang kepeng to an industrialization cannot be separated from an ideology that plays its part behind it. The handicraft industrialization has some implications on the attitude of the craftsmen and the type of product they produce. This study used a qualitative method. The sample was selected using a purposive sampling technique. The data were collected from key informants and the data collection was continued with the next informants like a snow ball that continues rolling. The ideology that influenced the industrialization of uang kepeng handicraft at Kamasan village, Klungkung was that the folk industry is related to the agrarian culture and industrialization is the continuation of the agrarian culture. The implications on the craftsmen and the product that they produce are: the cultural change from a folk culture to a popular culture, fordism as a mass production based on casting, multiculturally oriented product, and that markets produce products
Co-Authors ., Dewa Agung Mandala Utama ., I Komang Wikrama ., I Made Suastika Yasa ., Mirza Prastyo ., Putu Ari Widana ., Rido Amriadi Agus Sudarmawan Dewa Agung Mandala Utama . Dr. I Nyoman Tika,M.Si . Drs.Jajang S,M.Sn . Gede Eka Harsana Koriawan I Gede Hendra Putrawan . I Gede Mudana I Gusti Ayu Tri Agustiana I Gusti Made Budiarta I Ketut Sudita I Komang Tandingada . I Komang Wikrama . I Made Suastika Yasa . I Nyoman Sila I Putu Herman Indrayana . I Wayan Arinata . I Wayan Arinata ., I Wayan Arinata I Wayan Muderawan I Wayan Sadia I Wayan Sudiarta IDA AYU MADE ISTRI UTAMI . Kadek Rossinta Dewi Made Ayu Wiranti Mirza Prastyo . Nengah Bawa Atmadja Ni Komang Arie Suwastini Ni Komang Arie Suwastini Norman Efendi . Putu Ari Widana . Putu Warta Riadi . Rido Amriadi .